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Exberliner issue 185, September 2019

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WHAT’S ON — Art<br />

ART NEWS<br />

James-Simon-<br />

Galerie open<br />

Opened in July, the<br />

large white angular<br />

portico by British<br />

architect David<br />

Chipperfield acts<br />

as a vast reception<br />

area for Museum<br />

Island and will<br />

also hold its own<br />

exhibitions, starting<br />

with the current<br />

show of plaster<br />

casts from the 200<br />

year-old Gipsormerei,<br />

on until March<br />

next year.<br />

Käthe Kollwitz<br />

Prize 2020<br />

Berlin-born Timm<br />

Ullrichs has won the<br />

€12,000 prize for<br />

visual art that this<br />

year celebrates its<br />

60th anniversary.<br />

The artist, who<br />

in 1961 declared<br />

himself the world’s<br />

“first living work<br />

of art” will also<br />

be awarded an<br />

exhibition at<br />

Akademie der<br />

Künste in January.<br />

Ai Weiwei<br />

leaving Berlin<br />

Coinciding with the<br />

end of his visiting<br />

professorship at<br />

Berlin University of<br />

the Arts, the dissident<br />

Chinese artist and<br />

human rights activist<br />

has announced he<br />

will be leaving Berlin,<br />

his home since 2015.<br />

He will, however,<br />

keep his studio in the<br />

former Pfefferberg<br />

brewery in Prenzlauer<br />

Berg: “My studio in<br />

Berlin will always be<br />

my base; I will never<br />

give that up”.<br />

Editor’s Choice<br />

New indie institutions<br />

Free from commercial and academic restraints, these new spaces<br />

are a perfect fit for Berlin. By Anna Larkin<br />

Unlike its museum and commercial<br />

gallery siblings, the<br />

independent art institution<br />

doesn’t hold permanent collections<br />

or sell artworks. It may charge for<br />

entry, but might equally let you in for<br />

free with the help of state funding,<br />

private benefactors and corporate<br />

sponsorship. These spaces provide<br />

much needed platforms for independent<br />

thought and expression. Three<br />

new indie instis have found a perfect<br />

home in Berlin, where audiences are<br />

hungry for ever more outstanding art<br />

from unusual perspectives.<br />

Set to open on <strong>September</strong> 14 and located<br />

in a reignited former coal power<br />

station 30 minutes out of Südkreuz,<br />

E-WERK Luckenwalde is the latest<br />

to join the indie scene: following an<br />

inaugural performance art extravaganza<br />

in collaboration with London<br />

performance festival Block Universe<br />

this <strong>September</strong> 14, founders Helen<br />

Turner and Pablo Wendel promise a<br />

schedule packed with special events<br />

alongside three exhibitions a year. For<br />

their first exhibition Thames Water<br />

(Sep 14 – Mar 28), Nicolas Deshayes’<br />

cast iron wall sculptures will also be<br />

powered by the reanimated power<br />

station with heated water running<br />

through them like radiators. The first<br />

of their annual Flag commissions has<br />

been won by Lucy Joyce. Her Electric<br />

Blue (Sep 14 – Mar 28) will be visible<br />

across Luckenwalde rooftops alongside<br />

an exhibition of new works in one<br />

of the three gallery spaces.<br />

Since opening in November 2018<br />

The Times Art Center Berlin (TACB),<br />

a branch of China’s Guangdong<br />

Times Museum led by Artistic Director<br />

Xi Bei has positioned itself as an<br />

experimental space for contemporary<br />

Chinese art, a platform for a scene<br />

generally underrepresented in the<br />

West. At a time when Paris’s Centre<br />

Pompidou and London’s Victoria and<br />

Albert museums are opening branches<br />

in China, it’s refreshing to see the<br />

cultural tide flowing in the opposite<br />

direction. This month TACB will<br />

move to bigger premises in Mitte’s<br />

Brunnenstraße. Spread over two<br />

floors, the new gallery has 300sqm<br />

of exhibition space and will open<br />

with the group show Neither Black/<br />

Red/Yellow Nor Woman (Sep 28 –<br />

Jan 4). Nineteen artists will reflect<br />

on a conceptual reenactment of the<br />

works of three pioneer female East<br />

Asian artists: Theresa Hak Kyung Cha<br />

(1951-82), Pan Yuliang (1895-1977) and<br />

Trinh T. Minh-ha (b. 1952).<br />

Funded by the benefaction of an<br />

art-collecting German-Swiss couple,<br />

KINDL Center for Contemporary<br />

Art took over the former Berliner<br />

Kindl brewery in Neukölln in 2016.<br />

Taking in the 1920s machine house,<br />

brew house, tower and boiler house,<br />

it has been sensitively converted into<br />

three floors of pristine galleries and<br />

an atmospheric café set among the<br />

enormous copper brewing pots. Very<br />

importantly, in the summer there is<br />

also a beer garden. Steered by Artistic<br />

Director Andreas Fiedler who has<br />

curated shows by the likes of Shirana<br />

Shahbazi, Roman Signer and Haegue<br />

Yang, KINDL has ushered in over<br />

30,000 visitors in its first year. This<br />

<strong>September</strong> it will open three shows:<br />

Bettina Pousttchi’s Panorama (Sep 1<br />

– May 10) consists of eight oversized<br />

photos offering alternative views<br />

from the boiler house window front,<br />

artists Natalie Czech / Friederike<br />

Feldmann (Sep 1 – Feb 2) explore the<br />

graphic qualities of writing and Bjørn<br />

Melhus’ video installations in Free<br />

Update (Sep 15 – Feb 16) deconstruct<br />

strategies of mass media.<br />

Only time will tell if these new<br />

spaces will stay the course, but<br />

experimental art, sustainable energy,<br />

and beer gardens sound very<br />

Berlin indeed. T<br />

E-WERK Luckenwalde Rudolf-Breitscheid-Str. 73, Luckenwalde | Times Art<br />

Center Brunnenstr. 9, Mitte | KINDL – Center for Contemporary Art Am<br />

Sudhaus 3, Neukölln<br />

Jens Ziehe<br />

36<br />

EXBERLINER <strong>185</strong>

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