LIVE Filmzine #275 September 2019
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FILMZINE<br />
los angeles<br />
DEFROST releases on<br />
VEER TV<br />
JOHN DAVIDSON<br />
CHRIS ATKINS<br />
RANDAL KLEISER<br />
Vol.14 Issue 275 MMXIX<br />
#PEOPLE #INTERVIEWS #DINING #CHARITY #FILM #ENTERTAINMENT
The Porsche <strong>2019</strong> Macan<br />
The Macan concept<br />
We have proven that we will<br />
not be dictated to. Do not follow<br />
trends. But prefer to write our<br />
own adventure stories. Such as<br />
that of a compact SUV that inextricably<br />
combines sportiness,<br />
design and everyday practicality:<br />
the new Macan.<br />
www.porsche.com
From $49,000<br />
Design<br />
For us, aesthetics<br />
are not simply superficial.<br />
But always<br />
an expression of our<br />
personality.<br />
5
Fender Game Of Thrones Sigil Guitars-<br />
D.B. Weiss’ Personal Collection<br />
Photography by Jodi Domingue<br />
7425 Sunset Blvd, Hollywood, CA 90046
In celebration of<br />
Game of Thrones’<br />
long-anticipated<br />
final season, Fender<br />
Custom Shop<br />
has teamed up<br />
with HBO to create<br />
three unique masterbuilt<br />
guitars,<br />
each representative<br />
of the houses<br />
made famous by<br />
the hit series.<br />
(323) 874-1060<br />
The trio, dubbed<br />
the Game of<br />
Thrones Sigil<br />
Collection, includes<br />
the Game<br />
of Thrones House<br />
Stark Telecaster;<br />
the Game of<br />
Thrones House<br />
Lannister Jaguar;<br />
and the Game of<br />
Thrones House<br />
Targaryen Stratocaster.<br />
www.guitarcenter.com<br />
7
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HUNTER HAYES CUTLASS<br />
The Hunter Hayes model is made from lightweight<br />
alder with a premium roasted figured maple neck,<br />
custom Ernie Ball Music Man pickups made to Hayes’<br />
specifications, and a brass saddle piezo bridge system.<br />
EBMM has included three volume knobs and a<br />
five-way switch to ensure versatililty is a highlight of<br />
this guitar. As with the previous signature designs, the<br />
Hunter Hayes model features the guitarist’s signature<br />
logo etched on the neckplate.<br />
Further to the announcement of Ernie Ball Music Man’s<br />
new Majesty models for <strong>2019</strong>, the team at EBMM have<br />
rolled out a number of other new models at this year’s<br />
NAMM show.
A couple on the run from an<br />
‘International Cult’ create a<br />
blog to let the world know<br />
about this tragic impending<br />
doom.
presents a BRIAN NEIL HOFF film<br />
STARRING<br />
BRIAN NEIL HOFF . CAROLINA LIECHTENSTEIN . ARIC CUSHING . BILL MANTZ . DOMINIC HOLMS<br />
TAIT PAULI . MAX SCHWARTZ . DAWN MARIE . JAQULINE . CHARISSA FARLEY . SCARLETT FRAZIER<br />
EXECUTIVE PRODUCERS<br />
BRIAN NEIL HOFF . CAROLINA LIECHTENSTEIN . JULI RAGSDALE . LEVVY CARRIKER<br />
DIRECTOR OF PHOTOGRAPHY<br />
BRIAN NEILL HOLL . CAROLINA LIECHTENSTEIN<br />
SCREENPLAY<br />
BRIAN NEIL HOFF<br />
EDITORS<br />
JULI RAGSDALE . LEVVY CARRIKER
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www.whiskyagogo.com<br />
8901 W. Sunset Blvd<br />
West Hollywood, CA 90069
The Whisky A Go-Go has been an anchor<br />
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scene since its doors opened in 1964.<br />
The Whisky has played host to rock’n’roll<br />
legends from The Doors, Janis Joplin, Jimi<br />
Hendrix, KISS and Led Zeppelin to today’s<br />
rising stars, like Rocky Kramer.<br />
The Whisky A Go-Go is the first live music<br />
venue to be inducted into the Rock And<br />
Roll Hall Of Fame. The Whisky is recognized<br />
as a historic music landmark and is<br />
the only surviving music venue to be inducted<br />
into the Rock’n’Roll Hall of Fame.<br />
www.whiskyagogo.com<br />
17
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Steps away from the famed Staples Center, Lucky<br />
Strike L.A. Live stands apart as the brand’s most exciting<br />
foray into chic nightlife entertainment. Dazzling<br />
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our ultra-premium private Luxe Lounge, featuring<br />
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HOW LUCKY CAN YOU GET!<br />
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19
“GAME OF THRONES” EP-<br />
ISODE “THE BELLS” SETS<br />
SERIES RECORDS<br />
“VEEP” SERIES FINALE IS SEASON<br />
HIGH<br />
GAME OF THRONES’ penultimate<br />
episode, entitled “The<br />
Bells,” which aired this past<br />
Sunday, was watched by a<br />
record 18.4 million viewers<br />
across HBO’s platforms (linear,<br />
HBO GO and HBO NOW),<br />
exceeding the previous series<br />
high of 17.8 million viewers two<br />
weeks ago for the episode “The<br />
Long Night,” focusing on the<br />
Battle of Winterfell. In addition<br />
to the series high for the night,<br />
the 9:00 p.m. airing reached a<br />
time-period high for GAME OF<br />
THRONES, with an average of<br />
12.5 million viewers, surpassing<br />
the season seven finale of<br />
12.1 million viewers. Season<br />
eight of GAME OF THRONES<br />
is averaging 43 million viewers<br />
per episode in gross audience,<br />
an increase of more than ten<br />
million viewers when compared<br />
to season seven.<br />
The VEEP series finale, airing<br />
just before 11:00 p.m., reached<br />
a season-high 1.1 million<br />
viewers. The first replay and<br />
viewing on HBO’s streaming<br />
services brought total viewing<br />
to 1.6 million viewers, also a<br />
season high.<br />
Joe Dempsie. photo: Helen Sloan/HBO
21
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23
1. Invocation (1:59)<br />
2. Rock Star (5:18)<br />
3. Alcohol (4:59)<br />
4. The Firestorm Symphony<br />
(5:06)<br />
5. Go To Hell (6:53)<br />
6. Entr’acte Confusion (2:16)<br />
7. I Wanna Know (3:46)<br />
8. Entr’acte Frustration (0:56)<br />
9. Sick & Tired (4:52)<br />
10. Entr’acte Deception (0:59)<br />
11. Attitude (5:32)<br />
12. Can You Feel It (5:51)<br />
13. The Outsider (7:12)<br />
14. Black & Brown (4:38)
FIRESTORM ON VINYL<br />
Firestorm will be available on all popular<br />
formats, including digital/streaming, CD and<br />
vinyl. The vinyl version will be a limited edition<br />
double set with a bonus Rocky Kramer<br />
poster, and should satisfy every audiophile<br />
out there, as it’s 45 RPM, 180 Gram virgin<br />
vinyl and mastered by Bernie Grundman<br />
himself at Bernie Grundman Mastering.<br />
Firestorm comes out August 13 worldwide.
RANDAL KLEISER<br />
GREASE DIRECTOR TALKS ABOUT HIS VR<br />
DRAMA PROJECT DEFROST<br />
Best known as the director of the<br />
classic musical Grease (1978), Randal<br />
Kleiser has made quite a departure for<br />
his latest project – the virtual reality<br />
drama series Defrost, which consists<br />
of 11 five-minute episodes.<br />
In a screening held in Beijing on April<br />
27, Chinese technology writers and<br />
others watched three episodes of<br />
the series. Afterwards, the audience<br />
had the chance to chat with Kleiser<br />
through Skype.<br />
All 11 episodes of Defrost were released<br />
worldwide on April 25 on Veer,<br />
a Beijing-based platform for VR content<br />
set up by three young Chinese<br />
entrepreneurs in 2016.<br />
Kleiser tells the Post in a phone interview<br />
that he used over US$300,000 of his own<br />
money to make the film, the script of which<br />
he finished even before he made Grease.<br />
“My brother is a visual effects supervisor. He<br />
has done many movies. He began his career<br />
with Tron, the Disney picture. He always<br />
shows me new things like digital make-up<br />
and the Oculus Rift,” he says.<br />
“I first tried Oculus four years ago. It was walking<br />
through a villa in Italy in 3D. I was able to<br />
walk around, go up the steps, look out and see<br />
it all as if I was really there. It blew me away. I<br />
wanted to figure out how to do a drama with it.<br />
I thought of the script that I had written a long<br />
time ago and I adapted it to VR.”
Defrost takes place in 2045 and revolves around<br />
the experiences of Joan, who was cryogenically<br />
frozen after suffering from a stroke and woke up<br />
after three decades. Instead of being happy for<br />
her reunion with family, she was weak, confused<br />
and at the mercy of a dubious doctor who cares<br />
more about showcasing her as a successful<br />
medial experiment than her well-being.<br />
Donning VR goggles, the audience assumes the<br />
perspective of Joan, witnessing her encounters<br />
with her relatives and medical personnel firsthand.<br />
Kleiser says each of the five-minute episodes<br />
was done in one take with no cuts. “I got the<br />
actors to rehearse how to move within the five<br />
minutes. It’s like a small play for each episode.<br />
When we rehearse for each episode, we have<br />
an actress in the wheelchair, so the other actors<br />
can interact with her.<br />
“When we are shooting, we put her out and put<br />
in a dummy [with a VR camera in the place of a<br />
head] instead. That’s how we are able to create<br />
the emotions [felt by Joan, which are in turn felt<br />
by the audience].”<br />
In 2015, Kleiser directed his first play The Penis<br />
Chronicles, about the uncertainties of eight New<br />
York men over their sexuality and masculinity.<br />
He says that experience has helped him with<br />
making Defrost.<br />
“If I hadn’t done that play I would not have been<br />
able to do Defrost very well. I learned how to<br />
direct the audience’s attention without having a<br />
camera or lens or [film] editing. [I learn how to]<br />
just do it all in one wide shot.”<br />
In spite of the huge resources tech titans like<br />
Samsung and Facebook poured into developing<br />
VR headsets and the heated hype regarding the<br />
potential of the technology, VR is still a niche<br />
industry with only techies and hard core video<br />
game fans willing to buy the expensive headsets.<br />
Kleiser says for VR to revolutionalise the filmmaking<br />
industry, the technology has to overcome<br />
hurdles regarding definition and user comfort.<br />
“Each episode of Defrost is only five minutes<br />
long because people who use VR only like to<br />
be in it for five minutes at a time. Right now, the<br />
headsets are kind of clunky and uncomfortable.<br />
As the technology of the head mounted displays<br />
get better, lighter and easier, people might probably<br />
want to stay in it longer.<br />
“Right now, we are at [only] 4K [definition].<br />
[However], 16K is [the level of definition] which<br />
is supposed to be close to the way the human<br />
eyes see. So we have a long way to go to make<br />
it look totally real.”<br />
Defrost is not Kleiser’s first brush with cutting-edge<br />
technology. Working in 70mm 3D, he<br />
directed Honey, I Shrunk the Audience, which<br />
ran for over 10 years at the Disney Parks in Anaheim,<br />
Orlando, Tokyo and Paris.<br />
Kleiser has also developed a virtual-reality<br />
simulator for the US government to train soldiers<br />
to handle improvised explosive devices in the<br />
Middle East.<br />
“I really enjoyed doing that project,” he says. “I<br />
have met one of the soldiers that went through<br />
the training. He went to Afghanistan and he<br />
was blown up in a Humvee and the training<br />
helped him survive.<br />
It was very exciting to know that I have actually<br />
helped people survive an explosion. The<br />
simulator is still being used. All the people<br />
going to Afghanistan have to go through this<br />
training before they leave.”<br />
In spite of VR’s current shortcomings, Kleiser<br />
is full confidence in its future potential. He<br />
is also ready to make the second season of<br />
Defrost if he can find investors.<br />
“There’s nothing like VR. You feel like you’ve<br />
really been there and experience the movie,<br />
rather than watch it. I like the idea of [the<br />
audience being the first-person immersive<br />
viewer]. There’s no other medium which<br />
does it.”<br />
27
EXPLORING THE FUTURE OF VIRTUAL REALITY ENTERTAINMENT<br />
DEFROST takes place in the year 2045, when liquid nitrogen is now commonly<br />
used to freeze patients until remedies for their illnesses are developed.<br />
The series follows the experience of Joan Garrison as she wakes up from her<br />
frozen state after thirty years. She reunites with her family, but the reunion is<br />
bittersweet, as the passage of time has caused her loved ones to<br />
become strangers. Defrost was filmed in 360° and 3D, allowing<br />
audience members to witness the story directly from Joan’s perspective.<br />
The result is an intimate and immersive experience.
Defrost takes place in the year 2045, when liquid nitrogen is commonly used to freeze patients<br />
until remedies for their illnesses are developed. The film follows the experience of<br />
Joan Garrison as she wakes up from her frozen state after thirty years. She reunites with<br />
her family, but the reunion is bittersweet, as the passage of time has caused her loved<br />
ones to become strangers.<br />
Defrost was filmed in 360° and 3D, allowing audience members to witness the story directly<br />
from Joan’s perspective. The result is an intimate and immersive experience.<br />
THE CAST
RANDAL KLEISER<br />
Randal Kleiser has been an internationally known film director since the<br />
release of his first feature, Grease. Other credits include The Boy in the<br />
Plastic Bubble, The Blue Lagoon, Summer Lovers, Flight of the Navigator,<br />
White Fang, Big Top Pee-wee, Honey, I Blew Up the Kid, North Shore, and<br />
the 1996 AIDS drama It’s My Party. With George Lucas, he produced the<br />
educational course: The Nina Foch Course for Filmmakers and Actors.<br />
He has always been interested in cutting-edge technology. Working in<br />
70mm 3-D, he directed Honey, I Shrunk the Audience, which ran for over<br />
a decade at the Disney Parks in Anaheim, Orlando, Tokyo, and Paris. This<br />
led to the US government signing him to develop a virtual-reality simulator<br />
to train soldiers to deal with Improvised Explosive Devices in the Middle<br />
East.<br />
www.randalkleiser.com<br />
TANNA FREDERICK<br />
Tanna Frederick is a producer, director, actress, and activist. In her decade<br />
plus collaboration with indie film icon Henry Jaglom, she has starred<br />
in and helped produce six of his feature films, including the recently<br />
released, The “M” Word, the highly anticipated, Ovation, and three of his<br />
plays, including Train to Zakopane, which just completed a run at the<br />
Edgemar Theatre in Santa Monica.<br />
Frederick — who got her start performing at the Steben’s Children’s<br />
Theatre and then the University of Iowa — is also a mainstay of the Los<br />
Angeles theatre community. She has starred in successful productions<br />
of A.R. Gurney’s Sylvia, Richard Nash’s The Rainmaker — which was a<br />
Los Angeles Times Critic’s Pick — and Claire Chafee’s Why Why Have a<br />
Body, which also marked Frederick’s directing debut.
DEFROST VR series launched on OCULUS.com<br />
as well as Samsung.com and VeeR.tv<br />
https://www.oculus.com/experiences/go/2082295031881868/<br />
The cast of Defrost including Colleen Camp,Harry Hamlin, Tanna Frederick and Christopher Atkins.(Photo: Mani Perezcarro)
Harry Hamlin, Christopher Atkins, Bruce Davidson<br />
Tanna Frederick, Veronica Cartwright, Randal Kleiser
Jostein Odland<br />
Attended<br />
Rocky Kramer’s<br />
album release party for<br />
FIRESTORM<br />
(www.alliedartists.com)<br />
in Los Angeles, CA<br />
Then a visit to<br />
Palm Springs , CA
Jostein Odland<br />
in CALIFORNIA
American Ninja Warrior: Season 11 Premiere<br />
NBC’s high-octane obstacle course competition series “American Ninja<br />
Warrior” returns for season 11 on Wednesday, May 29, <strong>2019</strong> (8-10<br />
p.m. ET/PT). The show moves to its regular timeslot on Monday, June<br />
17.<br />
Hosted by Matt Iseman and Akbar Gbajabiamila along with sideline<br />
reporter Zuri Hall, the action-packed series follows competitors as they<br />
tackle a series of challenging obstacle courses in city qualifying and<br />
city finals rounds across the country. This year “American Ninja Warrior”<br />
makes stops in Los Angeles, Atlanta, Oklahoma City, Baltimore,<br />
Cincinnati and Seattle/Tacoma, where for the first time we will shoot<br />
indoors at the famed Tacoma Dome.<br />
Last season the show introduced some significant changes, including<br />
an 18-foot Mega Warped Wall, which allowed competitors to instantly<br />
win $10,000, and lowered the age limit from 21 to 19, ushering in a<br />
new generation of ninjas. This season, several new obstacles and rule<br />
changes await the competitors, including a challenging twist to the<br />
Mega Warped Wall and the introduction of bonus obstacles that offer a<br />
competitive edge.<br />
Ninjas that successfully complete the finals course in their designated<br />
region move on to the national finals round in Las Vegas, where they<br />
face a multi-stage course with up to 23 obstacles. The ninja who completes<br />
all four stages – including the final 75-foot rope climb – takes<br />
home a grand prize of $1 million. If no competitor finishes all four stages,<br />
the ninja that advances the farthest (and the fastest) on the course,<br />
also known as the “last ninja standing,” will take home $100,000.<br />
Based on the global hit “Sasuke,” from the Tokyo Broadcasting System<br />
Television, the original series is now in its 36th season in Japan.<br />
The series is executive produced by A. Smith & Co. Productions’<br />
founders Arthur Smith and Kent Weed along with Brian Richardson,<br />
Anthony Storm and Kristen Stabile.<br />
Please visit the official show site at: http://nbc.com/american-ninja-warrior<br />
For the latest “American Ninja Warrior” news, videos, and photos,<br />
please like us on Facebook and follow us on Twitter.<br />
https://www.facebook.com/nbcninjawarrior<br />
https://www.twitter.com/nbcninjawarrior<br />
#NBCNinjaWarrior
Songland:<br />
Premiere<br />
You know the award-winning<br />
voices. You know the<br />
chart-topping hits. Now<br />
discover where the magic<br />
behind the music really<br />
happens. Welcome to “Songland.”<br />
Every artist is looking for one<br />
thing – their next great song.<br />
NBC’s new groundbreaking<br />
series “Songland” serves as<br />
a destination for music’s biggest<br />
stars to find their next hit<br />
and represents a new chapter<br />
for music in television.<br />
Undiscovered songwriters<br />
are put center stage as they<br />
pitch their original creations<br />
to top recording artists and a<br />
panel of chart-topping music<br />
producers in the hopes of<br />
creating the artists’ next big<br />
hits.<br />
The 11-episode series is an<br />
authentic peek into the creative<br />
process of songwriting<br />
and provides one talented<br />
winner per episode with the<br />
opportunity to have their<br />
song recorded and released<br />
worldwide by chart-topping artists.<br />
Featured guest recording<br />
artists include Jonas Brothers,<br />
John Legend, Charlie Puth,<br />
Meghan Trainor, will.i.am,<br />
OneRepublic, Kelsea Ballerini,<br />
Macklemore, Aloe Blacc, Old<br />
Dominion and Leona Lewis.<br />
Each week one guest recording<br />
artist comes to “Songland”<br />
to hear unknown songwriters<br />
pitch their original material.<br />
Four songwriters will perform<br />
their original tracks in front of<br />
the guest artist and three of the<br />
most successful and sought-after<br />
producers in music – Ryan<br />
Tedder (lead singer of OneRepublic<br />
and four-time Grammy<br />
Award-winning songwriter and<br />
producer of Adele, Taylor Swift<br />
and Beyonce), Ester Dean<br />
(Grammy-nominated songwriter<br />
and producer of Rihanna,<br />
Katy Perry, Nicki Minaj, as well<br />
as an actress, having starred<br />
in the “Pitch Perfect” film franchise)<br />
and Shane McAnally<br />
(Grammy-winning songwriter<br />
and producer of Kacey<br />
Musgraves, Kelly Clarkson
and Sam Hunt with 38 #1 country<br />
records and <strong>2019</strong> ACM Songwriter<br />
of the Year). Each song’s lyrics,<br />
arrangements, beats, melody and<br />
story will be considered by the panel<br />
as the producers and guest artist<br />
engage in a lively discussion about<br />
ways to creatively adapt them to<br />
better fit the style and sensibility of<br />
the recording artist of the week.<br />
After the performances, the mega-recording<br />
artist will choose three<br />
songwriters to move forward to the<br />
studio and pair them each with the<br />
producer best suited to perfect their<br />
song. In the studio, the songs will<br />
take shape in unexpected ways as<br />
the songwriter and producer duos<br />
work together to win over the recording<br />
artist. In the end, a winner<br />
will be chosen and their song will<br />
be recorded and released for a<br />
global audience.<br />
“Songland” is executive produced<br />
by Emmy Award-winning producer<br />
Audrey Morrissey (“The Voice”),<br />
director Ivan Dudynsky, Eurythmics<br />
co-founder Dave Stewart, Chad<br />
Hines, and multi-Grammy-winning<br />
recording artist and Maroon 5 lead<br />
singer Adam Levine. Josh Gummersall<br />
will serve as producer along<br />
with Ryan Tedder. The concept was<br />
devised by Stewart, Morrissey and<br />
Dudynsky.<br />
Attending the STXfilms CinemaCon Presentation were Director Peter<br />
Segal (top left), Producer Logan Coles and Chadwick Boseman<br />
(center left), Henry Golding, STXfilms Chairman Adam Fogelson<br />
and Katie Holmes (center), Diane Keaton and Zara Hayes (right)<br />
and Pitbull, Adam Fogelsojn and Kelly Clarkson (bottom)<br />
“Songland” is produced by Live Animals<br />
in association with Universal<br />
Television Alternative Studio, Dave<br />
Stewart Entertainment and 222<br />
Productions.<br />
39