2018 Bulletin
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<strong>2018</strong> BLANTON BULLETIN<br />
<strong>2018</strong> BLANTON BULLETIN<br />
Julia Matthews Wilkinson Center for Prints and<br />
Drawings<br />
The Julia Matthews Wilkinson Center for Prints and Drawings offers students, scholars, and other visitors access to the<br />
Blanton’s collection of works on paper, which comprises more than 80% of the museum’s holdings. The H-E-B Study Room,<br />
located within the Wilkinson Center for Prints and Drawings, is one of the most active print study rooms in the country,<br />
welcoming nearly 2,500 visitors per year. The print study room provides a venue for close examination of works on paper,<br />
providing a vital resource for scholars at UT and beyond.<br />
VISITORS TO H-E-B STUDY ROOM IN <strong>2018</strong>, GROUPED BY CATEGORY<br />
Blanton Staff <strong>2018</strong> Publications<br />
BEVERLY ADAMS, CURATOR OF LATIN AMERICAN ART<br />
▸ “Thomas Glassford: Osculum.” Exhibition Brochure. Houston: Sicardi Gallery, <strong>2018</strong><br />
▸ “Towards Total Art: Luis Camnitzer as Educator/Artist” in Octavio Zaya, ed. Luis Camnitzer: Hospice of Failed Utopias.<br />
Exh. Cat. Madrid: Centro de Arte Reina Sofia<br />
▸ “Fanny Sanin, Acrylic #7, 1978” in James Oles, ed. Latin American Art. Exh. Cat. Davis Art Museum, Wellesley College,<br />
2019<br />
HOLLY BORHAM, ASSISTANT CURATOR OF PRINTS AND DRAWINGS<br />
▸ “Abraham als Archetypus: Ein Gemäldezyklus für Simon VI. zur Lippe,” Machtwort! Reformation in Lippe, Lippisches<br />
Landesmuseum Detmold, 2017<br />
<strong>2018</strong> Total<br />
2,496<br />
UT Art History 759<br />
UT Studio Art/Design 124<br />
UT School of Architecture 17<br />
UT Other Humanities 282<br />
UT College of Natural Science 69<br />
Non-UT University Students 161<br />
Museum and Gallery Peers 21<br />
General Visitors 685<br />
FLORENCIA BAZZANO, ASSISTANT CURATOR OF LATIN AMERICAN ART<br />
▸ “Latin American Art at The University of Texas at Austin: The University Art Museum,” in Art Museums of Latin America:<br />
Structuring Representation, edited by Michele Greet, Gina McDaniel Tarver. New York: Routledge, <strong>2018</strong>.<br />
EDUCATION TEAM<br />
▸ Lehman, Meredith, Sabrina Phillips, Andrea Saenz Williams, “Empowering Identity Through Art: Bilingual Co-Teaching<br />
at the Blanton Museum of Art.” Journal of Museum Education 43.4 (December <strong>2018</strong>)<br />
CARTER E. FOSTER, DEPUTY DIRECTOR FOR CURATORIAL AFFAIRS AND CURATOR OF PRINTS AND DRAWINGS<br />
▸ “Ellsworth Kelly: The Line of Nature” in exhibition catalogue Ellsworth Kelly: Plant Lithographs, Berkshires Botanical<br />
Garden, Stockbridge, MA, <strong>2018</strong><br />
▸ “Huma Bhabha: Drawing Raw,” Huma Bhabha: They Live, Institute of Contemporary Art, Boston, 2019<br />
PK–12 Students 46<br />
PK–12 Teacher Training 332<br />
To schedule a visit in the H-E-B Study Room, contact assistant curator for prints and drawings Holly Borham at<br />
(512) 471-9208 or prints@blantonmuseum.org. Due to the capacity of the print study room, visits are limited to twenty<br />
people at a time. Appointments to the study room are in high demand; we advise at least one week’s notice to secure<br />
your booking.<br />
VERONICA ROBERTS, CURATOR OF MODERN AND CONTEMPORARY ART<br />
▸ “From a Shared Love of Paris to a Month’s Rent in Manhattan,” Alexander Calder & Ellsworth Kelly, Levy Gorvy Gallery,<br />
New York, November <strong>2018</strong><br />
▸ “Front Lines: LeWitt at Work at the Modern (1960–65)” in Locating LeWitt: Between Mind and Body, David S. Areford,<br />
ed. New Haven: Yale University Press, 2019<br />
▸ “Matthew Brannon’s Vietnam Puzzle,” in Matthew Brannon: Concerning Vietnam, Gregory R. Miller & Co., 2019<br />
▸ Sarah Cain, Donald Moffett, and Jack Whitten essays, Vitamin P3, London: Phaidon, 2017<br />
46 —— The Julia Matthews Wilkinson Center for Prints and Drawings<br />
Publications —— 47