Exberliner issue 185, September 2019
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
WHAT’S ON — Art<br />
ART NEWS<br />
James-Simon-<br />
Galerie open<br />
Opened in July, the<br />
large white angular<br />
portico by British<br />
architect David<br />
Chipperfield acts<br />
as a vast reception<br />
area for Museum<br />
Island and will<br />
also hold its own<br />
exhibitions, starting<br />
with the current<br />
show of plaster<br />
casts from the 200<br />
year-old Gipsormerei,<br />
on until March<br />
next year.<br />
Käthe Kollwitz<br />
Prize 2020<br />
Berlin-born Timm<br />
Ullrichs has won the<br />
€12,000 prize for<br />
visual art that this<br />
year celebrates its<br />
60th anniversary.<br />
The artist, who<br />
in 1961 declared<br />
himself the world’s<br />
“first living work<br />
of art” will also<br />
be awarded an<br />
exhibition at<br />
Akademie der<br />
Künste in January.<br />
Ai Weiwei<br />
leaving Berlin<br />
Coinciding with the<br />
end of his visiting<br />
professorship at<br />
Berlin University of<br />
the Arts, the dissident<br />
Chinese artist and<br />
human rights activist<br />
has announced he<br />
will be leaving Berlin,<br />
his home since 2015.<br />
He will, however,<br />
keep his studio in the<br />
former Pfefferberg<br />
brewery in Prenzlauer<br />
Berg: “My studio in<br />
Berlin will always be<br />
my base; I will never<br />
give that up”.<br />
Editor’s Choice<br />
New indie institutions<br />
Free from commercial and academic restraints, these new spaces<br />
are a perfect fit for Berlin. By Anna Larkin<br />
Unlike its museum and commercial<br />
gallery siblings, the<br />
independent art institution<br />
doesn’t hold permanent collections<br />
or sell artworks. It may charge for<br />
entry, but might equally let you in for<br />
free with the help of state funding,<br />
private benefactors and corporate<br />
sponsorship. These spaces provide<br />
much needed platforms for independent<br />
thought and expression. Three<br />
new indie instis have found a perfect<br />
home in Berlin, where audiences are<br />
hungry for ever more outstanding art<br />
from unusual perspectives.<br />
Set to open on <strong>September</strong> 14 and located<br />
in a reignited former coal power<br />
station 30 minutes out of Südkreuz,<br />
E-WERK Luckenwalde is the latest<br />
to join the indie scene: following an<br />
inaugural performance art extravaganza<br />
in collaboration with London<br />
performance festival Block Universe<br />
this <strong>September</strong> 14, founders Helen<br />
Turner and Pablo Wendel promise a<br />
schedule packed with special events<br />
alongside three exhibitions a year. For<br />
their first exhibition Thames Water<br />
(Sep 14 – Mar 28), Nicolas Deshayes’<br />
cast iron wall sculptures will also be<br />
powered by the reanimated power<br />
station with heated water running<br />
through them like radiators. The first<br />
of their annual Flag commissions has<br />
been won by Lucy Joyce. Her Electric<br />
Blue (Sep 14 – Mar 28) will be visible<br />
across Luckenwalde rooftops alongside<br />
an exhibition of new works in one<br />
of the three gallery spaces.<br />
Since opening in November 2018<br />
The Times Art Center Berlin (TACB),<br />
a branch of China’s Guangdong<br />
Times Museum led by Artistic Director<br />
Xi Bei has positioned itself as an<br />
experimental space for contemporary<br />
Chinese art, a platform for a scene<br />
generally underrepresented in the<br />
West. At a time when Paris’s Centre<br />
Pompidou and London’s Victoria and<br />
Albert museums are opening branches<br />
in China, it’s refreshing to see the<br />
cultural tide flowing in the opposite<br />
direction. This month TACB will<br />
move to bigger premises in Mitte’s<br />
Brunnenstraße. Spread over two<br />
floors, the new gallery has 300sqm<br />
of exhibition space and will open<br />
with the group show Neither Black/<br />
Red/Yellow Nor Woman (Sep 28 –<br />
Jan 4). Nineteen artists will reflect<br />
on a conceptual reenactment of the<br />
works of three pioneer female East<br />
Asian artists: Theresa Hak Kyung Cha<br />
(1951-82), Pan Yuliang (1895-1977) and<br />
Trinh T. Minh-ha (b. 1952).<br />
Funded by the benefaction of an<br />
art-collecting German-Swiss couple,<br />
KINDL Center for Contemporary<br />
Art took over the former Berliner<br />
Kindl brewery in Neukölln in 2016.<br />
Taking in the 1920s machine house,<br />
brew house, tower and boiler house,<br />
it has been sensitively converted into<br />
three floors of pristine galleries and<br />
an atmospheric café set among the<br />
enormous copper brewing pots. Very<br />
importantly, in the summer there is<br />
also a beer garden. Steered by Artistic<br />
Director Andreas Fiedler who has<br />
curated shows by the likes of Shirana<br />
Shahbazi, Roman Signer and Haegue<br />
Yang, KINDL has ushered in over<br />
30,000 visitors in its first year. This<br />
<strong>September</strong> it will open three shows:<br />
Bettina Pousttchi’s Panorama (Sep 1<br />
– May 10) consists of eight oversized<br />
photos offering alternative views<br />
from the boiler house window front,<br />
artists Natalie Czech / Friederike<br />
Feldmann (Sep 1 – Feb 2) explore the<br />
graphic qualities of writing and Bjørn<br />
Melhus’ video installations in Free<br />
Update (Sep 15 – Feb 16) deconstruct<br />
strategies of mass media.<br />
Only time will tell if these new<br />
spaces will stay the course, but<br />
experimental art, sustainable energy,<br />
and beer gardens sound very<br />
Berlin indeed. T<br />
E-WERK Luckenwalde Rudolf-Breitscheid-Str. 73, Luckenwalde | Times Art<br />
Center Brunnenstr. 9, Mitte | KINDL – Center for Contemporary Art Am<br />
Sudhaus 3, Neukölln<br />
Jens Ziehe<br />
36<br />
EXBERLINER <strong>185</strong>