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. second in s
earch of alternatives Discursive proposals, partipatory projects, temporary sculptures, mobile pieces, additive interventions, and performative protests produced by contemporary artists, activists, and public historians in the past two decades demonstrate alternatives to the pitfalls of traditional monument-making. A subset of these works, presented here, demonstrate physical and conceptual interventions made onto monuments that can be replicated by future publics and practitioners.
Page 1 and 2: GUIDE GAINST RONZEWASHING N INSTRUC
Page 3: Monuments have problems. We’ll ca
Page 7 and 8: As part of Monuments for the USA, c
Page 9 and 10: Tatzu Nishi worked with New Yorkbas
Page 11 and 12: As part of Monuments for the USA, S
Page 13 and 14: Canadian artist Ken Lum, who would
Page 15 and 16: As part of public art exhibition Cu
Page 17 and 18: As part of the Fourth Plinth Progra
Page 19 and 20: As part of a two-artist show with K
Page 21 and 22: In doing so, they suggest that monu
Page 23 and 24: further reading

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