Comparative Analysis Report
Architecture History & Theory Project 2 ( Group )
Architecture History & Theory Project 2 ( Group )
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B A N G U N A N G E TA H<br />
A S L I<br />
C O N T E N T<br />
1 p1<br />
2 p2<br />
3 p3<br />
INTRODUCTION<br />
HISTORY<br />
SITE & CONTEXT<br />
ANALYSIS<br />
4<br />
5<br />
6<br />
7<br />
p5<br />
p7<br />
p9<br />
p10<br />
ORGANIZATION<br />
ANALYSIS<br />
ARCHITECTURAL<br />
STYLE<br />
BUILDING<br />
STRUCTURE AND<br />
MATERIAL<br />
ANALYSIS<br />
ARCHITECTURAL<br />
COMPONENTS<br />
ANALYSIS
PA N G G U N G<br />
B A N D A R AYA<br />
8 p11<br />
9 p12<br />
10 p13<br />
INTRODUCTION<br />
HISTORY<br />
SITE & CONTEXT<br />
ANALYSIS<br />
11<br />
12<br />
13<br />
14<br />
p15<br />
p17<br />
p19<br />
p20<br />
ORGANIZATION<br />
ANALYSIS<br />
ARCHITECTURAL<br />
STYLE<br />
BUILDING<br />
STRUCTURE AND<br />
MATERIAL<br />
ANALYSIS<br />
ARCHITECTURAL<br />
COMPONENTS<br />
ANALYSIS<br />
15 p21<br />
CONCLUSION
I N T R O D U C T I O N<br />
In the early 20 th century, the<br />
rubber production in Malaysia had<br />
been one of the main economic<br />
activity,<br />
Thus, the Getah Asli Building was<br />
the testimony to the importance of<br />
Malaysia’s rubber industry.<br />
The four-storey podium consists<br />
mainly of retail outlets, fast-food<br />
chain, restaurants, banks and<br />
showrooms.<br />
The headquarters for the<br />
Malaysian Rubber Board (Lembaga<br />
Getah Malaysia) is located in the<br />
main building.
Construction of the<br />
four-storey podium<br />
block began.<br />
1<br />
9<br />
6<br />
0<br />
19<br />
64<br />
The podium was<br />
officiated by the<br />
first Prime Minister,<br />
Tunku Abdul<br />
Rahman.<br />
H I S TO R Y O F T H E<br />
B A N G U N A N<br />
G E TA H A S L I<br />
Construction of the<br />
four-storey podium<br />
block began<br />
1<br />
9<br />
8<br />
0<br />
A R C H I T E C T<br />
Swan & Maclaren Architects, a<br />
Singapore architectural firm believes<br />
architecture is equivalent to the<br />
struggles of refining the form and<br />
structural system. Thus, the aesthetic of<br />
the building was meant to be given a<br />
regular order.<br />
2
L O C A T I O N P L A N<br />
Bangunan Getah Asli<br />
Bangunan Getah Asli is situated at<br />
the busy intersection of Jalan<br />
Ampang and Jalan P. Ramlee in<br />
KLCC.<br />
B U I L D I N G A C C E S S I B I L I T Y<br />
Boundary<br />
Entrance<br />
N a t u r a l l i g h t<br />
The building is designed with<br />
curtain wall windows to allow<br />
natural light to penetrate from<br />
all sides . Thus, it enhances the<br />
thermal comfort of the area<br />
while providing better visual<br />
sense for both buildings.<br />
S U R R O U N D I N G B U I L D I N G S<br />
Wisma Equity<br />
Menara Public Bank<br />
Mainly surrounded by the<br />
office buildings.
S i t e C o n t e x t<br />
A n a l y s i s<br />
C i r c u l a t i o n<br />
The circulation of the old building<br />
follow rectangular path of forms<br />
and leads to connecting bridge<br />
towards the new building.<br />
However, the new building has a<br />
linear circulation, leading from the<br />
lobby to higher floors which are<br />
separate through vertical<br />
circulation.<br />
A i r V e n t i l a t i o n<br />
The center of the old building has<br />
water feature and it is also built<br />
with an open air concept to<br />
encourage cross ventilation,<br />
combatting Malaysia’s climate.<br />
Despite that , the new building has<br />
a linear air flow that enters through<br />
the entrance and windows on every<br />
floor.<br />
4
O r g a n i z a t i o n A n a l y s i s<br />
M a s s i n g<br />
It forms two rectangular blocks<br />
which is a simple design that<br />
allows more functional space.<br />
Unity is achieved through simple<br />
shapes.<br />
S y m m e t r y<br />
Both buildings are designed in the<br />
form of cuboid with a rectangular<br />
plan where it shows the balanced<br />
form that influenced and power of<br />
the early rubber company.<br />
R e p e t<br />
Long ver<br />
windows<br />
the front<br />
it gives a<br />
and cohe
i t i o n<br />
ical strips of glass<br />
are repeatedly used on<br />
wall of the building, thus,<br />
sense of organization<br />
rence.<br />
S p a t i a l<br />
H i e r a r c h y<br />
Old building is more public<br />
as it consists cafeteria and<br />
bank which are available to<br />
everyone. The higher floor of<br />
the old building and the new<br />
building is entirely a private<br />
space.<br />
A d d i t i v e &<br />
S u b t r a c t i v e<br />
Ground floor is subtracted to<br />
allow higher floors to create an<br />
overhang for the main<br />
entrance. Moreover, cuboid<br />
block is added on top of the<br />
new building as an access to<br />
the rooftop. Connecting bridge<br />
is built like a cuboid form<br />
between the old and new<br />
buildings.<br />
6
A r c h i t e c t u r a l S t y l e<br />
Art Deco, sometimes<br />
referred to as Deco, is a style<br />
of visual arts, architecture and<br />
design that first appeared in<br />
France just before world war in<br />
the 1920s. Art Deco design<br />
represented modernism<br />
turned into fashion. It<br />
combined modern styles with<br />
fine craftsmanship and rich<br />
materials. During its heyday,<br />
Art Deco also represented<br />
luxury, glamour, exuberance,<br />
and faith in social and<br />
technological progress.<br />
The form of Bangunan Getah<br />
Asli was simple with two<br />
rectangular blocks. Bangunan<br />
Getah Asli also featured the<br />
used of more window glass<br />
rows with brick at the facade<br />
and flat roofs.<br />
Characteristic of art deco architecture<br />
-Sharp edged, linear appearance<br />
-Stylized decorative elements using geometrical forms,<br />
zigzags, chevrons<br />
-Low relief decorative panels<br />
-Stepped or set back front facade<br />
-Strips of windows with decorative spandrels<br />
-Reeding and fluting around doors and windows<br />
Smooth wall surface
Chrysler Building in New York<br />
city by William Van Alen<br />
Architect: Willian Van Alen<br />
Style: Art Deco<br />
Construction: 77 floors, 319.5m (1048<br />
feet) high, 29961 tons of steel,<br />
3,826,000 bricks, near 5000 windows.<br />
Feature: The building is clad in white<br />
brick and dark grey brickwork is used as<br />
horizontal decoration to enhance the<br />
window rows. The eccentric crescentshaped<br />
steps of the spire (spire<br />
scaffolding) were made of stainless<br />
steel (or rather, similar nirosta chromenickel<br />
steel) as a stylized sunburst motif,<br />
and underneath it steel gargoyles,<br />
depicting American eagles , stare over<br />
the city. Sculptures modeled after<br />
Chrysler automobile radiator caps<br />
decorate the lower setbacks, along with<br />
ornaments of car wheels.<br />
C a s e S t u d y<br />
Style: Art Deco neo gothic<br />
Construction: Steel frame, 23 stories,<br />
102.7 m (337 feet) high<br />
Feature: The black brickwork on the<br />
facade was chosen to lessen the<br />
visual contrast between the walls and<br />
the windows and thus give the tower<br />
an effect of solidity and massiveness.<br />
The Gothic-style pinnacles and the<br />
terra-cotta friezes on the edges of<br />
the setbacks are coated with gold.<br />
The base is clad in bronze plating<br />
and black granite. The entrance lobby<br />
is decorated with black marble and<br />
mirrors.<br />
American Radiotor Building in<br />
New York City by Raymond<br />
Hood<br />
8
B u i l d i n g S t r u c t u r e & M a t e r i a l<br />
A n a l y s i s<br />
Marble<br />
Concrete<br />
Aluminium<br />
S t r u c t u r e<br />
The old building consists of<br />
structural walls, concrete beams and<br />
columns. However, the new building<br />
is supported by marble columns and<br />
reinforced concrete walls to create<br />
an open floor plan.<br />
M a t e r i a l<br />
Black tinted aluminium curtain wall is used<br />
for windows to allow light transmission to<br />
interior in order to reduce heat. Concrete is<br />
used for walls and flooring to provide a<br />
smooth surface and strong structure.<br />
Marble are used as columns of new<br />
building to create a grand outlook while<br />
providing support for structure.
A r c h i t e c t u r a l C o m p o n e n t s<br />
A n a l y s i s<br />
A t r i u m R o o f<br />
Flat roof to assimilate into the site.<br />
Cuboid blocks is added on top of the<br />
new building acting as the access to<br />
the rooftop.<br />
W i n d o w s<br />
The glass windows allow natural light<br />
to penetrate into the building. The<br />
metal frameworks are added to<br />
support the glass window. Hence, it<br />
creates curtain wall façade which<br />
enhances the visual connection spaces<br />
and site.<br />
10
I N T R O D U C T I O N<br />
Panggung Bandaraya DBKL<br />
is a historical theatre hall<br />
located across the<br />
Merdeka Square at the<br />
junction of Jalan Tun Perak<br />
and Jalan Raja in Kuala<br />
Lumpur.<br />
It is gazette as a heritage<br />
building under the<br />
Antiquities Act, and its<br />
Moorish façade preserved.
DBKL construction<br />
began.<br />
1<br />
8<br />
9<br />
6<br />
19<br />
04<br />
H I S TO R Y O F T H E<br />
PA N G G U N G<br />
B A N DA R AYA<br />
Construction completely<br />
finished.<br />
A major fire destroyed<br />
the entire interior of<br />
the theatre but City<br />
Hall’s designers and<br />
builders restored it<br />
soon after.<br />
1<br />
9<br />
9<br />
2<br />
A R C H I T E C T<br />
Arthur Benision Hubback is a<br />
colonial government architect and also<br />
responsible for designing the Kuala<br />
Lumpur Railway Station, the Jamek<br />
Mosque and other colonial structures<br />
throughout the Klang Valley.<br />
12
L O C A T I O N P L A N<br />
Panggung Bandaraya<br />
Panggung Bandaraya is located<br />
across the Merdeka Square at the<br />
junction of Jalan Tun Perak and Jalan<br />
Raya in Kuala Lumpur.<br />
B U I L D I N G A C C E S S I B I L I T Y<br />
Boundary<br />
Entrance<br />
C i r c u l a t i o n<br />
Used of linear circulation<br />
following the corridor to direct<br />
crowds to the seats. Main<br />
entrance leads general public<br />
into interior of the theatre , then<br />
branches into 4 other entrance<br />
along the corridor lead to the<br />
first floor and backstage.<br />
S U R R O U N D I N G B U I L D I N G S<br />
Countdown Clock<br />
Sultan Abdul Samad Building<br />
Dataran Merdeka<br />
Mainly surrounded by the<br />
historical buildings.
S i t e C o n t e x t<br />
A n a l y s i s<br />
S o u n d S o u r c e<br />
Primary sound source comes from<br />
the speakers located at the front<br />
that emit majority of the noise<br />
during performances. Toilets<br />
located on the opposite sides of<br />
the auditorium, act as a secondary<br />
source. Tertiary sound originates<br />
from people themselves, whispers,<br />
adjustments, of seats and seating<br />
positions.<br />
S o u n d<br />
R e f l e c t i o n<br />
Wooden railing on ground floor<br />
reflect and diffuse the sound from<br />
the sound source.<br />
14
O r g a n i z a t i o n A n a l y s i s<br />
H i e r a r c h y<br />
Hierarchy can be clearly seen through<br />
the height of the towers and also the<br />
height of the arch on the entrance.<br />
Thus, it catches the visitor’s eye as it’s<br />
different height compared to the back<br />
side of the building.<br />
V a r i e t y<br />
The use of different arched window and<br />
decorative ornamentation for the<br />
design of Panggung Bandaraya gives<br />
the building an interesting look which<br />
gives off a variety of details for visitors<br />
to discover like shadow patterns created<br />
by the arches.
R e p e t i t i o n<br />
The repetition of using windows with<br />
curved arch-like frames and arches<br />
throughout the façade of the building<br />
gives the Panggung Bandaraya a look<br />
which replicates and satisfies the<br />
Moorish architectural design intended<br />
for this building.<br />
S y m m e t r y<br />
The façade of the Panggung Bandaraya<br />
has a well balanced look thanks to the<br />
Porte Cochere located at the entrance<br />
of the building which is also<br />
conveniently located at the center and is<br />
the main focus of the whole building.<br />
16
A r c h i t e c t u r a l S t y l e<br />
Moorish<br />
Architecture, is a<br />
variation of Islamic<br />
architecture. It developed as a<br />
group of people of Islamic<br />
faith spread from the Middle<br />
East to the Maghreb, an area<br />
which included parts of North<br />
Africa and Spain. Their<br />
architecture was noted for its<br />
unique characteristics -- a<br />
result of the intertwined<br />
influences Panggungof Bandaraya culture and adopts<br />
religion. a Moorish architecture, one of<br />
the most distinctive elements<br />
of Moorish architecture is the<br />
horseshoe arch.<br />
Fenestration<br />
Most of the openings of the building are<br />
from the arches. The horseshoe arches and<br />
multifoil arches are associated with Moorish<br />
architecture.<br />
Multifoil<br />
arch<br />
Horseshoe arch<br />
Like the horseshoe arch,<br />
the multifoil arch is<br />
characteristic of Moorish<br />
architecture. This arch<br />
features multiple foils, or<br />
“leaves,” resulting in a<br />
scalloped shape.<br />
The horseshoe arch (also<br />
known as a keyhole arch) is<br />
associated with Moorish<br />
architecture. As its crown can<br />
be either rounded or pointed,<br />
this type of structure is<br />
defined by the dramatic<br />
widening and narrowing of its<br />
sides.
Ornate carved arch in courtyard of<br />
Alhambra palace Granada, Spain<br />
Architect: Nasrid Sultan<br />
Muhammed V<br />
Architecture style: Moorish<br />
Architecture<br />
Feature: Detail of the central<br />
arch of the portico on the<br />
northern side of the Court of the<br />
Myrtles. Behind the richly<br />
decorated arch of the portico<br />
you can see the beautiful<br />
muqarnas arch, immediately in<br />
front of the entrance to the<br />
throne room. It is decorated<br />
throughout in carved stucco,<br />
originally painted in many colors.<br />
The arches are purely decorative<br />
and have no supporting function.<br />
C a s e S t u d y<br />
Architecture style : Moorish<br />
Architecture style<br />
Feature: The building is most<br />
notable for its arcaded hypostyle<br />
hall, with 856 columns of jasper,<br />
onyx, marble, granite and<br />
porphyry. These were made from<br />
pieces of the Roman temple that<br />
had occupied the site previously,<br />
as well as other Roman buildings,<br />
such as the Mérida amphitheatre.<br />
The double arches were an<br />
innovation, permitting higher<br />
ceilings than would otherwise be<br />
possible with relatively low<br />
columns. The double arches<br />
consist of a lower horseshoe arch<br />
and an upper semi-circular arch.<br />
The famous alternating red and<br />
white voussoirs of the arches were<br />
inspired by those in the Dome of<br />
the Rock and also resemble those<br />
of the Aachen Cathedral, which<br />
were built almost at the same<br />
time.<br />
Mezquita Cordoba<br />
18
B u i l d i n g S t r u c t u r e & M a t e r i a l<br />
A n a l y s i s<br />
S t r u c t u r e &<br />
M a t e r i a l s f o r<br />
e x t e r i o r b u i l d i n g<br />
This outer of the building<br />
consists of brick walls and<br />
concrete beams.<br />
Bricks<br />
Concrete<br />
M a t e r i a l s f o r<br />
i n t e r n a l b u i l d i n g<br />
Fabric upholstered seats help<br />
to absorb the emitting sound<br />
and minimize the sound<br />
reverberation to prevent<br />
interruption. Carpet acts as a<br />
sound absorber to reduce<br />
walking noise.<br />
Timber Flooring<br />
Carpet<br />
Fabric Upholstered Seats<br />
S t r u c t u r e f o r<br />
i n t e r n a l b u i l d i n g<br />
Plaster<br />
Fabric Wrapped Panels<br />
Timber Panels<br />
The concave plastered ceiling helps<br />
to concentrate the sound to the<br />
center. Fabric wrapped panels help<br />
to achieve sound intelligibility.<br />
Timber panels channel sound<br />
reflection to the seatings.
A r c h i t e c t u r a l C o m p o n e n t s<br />
A n a l y s i s<br />
M u l t i f o i l A r c h<br />
Symmetrical leaf shapes,<br />
defined by overlapping<br />
circles. The French term “foil”<br />
means leaf.<br />
F o u r - c e n t e r e d<br />
A r c h<br />
The arch features mostly at<br />
doorways in the building and<br />
to frame larger sheltered areas.<br />
It is a low elliptical or pointed<br />
arch, usually drawn from four<br />
centres.<br />
P o i n t e d<br />
H o r s e s h o e A r c h /<br />
K e y h o l e A r c h<br />
It is emblematic arch of<br />
Islamic architecture. It is used<br />
throughout the building in<br />
both the verandas and<br />
doorways.<br />
S t a i n e d G l a s s<br />
Pieces of coloured glass which<br />
bathe the interior in rich red,<br />
blue and green joined<br />
together by strips of lead to<br />
form a picture or design which<br />
tells a story behind it.<br />
20
C o n c l u s i o n<br />
This project has given us an in-depth knowledge on the building<br />
architectural styles in Malaysia specifically Art Deco and Moorish.<br />
From the comparative analysis of the case studies that has been<br />
done, we learned that there are minimal differences among the<br />
buildings but the main architectural style still remains insight. The<br />
slight differences are mainly due to the origins of the building,<br />
influenced by the local cultures, beliefs and traditions. No doubt,<br />
this project is a success because we work well as a team and<br />
improved our communication skills. We’ve gained a lot while<br />
doing this project and it was an eye opener which made us<br />
appreciate Malaysia’s architecture even more.
R e f e r e n c e s<br />
En.wikipedia.org. (2019). Mosque–Cathedral of Córdoba. [online] Available at:<br />
https://en.wikipedia.org/wiki/Mosque%E2%80%93Cathedral_of_C%C3%B3rdoba#Featur<br />
es [Accessed 24 May 2019].<br />
Islamic Arts and Architecture. (2019). The Alhambra « Islamic Arts and Architecture.<br />
[online] Available at: http://islamic-arts.org/2013/the-alhambra/ [Accessed 24 May 2019].<br />
Merriam-webster.com. (2019). Definition of PORTE COCHERE. [online] Available at:<br />
https://www.merriam-webster.com/dictionary/porte%20cochere [Accessed 3 Jun. 2019].<br />
Nyc-architecture.com. (2019). Top Ten New York Architecture. [online] Available at:<br />
http://www.nyc-architecture.com/TEN/TEN-DECO.htm [Accessed 24 May 2019].<br />
Sss10.bartlett.ucl.ac.uk. (2019). [online] Available at:<br />
http://www.sss10.bartlett.ucl.ac.uk/wpcontent/uploads/2015/07/SSS10_Proceedings_010.pdf<br />
[Accessed 25 May 2019].<br />
Study.com. (2019). [online] Available at: https://study.com/academy/lesson/art-nouveauvs-art-deco.html<br />
[Accessed 3 Jun. 2019].<br />
Study.com. (2019). Moorish Architecture: History & Characteristics | Study.com. [online]<br />
Available at: https://study.com/academy/lesson/moorish-architecture-historycharacteristics.html<br />
[Accessed 3 Jun. 2019].