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. pause As the third installment of the Royal Society of Art’s Fourth Plinth Programme, British sculptor Rachel Whiteread casted the empty fourth plinth of London’s Trafalgar Square in translucent resin. Rather than create a specific statement, Whiteread solidified the absence of a monumentalized figure.
As part of Monuments for the USA, curated by Ralph Rugoff at the Wattis Institute of Contemporary Art in 2005, Italian artist Enrico David envisioned a monument to Pepper LaBeija of the Harlem drag ball House of LaBeija, exemplifying the creation of monuments to marginalized figures replace
Page 1 and 2: GUIDE GAINST RONZEWASHING N INSTRUC
Page 3 and 4: Monuments have problems. We’ll ca
Page 5: earch of alternatives Discursive pr
Page 9 and 10: Tatzu Nishi worked with New Yorkbas
Page 11 and 12: As part of Monuments for the USA, S
Page 13 and 14: Canadian artist Ken Lum, who would
Page 15 and 16: As part of public art exhibition Cu
Page 17 and 18: As part of the Fourth Plinth Progra
Page 19 and 20: As part of a two-artist show with K
Page 21 and 22: In doing so, they suggest that monu
Page 23 and 24: further reading

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