LIVE Filmzine #275 September 2019
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RANDAL KLEISER<br />
Randal Kleiser has been an internationally known film director since the<br />
release of his first feature, Grease. Other credits include The Boy in the<br />
Plastic Bubble, The Blue Lagoon, Summer Lovers, Flight of the Navigator,<br />
White Fang, Big Top Pee-wee, Honey, I Blew Up the Kid, North Shore, and<br />
the 1996 AIDS drama It’s My Party. With George Lucas, he produced the<br />
educational course: The Nina Foch Course for Filmmakers and Actors.<br />
He has always been interested in cutting-edge technology. Working in<br />
70mm 3-D, he directed Honey, I Shrunk the Audience, which ran for over<br />
a decade at the Disney Parks in Anaheim, Orlando, Tokyo, and Paris. This<br />
led to the US government signing him to develop a virtual-reality simulator<br />
to train soldiers to deal with Improvised Explosive Devices in the Middle<br />
East.<br />
www.randalkleiser.com<br />
TANNA FREDERICK<br />
Tanna Frederick is a producer, director, actress, and activist. In her decade<br />
plus collaboration with indie film icon Henry Jaglom, she has starred<br />
in and helped produce six of his feature films, including the recently<br />
released, The “M” Word, the highly anticipated, Ovation, and three of his<br />
plays, including Train to Zakopane, which just completed a run at the<br />
Edgemar Theatre in Santa Monica.<br />
Frederick — who got her start performing at the Steben’s Children’s<br />
Theatre and then the University of Iowa — is also a mainstay of the Los<br />
Angeles theatre community. She has starred in successful productions<br />
of A.R. Gurney’s Sylvia, Richard Nash’s The Rainmaker — which was a<br />
Los Angeles Times Critic’s Pick — and Claire Chafee’s Why Why Have a<br />
Body, which also marked Frederick’s directing debut.