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Those Championship<br />

Seasons<br />

YOU MIGHT SAY PW GOT BETTER WITH AGE<br />

BY KEVIN UHRICH<br />

Looking back during my time here, I tend to think of all the people I came to<br />

know and love and the stories that we shared. So it seems natural that there<br />

were no better times for me and many others over the past 20-plus years<br />

than when we were producing simply terrific journalism — stories that could<br />

have appeared in any magazine in the country, with many going on to win top<br />

industry honors. So many awards from competing in national, state and regional<br />

contests that memories of the few hard times there have been here truly are<br />

fleeting by comparison.<br />

Maybe that’s being too generous, because there have been more than a few<br />

dark days, like when we had to report on the death of friends and colleagues, and<br />

take salary cuts at the height of the Great Recession, reminding us this really is a<br />

business.<br />

But all that gloom seemed to fade away as we entered awards season at the<br />

start of each year, confident in knowing that we were bound to win something for<br />

all of our hard work the previous year.<br />

GENERAL EXCELLENCE<br />

It was more than likely that the initial intent of the founders of what we know<br />

today as the Pasadena Weekly back in 1984 was not to go out and win awards for<br />

their efforts.<br />

But good things tend to happen when talented people get together for a righteous<br />

common purpose, and in the case of PW, the plan was always to produce<br />

the best community newspaper possible on a weekly basis.<br />

To that end, this unanticipated byproduct of dedication to the basic directive<br />

— winning awards — was achieved under no less than four separate sets of<br />

owners.<br />

For those outstanding efforts on the part of reporters, feature writers, illustrators,<br />

photographers, graphic artists, as well as editors, publishers and advertising<br />

folks, PW staffers have won dozens of first, second and third place plaques and<br />

trophies, as well as numerous certificates of achievement, honorable mentions,<br />

and other accolades from outside the profession.<br />

From investigative reporting, news reporting, breaking news reporting, news<br />

feature writing, entertainment writing, personality profiles, photography, graphic<br />

arts and illustrations to classified and display advertising, it seems there was no<br />

part of the paper that missed winning some type of award over the years from<br />

the LA Press Club, the California Newspaper Publishers Association (CNPA) and<br />

the Association of Alternative Newsmedia (AAN).<br />

I know it is poor form to boast, but I can’t help but look back with pride over<br />

the past two decades as editor, a period during which the PW won more awards<br />

from more respected journalistic organizations than at any other time in the<br />

modern-day paper’s 35 years in business.<br />

With CNPA, we won a total of 20 top awards from 1984 to 2009, and another<br />

five from 2010 to 2014, the year the paper dropped out of the Sacramento-based<br />

organization due to financial constraints.<br />

When it came to AAN, which we joined the year after Southland Publishing<br />

bought the paper from the LA Times, beginning in 2004 we started winning<br />

awards. Three years later, we won first and second place awards the same year,<br />

2007, respectively, one for a somewhat critical story I had penned about Project<br />

Censored, and the latter for a series<br />

of stories former Deputy Editor<br />

Joe Piasecki had written about the<br />

plight of LA County foster kids aging<br />

out of the system. In the end, we<br />

would win a total<br />

of seven AAN<br />

awards before<br />

dropping out of<br />

that organization.<br />

There were<br />

two years that<br />

stand out in<br />

my mind, 2010<br />

and 2011, not<br />

so much for<br />

the awards<br />

that our writers and artists richly<br />

deserved, but for the simply<br />

outstanding journalism that<br />

we produced from our South<br />

DeLacey Avenue office in Old<br />

Pasadena.<br />

In 2010, they received top<br />

CNPA honors for coverage of<br />

the previous summer’s Station<br />

Fire. In addition, the paper was<br />

named as a blue-ribbon finalist<br />

in the general excellence<br />

category, as were an investigative report and a<br />

breaking news story.<br />

As we reported at the time, the paper received a first-place award among<br />

weekly papers with circulations higher than 25,001 for the Sept. 3, 2009 story<br />

“Fire on the Mountain,” detailing the devastation caused by the worst brushfire in<br />

Los Angeles County history, written by then-City Hall Reporter André Coleman,<br />

former Deputy Editor Jake Armstrong, as well as Joe, who by then had returned<br />

to his alma mater USC to get his master’s degree and was a contributing editor on<br />

the project.<br />

In the general excellence category, judges recognized the paper’s Jan. 8, 15 and<br />

22, 2009 editions for their “breadth of story selection and general news coverage.”<br />

As our story points out, Armstrong’s investigative piece, “Just Too High,”<br />

examined grossly disproportionate marijuana arrest rates in California and<br />

Pasadena, where African Americans are three times more likely than whites to<br />

be arrested for pot-related offenses. Piasecki wrote the story “Hater Nation,” another<br />

Press Club favorite in 2010, after PW received a letter threatening President<br />

Barack Obama.<br />

“I’ve been blessed with some wonderful and talented people, not all of whom<br />

CONTINUED ON PAGE 53<br />

26 PASADENA WEEKLY | <strong>07.11.19</strong>

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