07.11.19
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Those Championship<br />
Seasons<br />
YOU MIGHT SAY PW GOT BETTER WITH AGE<br />
BY KEVIN UHRICH<br />
Looking back during my time here, I tend to think of all the people I came to<br />
know and love and the stories that we shared. So it seems natural that there<br />
were no better times for me and many others over the past 20-plus years<br />
than when we were producing simply terrific journalism — stories that could<br />
have appeared in any magazine in the country, with many going on to win top<br />
industry honors. So many awards from competing in national, state and regional<br />
contests that memories of the few hard times there have been here truly are<br />
fleeting by comparison.<br />
Maybe that’s being too generous, because there have been more than a few<br />
dark days, like when we had to report on the death of friends and colleagues, and<br />
take salary cuts at the height of the Great Recession, reminding us this really is a<br />
business.<br />
But all that gloom seemed to fade away as we entered awards season at the<br />
start of each year, confident in knowing that we were bound to win something for<br />
all of our hard work the previous year.<br />
GENERAL EXCELLENCE<br />
It was more than likely that the initial intent of the founders of what we know<br />
today as the Pasadena Weekly back in 1984 was not to go out and win awards for<br />
their efforts.<br />
But good things tend to happen when talented people get together for a righteous<br />
common purpose, and in the case of PW, the plan was always to produce<br />
the best community newspaper possible on a weekly basis.<br />
To that end, this unanticipated byproduct of dedication to the basic directive<br />
— winning awards — was achieved under no less than four separate sets of<br />
owners.<br />
For those outstanding efforts on the part of reporters, feature writers, illustrators,<br />
photographers, graphic artists, as well as editors, publishers and advertising<br />
folks, PW staffers have won dozens of first, second and third place plaques and<br />
trophies, as well as numerous certificates of achievement, honorable mentions,<br />
and other accolades from outside the profession.<br />
From investigative reporting, news reporting, breaking news reporting, news<br />
feature writing, entertainment writing, personality profiles, photography, graphic<br />
arts and illustrations to classified and display advertising, it seems there was no<br />
part of the paper that missed winning some type of award over the years from<br />
the LA Press Club, the California Newspaper Publishers Association (CNPA) and<br />
the Association of Alternative Newsmedia (AAN).<br />
I know it is poor form to boast, but I can’t help but look back with pride over<br />
the past two decades as editor, a period during which the PW won more awards<br />
from more respected journalistic organizations than at any other time in the<br />
modern-day paper’s 35 years in business.<br />
With CNPA, we won a total of 20 top awards from 1984 to 2009, and another<br />
five from 2010 to 2014, the year the paper dropped out of the Sacramento-based<br />
organization due to financial constraints.<br />
When it came to AAN, which we joined the year after Southland Publishing<br />
bought the paper from the LA Times, beginning in 2004 we started winning<br />
awards. Three years later, we won first and second place awards the same year,<br />
2007, respectively, one for a somewhat critical story I had penned about Project<br />
Censored, and the latter for a series<br />
of stories former Deputy Editor<br />
Joe Piasecki had written about the<br />
plight of LA County foster kids aging<br />
out of the system. In the end, we<br />
would win a total<br />
of seven AAN<br />
awards before<br />
dropping out of<br />
that organization.<br />
There were<br />
two years that<br />
stand out in<br />
my mind, 2010<br />
and 2011, not<br />
so much for<br />
the awards<br />
that our writers and artists richly<br />
deserved, but for the simply<br />
outstanding journalism that<br />
we produced from our South<br />
DeLacey Avenue office in Old<br />
Pasadena.<br />
In 2010, they received top<br />
CNPA honors for coverage of<br />
the previous summer’s Station<br />
Fire. In addition, the paper was<br />
named as a blue-ribbon finalist<br />
in the general excellence<br />
category, as were an investigative report and a<br />
breaking news story.<br />
As we reported at the time, the paper received a first-place award among<br />
weekly papers with circulations higher than 25,001 for the Sept. 3, 2009 story<br />
“Fire on the Mountain,” detailing the devastation caused by the worst brushfire in<br />
Los Angeles County history, written by then-City Hall Reporter André Coleman,<br />
former Deputy Editor Jake Armstrong, as well as Joe, who by then had returned<br />
to his alma mater USC to get his master’s degree and was a contributing editor on<br />
the project.<br />
In the general excellence category, judges recognized the paper’s Jan. 8, 15 and<br />
22, 2009 editions for their “breadth of story selection and general news coverage.”<br />
As our story points out, Armstrong’s investigative piece, “Just Too High,”<br />
examined grossly disproportionate marijuana arrest rates in California and<br />
Pasadena, where African Americans are three times more likely than whites to<br />
be arrested for pot-related offenses. Piasecki wrote the story “Hater Nation,” another<br />
Press Club favorite in 2010, after PW received a letter threatening President<br />
Barack Obama.<br />
“I’ve been blessed with some wonderful and talented people, not all of whom<br />
CONTINUED ON PAGE 53<br />
26 PASADENA WEEKLY | <strong>07.11.19</strong>