06.20.19
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
PW OPINION PW NEWS PW LIFE PW ARTS<br />
•FILM•<br />
BY CARL KOZLOWSKI<br />
Total Winner<br />
‘THE LAST BLACK MAN IN SAN FRANCISCO’ SPOTLIGHTS<br />
HUGELY TALENTED NEWCOMER JIMMIE FAILS<br />
It’s no secret that San Francisco is beset<br />
with all manner of troubles these days,<br />
from rampant homelessness to terribly<br />
unsanitary conditions in much of its prime<br />
locations. Yet its huge hills and beautiful historic<br />
architecture still hold a magical allure<br />
for millions, and a young actor-writer named<br />
Jimmie Fails makes a dramatic stand for<br />
its preservation in the stunning new drama<br />
“The Last Black Man in San Francisco.”<br />
Fails has come out of seemingly nowhere<br />
with the film, in which he plays a somewhat<br />
fictional version of himself and co-wrote the<br />
story with his best friend and director, Joe<br />
Talbot. The story follows Fails and his best<br />
friend, Monty (Jonathan Majors), as Jimmie<br />
tries desperate and inventive measures to<br />
reclaim his childhood home after 12 years<br />
when its owners are forced to leave the<br />
premises.<br />
Jimmie has had the deck stacked<br />
against him his entire life, with a mother<br />
who abandoned him years ago and a father<br />
who is a former junkie and subsists by<br />
making and selling pirated DVDs in a dingy<br />
hotel room. Monty is stuck working in a<br />
fish shop while dreaming of becoming a<br />
playwright, and spends much of his time<br />
outside of work listening to the conversations<br />
and arguments of the people he sees<br />
on the streets around him.<br />
When Jimmie realizes that the older<br />
white couple who took over the house when<br />
his family fell apart are being evicted due to<br />
a familial property dispute, he and Monty<br />
break in and start squatting there. He has<br />
always been told his grandfather built the<br />
fantastical house, and even manages to<br />
reclaim his grandfather’s assortment of odd<br />
furniture and other possessions to fill its<br />
massive empty space.<br />
On the one hand, this brings Jimmie great<br />
happiness. On the other, it also creates a<br />
Jimmie Fails, left, and Jonathan Majors in “The Last Black Man in San Francisco“<br />
slow-building tension as they struggle to remain<br />
unnoticed and wonder when the other<br />
shoe is going to drop.<br />
“Last” doesn’t rely much on conventional<br />
narrative, but rather is a mesmerizing visual<br />
poem and mood piece that grabs viewers<br />
from the start and never lets go. Co-writer<br />
and director Joe Talbot, the real Fails’ reallife<br />
best friend, kicks things off with an aweinspiring<br />
opening sequence in which Jimmie<br />
and Monty hop on the same skateboard and<br />
soar through the streets of San Francisco on<br />
their way to work.<br />
As they zip through the streets and soar<br />
up and down its incredible hills, numerous<br />
images of the people they pass are freezeframed<br />
or slow-motioned as they stare at the<br />
two young friends flying by. This visual trick<br />
and many others are employed by Talbot<br />
throughout the film, creating a unique look<br />
from start to finish that recalls and even surpasses<br />
the dazzling cinematography of Spike<br />
Lee’s visionary early work.<br />
With Emile Mosseri’s stirring musical<br />
score that combines orchestral power with a<br />
jazzy undertone, “Last” becomes a feast for<br />
the senses. Fails is making his literal feature<br />
film debut here as both writer and actor, and<br />
the result caused a sensation at this year’s<br />
Sundance Film Festival.<br />
In fact, The Hollywood Reporter critic<br />
Todd McCarthy regarded it as “by far the<br />
best narrative film I saw at Sundance…Every<br />
scene is fresh and unpredictable, visual<br />
poetry and realism are exquisitely woven together.”<br />
Such high praise is richly deserved,<br />
and if you’re looking for an intelligent and<br />
compelling film amid the bombast of summer<br />
blockbusters, this is likely your best bet<br />
of the season. n<br />
“THE LAST BLACK MAN IN<br />
SAN FRANCISCO”: A<br />
FLICK FINDER<br />
SHOWTIMES<br />
Friday June 21 to Thursday June 27 Note: Times are p.m., and daily, unless otherwise indicated. All<br />
times are subject to change without notice.<br />
PASADENA<br />
ACADEMY 6<br />
1003 E Colorado Bl, (626) 229-9400.<br />
Princess Mononoke Tues. only, 7:30 p.m.<br />
IPIC THEATERS AT<br />
ONE COLORADO PASADENA<br />
42 Miller Alley, (626) 639-2260.<br />
Men in Black: International Fri.-Sun., 1, 4:30, 7:30,<br />
10:30 p.m.; Mon.-Tues., 1, 4:15, 7:30, 10:30 p.m.; Wed.<br />
1:20, 4:30, 7:30, 10:30 p.m.<br />
Rocketman Fri.-Tues., 1:15, 4:15, 7:15, 10:15 p.m.; Wed.<br />
1:10, 4:15, 7:15, 10:15 p.m.<br />
The Secret Life of Pets 2 Fri. 1:15, 3:45, 6:45, 9:15 p.m.;<br />
Sat. 1, 3:45, 6:45, 9:15 p.m.; Sun. 1:05, 3:45, 6:45, 9:15<br />
p.m.; Mon.-Tues., 1, 3:45, 6:45, 9:15 p.m.; Wed. 1, 3:30,<br />
6:30, 9 p.m.<br />
Shaft Fri.-Wed., 1:45, 4:45, 7:45, 10:45 p.m.<br />
Toy Story 4 Fri.-Sun., 12:30, 12:45, 3:30, 4, 6:30, 7, 9:30,<br />
10 p.m.; Mon.-Tues., 12:40, 12:45, 3:30, 4, 6:30, 7, 9:30,<br />
9:45 p.m.; Wed. 12:45, 1, 3:45, 4, 6:45, 9:30, 10 p.m.;<br />
Thurs. 12:50, 3:50, 6:45, 9:45 p.m.<br />
LAEMMLE’S PLAYHOUSE 7<br />
673 E Colorado Bl, (626) 844-6500.<br />
Kinky Boots the Musical Tues. only, 7 p.m.<br />
The Taming of the Shrew Mon. 7:30 p.m.; Tues. 1 p.m.<br />
Yesterday Thurs. only, 7:20, 10:10 p.m.<br />
ARCLIGHT PASADENA 14<br />
280 E Colorado Bl, (626) 568-8888.<br />
Annabelle Comes Home Tues. 5, 7:15, 9:30, 11:45 p.m.;<br />
Wed.-Thurs., 11 a.m., 1:15, 3:30, 5:45, 8, 10:15 p.m.<br />
Child’s Play Fri.-Sun., 10:30 a.m., 12:30, 2:30, 4:30,<br />
6:30, 8:30, 10:30 p.m.<br />
Toy Story 4 Fri.-Sun., 10 a.m., 4:45, 7, 9:15 p.m.<br />
Toy Story 4 3D Fri. 3:30 p.m.; Sat. 1:15, 3:30 p.m.; Sun.<br />
3:30 p.m.<br />
Yesterday Thurs. only, 7, 9:30, 12 midnight<br />
GLENDALE<br />
PACIFIC GLENDALE 18<br />
The Americana at Brand,322<br />
Americana Way, Glendale<br />
(818) 551-0218.<br />
Annabelle Comes Home Tues. 5, 7:30, 10 p.m.; Wed.<br />
11:45 a.m., 2:15, 5:30, 8, 10:30 p.m.; Thurs. 11:45 a.m.,<br />
2:20, 5:30, 8, 10:30 p.m.<br />
Child’s Play Fri. 5:45, 8 p.m.; Sat. 5:45 p.m.; Sun. 5:50,<br />
8:05, 10:20 p.m.<br />
Toy Story 4 Fri.-Sat., 10:30 a.m., 11:30 a.m., 1, 2, 3:30,<br />
4:30, 6, 7, 8:30, 9:30, 11, 12 midnight; Sun. 10:30 a.m.,<br />
11:30 a.m., 1, 2, 3:30, 4:30, 6, 7, 8:30, 9:30 p.m.<br />
Yesterday Thurs. only, 7:15, 10 p.m.<br />
UA LA CANADA FLINTRIDGE<br />
1919 Verdugo Bl, (818) 952-1940.<br />
Annabelle Comes Home Tues. 5, 7:50, 10:30 p.m.; Wed.-<br />
Thurs., 11:50 a.m., 2:30, 5:10, 7:50, 10:30 p.m.<br />
Toy Story 4 Fri.-Thurs., 11:10 a.m., 4:30, 7:10, 9:50 p.m.<br />
Toy Story 4 3D Fri.-Thurs., 1:50 p.m.<br />
Yesterday Thurs. only, 7, 9:50 p.m.<br />
ARCADIA<br />
AMC SANTA ANITA 16<br />
Westfield Shoppingtown Mall,400 Baldwin<br />
Ave, (888) 262-4386.<br />
Anna Fri.-Thurs., 10:30 a.m., 1:30, 4:30, 7:30, 10:30 p.m.<br />
Annabelle Comes Home Tues. 5, 8, 11 p.m.; Wed.-<br />
Thurs., 11:25 a.m., 2:15, 5, 7:45, 10:30 p.m.<br />
Child’s Play Fri.-Thurs., 10:15 a.m., 12:45, 3:15, 5:45,<br />
8:15, 10:45 p.m.<br />
Forrest Gump 25th Anniversary Sun. 3, 7 p.m.; Tues. 3,<br />
7 p.m.<br />
Kinky Boots the Musical Tues. only, 7 p.m.<br />
Men in Black: International Fri. 10:45 a.m., 12:15, 1:30,<br />
3:15, 4:30, 7:30, 10:30 p.m.; Sat.-Sun., 10:45 a.m.,<br />
12:15, 1:30, 3:15, 4:15, 7:15, 10:15 p.m.; Tues. 7 p.m.<br />
Men in Black: International 3D Fri.-Sun., 6:15, 9:15 p.m.<br />
MET Summer Encore: La Boheme (2010) Wed. only, 7<br />
p.m.<br />
The Secret Life of Pets 2 Sat. only, 11 a.m.<br />
Shaft Fri.-Sun., 10:30 a.m., 1:30, 4:15, 7:15, 10:15 p.m.<br />
Toy Story 4 Fri.-Sat., 9:45 a.m., 11:15 a.m., 12:30, 2,<br />
3:15, 4:45, 6, 7:30, 8:45, 10:15, 11:30 p.m.; Sun. 9:45<br />
a.m., 11:15 a.m., 12:30, 2, 3:15, 4:45, 6, 7:30, 8:45,<br />
10:15, 11:15 p.m.; Mon. 10:30 a.m., 11 a.m., 1:15, 1:45,<br />
4, 4:30, 6:45, 7:15, 9:30, 10 p.m.; Tues. 10 a.m., 10:30<br />
a.m., 12:45, 1:15, 3:30, 4, 6:45, 9:30 p.m.; Wed.-Thurs.,<br />
10:30 a.m., 1:15, 4, 6:45, 9:30 p.m.<br />
Toy Story 4 3D Fri.-Sun., 10:45 a.m., 1:30, 4:15, 7, 9:45<br />
p.m.; Mon.-Thurs., 11:30 a.m., 2:15, 5, 7:45, 10:30 p.m.<br />
Toy Story 4: The IMAX 2D Experience Fri.-Sun., 10:15<br />
a.m., 1, 3:45, 6:30, 9:15 p.m.; Mon. 10 a.m., 12:45,<br />
3:30, 6:15, 9 p.m.; Tues.-Thurs., 11 a.m., 1:45, 4:30<br />
p.m.<br />
ALHAMBRA<br />
EDWARDS ALHAMBRA RENAISSANCE<br />
STADIUM 14 & IMAX<br />
1 E. Main Street,<br />
(626) 300-0107.<br />
Annabelle Comes Home Tues. 5, 7:35, 10:15 p.m.; Wed.-<br />
Thurs., 9:45 a.m., 12:25, 3:05, 5:45, 8:25, 11 p.m.<br />
Child’s Play Fri.-Sat., 10 a.m., 12:30, 3, 5:30, 8, 10:30<br />
p.m.; Sun. 10 a.m., 12:30, 3:05, 5:30, 8, 10:30 p.m.;<br />
Mon.-Thurs., 10 a.m., 12:30, 3, 5:30, 8, 10:30 p.m.<br />
Forrest Gump 25th Anniversary Sun. 3 p.m.; Tues. 7 p.m.<br />
Kinky Boots the Musical Tues. only, 7 p.m.<br />
Met Summer Encore: La BohËme Wed. only, 1, 7 p.m.<br />
Paddington 2 Tues.-Wed., 10 a.m.<br />
Teen Titans GO! to the Movies Tues.-Wed., 10 a.m.<br />
Toy Story 4 Fri.-Thurs., 9:30 a.m., 12:10, 2:50, 5:30, 8:10<br />
p.m.<br />
Toy Story 4 3D Fri. 10:45 p.m.; Sat.-Thurs., 10:50 p.m.<br />
Toy Story 4: The IMAX 2D Experience Fri.-Thurs., 11:10<br />
a.m., 1:50, 4:30, 7:10, 9:50 p.m.<br />
Yesterday Thurs. only, 7, 9:55 p.m. n<br />
Enjoy the show.<br />
For more reviews, check<br />
out pasadenaweekly.com<br />
<strong>06.20.19</strong> | PASADENA WEEKLY 23