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SACRED AND SECULAR WORKS<br />
Martinů, Bohuslav<br />
(1890–1959)<br />
Otvírání Studánek/ Opening<br />
the Wells (Cz/Eng/Ger)<br />
for speaker, soloists (SAB),<br />
female choir (SSA)<br />
Ed. J. Berkovec<br />
H 2122 Score, set of parts<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
Denn er hat seinen Engeln<br />
befohlen / For He shall give<br />
His angels charge (Ger/Eng)<br />
for mixed choir a cappella<br />
(SSAATTBB)<br />
Urtext / Ed. C. Heimbucher<br />
BA 8933 Score<br />
Die erste Walpurgisnacht /<br />
The First Walpurgis Night<br />
op. 60 (Ger/Eng)<br />
Text by Johann W. von Goethe<br />
Urtext / Ed. J. M. Cooper<br />
Piano reduction by the<br />
composer<br />
BA 9072-90 • V.s.<br />
Elijah op. 70 (Ger/Eng)<br />
Oratorio. Text compiled<br />
by the composer from the<br />
Old and New Testaments<br />
Urtext / Ed. D. Seaton<br />
Piano reduction by the<br />
composer, partially adjusted<br />
by A. Köhs<br />
BA 9070-90 ° V.s.<br />
“The production is well<br />
up to the high standards<br />
we have come to expect<br />
from Bärenreiter”.<br />
(Organists’ Review)<br />
Lobgesang op. 52<br />
(Ger/Eng)<br />
Urtext / Ed. J. M. Cooper<br />
Piano reduction by the<br />
composer<br />
BA 9092-90 ° V.s.<br />
BA 9092-91 Choral score<br />
in preparation<br />
St. Paul op. 36 (Ger/Eng)<br />
Urtext / Ed. J. M. Cooper<br />
Piano reduction by the<br />
composer, partially adjusted<br />
by A. Köhs<br />
BA 9071-90 ° V.s.<br />
BA 9071-91<br />
NEW <strong>2019</strong><br />
NEW <strong>2018</strong><br />
Choral score<br />
The first great orchestral psalm<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
NEW 2017<br />
Psalm "Non nobis Domine" /<br />
"Nicht unserm Namen, Herr"<br />
op. 31 MWV A9 (Lat/Ger)<br />
Urtext / Ed. J.M. Cooper<br />
Piano reduction by the<br />
composer<br />
BA 9079-90 ° V.s.<br />
Psalm 2<br />
Why rage fiercely the Heathen /<br />
Warum toben die Heiden<br />
(Ger/Eng)<br />
for mixed choir (SSAATTBB)<br />
BA 8938 Choral score<br />
Psalm 22<br />
My God, why hast Thou<br />
forsaken me /<br />
Mein Gott, warum hast du<br />
mich verlassen<br />
(Ger/Eng)<br />
for mixed choir (SSAATTBB)<br />
BA 8940 Choral score<br />
Psalm 42<br />
As the Hart pants /<br />
Wie der Hirsch schreit op. 42<br />
(Ger/Eng)<br />
for mixed choir (SATB) and<br />
soloists (STTBB)<br />
Piano reduction by the<br />
composer<br />
Urtext / Ed. J. M. Cooper<br />
BA 9074-90 ° V.s.<br />
Mendelssohn’s first great<br />
orchestral psalm took almost<br />
six years to complete, from the<br />
initial sketches and the first<br />
version of 1830 to the final<br />
version of 1835. Its premiere did<br />
not take place until 1838.<br />
Unlike his other orchestral<br />
psalms, Mendelssohn took the<br />
Latin words from the Vulgate<br />
as his principal text which<br />
stems from Psalm 113. When he<br />
later prepared his own German<br />
translation, he made use of<br />
Psalm 115 from the Luther<br />
Bible.<br />
This edition by the leading<br />
Mendelssohn authority John<br />
Michael Cooper incorporates<br />
all the relevant sources. In<br />
accordance with the work's<br />
genesis, the vocal parts are<br />
underlaid with the Latin text,<br />
and the German text appears<br />
underneath.<br />
Psalm 43<br />
Judge me, O God /<br />
Richte mich, Gott und führe<br />
meine Sache<br />
(Ger/Eng)<br />
for mixed choir (SSAATTBB)<br />
BA 8939<br />
Choral score<br />
Psalm 98<br />
Sing to the Lord a new made<br />
Song / Singet dem Herrn ein<br />
<strong>neu</strong>es Lied MWV A 23 /<br />
op. posth. 91 (Ger/Eng)<br />
for soloists (SATB) and two<br />
mixed choirs (SATB[2])<br />
Urtext / Ed. J. M. Cooper<br />
Piano reduction based<br />
on first edition. Anonymus<br />
BA 9076-90 ° V.s.<br />
° = Performance material<br />
available on sale<br />
• = Performance material<br />
available on hire<br />
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