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LIVE Filmzine #275 September 2019

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RANDAL KLEISER<br />

Randal Kleiser has been an internationally known film director since the<br />

release of his first feature, Grease. Other credits include The Boy in the<br />

Plastic Bubble, The Blue Lagoon, Summer Lovers, Flight of the Navigator,<br />

White Fang, Big Top Pee-wee, Honey, I Blew Up the Kid, North Shore, and<br />

the 1996 AIDS drama It’s My Party. With George Lucas, he produced the<br />

educational course: The Nina Foch Course for Filmmakers and Actors.<br />

He has always been interested in cutting-edge technology. Working in<br />

70mm 3-D, he directed Honey, I Shrunk the Audience, which ran for over<br />

a decade at the Disney Parks in Anaheim, Orlando, Tokyo, and Paris. This<br />

led to the US government signing him to develop a virtual-reality simulator<br />

to train soldiers to deal with Improvised Explosive Devices in the Middle<br />

East.<br />

www.randalkleiser.com<br />

TANNA FREDERICK<br />

Tanna Frederick is a producer, director, actress, and activist. In her decade<br />

plus collaboration with indie film icon Henry Jaglom, she has starred<br />

in and helped produce six of his feature films, including the recently<br />

released, The “M” Word, the highly anticipated, Ovation, and three of his<br />

plays, including Train to Zakopane, which just completed a run at the<br />

Edgemar Theatre in Santa Monica.<br />

Frederick — who got her start performing at the Steben’s Children’s<br />

Theatre and then the University of Iowa — is also a mainstay of the Los<br />

Angeles theatre community. She has starred in successful productions<br />

of A.R. Gurney’s Sylvia, Richard Nash’s The Rainmaker — which was a<br />

Los Angeles Times Critic’s Pick — and Claire Chafee’s Why Why Have a<br />

Body, which also marked Frederick’s directing debut.

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