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Comparative Analysis Report

Architecture History & Theory Project 2 ( Group )

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B A N G U N A N G E TA H<br />

A S L I<br />

C O N T E N T<br />

1 p1<br />

2 p2<br />

3 p3<br />

INTRODUCTION<br />

HISTORY<br />

SITE & CONTEXT<br />

ANALYSIS<br />

4<br />

5<br />

6<br />

7<br />

p5<br />

p7<br />

p9<br />

p10<br />

ORGANIZATION<br />

ANALYSIS<br />

ARCHITECTURAL<br />

STYLE<br />

BUILDING<br />

STRUCTURE AND<br />

MATERIAL<br />

ANALYSIS<br />

ARCHITECTURAL<br />

COMPONENTS<br />

ANALYSIS


PA N G G U N G<br />

B A N D A R AYA<br />

8 p11<br />

9 p12<br />

10 p13<br />

INTRODUCTION<br />

HISTORY<br />

SITE & CONTEXT<br />

ANALYSIS<br />

11<br />

12<br />

13<br />

14<br />

p15<br />

p17<br />

p19<br />

p20<br />

ORGANIZATION<br />

ANALYSIS<br />

ARCHITECTURAL<br />

STYLE<br />

BUILDING<br />

STRUCTURE AND<br />

MATERIAL<br />

ANALYSIS<br />

ARCHITECTURAL<br />

COMPONENTS<br />

ANALYSIS<br />

15 p21<br />

CONCLUSION


I N T R O D U C T I O N<br />

In the early 20 th century, the<br />

rubber production in Malaysia had<br />

been one of the main economic<br />

activity,<br />

Thus, the Getah Asli Building was<br />

the testimony to the importance of<br />

Malaysia’s rubber industry.<br />

The four-storey podium consists<br />

mainly of retail outlets, fast-food<br />

chain, restaurants, banks and<br />

showrooms.<br />

The headquarters for the<br />

Malaysian Rubber Board (Lembaga<br />

Getah Malaysia) is located in the<br />

main building.


Construction of the<br />

four-storey podium<br />

block began.<br />

1<br />

9<br />

6<br />

0<br />

19<br />

64<br />

The podium was<br />

officiated by the<br />

first Prime Minister,<br />

Tunku Abdul<br />

Rahman.<br />

H I S TO R Y O F T H E<br />

B A N G U N A N<br />

G E TA H A S L I<br />

Construction of the<br />

four-storey podium<br />

block began<br />

1<br />

9<br />

8<br />

0<br />

A R C H I T E C T<br />

Swan & Maclaren Architects, a<br />

Singapore architectural firm believes<br />

architecture is equivalent to the<br />

struggles of refining the form and<br />

structural system. Thus, the aesthetic of<br />

the building was meant to be given a<br />

regular order.<br />

2


L O C A T I O N P L A N<br />

Bangunan Getah Asli<br />

Bangunan Getah Asli is situated at<br />

the busy intersection of Jalan<br />

Ampang and Jalan P. Ramlee in<br />

KLCC.<br />

B U I L D I N G A C C E S S I B I L I T Y<br />

Boundary<br />

Entrance<br />

N a t u r a l l i g h t<br />

The building is designed with<br />

curtain wall windows to allow<br />

natural light to penetrate from<br />

all sides . Thus, it enhances the<br />

thermal comfort of the area<br />

while providing better visual<br />

sense for both buildings.<br />

S U R R O U N D I N G B U I L D I N G S<br />

Wisma Equity<br />

Menara Public Bank<br />

Mainly surrounded by the<br />

office buildings.


S i t e C o n t e x t<br />

A n a l y s i s<br />

C i r c u l a t i o n<br />

The circulation of the old building<br />

follow rectangular path of forms<br />

and leads to connecting bridge<br />

towards the new building.<br />

However, the new building has a<br />

linear circulation, leading from the<br />

lobby to higher floors which are<br />

separate through vertical<br />

circulation.<br />

A i r V e n t i l a t i o n<br />

The center of the old building has<br />

water feature and it is also built<br />

with an open air concept to<br />

encourage cross ventilation,<br />

combatting Malaysia’s climate.<br />

Despite that , the new building has<br />

a linear air flow that enters through<br />

the entrance and windows on every<br />

floor.<br />

4


O r g a n i z a t i o n A n a l y s i s<br />

M a s s i n g<br />

It forms two rectangular blocks<br />

which is a simple design that<br />

allows more functional space.<br />

Unity is achieved through simple<br />

shapes.<br />

S y m m e t r y<br />

Both buildings are designed in the<br />

form of cuboid with a rectangular<br />

plan where it shows the balanced<br />

form that influenced and power of<br />

the early rubber company.<br />

R e p e t<br />

Long ver<br />

windows<br />

the front<br />

it gives a<br />

and cohe


i t i o n<br />

ical strips of glass<br />

are repeatedly used on<br />

wall of the building, thus,<br />

sense of organization<br />

rence.<br />

S p a t i a l<br />

H i e r a r c h y<br />

Old building is more public<br />

as it consists cafeteria and<br />

bank which are available to<br />

everyone. The higher floor of<br />

the old building and the new<br />

building is entirely a private<br />

space.<br />

A d d i t i v e &<br />

S u b t r a c t i v e<br />

Ground floor is subtracted to<br />

allow higher floors to create an<br />

overhang for the main<br />

entrance. Moreover, cuboid<br />

block is added on top of the<br />

new building as an access to<br />

the rooftop. Connecting bridge<br />

is built like a cuboid form<br />

between the old and new<br />

buildings.<br />

6


A r c h i t e c t u r a l S t y l e<br />

Art Deco, sometimes<br />

referred to as Deco, is a style<br />

of visual arts, architecture and<br />

design that first appeared in<br />

France just before world war in<br />

the 1920s. Art Deco design<br />

represented modernism<br />

turned into fashion. It<br />

combined modern styles with<br />

fine craftsmanship and rich<br />

materials. During its heyday,<br />

Art Deco also represented<br />

luxury, glamour, exuberance,<br />

and faith in social and<br />

technological progress.<br />

The form of Bangunan Getah<br />

Asli was simple with two<br />

rectangular blocks. Bangunan<br />

Getah Asli also featured the<br />

used of more window glass<br />

rows with brick at the facade<br />

and flat roofs.<br />

Characteristic of art deco architecture<br />

-Sharp edged, linear appearance<br />

-Stylized decorative elements using geometrical forms,<br />

zigzags, chevrons<br />

-Low relief decorative panels<br />

-Stepped or set back front facade<br />

-Strips of windows with decorative spandrels<br />

-Reeding and fluting around doors and windows<br />

Smooth wall surface


Chrysler Building in New York<br />

city by William Van Alen<br />

Architect: Willian Van Alen<br />

Style: Art Deco<br />

Construction: 77 floors, 319.5m (1048<br />

feet) high, 29961 tons of steel,<br />

3,826,000 bricks, near 5000 windows.<br />

Feature: The building is clad in white<br />

brick and dark grey brickwork is used as<br />

horizontal decoration to enhance the<br />

window rows. The eccentric crescentshaped<br />

steps of the spire (spire<br />

scaffolding) were made of stainless<br />

steel (or rather, similar nirosta chromenickel<br />

steel) as a stylized sunburst motif,<br />

and underneath it steel gargoyles,<br />

depicting American eagles , stare over<br />

the city. Sculptures modeled after<br />

Chrysler automobile radiator caps<br />

decorate the lower setbacks, along with<br />

ornaments of car wheels.<br />

C a s e S t u d y<br />

Style: Art Deco neo gothic<br />

Construction: Steel frame, 23 stories,<br />

102.7 m (337 feet) high<br />

Feature: The black brickwork on the<br />

facade was chosen to lessen the<br />

visual contrast between the walls and<br />

the windows and thus give the tower<br />

an effect of solidity and massiveness.<br />

The Gothic-style pinnacles and the<br />

terra-cotta friezes on the edges of<br />

the setbacks are coated with gold.<br />

The base is clad in bronze plating<br />

and black granite. The entrance lobby<br />

is decorated with black marble and<br />

mirrors.<br />

American Radiotor Building in<br />

New York City by Raymond<br />

Hood<br />

8


B u i l d i n g S t r u c t u r e & M a t e r i a l<br />

A n a l y s i s<br />

Marble<br />

Concrete<br />

Aluminium<br />

S t r u c t u r e<br />

The old building consists of<br />

structural walls, concrete beams and<br />

columns. However, the new building<br />

is supported by marble columns and<br />

reinforced concrete walls to create<br />

an open floor plan.<br />

M a t e r i a l<br />

Black tinted aluminium curtain wall is used<br />

for windows to allow light transmission to<br />

interior in order to reduce heat. Concrete is<br />

used for walls and flooring to provide a<br />

smooth surface and strong structure.<br />

Marble are used as columns of new<br />

building to create a grand outlook while<br />

providing support for structure.


A r c h i t e c t u r a l C o m p o n e n t s<br />

A n a l y s i s<br />

A t r i u m R o o f<br />

Flat roof to assimilate into the site.<br />

Cuboid blocks is added on top of the<br />

new building acting as the access to<br />

the rooftop.<br />

W i n d o w s<br />

The glass windows allow natural light<br />

to penetrate into the building. The<br />

metal frameworks are added to<br />

support the glass window. Hence, it<br />

creates curtain wall façade which<br />

enhances the visual connection spaces<br />

and site.<br />

10


I N T R O D U C T I O N<br />

Panggung Bandaraya DBKL<br />

is a historical theatre hall<br />

located across the<br />

Merdeka Square at the<br />

junction of Jalan Tun Perak<br />

and Jalan Raja in Kuala<br />

Lumpur.<br />

It is gazette as a heritage<br />

building under the<br />

Antiquities Act, and its<br />

Moorish façade preserved.


DBKL construction<br />

began.<br />

1<br />

8<br />

9<br />

6<br />

19<br />

04<br />

H I S TO R Y O F T H E<br />

PA N G G U N G<br />

B A N DA R AYA<br />

Construction completely<br />

finished.<br />

A major fire destroyed<br />

the entire interior of<br />

the theatre but City<br />

Hall’s designers and<br />

builders restored it<br />

soon after.<br />

1<br />

9<br />

9<br />

2<br />

A R C H I T E C T<br />

Arthur Benision Hubback is a<br />

colonial government architect and also<br />

responsible for designing the Kuala<br />

Lumpur Railway Station, the Jamek<br />

Mosque and other colonial structures<br />

throughout the Klang Valley.<br />

12


L O C A T I O N P L A N<br />

Panggung Bandaraya<br />

Panggung Bandaraya is located<br />

across the Merdeka Square at the<br />

junction of Jalan Tun Perak and Jalan<br />

Raya in Kuala Lumpur.<br />

B U I L D I N G A C C E S S I B I L I T Y<br />

Boundary<br />

Entrance<br />

C i r c u l a t i o n<br />

Used of linear circulation<br />

following the corridor to direct<br />

crowds to the seats. Main<br />

entrance leads general public<br />

into interior of the theatre , then<br />

branches into 4 other entrance<br />

along the corridor lead to the<br />

first floor and backstage.<br />

S U R R O U N D I N G B U I L D I N G S<br />

Countdown Clock<br />

Sultan Abdul Samad Building<br />

Dataran Merdeka<br />

Mainly surrounded by the<br />

historical buildings.


S i t e C o n t e x t<br />

A n a l y s i s<br />

S o u n d S o u r c e<br />

Primary sound source comes from<br />

the speakers located at the front<br />

that emit majority of the noise<br />

during performances. Toilets<br />

located on the opposite sides of<br />

the auditorium, act as a secondary<br />

source. Tertiary sound originates<br />

from people themselves, whispers,<br />

adjustments, of seats and seating<br />

positions.<br />

S o u n d<br />

R e f l e c t i o n<br />

Wooden railing on ground floor<br />

reflect and diffuse the sound from<br />

the sound source.<br />

14


O r g a n i z a t i o n A n a l y s i s<br />

H i e r a r c h y<br />

Hierarchy can be clearly seen through<br />

the height of the towers and also the<br />

height of the arch on the entrance.<br />

Thus, it catches the visitor’s eye as it’s<br />

different height compared to the back<br />

side of the building.<br />

V a r i e t y<br />

The use of different arched window and<br />

decorative ornamentation for the<br />

design of Panggung Bandaraya gives<br />

the building an interesting look which<br />

gives off a variety of details for visitors<br />

to discover like shadow patterns created<br />

by the arches.


R e p e t i t i o n<br />

The repetition of using windows with<br />

curved arch-like frames and arches<br />

throughout the façade of the building<br />

gives the Panggung Bandaraya a look<br />

which replicates and satisfies the<br />

Moorish architectural design intended<br />

for this building.<br />

S y m m e t r y<br />

The façade of the Panggung Bandaraya<br />

has a well balanced look thanks to the<br />

Porte Cochere located at the entrance<br />

of the building which is also<br />

conveniently located at the center and is<br />

the main focus of the whole building.<br />

16


A r c h i t e c t u r a l S t y l e<br />

Moorish<br />

Architecture, is a<br />

variation of Islamic<br />

architecture. It developed as a<br />

group of people of Islamic<br />

faith spread from the Middle<br />

East to the Maghreb, an area<br />

which included parts of North<br />

Africa and Spain. Their<br />

architecture was noted for its<br />

unique characteristics -- a<br />

result of the intertwined<br />

influences Panggungof Bandaraya culture and adopts<br />

religion. a Moorish architecture, one of<br />

the most distinctive elements<br />

of Moorish architecture is the<br />

horseshoe arch.<br />

Fenestration<br />

Most of the openings of the building are<br />

from the arches. The horseshoe arches and<br />

multifoil arches are associated with Moorish<br />

architecture.<br />

Multifoil<br />

arch<br />

Horseshoe arch<br />

Like the horseshoe arch,<br />

the multifoil arch is<br />

characteristic of Moorish<br />

architecture. This arch<br />

features multiple foils, or<br />

“leaves,” resulting in a<br />

scalloped shape.<br />

The horseshoe arch (also<br />

known as a keyhole arch) is<br />

associated with Moorish<br />

architecture. As its crown can<br />

be either rounded or pointed,<br />

this type of structure is<br />

defined by the dramatic<br />

widening and narrowing of its<br />

sides.


Ornate carved arch in courtyard of<br />

Alhambra palace Granada, Spain<br />

Architect: Nasrid Sultan<br />

Muhammed V<br />

Architecture style: Moorish<br />

Architecture<br />

Feature: Detail of the central<br />

arch of the portico on the<br />

northern side of the Court of the<br />

Myrtles. Behind the richly<br />

decorated arch of the portico<br />

you can see the beautiful<br />

muqarnas arch, immediately in<br />

front of the entrance to the<br />

throne room. It is decorated<br />

throughout in carved stucco,<br />

originally painted in many colors.<br />

The arches are purely decorative<br />

and have no supporting function.<br />

C a s e S t u d y<br />

Architecture style : Moorish<br />

Architecture style<br />

Feature: The building is most<br />

notable for its arcaded hypostyle<br />

hall, with 856 columns of jasper,<br />

onyx, marble, granite and<br />

porphyry. These were made from<br />

pieces of the Roman temple that<br />

had occupied the site previously,<br />

as well as other Roman buildings,<br />

such as the Mérida amphitheatre.<br />

The double arches were an<br />

innovation, permitting higher<br />

ceilings than would otherwise be<br />

possible with relatively low<br />

columns. The double arches<br />

consist of a lower horseshoe arch<br />

and an upper semi-circular arch.<br />

The famous alternating red and<br />

white voussoirs of the arches were<br />

inspired by those in the Dome of<br />

the Rock and also resemble those<br />

of the Aachen Cathedral, which<br />

were built almost at the same<br />

time.<br />

Mezquita Cordoba<br />

18


B u i l d i n g S t r u c t u r e & M a t e r i a l<br />

A n a l y s i s<br />

S t r u c t u r e &<br />

M a t e r i a l s f o r<br />

e x t e r i o r b u i l d i n g<br />

This outer of the building<br />

consists of brick walls and<br />

concrete beams.<br />

Bricks<br />

Concrete<br />

M a t e r i a l s f o r<br />

i n t e r n a l b u i l d i n g<br />

Fabric upholstered seats help<br />

to absorb the emitting sound<br />

and minimize the sound<br />

reverberation to prevent<br />

interruption. Carpet acts as a<br />

sound absorber to reduce<br />

walking noise.<br />

Timber Flooring<br />

Carpet<br />

Fabric Upholstered Seats<br />

S t r u c t u r e f o r<br />

i n t e r n a l b u i l d i n g<br />

Plaster<br />

Fabric Wrapped Panels<br />

Timber Panels<br />

The concave plastered ceiling helps<br />

to concentrate the sound to the<br />

center. Fabric wrapped panels help<br />

to achieve sound intelligibility.<br />

Timber panels channel sound<br />

reflection to the seatings.


A r c h i t e c t u r a l C o m p o n e n t s<br />

A n a l y s i s<br />

M u l t i f o i l A r c h<br />

Symmetrical leaf shapes,<br />

defined by overlapping<br />

circles. The French term “foil”<br />

means leaf.<br />

F o u r - c e n t e r e d<br />

A r c h<br />

The arch features mostly at<br />

doorways in the building and<br />

to frame larger sheltered areas.<br />

It is a low elliptical or pointed<br />

arch, usually drawn from four<br />

centres.<br />

P o i n t e d<br />

H o r s e s h o e A r c h /<br />

K e y h o l e A r c h<br />

It is emblematic arch of<br />

Islamic architecture. It is used<br />

throughout the building in<br />

both the verandas and<br />

doorways.<br />

S t a i n e d G l a s s<br />

Pieces of coloured glass which<br />

bathe the interior in rich red,<br />

blue and green joined<br />

together by strips of lead to<br />

form a picture or design which<br />

tells a story behind it.<br />

20


C o n c l u s i o n<br />

This project has given us an in-depth knowledge on the building<br />

architectural styles in Malaysia specifically Art Deco and Moorish.<br />

From the comparative analysis of the case studies that has been<br />

done, we learned that there are minimal differences among the<br />

buildings but the main architectural style still remains insight. The<br />

slight differences are mainly due to the origins of the building,<br />

influenced by the local cultures, beliefs and traditions. No doubt,<br />

this project is a success because we work well as a team and<br />

improved our communication skills. We’ve gained a lot while<br />

doing this project and it was an eye opener which made us<br />

appreciate Malaysia’s architecture even more.


R e f e r e n c e s<br />

En.wikipedia.org. (2019). Mosque–Cathedral of Córdoba. [online] Available at:<br />

https://en.wikipedia.org/wiki/Mosque%E2%80%93Cathedral_of_C%C3%B3rdoba#Featur<br />

es [Accessed 24 May 2019].<br />

Islamic Arts and Architecture. (2019). The Alhambra « Islamic Arts and Architecture.<br />

[online] Available at: http://islamic-arts.org/2013/the-alhambra/ [Accessed 24 May 2019].<br />

Merriam-webster.com. (2019). Definition of PORTE COCHERE. [online] Available at:<br />

https://www.merriam-webster.com/dictionary/porte%20cochere [Accessed 3 Jun. 2019].<br />

Nyc-architecture.com. (2019). Top Ten New York Architecture. [online] Available at:<br />

http://www.nyc-architecture.com/TEN/TEN-DECO.htm [Accessed 24 May 2019].<br />

Sss10.bartlett.ucl.ac.uk. (2019). [online] Available at:<br />

http://www.sss10.bartlett.ucl.ac.uk/wpcontent/uploads/2015/07/SSS10_Proceedings_010.pdf<br />

[Accessed 25 May 2019].<br />

Study.com. (2019). [online] Available at: https://study.com/academy/lesson/art-nouveauvs-art-deco.html<br />

[Accessed 3 Jun. 2019].<br />

Study.com. (2019). Moorish Architecture: History & Characteristics | Study.com. [online]<br />

Available at: https://study.com/academy/lesson/moorish-architecture-historycharacteristics.html<br />

[Accessed 3 Jun. 2019].

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