JOVIS Catalog 2020
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<strong>2020</strong><br />
ARCHITECTURE<br />
URBANISM<br />
LANDSCAPE
Technical Administration Building of Hoechst AG, Frankfurt (Main) © Photo: Kris Scholz,<br />
in: 100 Jahre Moderne in Hessen. Von der Reichsgründung bis zur Ölkrise. Ein Architekturführer, p. 221
Das gelobte Land der Moderne 3<br />
Typisch Posener 4<br />
Surfing Bauhaus. Hessen + Typography 5<br />
100 Jahre Moderne in Hessen 6<br />
Adaptive Re-Use 8<br />
Zentralitäten 4.0 9<br />
Auroville. The City the Earth Needs 10<br />
The Improvisation of Space 12<br />
A Glossary of Urban Voids 13<br />
Amplifier and Complement 14<br />
Shaping Diversity 16<br />
Crossing Borders—Activating Spaces 16<br />
Digital City Science 17<br />
Stadträume bauen 18<br />
Multiple Campus 19<br />
Vom Ruhrgebiet zur Metropole Ruhr 20<br />
Dortmunder Passagen 21<br />
Düsseldorf 22<br />
Beyond the Port City 23<br />
Architectures of Science 24<br />
Public! 26<br />
Architectural Policy in Finland 27<br />
visions4people 28<br />
Neo-Historismus? 29<br />
The Big Asian Book of Landscape Architecture 30<br />
Räume für Kinder 32<br />
Fuzhou Strait Culture and Art Centre 33<br />
The Future Is Up 34<br />
speech: 23—Industrial 36<br />
speech: 24—Temporary 36<br />
TCHOBAN VOSS Architects 37<br />
New Social Housing 38<br />
Experiment Wohnbau 40<br />
Ausbauhaus 41<br />
Lincoln Revisited 42<br />
Re:Eden 43<br />
What Is Co-dividuality? 44<br />
Funktionen der Architektur 45<br />
GAM.16—gewohnt: un/common 46<br />
Raummaschine 47<br />
City Life Collage 48<br />
Raumreiz 49<br />
Hochweit 2019 49<br />
The Photobook in Art and Society 51<br />
Frauenkloster Klosterfrauen 52<br />
Rapport 54<br />
Kunst im UmBau 55<br />
Formful Wood 56<br />
Heimliche Welten im Neuen Palais 57<br />
Monastic 58<br />
From our Backlist 60<br />
Authors and Editors 63<br />
Academic Partners 64
Jerusalem, The National Library of Israel, 1960, photo: private
3<br />
#reisefotografie #gustafdalman<br />
Das gelobte Land<br />
der Moderne<br />
Deutsche Reisefotografien zwischen Aleppo und Alexandria<br />
Karin Berkemann<br />
Gustaf Dalman did not place much stock in snapshots. When the German theologian<br />
traveled between Aleppo and Alexandria beginning in 1899, he took his<br />
time. He observed, made use of his notebook and a plate camera: with objectivity<br />
and style, always treating his counterpart as an equal, be it a human being or a<br />
folding shovel. Until his death in 1941, Dalman collected around 20,000 photographs<br />
in Greifswald—taken by himself and by others—of a cultural landscape<br />
moving toward modernity. For the first time, the theologian and art historian Karin<br />
Berkemann will comprehensively evaluate this collection: unique in Europe, from<br />
the perspective of visual studies, comparing it with photographs taken by German<br />
travelers from 1948 onwards, after the founding of the State of Israel. Some of<br />
these photographers used the camera to seek out what was ancient, while others<br />
looked for the signs of a new era. Spanning decades, the photographs today form<br />
a multilayered topography of a region considered sacred by three world religions<br />
and countless others with a belief in culture.<br />
Elhosn, Teacher, 1899/1900, photo: Gustaf Dalman<br />
© Gustaf Dalman Institute Greifswald<br />
Hardcover<br />
approx. 20 × 26 cm<br />
256 pages, 170 col. and b/w<br />
German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-603-8<br />
06.<strong>2020</strong><br />
Amman, 1959, photo: private, via WDR Digit
4<br />
#häusergeschichten #juliusposener<br />
Typisch Posener<br />
Katrin Voermanek<br />
Without doubt, the most beautiful aspect of Julius Posener's legacy, lies in his<br />
language. Though trained as an architect, Posener changed the face of Berlin<br />
without constructing a single building. Instead, he used his writing to save buildings<br />
from demolition. In nine histories of individual buildings, Katrin Voermanek<br />
traces the footsteps of Posener, an architectural historian, critic, and activist<br />
who died in 1996. The book sheds light on how Posener advanced his fight<br />
to preserve architectural heritage and how he articulated his criticism of new<br />
buildings: sometimes impulsively, sometimes strategically, always grounded<br />
in a profound erudition, with humor and a gentle eloquence that remains<br />
unparalleled today. The short accounts—which include the Schaubühne, the<br />
Künstlerhaus Bethanien, the Babylon movie theater, and two villas by Hermann<br />
Muthesius, among others—bring to life Berlin's architectural Zeitgeist between<br />
the 1960s and 1990s and demonstrate both the necessity and effectiveness of<br />
committed architectural criticism.<br />
Softcover<br />
14 × 23 cm<br />
152 pages, 16 unicol.<br />
German<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-593-2<br />
10.2019<br />
T ypisch Posener<br />
KATRIN VOERMANEK<br />
KATRIN VOERMANEK<br />
Typisch Posener<br />
ICC, 1980 © Landesarchiv Berlin<br />
Julius Posener, approx. 1985 © Baukunstarchiv / Jill Posener<br />
Kino Babylon, 1991 © Landesarchiv Berlin
5<br />
Surfing Bauhaus<br />
Hessen + Typography<br />
Links, Data, Texts, Quotes, References,<br />
and more<br />
Tobias Becker / Sandra Hoffmann Robbiani (eds.)<br />
<strong>JOVIS</strong> NEUES!<br />
ANKÜNDIGUNGS-<br />
COVER<br />
Every day, new artifacts related to the Bauhaus surface online,<br />
and with the 100 th anniversary of the school, the number is<br />
reaching a peak. Surfing Bauhaus confronts this flood of information<br />
and approaches the institution Bauhaus in a contemporary<br />
way. Becker and Hoffmann Robbiani focus on Bauhaus<br />
representatives who had a connection to Hesse and worked<br />
typographically. Using Internet search engines, they collect,<br />
filter, and combine digital results with material researched<br />
using more classic methods, from archives and libraries. In<br />
their search, the editors—a graphic designer and a professor<br />
of typography and communication design—work by association,<br />
provoking forms of digression and meandering, switching<br />
between English and German, and thus achieving an open<br />
perspective on the Bauhaus: a compilation of essays, links,<br />
data, references, and anecdotes, retrieved in 2019. No claim to<br />
completeness.<br />
With contributions by Kai Buchholz, Tine<br />
Melzer, Michael Mischler and Christoph<br />
Stähli Weisbrod, Sabrina Rahman, Dan<br />
Reynolds, and Florian Walzel<br />
#bauhaus100 #typografie<br />
S U R F ING<br />
BAUHAUS<br />
H E S SEN+<br />
TYPOGRAPHY<br />
L I N K S , DATA ,<br />
TEXTS, QUOTES,<br />
REFERENCES<br />
AND MORE<br />
TOBIAS BECKER<br />
SANDRA H.ROBBIANI<br />
Karl Peter Röhl, Komposition, 1926, Gouache on Cardboard,<br />
63 x 47,5 cm, Wilhelm-Hack-Museum, Ludwigshafen<br />
© Klassik Stiftung Weimar / Karl Peter Röhl Stiftung<br />
Softcover<br />
21 × 29.7 cm<br />
248 pages, num. col. and b/w<br />
English/German<br />
EUR (D) 33.00<br />
ISBN 978-3-86859-601-4<br />
12.2019
6<br />
100 Jahre Moderne<br />
in Hessen<br />
Von der Reichsgründung bis zur Ölkrise<br />
Ein Architekturführer<br />
Kai Buchholz / Philipp Oswalt (eds.)<br />
For many, flat roofs, white façades, and large glass surfaces—the so-called<br />
Bauhaus style—are hallmarks of modern architecture. On the occasion of the<br />
100 th anniversary of the Bauhaus as an internationally renowned institution, this<br />
unique architectural guide aims to correct such one-sided and reductive views.<br />
The development of new building types—whether railway stations or shopping<br />
centers, company headquarters or museums, zoos or nuclear power plants—is<br />
more important than outward appearance. Focusing on exemplary buildings in<br />
Hesse, the guide uncovers backgrounds and makes them tangible. The spectrum<br />
ranges from Ernst May’s residential house in Frankfurt to the Biblis nuclear power<br />
plant, Metzendorf’s buildings for the Odenwald School, the Ernst-Moritz-Arndt<br />
barracks in Neustadt, and the Frankfurt Zoological Garden. The book shows that<br />
modern surroundings rest upon architects whose different visions of people and<br />
society—cast in stone, concrete, steel, or glass—continue to decisively shape our<br />
everyday lives to this day. Clearly organized according to building types, with<br />
numerous illustrations, maps, and floor plans, the volume makes for stimulating<br />
reading.<br />
Hardcover<br />
15 × 20.5 cm<br />
584 pages, 130 col. and 420 b/w<br />
German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-583-3<br />
Available<br />
#bauhaus100 #hessen<br />
100 Jahre<br />
Moderne<br />
in<br />
Hessen<br />
Von der Reichsgründung<br />
bis<br />
zur Ölkrise<br />
Hg. Kai Buchholz und Philipp Oswalt<br />
Ein Architekturführer<br />
Hauptpost Marburg © Photo: Kris Scholz
7<br />
#Hashtag<br />
Hochzeitsturm Darmstadt © Photo: Kris Scholz
8<br />
#densification #postwarhousing<br />
Adaptive Re-Use<br />
Strategies for Post-War Modernist Housing<br />
Maren Harnack / Natalie Heger / Matthias Brunner (eds.)<br />
In prosperous regions, housing markets are under significant pressure.<br />
With the focus on preserving land and developing brownfield sites, postwar<br />
housing estates are being earmarked for densification, as their density<br />
is perceived as rather low and the ownership is often concentrated in the<br />
hands of only a few publicly owned housing associations. In this setting,<br />
postwar estates are in danger of losing their characteristic spatial structures<br />
and landscaping.<br />
Adaptive Re-Use discusses strategies for the development of post-war housing<br />
by referring to European case studies from the period of 1945 to 1975.<br />
The contributions in this edited volume show how housing estates from<br />
different European countries are listed and preserved, and how architectural<br />
fabric can be adapted to meet today’s needs, while exploring the strategies<br />
applied to ensure the future development of large-scale housing.<br />
Softcover<br />
16.5 × 24 cm<br />
192 pages, 50 col.<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-611-3<br />
<strong>2020</strong>
B6<br />
9<br />
R<br />
#raumpolitik #digitalisierung<br />
Zentralitäten 4.0<br />
Raumpolitiken Im Zuge der Digitalisierung und neue Mobilität zeichnet sich auf dem ein rasanter Lande Wandel der Strukturen des<br />
Einzelhandels, der Mobilitätsangebote und der Daseinsvorsorge ab. Dieser Wandel<br />
Philipp beeinflusst Oswalt auch / Stefan die Ent-wicklung Rettich (eds.) der Mittelzentren in Deutschland. Angesichts<br />
zunehmender Disparitäten zwischen den ländlichen Räumen und den Metropolregionen<br />
the 1930s, verändert Walter Christaller sich die used Rolle new media der Mittelzentren to work out his ohnehin central place seit theory Jahren. by In counting<br />
telephone lines to identify centralities that connected multiple spaces. Today, digitization has<br />
a formative effect on space—on cities, the countryside, and mobility. Or when it is lacking, spatial<br />
oppositions Durch technologische are the result. The Neuerungen contributions wie to this Onlinehandel, book offer introductory autonomes examination Fahren oder of the<br />
effects Telemedizin of digitization ist damit on space zu rechnen, and deal with dass the manche topicality of zentralörtlichen Christaller’s central Funktionen place theory. noch The<br />
book weiter does modifiziert so both theoretically werden. and In practically, Zukunft werden by examining einzelne spatial kommunale policies of current Aufgaben regional durch<br />
development programs, different conceptions of public services, and the tasks of medium-sized<br />
Koproduktion zivilgesellschaftlicher Akteure gestützt, durch neue Angebote ersetzt<br />
centers in urban and rural areas. The second part of the book discusses which structural changes<br />
oder gar ganz entfallen, aber auch neue Aufgaben hinzukommen.<br />
are to be expected in the course of digitization, especially through new mobility, and how this might<br />
affect the attractiveness of rural areas and the tasks of medium-sized towns. Finally, it examines the<br />
causes of populist tendencies and experiences of loss produced by processes of globalization and<br />
Die ursprünglichen Steuerungsmodelle der Raumordnung, die unter ganz anderen<br />
social division, as well as right-wing extremist developments rural areas.<br />
ökonomischen und technischen Rahmenbedingungen entwickelt wurden, müssen<br />
langfristig an diese Veränderungen angepasst werden.<br />
Softcover<br />
16.5 × 24 cm<br />
192 pages, 60 b/w<br />
German<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-622-9<br />
04.<strong>2020</strong><br />
Alpen<br />
München<br />
Toskana des Nordens<br />
Nürnberg<br />
Chemnitz / Dresden<br />
Jena<br />
Erfurt<br />
A4<br />
Kassel<br />
Eisenach<br />
A9<br />
A38<br />
Göttingen<br />
Halle / Leipzig<br />
Mansfelder Land<br />
A38<br />
Nordhausen<br />
Sangerhausen<br />
Bad Lauterberg<br />
Herzberg am Harz<br />
Northeim<br />
Halle / Leipzig<br />
A38<br />
B4<br />
B243<br />
Halle / Leipzig<br />
Lutherstadt<br />
Eisleben<br />
Mansfeld<br />
B180<br />
Niederharz<br />
B27<br />
Hochharz<br />
Clausthal-Zellerfeld<br />
Bad Grund<br />
Osterode am Harz<br />
A7<br />
A14<br />
B86<br />
Thale<br />
Halle / Leipzig<br />
Bernburg<br />
B6<br />
Aschersleben<br />
B6<br />
Quedlinburg<br />
B6<br />
Blankenburg<br />
Wernigerode<br />
B6<br />
Bad Harzburg<br />
Goslar<br />
B82<br />
Seesen<br />
Westharz Regenerativ<br />
Hannover<br />
A14<br />
Bad Salzgitter<br />
Halberstadt<br />
Magdeburg / Berlin<br />
Magdeburg<br />
Burgensaum / Industriegürtel<br />
Wolfsburg /<br />
Braunschweig<br />
Republic of Harz, Scenario for IBA Stadtumbau 2010 © KARO* / urbikon.com
10<br />
#rogeranger #idealisticcity<br />
Auroville. The City the Earth Needs<br />
Roger Anger’s Visions for Urbanism<br />
Anupama Kundoo<br />
Roger Anger (1923–2008) was one of the most prolific architects in France during the 1950s and 1960s. His<br />
unique architectural language is characterized by sculptural plasticity and individualized, timeless modernity.<br />
In 1965, he was appointed chief architect of Auroville, an idealistic city conceived in South India. The city’s<br />
founder, Mirra Alfassa, asked the architect to design “the city the earth needs” as a model city for 50,000<br />
inhabitants. The experimental nature of the Auroville project, in the context of rapidly urbanizing India, took<br />
up Alfassa’s whole-hearted attention, where he set standards for the city of the future that could serve as<br />
a replicable model. He also undertook work for other new towns in India such as Vijaynagar, Kudremukh,<br />
Faridabad, and Salem.<br />
Hardcover<br />
30.5 × 22.5 cm<br />
160 pages, 240 col.<br />
English<br />
EUR (D) 39.80<br />
ISBN 978-3-86859-609-0<br />
12.2019
11<br />
#rogeranger #idealisticcity<br />
Auroville. The City the Earth Needs<br />
Roger Anger’s Visions for Urbanism<br />
Anupama Kundoo<br />
Also available in French:<br />
ISBN: 978-3-86859-618-2
12<br />
#christopherdell #urbandesign<br />
The Improvisation of Space<br />
Christopher Dell<br />
This volume investigates one of the most significant shifts in contemporary urban<br />
research: the shift from an object- to an action-related perspective on the city.<br />
Outlining a critical urban theory from an improvisational perspective, the book<br />
shows why this transition might change our understanding of the city at large<br />
and make us reconsider the role of architecture and urban design, as well as their<br />
representations. The German theorist, composer, and musician Christopher Dell,<br />
widely known for his performances and teaching in urban design, explores the<br />
question of making in a constellation of matter, things, embodiment, active living,<br />
and discourse. Insightful and engagingly written, this extraordinary volume offers,<br />
for the first time in English, a far-reaching narrative that examines the improvisation<br />
of space and reflects multifaceted aspects of the city today. The book<br />
assembles a unique collection of images and essays, providing a substantial new<br />
contribution and advancement in the field of urban research.<br />
THE IMPROVISATION OF SPACE<br />
Christopher Dell<br />
THE<br />
IMPROVISATION<br />
OF<br />
SPACE<br />
Christopher Dell<br />
Softcover<br />
17 × 24 cm<br />
256 pages, 50 b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-602-1<br />
11.2019<br />
Constructlab: Mont Réel. How to Build a mountain © Constructlab / Carla Rangel
13<br />
#urbanvoid #publicspace<br />
A Glossary of Urban Voids<br />
Sergio Lopez-Pineiro<br />
This book is a critiqued collection of over 200 terms regularly used to name the<br />
urban void, from terrain vague to buffer zone. As the landscape architect James<br />
Corner has pointed out, a void cannot be labeled because “to name it is to claim<br />
it in some way.” By listing existing terms, A Glossary of Urban Voids attempts to<br />
name the unnamable, to define that which should have no precise definition.<br />
It records terms, names, and labels used to designate leftover spaces, resulting<br />
from processes of urban abandonment, that originate from some kind of obsolescence<br />
or loss. In addition to their obvious consequences, these processes of<br />
abandonment open up space, liberating it from existing ideological frameworks<br />
(financial, capital, cultural …), allowing divergent spatialities to emerge, and ultimately<br />
offering opportunities to imagine and conceptualize an alternative type<br />
of public space. Using the glossary as an intellectual tool, this book presents the<br />
most relevant questions on the issue of the urban void and its potential role as<br />
public space.<br />
A<br />
Glossary<br />
of<br />
Urban<br />
Voids<br />
SERGIO<br />
LOPEZ-PINEIRO<br />
Softcover<br />
15 × 21 cm<br />
240 pages, 30 b/w<br />
English<br />
EUR (D) 28.00<br />
ISBN 978-3-86859-604-5<br />
01.<strong>2020</strong><br />
ABANDONED PROPERTY ABANDONMENT<br />
can be developed. [See: Abalos and<br />
Herreros, 206.]<br />
artificial landscape without cultural<br />
precedent<br />
1. Usage: When I was teaching at<br />
Cooper Union in the first year or two<br />
of the ‘50s, someone told me how I<br />
could get on to the unfinished New<br />
Jersey Turnpike. I took three students<br />
and drove from somewhere in the<br />
Meadows to New Brunswick. It was<br />
a dark night and there were no lights<br />
or shoulder markers, lines, railings or<br />
anything at all except the dark pavement<br />
moving through the landscape<br />
of the flats, rimmed by hills in the<br />
distance, but punctuated by stacks,<br />
towers, fumes and colored lights. This<br />
drive was a revealing experience. The<br />
road and much of the landscape was<br />
artificial, and yet it couldn’t be called<br />
a work of art. On the other hand, it<br />
did something for me that art had<br />
never done … The experience on the<br />
road was something mapped out but<br />
not socially recognized. I thought to<br />
myself, it ought to be clear that’s the<br />
end of art. Most paintings look pretty<br />
pictorial after that. There is no way<br />
you can frame it, you just have to<br />
experience it. Later I discovered some<br />
abandoned airstrips in Europe—abandoned<br />
works, Surrealist landscapes,<br />
something that had nothing to do<br />
with any function, created worlds<br />
without tradition. Artificial landscape<br />
without cultural precedent began to<br />
dawn on me. [Quoting Tony Smith.<br />
See: Wagstaff, 14.]<br />
as found<br />
1. Usage: In architecture, the “as found”<br />
aesthetic was something we thought<br />
we named in the early 1950s when<br />
we first knew Nigel Henderson and<br />
saw in his photographs a perceptive<br />
recognition of the actuality<br />
around his house in Bethnal Green:<br />
children’s pavement play-graphics;<br />
repetition of “kind” in doors used<br />
as site hoardings; the items in the<br />
detritus on bombed sites, such as the<br />
old boot, heaps of nails, fragments<br />
of sack or mesh and so on … Thus<br />
the “as found” was a new seeing of<br />
the ordinary, an openness as to how<br />
prosaic “things” could re-energise<br />
our inventive activity. [See: Smithson,<br />
Alison and Peter, 201.]<br />
black holes<br />
1. the in-between scenes of landscape<br />
beauty; we travel daily through a<br />
multitude of unexplained black holes;<br />
dominant feature of peripheries and<br />
urbanized countries. [See: Girot, 100.]<br />
2. we need to consider these long<br />
non-entities as probably equally significant<br />
as the most celebrated vistas<br />
of the Alps; require a long process of<br />
aesthetic acceptance; need more time<br />
and memory to decant their specific<br />
identity and to operate a veritable<br />
change in our appreciation of them.<br />
[See: Girot, 100.]<br />
3. unplanned and nameless landscapes;<br />
nondescript places; very ugly and<br />
banal places. [See: Girot, 100-101.]<br />
4. these blind “after the fact” environments—call<br />
them landscapes if you<br />
will—require both discernment and<br />
an exquisite intuition to make any<br />
kind of sense out of them. [See: Girot,<br />
101–102.]<br />
blank space<br />
1. readily accessible, openly shared, yet<br />
non-descript, banal, and ordinary;<br />
lack of identity and (re)cognizance; genericized<br />
form of space; undesigned,<br />
unbuilt, and open. [See: Corner, 125.]<br />
blot<br />
1. from block and lot, i.e. a block of lots;<br />
when a homeowner takes, borrows,<br />
or buys one or more adjacent lots,<br />
the connected lots form a blot. [See:<br />
Interboro, 243.]<br />
ANNOTATIONS & CRITIQUES<br />
WHAT DOES THE TERM URBAN VOID IMPLY?<br />
While this book is a glossary of terms used to discuss urban<br />
vacancy, the term urban void will be used as a default label<br />
throughout the book to refer to the urban spaces that are<br />
the subject of this book. Since the objective of this book<br />
is to define and portray the constellation of terms used to<br />
discuss urban vacancy, it must be clear that this decision is<br />
obviously made for practical reasons only.<br />
The term void, however, typically projects bad connotations<br />
when discussing urban spaces—primarily those<br />
of emptiness and nothingness—and, thus, the expression<br />
urban void could be misunderstood. In fact, people interested<br />
in the redefinition of the city according to other ideologies<br />
or points of view that are not exclusively economic<br />
(ecological sustainability or social diversity, for example)<br />
might argue that these spaces are not empty: in fact, they<br />
are full of other alternative (non-economical) potentials.<br />
Due to their marginality, these spaces offer opportunities<br />
(again ecological or social as an example) that other public<br />
spaces do not—and cannot. Following this line of thought,<br />
it could be argued then, that another term—even if it is<br />
only for practical reasons—should be used.<br />
However, the term void is not used in this book to<br />
imply that these spaces are emptied of everything. As the<br />
reader will see, the term void—along with many others that<br />
could offer similar controversies—implies that these spaces<br />
are emptied of the value that is associated with the prevailing<br />
ideology of cities as places of capital accumulation.<br />
But this emptiness (of capital, real state value, efficacy, or<br />
production) is precisely what enables for other sensibilities<br />
17
14<br />
#stadtentwicklung #urbanepraktiken<br />
Amplifier and Complement<br />
About the Relationship between Urban Planning,<br />
Artistic Practices, and Cultural Institutions<br />
Isabel Maria Finkenberger / Eva-Maria Baumeister /<br />
Christian Koch (eds.)<br />
Increasingly often, new protagonists from the arts and culture are becoming<br />
involved in processes of urban development, participating in unconventional<br />
ways in the design of urban spaces. This is no coincidence, because many of the<br />
urban development challenges of today require abilities that go beyond traditional<br />
planning tools. What is the relationship between urban planning, artistic<br />
practices, and cultural institutions: do they merely complement each other, or do<br />
they mutually amplify each other? This volume gathers perspectives from different<br />
disciplines that understand changing urban practices, as well as constantly<br />
changing hierarchies and power relationships, as an opportunity to think differently<br />
about places, institutions, and those involved, and about forms of organization<br />
and action.<br />
With contributions from Hilke Marit Berger, Marta Doehler-Behzadi, Christoph<br />
Grafe, Saskia Hebert, Hanna Hinrichs, Kay von Keitz, Thomas Malorny, Tobi<br />
Müller, Berthold Schneider, Birgit Schneider-Bönninger, Uwe Schneidewind,<br />
Renée Tribble, and Stephan Willinger, among others<br />
Softcover<br />
17 × 24 cm<br />
272 pages, 20 col. and 50 b/w<br />
English/German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-578-9<br />
Available<br />
© Van Abbemuseum / Peter Cox
© IBA Thüringen<br />
© Schauspiel Köln / Ana Lukenda
16<br />
#shapingeuropeancities<br />
#europäischeraumentwicklung<br />
Naomi Alcaide<br />
Christian Höcke<br />
(Hrsg.)<br />
Vielfalt gestalten | Shaping Diversity<br />
Vielfalt gestalten<br />
Ansätze zur Förderung<br />
der sozialen Kohäsion<br />
in Europas Städten<br />
Shaping Diversity<br />
Approaches to Promoting<br />
Social Cohesion in<br />
European Cities<br />
Naomi Alcaide | Christian Höcke (Hrsg.)<br />
Shaping Diversity<br />
Approaches to Promoting Social Cohesion<br />
in European Cities<br />
Naomi Alcaide / Christian Höcke (eds.)<br />
for the vhw Bundesverband für Wohnen und<br />
Stadtentwicklung<br />
Diversity in Europe’s cities and societies is increasing—and<br />
with it, the need to strengthen social cohesion. Today, this<br />
seems more necessary than ever, as societies are becoming<br />
more diverse and their cohesion finds itself challenged<br />
by radical economic, ecological, social, and political<br />
change. The contributions to this volume demonstrate<br />
how these challenges are being met at the local level of<br />
cities and urban districts. Contributors from municipal politics,<br />
science, administration, community social work, and<br />
urban planning engage with various approaches that aim to<br />
successfully achieve social cohesion in Europe.<br />
Softcover<br />
20 × 24 cm<br />
208 pages, 76 col.<br />
English/German<br />
EUR (D) 24.80<br />
ISBN 978-3-86859-597-0<br />
12.2019<br />
Forschungslabor Raum 3:<br />
Crossing Borders—<br />
Activating Spaces<br />
Transnational Approaches of<br />
Spatial Planning in Europe<br />
Internationales Doktorandenkolleg—<br />
Forschungslabor Raum (ed.)<br />
The challenges of spatial development in Europe can only<br />
be met through transdisciplinary cooperation. In a continent<br />
that is dynamically changing and undergoing complex<br />
processes of transformation, new and integrated methods<br />
for planning and design are needed to strengthen cohesion<br />
between Europe's countries and regions. This book focuses<br />
on current issues of landscape and residential development,<br />
mobility, demography, energy, and climate, as well<br />
as on material flows—and on the spatial manifestation of<br />
all these phenomena. The contributions deal with topics<br />
such as the labor and housing markets and their increased<br />
integration, or concepts of infrastructure and landscape<br />
planning in border regions. Under the guiding theme of<br />
Crossing Borders—Activating Spaces, the book explores<br />
possibilities of cross-border concepts and strategies, while<br />
also testing tools and procedures apt for this task.<br />
Softcover<br />
17 × 24 cm<br />
320 pages, 150 col.<br />
English/German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-573-4<br />
09.<strong>2020</strong>
17<br />
#metropolitanresearch #digitalcity<br />
Perspectives in Metropolitan Research 6:<br />
Digital City Science. Researching New<br />
Technologies in Urban Environments<br />
Raphael Schwegmann / Gesa Ziemer / Jörg Rainer Noennig (eds.)<br />
How do science and technology shape future cities—and how do cities shape science and technology in<br />
return? Who are the architects and actors behind these processes? Driven by a transdisciplinary approach,<br />
Perspectives in Metropolitan Research 6 will elaborate on the intertwinements of science, technology, and<br />
cities. The contributions will discuss recent theoretical approaches on how to look at the intersection between<br />
digitalization and cities scientifically, as well as how to define one’s role as a researcher. What are the assumptions<br />
that guide our view while researching? What does it mean to work transdisciplinarily with a focus on the<br />
future of cities? In sum, this edition offers an overview of current perspectives on the Digital City. It is conceptualized<br />
as a forum for academic exchange on different methods, methodologies, measurements, and materials;<br />
on theories, treasures, toys, and tools; and on power, prestige, problems, and perfection of/in digital city<br />
research.<br />
This volume is based on contributions to this year’s City Science Summit (CSS 2019), a global conference<br />
hosted by the CityScienceLab at HafenCity University Hamburg in cooperation with the MIT Media Lab. The<br />
summit looked towards future cities that are more livable and innovative in using novel technologies for urban<br />
decision-making, design, and operation. In addition to academic members and researchers of the City Science<br />
Network, the summit also welcomed international mayors, established experts, and high-level CEOs.<br />
Softcover<br />
16.5 × 24 cm<br />
192 pages, 100 col. and b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-600-7<br />
09.<strong>2020</strong><br />
© CityScienceLab
18<br />
#innerestadtentwicklung #hamburg<br />
Hamburg – Positionen, Pläne, Projekte 1:<br />
Stadträume bauen<br />
Olaf Bartels / Behörde für Stadtentwicklung<br />
und Wohnen (eds.)<br />
Hamburg is growing. Germany‘s largest port city is getting ready to have<br />
more than 1.9 million residents by 2030. For some time now, the city has<br />
been pursuing an ambitious construction program, with a focus on inner<br />
city development: the new buildings on the northern banks of the Elbe<br />
River, HafenCity, or the strategy “Sprung über die Elbe” (Leap across the<br />
Elbe) stand for development strategies on a grand scale.<br />
How should Hamburg continue to develop? What will its priorities be in the<br />
future? Hamburg’s urban development planning is placing a new emphasis<br />
on the city’s outskirts and the urban spaces along its main thoroughfares:<br />
postwar modernist housing developments are to be upgraded in order to<br />
preserve affordable living space and make modern workplaces possible.<br />
The goal is an effective mix of uses and new urban quality of life.<br />
This book shows Hamburg in the international discourse of urban development.<br />
It presents the most important projects and protagonists from the<br />
fields of architecture, urban planning, and landscape design, while allowing<br />
users and initiatives to have a voice.<br />
Visualisierung Baakenhafen Baufeld 92a @ Bloomimages/Ditting/GWG<br />
Softcover<br />
19.5 × 29.5 cm<br />
160 pages, 200 col. and b/w<br />
German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-625-0<br />
04.<strong>2020</strong><br />
Internationales Bauforum 2019 | Magistralen @ Behörde für Stadtentwicklung und Wohnen / Michael Zapf
19<br />
#multiplecampus #universitäthamburg<br />
Multiple Campus<br />
Szenarien für die Universität der Zukunft<br />
Paolo Fusi<br />
University of Hamburg (ed.)<br />
What will the urban campus of the future look like? Academia is undergoing<br />
massive change as it faces increasingly complex challenges—and with it, cities<br />
are changing, too. Paolo Fusi describes the “multiple campus” as a place of<br />
knowledge transfer that enables new models for creatively and innovatively<br />
researching, working, and living in the city. Focusing first on the Universität<br />
Hamburg, he then examines the development of urban campuses worldwide,<br />
evaluating architectural and conceptual tendencies. Turning to exemplary projects<br />
that have developed over time, been recently realized, or are in the planning<br />
stages, in New York, Chicago, Lausanne, London, Trondheim, and Copenhagen,<br />
he examines instruments for designing architectural and spatial types. These<br />
future scenarios complement his morphological analysis of the Hamburg city<br />
campus and his consideration of its historical emergence.<br />
Swiss brochure with flaps<br />
21.5 × 31 cm<br />
280 pages, 450 col. and b/w<br />
German<br />
EUR (D) 38.00<br />
ISBN 978-3-86859-598-7<br />
10.2019<br />
Makro Meso Mikro<br />
New York<br />
Manhattanville Campus<br />
Grafik: © Johannes Bouchain/<br />
Nicolai Bouchain. Kartendaten:<br />
© OpenStreetMap-Mitwirkende,<br />
Gebäudedaten: Department of<br />
Information Technology & Telecommunications<br />
(DoITT), City of New<br />
York; geplante Gebäudedaten auf<br />
Basis eines Lageplans der Columbia<br />
University<br />
Grafik: © Johannes Bouchain/<br />
Nicolai Bouchain. Kartendaten: ©<br />
OpenStreetMap-Mitwirkende<br />
Ein neuer Standort im<br />
historischen urbanen Raster<br />
3 4 5<br />
2<br />
2<br />
Blick auf den Platz im<br />
Süden des neuen Manhattanville<br />
Campus mit<br />
dem Lenfest Center for<br />
Die Columbia University ist eine der großen traditionsreichen<br />
Universitäten der Stadt New York<br />
und eine der ältesten der Vereinigten Staaten. Sie<br />
wurde 1754 gegründet, ist seit jeher an unterschied-<br />
College Campus der City University of New York<br />
(CUNY). Topografisch ist Manhattanville insofern<br />
besonders, als dass dieses Viertel zum Teil nicht<br />
erhöht über dem Hudson River liegt, wie die an-<br />
the Arts im Hintergrund<br />
lichen Standorten in Manhattan beheimatet und<br />
grenzenden Viertel, sondern in einem Taleinschnitt<br />
3<br />
Übersichtsplan der Stadt<br />
New York mit der Lage<br />
hat heute über 32.000 Studierende 1 . Die heutigen<br />
Standorte der Universität liegen im nördlichen Teil<br />
von Manhattan nahe dem Hudson River. Der Haupt-<br />
entlang der heutigen 125th Street.<br />
Das nun in Bau befindliche Areal des neuen<br />
Manhattanville Campus im Westen des Stadtvier-<br />
des Manhattanville<br />
Campus (schwarzer<br />
Punkt) und des Financial<br />
Districts (grauer Punkt)<br />
M 1:50.0000<br />
campus befindet sich im Stadtviertel Morningside<br />
Heights in einem 13 Hektar großen Bereich um die<br />
116th Street. Der zweite, 8,1 Hektar umfassende<br />
Campus mit der Medizinischen Fakultät liegt im<br />
tels war bereits in den 1980er und 1990er Jahren<br />
Bestandteil unterschiedlicher Revitalisierungsprojekte<br />
gewesen. Es liegt in einem bisher durch gewerblich-industrielle<br />
Bauten, Lagerhäuser, Garagen<br />
4<br />
Lageplan des Manhattanville<br />
Campus mit bestehenden<br />
und geplanten<br />
Stadtviertel Washington Heights in Höhe der 165th<br />
Street. Die zunehmende urbane Verdichtung von<br />
Manhattan schränkt die räumlichen Erweiterungsmöglichkeiten<br />
der Universität stark ein, weshalb<br />
und große Parkplätze geprägten Gebiet innerhalb<br />
der typischen Blockstruktur Manhattans. Die vernachlässigten<br />
öffentlichen Räume im Viertel und<br />
die fehlende Anbindung an den Hudson-River wa-<br />
Gebäuden<br />
M 1:10.000<br />
lange nach geeigneten Flächen für einen weiteren<br />
Campus gesucht wurde, bis die Entscheidung fiel,<br />
ren Anlass für eine enge Zusammenarbeit zwischen<br />
Universität und Stadt, um das Projekt für eine<br />
5<br />
Tabelle: Übertragbarkeit<br />
einen neuen Universitätscampus im Stadtviertel<br />
Manhattanville zu errichten. Inzwischen wurden<br />
gleichzeitige urbane Aufwertung des gesamten Gebiets<br />
zu nutzen. Dies manifestierte sich in besonde-<br />
der Planungs- und Gestaltungsprinzipen<br />
des<br />
Beispiels Manhattanville<br />
Campus auf die Standorte<br />
der Universität Hamburg<br />
die ersten Gebäude fertiggestellt.<br />
Manhattanville: vom industriellen Viertel zum<br />
urbanen Universitätscampus<br />
rer Form 2009 mit dem West Harlem Community<br />
Benefits Agreement (CBA), das zwischen der Universität<br />
und der lokalen Entwicklungsgesellschaft<br />
vereinbart wurde. Zuvor war die nötige Flächenum-<br />
Im Jahr 2003 begann eine enge Zusammenar-<br />
widmung zur universitären Nutzung bereits 2007<br />
beit der Universität mit Politik und Verwaltung in<br />
von der Stadt genehmigt worden. 2 Trotz weiter<br />
West Harlem für eine Konversion eines Teils von<br />
anhaltender Kritik an der rigorosen Umstrukturie-<br />
Manhattanville auf Höhe der 125th Street zu einer<br />
rung und urbanen Verdichtung des Viertels und<br />
verdichteten universitären Nutzung innerhalb der<br />
der Verdrängung der alteingesessenen Gewerbe-<br />
bestehenden Blockstrukturen. Historisch gesehen<br />
betriebe kann diese Entwicklung aus stadtplane-<br />
ein Dorf weit nördlich der Tore des damaligen New<br />
rischer Sicht sehr positiv bewertet werden, gerade<br />
Yorker Stadtgebiets, entwickelte sich der Westen<br />
weil der neue Campus sich hier sehr weit zur Stadt<br />
Manhattanvilles im Laufe des 19. Jahrhunderts zu<br />
öffnen wird und eine introvertierte bzw. simulierte<br />
einem pulsierenden, stark industriell geprägten<br />
Urbanität, wie sie in der Vergangenheit bei zahlrei-<br />
Gebiet. Aber auch akademische Einrichtungen spie-<br />
chen Campusanlagen geschaffen wurde und – zum<br />
len im Stadtviertel seit dem 19. Jahrhundert eine<br />
Beispiel beim Campus Morningside Heights 3 – ver-<br />
wichtige Rolle. So befindet sich dort auch der City<br />
mieden wird.<br />
Tendenzen<br />
88 | 89
20<br />
#metropoleruhr #stadtderstädte<br />
Vom Ruhrgebiet zur Metropole Ruhr<br />
Die Entwicklung einer Region<br />
Karola Geiß-Netthöfel / Dieter Nellen / Wolfgang Sonne (eds.)<br />
for the Regionalverband Ruhr (RVR)<br />
In the twenty-first century, the Ruhr area—with 5.1 million inhabitants, the largest conurbation in Germany—finds itself poised<br />
between historical preservation and modernization: the region still stands for its mining past and its postindustrial transformation,<br />
and yet it also offers an example of sustainable urban and regional development. The more the structural change of<br />
the region advances, the more the Ruhr area reflects a pattern common to many cities internationally: the in-between urban<br />
spaces become more connected to the densely populated centers that are traditionally found in European cities.<br />
This book is being published on the occasion of the 100 th anniversary of the Siedlungsverband Ruhrkohlenbezirk, now the<br />
Regionalverband Ruhr. This organization was founded in 1920, at the beginning of the Weimar Republic, as a planning and<br />
environmental body and is today still the largest metro administrative body in Europe. The volume offers a programmatic<br />
agenda for the future. It documents the history, strategy, and governance of the Regionalverband Ruhr as a network organization<br />
for regional management that has jointly been responsible for internationally renowned lead projects such as the IBA Emscher<br />
Park, RUHR.2010—European Capital of Culture, Ruhrtriennale, Green Infrastructure, and the IGA Metropole Ruhr 2027.<br />
Using texts, images, and plans, it vividly depicts the inner master plan for the Ruhr metropolis, producing a master narrative—<br />
not least of all for the areas of soft regionalization, culture, tourism, industrial culture, and economic and scientific marketing<br />
in the “city of cities.”<br />
Hardcover<br />
24 × 32 cm<br />
340 pages, 200 col.<br />
German<br />
EUR (D) 45.00<br />
ISBN 978-3-86859-584-0<br />
04.<strong>2020</strong><br />
Halde Haniel Ruhrtriennale / Michael Kneffel / Ruhrtriennale 2012
Backstein wurde von den<br />
„Hütten“ bis zu den „Palästen“<br />
der Industriezeit verwendet:<br />
Wohnblock Lenten insel und<br />
Union Verwaltungsgebäude.<br />
146 Materialien<br />
147<br />
21<br />
#soundderstadt #dortmund<br />
Dortmunder Passagen<br />
Ein Stadtführer<br />
Stefan Mühlhofer / Wolfgang Sonne / Barbara Welzel (eds.)<br />
Five routes lead through Dortmund and follow the sound of the city: paths,<br />
water, materials, town and countryside, and public spaces. These routes cross<br />
Dortmund’s urban area, rendering history, the present, and geographical features<br />
visible and understandable in specific places. The hubs of these urban explorations<br />
are museums, industrial monuments, and the municipal church St. Reinoldi.<br />
The routes include aristocratic manors, parks, gas pipelines, village structures and<br />
churches going back to medieval times, buildings from postwar modernity, areas<br />
of industrialization and structural change, and colleges. Dortmunder Passagen<br />
opens up new perspectives and invites the reader to explore the city.<br />
Flexocover<br />
14 × 19 cm<br />
288 pages, num. col.<br />
German<br />
EUR (D) 15.00<br />
ISBN 978-3-86859-572-7<br />
Available<br />
blöcke mit begrünten Innenhöfen an Straßen und Plätzen<br />
gruppiert und bieten günstigen Wohnraum in großstädtischen<br />
vier- bis fünfgeschossigen Häusern.<br />
In der Nachkriegszeit wurde Backstein gerne als bescheidenes<br />
Material im Zeichen eines demutsvollen Neubeginns<br />
verwendet. So etwa bei der Paul-Gerhardt-Kirche, die<br />
als eine von 48 Notkirchen des Architekten Otto Bartning<br />
1949 an der Markgrafenstraße in Selbstbauweise durch<br />
die Gemeinde errichtet wurde. Oder beim Wiederaufbau<br />
des Museums am Ostwall, dem heutigen Baukunstarchiv<br />
NRW, das 1956 eine einfache, aber solide Ummantelung<br />
aus hellem Backstein erhielt. Wie erfolgreich die Wiederaufnahme<br />
des Backsteins als quartierprägendes Baumaterial<br />
sein kann, zeigt der Technologiepark westlich des Universitätscampus:<br />
Hier war 1985 der Backstein eine Vorgabe<br />
der Gestaltungssatzung, so dass ein harmonisch-charaktervolles<br />
Gewerbegebiet entstand – wahrlich eine Seltenheit<br />
für diese Bauaufgabe!<br />
EISEN UND STAHL: Die Material-Route führt von Zollern II/<br />
IV in südöstlicher Richtung zur Rheinischen Straße zum<br />
Verwaltungsgebäude für die Union Aktiengesellschaft<br />
für Bergbau, Eisen- und Stahlindustrie (gegründet<br />
1872). Stahl für Gleisanlagen und Fahrzeuge, Maschinen<br />
und Waffen, Bauwerke und Konstruktionsteile – ein universell<br />
verwendbarer Werkstoff. Hier an der Rheinischen<br />
Straße war er für den Stahlkonzern auch das Baumaterial<br />
– zumindest in der Konstruktion versteckt. Das Architekturbüro<br />
Dietrich und Karl Schulze erbaute 1916–1922 den<br />
imposanten Klinkerbau. Er trägt an der Fassade die Inschrift<br />
„Es lobe den Mann die Arbeit und die Tat“ und orientiert<br />
sich in den Formen deutlich am Mannesmann-Verwaltungsgebäude,<br />
das Peter Behrens 1912 in Düsseldorf erbauen<br />
ließ. Beide Bauten nehmen in ihrer blockhaften Geschlossenheit<br />
den Typ des italienischen Renaissance-Palazzo<br />
auf – in dieser Neorenaissance wollte sich das reiche Bürgertum<br />
im „Bürgertum“ von Florenz des 15. und 16. Jahrhunderts<br />
spiegeln, dem es sich kulturell verbunden fühlte.<br />
Dennoch ist das imposante Gebäude, das die Bedeutung
22<br />
#rheinmetropole #stadtentwicklung<br />
Düsseldorf<br />
Stadtentwicklung in der wachsenden Metropole am Rhein<br />
Thomas Geisel / Dieter Nellen / Cornelia Zuschke / Stadt Düsseldorf (eds.)<br />
Düsseldorf is growing—in both its economy and its urban space. Yet the metropolis on the Rhine<br />
is doing so not by reinventing itself but by gaining new qualities. As in other, similar European<br />
metropolises, this wave of development offers an opportunity to further raise the profile of<br />
architecture and urban development and to launch projects in public space, art, culture, and<br />
infrastructure, with contemporary forms of living and new mobility. Düsseldorf regularly scores<br />
highly on rankings of quality of life, and it profits from its location on the Rhine and the urban<br />
development of the river’s banks. This publication provides a compact overview of current key<br />
projects, formats, areas, addresses, competitions, and participation initiatives in the state capital<br />
of North Rhine-Westphalia. It gives voice to the City of Düsseldorf and its main actors.<br />
Softcover<br />
19.5 × 29.5 cm<br />
160 pages, 200 col. and b/w<br />
German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-624-3<br />
06.<strong>2020</strong><br />
© Landeshauptstadt Düsseldorf – Vermessungs- und Katasteramt
0 1 2 3 4 5 6 7 8 9 10 km<br />
0 1 2 3 4 5 6 7 8 9 10 km<br />
23<br />
#portuality #threshold<br />
Beyond the Port City<br />
The Condition of Portuality and the Threshold’s Field<br />
Beatrice Moretti<br />
Portuality is a concept that has long been rooted in several urban centers. It<br />
denotes a territorial quality specific to those cities and developed through strong<br />
relationships with their own port. Beyond the Port City recognizes portuality as<br />
a specific condition and suggests that the urban-port threshold could emerge<br />
as one major symbolic field of exploration. This unique threshold materializes<br />
along the margin between the two authorities, namely in that space where the<br />
city and the port are side by side. It is marked by an administrative boundary that<br />
becomes an accumulator of transit: a fragmented space where the juxtapositions<br />
take sufficient shape to acquire a dimension and to be recognizable.<br />
This book updates the old city-port dichotomy and outlines a new vision in<br />
which the port city is a forma urbis affected by the speed of changing processes<br />
and influenced by the factors that are embodied in its territorial palimpsest.<br />
Softcover with flaps<br />
17 × 24 cm<br />
216 pages, 32 col. and b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-613-7<br />
09.<strong>2020</strong><br />
legenda<br />
viabilità principale<br />
viabilità secondaria<br />
costruito<br />
confine urbano-portuale<br />
soglia urbano-portuale<br />
mare/fiume<br />
T E R R I T O R I A L E<br />
U R B A N O - P O R T U A L E<br />
Genova<br />
44°24 25.87 N 8°56 02.34 E<br />
The Urban-Port Threshold Map: Genoa<br />
© B. Moretti, 2019<br />
Genoa-Prà Terminal © Autorità di Sistema Portuale del Mar Ligure Occidentale
24<br />
Architectures of Science<br />
The Berlin Universities and Their Development<br />
in Urban Space<br />
#wissenslandschaft #berlinuniversities<br />
ARCHITECTURES<br />
OF<br />
Arne Schirrmacher / Maren Wienigk (eds.)<br />
In Berlin, science, architecture, and the city are interwoven in a unique way:<br />
what was originally a single palace in the historic center gradually developed to<br />
become a comprehensive academic landscape, in which three large universities<br />
today shape the city. Taking a multiperspectival approach, this architectural guide<br />
asks how the growth of Berlin as a metropolis has been linked to the development<br />
of science and how its various disciplines have been able to realize their<br />
demands for buildings to carry out research and teaching and to hold scientific<br />
collections. In five chapters, the authors guide readers through various locations<br />
in Mitte, Charlottenburg, Dahlem, Adlershof, and Buch and show how questions<br />
about the representation and functionality of buildings, their conversion, or even<br />
their relocation to the outskirts of the city were reconciled with the expansion of<br />
infrastructure and contemporary ideas about urban planning. The book’s critical<br />
and detailed look at the architectures of science, the genesis of which it traces<br />
over more than two centuries, sheds new light on Berlin’s university landscape.<br />
At the same time, it allows readers to rediscover the political and social zeitgeist<br />
in the buildings of science.<br />
Also available in German:<br />
ISBN: 978-3-86859-595-6<br />
Berlin Universities and<br />
Their Development in<br />
Urban Space<br />
Arne Schirrmacher,<br />
Maren Wienigk (Eds.)<br />
SCIENCE<br />
In cooperation with Gabriele Metzler (concept) and Konrad Angermüller (design)<br />
and with additional contributions by Nils Exner and Sascha Morawe.<br />
Swiss brochure with flaps<br />
17 × 24 cm<br />
304 pages, 150 col. and 50 b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-605-2<br />
11.2019<br />
Science Institutes Dorotheenstraße (AIV Berlin)<br />
Facade of Universitätsklinikum Benjamin Franklin (E. Straub)
25<br />
#wissenslandschaft #berlinuniversities<br />
Atrium Technische Hochschule (Architekturmuseum TU Berlin)
26<br />
#bibliotheksbauten #offenestadtgesellschaft<br />
Public!<br />
Die Stadt und ihre Bibliotheken<br />
Anke Buettner / Münchner Stadtbibliothek (eds.)<br />
Ö ff n u n g<br />
The practice of an open urban society poses challenges to our democracy.<br />
What kinds of culture, what institutions do we need to moderate and curate<br />
this openness? What can public libraries and cultural centers do to promote<br />
a sense of community beyond filter bubbles? Designing complexity and<br />
shaping fields of action for good neighborhoods and society is the task for<br />
architecture and urban planning.<br />
The symposium series Public!—initiated in 2017 by the Munich City Library<br />
on the occasion of the renovation of its headquarters, the Gasteig cultural<br />
center—focused on changes in urban reality and the renaissance of libraries<br />
as places of culture, knowledge, and democracy. This volume brings together<br />
positions from architecture, urban planning, cultural education, science, and<br />
politics and gives librarians and users a voice. It also discusses current library<br />
buildings such as the Oodi in Helsinki, the Library of Birmingham, the Chocoladefabriek<br />
in Gouda, or the McMillan Library in Nairobi.<br />
Softcover<br />
16.5 × 24 cm<br />
176 pages, 75 col. and b/w<br />
German<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-623-6<br />
04.<strong>2020</strong><br />
Oodi Helsinki Central Library, ALA Architects, Top Floor
27<br />
#baukulturellebildung #finnland<br />
Architectural Policy in Finland<br />
Architecture as Civic Education<br />
Turit Fröbe<br />
Finland is the undisputed pioneer in architectural education. In 1998, it was one of the first<br />
countries in Europe to develop an official architectural policy, the declared aim of which was<br />
to more systematically integrate architecture into the educational system, teacher training<br />
programs at universities, and adult education.<br />
In her field study, Turit Fröbe spoke with various experts to get a picture of just how successful<br />
this internationally acclaimed Finnish architectural policy has been. Has it succeeded in anchoring<br />
architectural education in the education system? What conditions did this require? What<br />
structures were created to do so? And is it possible to derive recommendations from Finnish<br />
experience for countries such as Germany?<br />
Softcover with flaps<br />
18.5 × 26.5 cm<br />
192 pages, 50 col. and b/w<br />
English<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-616-8<br />
03.<strong>2020</strong><br />
Also available in German:<br />
ISBN 978-3-86859-617-5
28<br />
#artisticresearch #psychiatrischelebenswelten<br />
visions4people<br />
Artistic Research Meets Psychiatry<br />
Tyyne Claudia Pollmann /<br />
weißensee kunsthochschule berlin (ed.)<br />
visions4people offers a kaleidoscopic overview of artistic research in the context of psychiatric<br />
environments and conveys their particular challenges. What form can design visions<br />
and interventions take when people are central? Tyyne Claudia Pollmann has addressed<br />
this question and explored it in a cooperation between the Department of Psychiatry and<br />
Psychotherapy Charité Berlin Mitte and weißensee kunsthochschule berlin, together with<br />
students, patients, and staff of the psychiatric clinic.<br />
Scientific and artistic contributions, as well as photographs and polyphonic research materials,<br />
reveal to the reader the multifaceted experiences gleaned from this cooperation. The<br />
book is a valuable contribution for specialists and students from the disciplines of art, architecture,<br />
design, psychology, psychiatry, anthropology, and sociology who are planning a<br />
similar initiative—and a basis for novel collaborative projects in which the patient’s role in<br />
psychiatry changes fundamentally: from being affected to getting involved.<br />
Tyyne Claudia Pollmann<br />
visions4people<br />
ARTISTIC RESEARCH MEETS PSYCHIATRY<br />
Softcover<br />
17 × 24 cm<br />
304 pages, 93 col.<br />
English<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-581-9<br />
Available
29<br />
#neohistorismus #zeitgenössischbauen<br />
Stadtentwicklung & Denkmalpflege 19:<br />
Neo-Historismus?<br />
Historisierendes Bauen in der zeitgenössischen Architektur<br />
Eva von Engelberg-Dočkal<br />
Gaby Dolff-Bonekämper / Hans-Rudolf Meier / Jörg Sulzer (eds.)<br />
Adopting and adapting historical forms is an integral part of architectural design today. Strictly rejected by some and<br />
embraced by others, this practice has provoked controversy since the beginning of modernism. With its assertion of continuity<br />
and claim to universality, historicizing architecture from the twentieth century is decidedly antimodernistic—a counterproject<br />
to modernistic architecture and yet also a part of modern times. The diversity of historicizing approaches and the<br />
history of historicizing construction have received little attention so far—a fact that is especially evident with a comparative<br />
view that looks beyond Germany to other countries and their building traditions.<br />
This volume aims to take historicizing architecture seriously as an architectural reality and one possible variation of contemporary<br />
building, with a focus on describing and categorizing its diverse concepts and manifestations. In considering histor -<br />
icizing architecture as a contemporary phenomenon, the book places its topic in the context of reconstructions and postmodern<br />
ideas while also comparing it with nineteenth-century historicism. This view also includes designs inspired by the<br />
classic modernism of the 1920s.<br />
Softcover<br />
17 × 22 cm<br />
192 pages, 150 col. and b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-610-6<br />
11.<strong>2020</strong><br />
© Photo: Eva von Engelberg-Dočkal
30<br />
#landscapearchitecture #asianurbanism<br />
The Big Asian Book of<br />
Landscape Architecture<br />
Jillian Walliss / Heike Rahmann (eds.)<br />
This book provides one of the first comprehensive discussions of contemporary<br />
landscape architecture practice across the Asian region. Bringing together established<br />
designers, writers, and thinkers with those of the new generation, Jillian<br />
Walliss and Heike Rahmann explore emerging Asian perspectives on urbanism,<br />
modes of engagement, design thinking, and construction in a field that has traditionally<br />
been dominated by North American and European influences.<br />
The Big Asian Book of Landscape Architecture is divided into three thematic<br />
sections—Continuum, Interruption, and Speed—as characteristics that simultaneously<br />
influence an Asian practice of landscape architecture. Each section presents<br />
an interweaving of theoretical writing, reflection on practice, photo essays,<br />
and design projects to explore issues such as the shared cultural, philosophical,<br />
and physical understandings of landscape, the impact of modernity, and the<br />
effects of speed on Asian design and cities. This dynamic structure allows readers<br />
to dip into sections, rather than progress in a linear manner.<br />
Softcover with flaps<br />
20 × 25 cm<br />
288 pages, 200 col. and b/w<br />
English<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-612-0<br />
10.<strong>2020</strong><br />
Blossom Park, Gwanggyo, South-Korea by PARKKIM
31<br />
#hashtag<br />
Karesansui Park, Tokyo, Japan by EARTHSCAPE
32<br />
Räume für Kinder<br />
Mit einer ganzheitlichen Gestaltung die Entwicklung<br />
von Kindern fördern<br />
baukind / Nathalie Dziobek-Bepler (eds.)<br />
#baukind #architekturfürkinder<br />
Räume<br />
für<br />
Kinder<br />
Mit einer ganzheitlichen<br />
Gestaltung die Entwicklung<br />
von Kindern fördern<br />
baukind — Architektur für Kinder<br />
Nathalie Dziobek-Bepler<br />
Meeting children as equals, on their own level, is not only a question of educational<br />
theory. Räume für Kinder shows how architecture and interior design can<br />
promote childhood development. Based on historical and current concepts of<br />
progressive education, the book sketches design principles for building daycare<br />
centers and schools that can also be transferred to other spaces, such as pediatric<br />
clinics. Rooms can invite discovery; they can promote communication<br />
and social interaction, strengthen self-confidence, and be places of retreat or<br />
landscapes for play.<br />
For years, the Berlin architectural firm baukind has been creatively balancing the<br />
strict legal requirements and architectural possibilities of architecture suitable<br />
for children—always with a view to children’s needs. The book presents realized<br />
projects, such as the kindergarten Weltenbummler in Berlin, and aims to foster<br />
the equal involvement of children in the design of our environment.<br />
Pädagogik + Architektur + Design<br />
Softcover with flaps<br />
22 × 28 cm<br />
160 pages, 270 col.<br />
German<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-620-5<br />
05.<strong>2020</strong><br />
05 – SINNESERFAHRUNG WASSER<br />
SINNESERFAHRUNG WASSER – 05<br />
Ein Badezimmer in einer Kita kann so viel mehr als ein<br />
Ort der Körperhygiene sein. Das Bad ist wertvoller<br />
pädagogischer Raum in dem Kinder stundenlang<br />
spielen, erleben und forschen können. Das Spiel mit<br />
Wasser sensibilisiert und schult alle Sinne: Wie fühlt<br />
sich Wasser an, wie hört es sich an, wie verändern sich<br />
Formen und Dimensionen<br />
unter Wasser,<br />
welche Materialien<br />
können schwimmen,<br />
welche gehen unter?<br />
Kinder entdecken<br />
das Element Wasser<br />
mit allen Sinnen. In<br />
Der Fliesenspiegel<br />
als organisches<br />
Gestaltungselement<br />
einem Kitabauprojekt in der Hafencitiy in Hamburg<br />
wurde aufgrund des maritimen Themas besonderen<br />
Wert auf die Gestaltung des Badzeimmerbereiches<br />
gelegt. Ein besonderes Highlight für die Sinneserfahrung<br />
in der Kita Hafencity ist die Badelandschaft<br />
mit unterschiedlichen Duschwannen und Kaskaden<br />
aus Natursteinbecken. Eigens für dieses Projekt<br />
wurde gemeinsam mit einer Mosaikkünstlerin und<br />
dem ErzieherInnen ein Wandmosaik entwickelt.<br />
SEITE<br />
Architektonisch sollte<br />
der Badbereich so ausgelegt<br />
sein, dass dem<br />
Wasserspiel nichts im<br />
Wege steht. Das bedeutet<br />
den Raum offen<br />
zu konzipieren, für eine<br />
gute Akustik zu sorgen<br />
und eine Fußbodenheizung<br />
einzuplanen,<br />
damit die Kinder auch<br />
in leichter Kleidung<br />
nicht unterkühlen. Holz<br />
im Bad erhöht den<br />
Aufenthaltskomfort<br />
und sorgt für ein angenehmes<br />
Raumklima.<br />
Fliesenspiegel als lebendiges<br />
Gestaltungselement. Ein Mosaik<br />
macht das Bad zu einer kleinen,<br />
sehr persönlichen Oase.<br />
48 49<br />
Wasserspritzer – Mit einfachen<br />
Mitteln kann ein dynamischer<br />
Eindruck entstehen.<br />
SEITE
33<br />
#pes-architects #fuzhou<br />
Fuzhou Strait Culture<br />
and Art Centre<br />
PES-Architects<br />
Falk Jaeger<br />
With the construction of the new Strait Culture and Art Centre SCAC, the<br />
capital of the eastern Chinese province of Fujian has made its mark on<br />
the map of China’s cultural locations. The Finnish firm PES-Architects<br />
Pekka Salminen designed the ensemble of opera house, concert hall,<br />
multifunctional hall, museum, and multiplex cinema, which opened<br />
in 2018, in the form of a shining white jasmine blossom, the symbolic<br />
flower of the city on the Min River. Yet the architects referred to Chinese<br />
traditions not only on a symbolic level: they also used locally produced<br />
porcelain tiles and bamboo for the façades and interior fittings. The<br />
Berlin-based architectural critic Falk Jaeger describes the development<br />
of this ensemble and the working methods of the firm, which has offices<br />
in Helsinki and Shanghai. Photographs by the London architectural<br />
photographer Marc Goodwin give a picture of the cultural temple.<br />
Softcover<br />
21 × 25 cm<br />
144 pages, 200 col.<br />
English/Chinese<br />
EUR (D) 39.80<br />
ISBN 978-3-86859-608-3<br />
06.<strong>2020</strong>
34<br />
#verticalmobility #thyssenkrupp<br />
The Future Is Up<br />
thyssenkrupp’s Test Tower in Rottweil<br />
Christian Marquart<br />
thyssenkrupp Elevator (ed.)<br />
Since 2017, one of the most spectacular and tallest engineering structures in<br />
Germany has stood at the edge of the city of Rottweil in Baden-Württemberg:<br />
thyssenkrupp’s test tower for elevators, designed by Werner Sobek with Helmut<br />
Jahn. At a height of 246 meters, and wrapped in a high-tech textile façade, a<br />
public visitor platform offers a panoramic view of the region. Inside the tower, a<br />
research team is rethinking vertical mobility. Today, 160 years after the invention<br />
of the elevator, the team is testing the world’s first ropeless elevator with linear<br />
motors for skyscrapers that operates vertically as well as horizontally. The MULTI,<br />
which will soon be ready for series production, can transport people and goods<br />
to previously unimagined heights. It will efficiently enable entire high-rise neighborhoods<br />
in the future, transforming cities, architecture, and traffic. The book<br />
vividly describes the planning and construction of the tower, as well as everyday<br />
life behind the scenes. It describes how progress works.<br />
Hardcover<br />
23 × 30 cm<br />
256 pages, 200 col.<br />
English/German<br />
EUR (D) 45.00<br />
ISBN 978-3-86859-590-1<br />
06.<strong>2020</strong>
#Hashtag
36<br />
#industrialarchitecture<br />
#temporariness<br />
speech: 23<br />
Industrial<br />
The twenty-third issue of speech: will be on the subject of<br />
industrial architecture, focusing on factories and manufacturing<br />
facilities and the sites they occupy—property that,<br />
following changes in the economy and urban-planning<br />
strategies, needs to be approached today in a fundamentally<br />
new way. The issue will not just deal with listed<br />
architectural heritage but also with the industrial structures<br />
of the 1960s to 1980s: these are buildings not subject<br />
to any legal preservation requirement, but for which it is<br />
nevertheless more human and sustainable to refrain from<br />
demolition. Industrial heritage offers additional capacity to<br />
develop areas for large cities and an opportunity to create<br />
new formats for living.<br />
Softcover with flaps<br />
23.5 × 30 cm<br />
272 pages, 300 col.<br />
English/Russian<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-850-6<br />
01.<strong>2020</strong><br />
speech: 24<br />
Temporary<br />
The focus of this issue of speech: is a range of pavilions,<br />
installations, and design projects for exhibitions and theater<br />
productions—all works that, by definition, are created by<br />
architects to last not centuries but relatively short periods<br />
of time. It is often precisely this temporariness that gives<br />
architects the chance to fully manifest their imagination<br />
and talent and take the risk of using nontraditional materials<br />
and innovative structural solutions that then, after a<br />
successful trial in this small format, are adopted widely for<br />
architectural use.<br />
Softcover with flaps<br />
23.5 × 30 cm<br />
272 pages, 300 col.<br />
English/Russian<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-851-3<br />
07.<strong>2020</strong>
37<br />
#tchobanvossarchitekten #architekturmonografie<br />
TCHOBAN VOSS Architects<br />
Sergei Tchoban / Ekkehard Voss /<br />
TCHOBAN VOSS Architekten (eds.)<br />
TCHOBAN VOSS Architekten have been successfully active on the national and<br />
international market for decades. Created together with EINSATEAM, this monograph<br />
offers insight into the working methods of the firm based in Hamburg,<br />
Berlin, and Dresden. The scope of the projects studied ranges from the Rhein-<br />
Waal college ensemble in Kleve to the Federation Complex in Moscow city and<br />
the modernization of the magnificent regional courthouse in Halle (Saale).<br />
Project essays, focus stories, and themed features vibrantly present various<br />
building typologies and their main purposes, such as residential, education, or<br />
commercial buildings. The publication thus also asks what a monograph on architecture<br />
can offer today. Through studies instead of lists, and journalistic contributions<br />
and discussions instead of standard commentaries, it presents an authentic<br />
portrait of a firm told by Tim Berge, Christina Gräwe, Jasmin Jouhar, and Luise<br />
Rellensmann.<br />
Also available in German:<br />
ISBN: 978-3-86859-592-5<br />
Hardcover<br />
29 × 30 cm<br />
192 pages, num. col.<br />
English<br />
EUR (D) 45.00<br />
ISBN 978-3-86859-577-2<br />
Available<br />
The Court Building in Halle, Halle (Saale) © Michael Moser<br />
Residential High-rise Living Levels, Berlin © Roland Halbe
38<br />
New Social Housing<br />
Positions on the IBA_Vienna 2022<br />
IBA_Wien 2022 / future.lab (eds.)<br />
With the IBA_Vienna 2022, which was announced in 2016, the Austrian<br />
capital is taking on the challenges of an International Building Exhibition<br />
for the first time. The focus on New Social Housing refers to Vienna's<br />
historical core competence in housing construction and to the most<br />
pressing question for the development of European cities today: in<br />
light of current changes, how can cities remain inclusive, livable, and<br />
affordable, and what can comprehensive neighborhood development<br />
contribute to realizing these aims?<br />
On the occasion of the interim presentation in <strong>2020</strong>, the future.lab at<br />
the TU Vienna and IBA_Vienna 2022 will offer a first summary of where<br />
things stand, allowing experts from research, planning, politics, and<br />
practice to articulate positions.<br />
Softcover<br />
22.5 × 27.5 cm<br />
256 pages, 150 col. and b/w<br />
English<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-626-7<br />
04.<strong>2020</strong><br />
Neues<br />
soziales<br />
Wohnen<br />
POSITIONEN ZUR IBA_WIEN 2022<br />
IBA_Wien 2022 und future.lab (Hg.)<br />
Also available in German:<br />
ISBN: 978-3-86859-619-9<br />
#wohnen #iba_wien<br />
© Luiza Puiu
39<br />
#hashtag<br />
© Christian Fürthner<br />
© Ludwig Schedl
GSEducationalVersion<br />
1<br />
40<br />
#modellsteiermark #wohnbau<br />
architektur + analyse 7:<br />
Experiment Wohnbau<br />
Die partizipative Architektur des Modell Steiermark<br />
Andrea Jany<br />
As an alternative to the standard mass housing construction of the postwar<br />
years, an independent typology developed in in the 1970s in Styrian social housing<br />
construction. Up to the beginning of the 1990s, a combination of reformist<br />
politicians, visionary officials, and architects and clients willing to experiment<br />
produced the Modell Steiermark (or “Styria model”) housing construction that<br />
drew widespread international attention. Planned participatively together with<br />
future residents, the projects bear witness to both the distinctive individualism<br />
and the community spirit of the Graz School. Andrea Jany’s monograph<br />
recounts, for the first time, the historical-social development of the Styria model,<br />
while presenting twenty-eight housing projects and evaluating them according to<br />
a residential satisfaction survey from the point of view of present-day users.<br />
Softcover<br />
16.5 × 22.5 cm<br />
200 pages, 226 col. and b/w<br />
German<br />
EUR 29.80<br />
ISBN 978-3-86859-589-5<br />
Available<br />
© Photos: Andrea Singer<br />
Assignment of future residents<br />
© Werner Nussmüller<br />
28. WOHNBAU WÖLLMISSBERG<br />
Adresse<br />
Architekten<br />
Bauherr<br />
Gebietscharakter<br />
Planung/Bau<br />
Wohnnutzfläche 501 m 2<br />
Wohneinheiten 6<br />
Gebäudecharakter Geschosswohnbau<br />
Rechtsform<br />
Miete<br />
Wöllmißberg 9a+b, St. Martin am Wöllmißberg<br />
Franz Riepl mit Josef Hohensinn, Graz<br />
Gemeinde St. Martin am Wöllmißberg<br />
Dorf<br />
1993 Planung<br />
1995 Fertigstellung<br />
193<br />
190 191<br />
194<br />
24 Wohnbau Wöllmißberg<br />
Das Projekt Wohnbau Wöllmißberg stellt das letzte der im Rahmen des Modell Steiermark realisierten<br />
Wohnbauprojekte dar. Zugleich war es der erste Wohnbau des damals noch jungen Josef<br />
Hohensinn, der zu dieser Zeit Universitätsassistent am Institut für Landwirtschaftliches Bauwesen<br />
und Ländliches Siedlungswesen an der TU Graz unter der Leitung von Franz Riepl war.<br />
Die kleine Ortschaft St. Martin am Wöllmißberg liegt östlich von Graz inmitten einer malerisch-hügeligen<br />
Landschaft. Das Grundstück der Siedlung liegt angrenzend an das Zentrum des Ortes und<br />
bildet zugleich den nordöstlichen Abschluss der kleinen Ortschaft. Direkt anschließend befindet<br />
sich der Sportplatz der Gemeinde, welcher im Zuge der Planung mitprojektiert wurde.<br />
Die Siedlung besteht aus sechs Wohneinheiten, welche in zwei leicht keilförmig zueinander angeordneten<br />
Gebäuden untergebracht sind. In den beiden zweigeschossigen Volumina befinden<br />
sich teils Geschoss- und teils Maisonettewohnungen. Jeder Einheit ist ein privater Außenbereich<br />
in Form eines Balkons oder einer Loggia zugeordnet. Im Laufe der Jahre wurden diese teilweise<br />
geschlossen und werden heute als Wintergarten genutzt. Der großzügige und freiläufige Gartenbereich<br />
wird gemeinschaftlich von den sechs Mietparteien genutzt. Die Fassade weist eine<br />
rhythmisch aufgelockerte Struktur von Putz und Holzoberflächen auf, welche durch unregelmäßige<br />
Öffnungen wohltuend erscheint.<br />
192<br />
154 II. DIE 28 PROJEKTE DES MODELL STEIERMARK<br />
155 WOHNBAU WÖLLMISSBERG
41<br />
Ausbauhaus<br />
More Space for Living<br />
#praegerrichter #doityourselfconstruction<br />
AUSBAUHAUS<br />
VIEL RAUM ZUM WOHNEN<br />
MORE SPACE FOR LIVING<br />
Praeger Richter Architekten / Oskars Redbergs (eds.)<br />
Cost pressure, the multiplication of construction and design standards, and increasing<br />
expectations regarding the flexibility of living space—with Ausbauhaus, the Berlin<br />
architectural duo Praeger Richter has offered one much-noticed answer to the challenges<br />
currently facing housing construction. The volume examines this modular<br />
concept, which makes it possible to build adaptive basic apartments using a costeffective,<br />
robust basic structure consisting of a frame and shell. Focusing on two<br />
Ausbauhäuser that have already been realized in Berlin-Neukölln and Berlin-Lichtenberg,<br />
the book considers issues of planning, architecture, society, law, and economics<br />
to question existing standards for building and shed light on principles for individually<br />
setting frames, do-it-yourself construction, referencing urban contexts, and ecological<br />
development. It also shows how the principles of the Ausbauhaus, which have been<br />
well proven for owner builders, can be applied to the building of subsidized rental<br />
apartments, as documented in the Frankfurt apartment building Hilgenfeld.<br />
Hardcover<br />
17 × 24 cm<br />
160 pages, 120 col.<br />
English/German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-615-1<br />
04.<strong>2020</strong>
42<br />
#lincolnquartier #lorenzenmayerarchitekten<br />
Lincoln Revisited<br />
Gebrauchsspuren einer Wohnbebauung<br />
With Photographs by Till Schuster<br />
Lorenzen Mayer Architekten<br />
The Lincoln Quarter in Münster is turning twenty—time for a reassessment. Built<br />
to the plans of German-Danish firm Lorenzen Mayer Architekten, the district can<br />
be regarded as an early example of the post-cold war conversion and densification<br />
of former barracks in Germany. Lincoln Revisited examines how homes<br />
and their surroundings have been used, going far beyond pure architectural<br />
documentation. Through discussions with residents and those who commissioned<br />
the project it provides a testbed for key urban planning concepts such as<br />
car-free streets, social mixing, and the application of design codes. Photographer<br />
Till Schuster’s personal perspective juxtaposes the intentions of the past with the<br />
reality of the present. The result is a portrait of a quarter that has aged gracefully,<br />
but now appears more lively and diverse than ever.<br />
LINCOLN<br />
REVISITED<br />
Lorenzen Mayer Architekten (Hg.)<br />
Mit Fotografien von Till Schuster<br />
Softcover with flaps<br />
20 × 26 cm<br />
72 pages, 69 col. und 4 b/w<br />
German<br />
EUR (D) 22.00<br />
ISBN 978-3-86859-607-6<br />
01.<strong>2020</strong><br />
© Photo: Till Schuster
43<br />
#gartenstadtbewegung #eden<br />
Re:Eden<br />
uf die ökologischen und sozialen Herausforder<br />
ungen der Industrialisierung<br />
rea gierten die Berliner Gründer der<br />
Genossenschaftssiedlung Eden mit einem<br />
Gegenmodell: einem naturnahen Leben<br />
in der Nähe der Großstadt, ermöglicht durch<br />
gemeinsamen Grundbesitz. Die Sied lung<br />
avancierte zum Vorbild der Gartenstadt <br />
be wegung und zum Musterbeispiel einer<br />
frühen Alternativ kultur, bis National sozialismus,<br />
DDR und die treuhandgelenkte<br />
Nach wende zeit den Spielraum immer mehr<br />
einschränkten.<br />
Die Grundgedanken der Reformsiedlung<br />
– Lebens reform, Bodenreform, Wirtschaftsreform<br />
– sind so aktuell wie nie. In der<br />
Publikation RE:EDEN widmen sich füh r en <br />
de Expert*innen, zeitgenössische Kün stler*innen,<br />
engagierte Bewohner*innen der<br />
Siedlung und junge Architekt*innen der<br />
125 Jahre alten Reform siedlung und fragen<br />
nach Perspektiven: Welche Rolle kann das<br />
Modell Eden als räumliches Gemeingut<br />
heute noch spielen? Wie ließe sich lokales<br />
Wissen in Dialog setzen zu neuen Bewe <br />
g ungen wie Urban Gardening, Ökodörfern,<br />
neuen Genossenschaften, Wohnmodellen<br />
oder Initiativen solidarischen Wirtschaftens?<br />
Wie kann partizipative Kunst auf Gemeinschaften<br />
einwirken und deren Wünsche und<br />
Neue Blicke auf die älteste Reformsiedlung Deutschlands<br />
re:form e. V. (ed.)<br />
The Berlin founders of the Eden cooperative housing estate reacted to the<br />
ecological and social challenges of industrialization with a countermodel: living<br />
close to nature near the city, enabled through cooperative land ownership. The<br />
housing estate became a role model for the German garden city movement and<br />
a paradigm for an early alternative culture until National Socialism, the GDR, and<br />
the post-reunification period shaped by the Treuhandanstalt (the agency tasked<br />
with privatizing East German enterprises).<br />
The basic principles of the cooperative—life reform, land reform, Interessen economic verräumlichen?<br />
reform—remain as relevant as ever. In the publication Re:Eden, leading experts,<br />
contemporary artists, participating residents, and young architects examine the<br />
125-year-old housing cooperative and pose new questions: What role can the<br />
Eden model still play today as a cooperatively held property? How might local<br />
knowledge feed into dialogue about new movements such as urban gardening,<br />
eco villages, new cooperatives, residential models, or solidarity economic initiatives?<br />
How can participative art affect communities and spatially express their<br />
wishes and interests?<br />
9 783868 595871<br />
ISBN 978-3-86859-587-1<br />
RE:EDEN NEUE BLICKE AUF DIE ÄLTESTE REFORMSIEDLUNG DEUTSCHLANDS<br />
Neue Blicke auf<br />
die älteste<br />
Reformsiedlung<br />
Deutschlands<br />
EIN PROJEKT VON RE:FORM E.V.<br />
€ 18<br />
Softcover<br />
13 × 19 cm<br />
144 pages, 76 col. and b/w<br />
German<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-587-1<br />
Available<br />
Heckenbank, Eden, 2018 © team dis+co<br />
Natural Building Lab und Habitat Unit, Raumkonzept/Agora, Eden 2018 56<br />
57<br />
8. Internationaler Vegetarierkongress 1932 in der Obstbaukolonie Eden, 1932 12<br />
13
44<br />
What Is Co-dividuality?<br />
What is Co-Dividuality?<br />
Today there is an urgency in answering how we can re-establish authentic<br />
Post-individual Architecture, Shared connections between Houses, individuals, strengthen the sense and<br />
of community, reconnect<br />
urban and rural areas, and benefit from current technologies. There is a clear demand<br />
for having common spaces and sharing life together in spaces designed with this<br />
aim. Both in urban and rural areas, there is a demand for designing spaces<br />
appropriate to contemporary needs: brining people together and re-connecting them<br />
Other Stories of Openness in Japan<br />
to a more natural lifestyle. The 20th century incarnated the celebration of<br />
individualistic society.<br />
The 21st century maybe will be more based on shared economy and on a notion we<br />
have called Co-Dividual. We’d love to think that the next stage of our society will be of<br />
a post-individual type. We believe that individualism should be paired with codividualism.<br />
Both, intimacy and possibility to be part of a community or a shared<br />
project are options to work on in the future. We believe that architecture can do a lot<br />
to conceive experimental spaces where people can spend significative time<br />
together. The phenomenon of shared house demonstrates that a different approach<br />
to living together is possible.<br />
Salvator-John A. Liotta / Fabienne Louyot (eds.)<br />
This book explores the concepts of “co-dividuality” and co-dividual spaces in<br />
Japanese Architecture. It is a point of reflection on a type of architecture that is<br />
looking to redefine what is today the relationship between inside and outside of a<br />
building and also about its in-betweeness. It makes clear that there are different<br />
ways for architecture to answer and interpret the so called “shared economy”. When<br />
we think about the impact that Uber, Airbnb, Facebook have had on our life it is<br />
evident that architects have to interrogate themselves about the current<br />
economical changes and social needs. There is a clear demand of community, a<br />
desire to be together, to be part of something. We believe that even if it has not yet<br />
been formally defined, it exists a type of architecture where the space is made to<br />
welcome a multiplicity of functions and programs. We believe that we can read these<br />
type of new spaces through the lenses of Co-Dividuality.<br />
This book explores the concept of co-dividuality, an architecture that<br />
ex presses a new response to joint living in the age of postindividualism,<br />
social media, and the sharing economy. The focus lies on current experimentation<br />
in Japanese architecture and presents thematic homes with<br />
shared spaces designed as a result of warm, simple, fun, and contemporary<br />
design reflections. In addition to their private room, the co-tenants<br />
have large common areas where they can practice urban farming, create<br />
a start-up, cook together, or experience new spatial ergonomics. The<br />
book offers an overview not only on domestic space but also on projects<br />
characterized by a multifarious mix between public and private spheres.<br />
What Is Co-dividuality? reflects on how we might want to live tomorrow.<br />
The book includes projects by Kengo Kuma, Kazuyo Sejima,<br />
Ryue Nishizawa, Shigeru Ban, Sou Fujimoto, Satoko Shinohara,<br />
Ayano Uchimura, Taichi Kuma, Junya Ishigami, Suppose Design,<br />
Naruse Inokuma, and Masuda + Otsubo, among others.<br />
Softcover<br />
21 × 21 cm<br />
144 pages, 150 col. and b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-621-2<br />
05.<strong>2020</strong><br />
WHAT IS C0-DIVIDUALITY?<br />
SALVATOR-JOHN A.LIOTTA<br />
FABIENNE LOUYOT<br />
#japanesearchitecture #sharedhouses<br />
WHAT IS<br />
C0-DIVIDUALITY?<br />
Post-individual Architecture, shared houses and other<br />
stories of openness in Japan<br />
Kengo Kuma Kazuyo Sejima Ryue Nishizawa Shigeru Ban<br />
Sou Fujimoto Satoko Shinohara Ayano Uchimura Taichi Kuma<br />
Junya Ishigami Studio MNM-Mio Tsuneyama Naka Architects<br />
Ikimono Architects Alphaville Architects Suppose Design<br />
Yuri Naruse Jun Inokuma Shingo Masuda Katsuhisa Otsubo<br />
ON design partners Farm Cultural Park<br />
EDITED BY SALVATOR-JOHN A. LIOTTA AND FABIENNE LOUYOT<br />
south side<br />
(passive solar)<br />
Beams:2x6 inch wood @455mm AEP<br />
Support:2x4 inch wood AEP<br />
Beams:2x6 Tie-beam:2x4 inch wood inch AEP wood @455mm AEP<br />
Column:2x4 inch wood @455mm AEP<br />
Support:2x4 inch wood AEP<br />
Tie-beam:2x4 inch wood AEP<br />
Column:2x4 Ladder:2x4 inch wood AEP inch wood @455mm AEP<br />
bed :2x6 inch wood @455mm AEP<br />
south side<br />
sky lights promote<br />
(passive natural solar) ventilation<br />
sky lights promote<br />
natural ▽maximum ventilation<br />
height GL+4,530<br />
▽maximum eave height GL+3,360<br />
▽maximum height GL+4,530<br />
Roof:galvanized steel corrugated sheet t=0.4mm<br />
Ladder:2x4 inch wood AEP<br />
rubber asphalt coated felt t=1mm<br />
bed waterproof :2x6 inch plywood wood t=12mm@455mm AEP<br />
insulation t=60mm<br />
structural plywood t=12mm<br />
Plasterboard t=9.5mm AEP<br />
Openings:Double sliding window<br />
Dormitory<br />
wall:galvanized steel corrugated sheet t=0.4mm<br />
polyethylene waterproof sheet<br />
Roof:galvanized waterproof plywood t=12mm steel corrugated sheet t=0.4mm<br />
phenol form composite sheet t=50mm<br />
plywood rubber t=12mm asphalt coated felt t=1mm<br />
glass waterproof wool t=75mm plywood t=12mm<br />
Plasterboard t=12.5mm AEP<br />
Floor(Hall):concrete insulation metal t=60mm<br />
trowel finish<br />
Dormitory<br />
structural plywood t=12mm<br />
Floor(Dormitory):mattress t150mm<br />
Plasterboard plywood t=12mm t=9.5mm AEP AEP<br />
Groundsill:2x4inch woods<br />
(termite-proofing coating)<br />
Openings:Double sliding window<br />
Dormitory<br />
wall:galvanized steel corrugated sheet t=0.4mm<br />
2,400 1,600<br />
2,400<br />
polyethylene waterproof sheet<br />
6,400<br />
waterproof plywood t=12mm<br />
phenol form composite sheet t=50mm<br />
plywood t=12mm<br />
glass wool t=75mm funlight:fixed double glazing<br />
Double sliding wooden door<br />
B-Sectional Plasterboard perspective t=12.5mm 1/40 AEP<br />
Floor(Hall):concrete metal Wire screen trowel finish<br />
Ladder:2x4inch wood<br />
High-side light:double sliding aluminum window<br />
Foothold:2x4inch Dormitory wood<br />
Hall<br />
Dormitory<br />
Dormitory<br />
1,820 1,440<br />
50100<br />
4,550<br />
▽tie-beam GL+1,920<br />
▽dormitory FL GL+150<br />
▽hall FL GL+50 ▽GL±0<br />
Hall<br />
Preventing freezing system<br />
Shelf:2x4inch wood<br />
Buckling preventive steel bolt<br />
Wood-burning stove<br />
bench:2x4inch wood<br />
Dormitory<br />
Dormitory<br />
▽maximum eave height GL+3,360<br />
▽tie-beam GL+1,920<br />
1,820 1,440<br />
4,550<br />
Floor(Dormitory):mattress t150mm<br />
plywood t=12mm AEP<br />
Groundsill:2x4inch woods<br />
(termite-proofing coating)<br />
▽dormitory FL GL+150<br />
▽hall FL GL+50<br />
50100<br />
▽GL±0<br />
Hall<br />
2,400 1,600<br />
2,400<br />
6,400<br />
B-Sectional perspective 1/40<br />
14,560 (910 x16)<br />
funlight:fixed double glazing<br />
Double sliding wooden door<br />
Wire screen<br />
High-side light:double sliding aluminum window<br />
floor:concrete metal trowel finish<br />
Ladder:2x4inch wood<br />
Foothold:2x4inch wood<br />
Preventing freezing system<br />
Shelf:2x4inch wood<br />
Buckling preventive steel bolt<br />
Wood-burning stove<br />
bench:2x4inch wood<br />
Storage<br />
2,400<br />
Bar<br />
C-Sectional perspective 1/60<br />
Shower<br />
Dormitory<br />
Compartment B<br />
6,400<br />
1,600<br />
C<br />
sky lights<br />
Hall<br />
Hall<br />
2,400<br />
Lounge<br />
Compartment A<br />
Dormitory<br />
Compartment B<br />
455 455 455<br />
frame<br />
5,460<br />
910 910<br />
14,560<br />
A<br />
B<br />
precutting (910 x16) wood frame panel<br />
3,185 5,915<br />
14,560<br />
N<br />
floor:concrete metal trowel finish<br />
Plan and above two<br />
sections of the Koyasan<br />
Guest House
45<br />
#architektursoziologie #bautypologien<br />
Funktionen der Architektur<br />
Katharina Weresch<br />
Demographic and social change are placing new demands on architecture.<br />
In this essential volume, architectural sociologist Katharina Weresch examines<br />
three building typologies selected to correspond with three areas of life:<br />
day care centers for children, family and multigenerational living spaces, and<br />
residential facilities and care facilities for the elderly. Building on Norbert Elias’s<br />
sociological studies, Waresch outlines the historical development of these<br />
three types and shows how social standards of behavior and perception manifest<br />
themselves in space, aesthetics, and architecture. The book researches,<br />
and in part empirically investigates, built examples from the last two decades,<br />
such as the company kindergarten Troplo Kids in Hamburg, the Munich cooperative<br />
wagnisART, or the Dutch village de Hogeweyk for sufferers of dementia.<br />
Funktionen der Architektur offers detailed insight into the interdependence of<br />
architecture and society while also providing practically applicable knowledge<br />
for planning. Its focus is on the question of how architecture can contribute to<br />
improving quality of life in order to promote child development, the individual<br />
living needs of families, intergenerational communication, and the health of<br />
the elderly.<br />
Kompetenzzentrum für Menschen mit Demenz,<br />
Feddersen Architekten, Nürnberg, 2006, Garden<br />
© Photo: Ronald Grunert-Held<br />
Hardcover<br />
21 × 26.5 cm<br />
304 pages, 400 col. and b/w<br />
German<br />
EUR (D) 55.00<br />
ISBN 978-3-86859-585-7<br />
11.2019<br />
Residential Complex wagnisART, bogevischs buero architekten & stadtplaner GmbH, München, 2016 © Photo: Julia Knop
46<br />
#communalliving #socialrelationships<br />
GAM.16<br />
gewohnt: un/common<br />
Guest Editors: Andreas Lichtblau / Sigrid Verhovsek<br />
Editors: Daniel Gethmann (Executive Editor) / Petra Eckhard (Managing Editor) /<br />
Urs Hirschberg (Editor) / Andreas Lechner (Book Reviews) / Petra Petersson<br />
(Faculty News)<br />
Contemporary and future forms of living together urgently need new concepts in order to respond<br />
to growing social inequality, the dissolution of traditional structures for work and the family, and the<br />
emergence of diverse patterns of social relationships. GAM.16 conceives of spatial formation as a permeable<br />
framework for sociospatial structures in various architectural, sociological, and cultural contexts,<br />
aiming to increase awareness of common resources and again make them one focus of sociopolitical<br />
discourse. Themed “gewohnt: un/common,” GAM.16 advocates for communal living and introduces<br />
collaborative and coproductive concepts of organization as a spatial practice.<br />
With contributions by Massimo Bricocoli, Heike Delitz, Marson Korbi, Nikolai Roskamm, Sabine Storp,<br />
Fritz Strempel, and others<br />
Softcover<br />
22.6 × 27.4 cm<br />
250 pages, num. col. and b/w<br />
English/German<br />
EUR (D) 19.95<br />
ISBN 978-3-86859-856-8<br />
04.<strong>2020</strong>
47<br />
Raummaschine<br />
Exploring Manifold Spaces<br />
#architecturaldesign #space<br />
Raummaschine.<br />
Exploring<br />
Manifold Spaces<br />
Sabine Hansmann / Finn Geipel (eds.)<br />
Sabine Hansmann and Finn Geipel (eds.)<br />
As much as space and movement have been subjects of debate and analysis<br />
in architectural theory, they have also long been driving forces in the field of<br />
architectural design. In 2016, the Raummaschine—a kinetic and experimental<br />
installation presented at the Gropius Bau in Berlin—took space and movement as<br />
starting points for exploring the relation between body and architecture. Three<br />
hundred and eighty-four motor-driven vertically hanging ball chains created<br />
changing spatial compositions, with visitors able to alter the space simply by<br />
moving their finger on a touchpad.<br />
Raummaschine—Exploring Manifold Spaces describes the design project and<br />
introduces theoretical discussions that accompanied it. The book includes contributions<br />
from leading authors in the fields of architecture, design, anthropology,<br />
sociology, and art history, including Heike Delitz, Joachim Krausse, Kerstin Sailer,<br />
and Albena Yaneva.<br />
Softcover<br />
17 × 24 cm<br />
144 pages, 81 col.<br />
English<br />
EUR (D) 25.00<br />
ISBN 978-3-86859-579-6<br />
Available<br />
© Photos: Jens Liebchen, 2016
GSPublisherEngine 1847.85.89.100 GSPublisherEngine 1847.85.89.100<br />
Klaus Theo Brenner<br />
48<br />
#stadtarchitektur #klaustheobrenner<br />
City Life Collage<br />
Klaus Theo Brenner / Jan Büchsenschuß /<br />
Davide Mulas / Dirk Biermann<br />
In his collages, the Berlin architect Klaus Theo Brenner—who coined the term<br />
“Stadtarchitektur,” or urban architecture—engages with both the urban mix<br />
and public space. The collages reflect a broad spectrum, sometimes coming<br />
closer to his office's projects, sometimes less so. What they have in common<br />
is an atmospheric compression and the elaboration of theatrical qualities. The<br />
numerous works, presented together in this volume for the first time, convey an<br />
architecture that is always situated in an urban context, in relation to the city’s<br />
inhabitants and the reality of their lives.<br />
CITYLIFECOLLAGE<br />
CITYLIFE<br />
COLLAGE<br />
Jan Büchsenschuß<br />
Davide Mulas<br />
Dirk Biermann<br />
Hardcover<br />
20 × 26 cm<br />
200 pages, num. col. and b/w<br />
English/German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-599-4<br />
11.2019
49<br />
#atmosphäre<br />
#leibnizuniversitäthannover<br />
hochweit<br />
2019<br />
jahrbuch der<br />
fakultät für architektur<br />
und landschaft<br />
Leibniz Universität Hannover<br />
Raumreiz<br />
Zur Wirkungsweise architektonischer Räume<br />
Anna Kirstgen<br />
How does one design an atmosphere? Architects can<br />
employ a multitude of physical and intangible elements<br />
to do so. Some of these elements skillfully control the use<br />
of materials, colors, or light—and others seem to generate<br />
atmosphere and ambience by mere chance.<br />
In Raumreiz, Anna Kirstgen asks how spaces affect people<br />
and by what means spatial effects can be deliberately<br />
evoked. She introduces six spatial concepts, derived from<br />
architectural practice, that allow the design process to be<br />
structured. Using her model of the “spatial narrative,” she<br />
proposes a method for shaping atmospheric situations in<br />
architecture in a more targeted way.<br />
Softcover<br />
17 × 24 cm<br />
248 pages, 60 b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-542-0<br />
Available<br />
Hochweit 2019<br />
Jahrbuch 2019 der Fakultät für Architektur<br />
und Landschaft, Leibniz Universität Hannover<br />
Fakultät für Architektur und Landschaft,<br />
Leibniz Universität Hannover (ed.)<br />
Hochweit makes a statement about the current teaching<br />
and research of the award-winning Fakultät für Architektur<br />
und Landschaft at the Leibniz Universität Hannover and<br />
functions as a mouthpiece for the faculty, whose nine institutes<br />
reflect the enriching power of interdisciplinary cooperation.<br />
The yearbook presents numerous exemplary design<br />
and teaching events, research activities, lectures, excursions,<br />
workshops, exhibitions, and discussions about the discipline<br />
organized by the faculty from the past year.<br />
Both essays in this year’s edition of Hochweit focus on the<br />
Bauhaus. Markus Jager’s contribution is devoted to the<br />
interaction between this famous institution and the Werkkunstschule<br />
Hannover. Herbert Lindinger and Jens Broszeit<br />
discuss the influence of the Bauhaus on the Ulmer Hochschule<br />
für Gestaltung (Ulm School of Design).<br />
Swiss brochure with flaps<br />
24 × 21.5 cm<br />
192 pages, 300 col. and b/w<br />
English/German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-596-3<br />
12.2019
#Hashtag<br />
© Photo: Marvin Ibo Göngür, Kassel, 2018<br />
© Photo / Cover: Sarah Larissa Heuser, Duisburg, 2017
51<br />
#montagstiftung #photobookmuseum<br />
The Photobook in<br />
Art and Society<br />
Participative Potentials of a Medium<br />
Montag Stiftung Kunst und Gesellschaft (ed.)<br />
in cooperation with The PhotoBookMuseum<br />
Since the turn of the millennium, the analogue photo book<br />
has experienced an international boom, developing into its<br />
own art form: a kind of visual literature, somewhere between<br />
novel and film. More and more often, photographers are<br />
publishing their works in this format rather than only as part<br />
of exhibitions. However, the photo book as an art form is<br />
hardly known to a wider public. The multiyear project “Welt<br />
im Umbruch” (World in Transition), which the Montag Stiftung<br />
initiated together with the PhotoBookMuseum, made one<br />
attempt to change this. In Rostock, Duisburg, and Kassel,<br />
members of the public were able to get to know photobooks<br />
as an artistic form of expression and to design photobooks of<br />
their own.<br />
This volume not only documents the experience-based<br />
knowledge of all participants but also introduces the history<br />
of the photobook along with theories and current practices<br />
of participative art. It collects contributions on the production<br />
and distribution conditions of photobooks from Asia, Europe,<br />
and the United States. In addition to the medium’s political<br />
and emancipatory potential, topics discussed include the<br />
reasons for the analogue photobook's enormous appeal in<br />
the digital present.<br />
The PhotoBookMuseum<br />
Das Fotobuch<br />
in Kunst und<br />
Gesellschaft<br />
The Photobook<br />
in Art and<br />
Society<br />
Das Fotobuch<br />
in Kunst und<br />
Gesellschaft<br />
Partizipative Potenziale<br />
eines Mediums<br />
Also available in German:<br />
ISBN: 978-3-86859-580–2<br />
The Photobook<br />
in Art and<br />
Society<br />
Da<br />
Par<br />
Da<br />
tio<br />
ein<br />
in S<br />
Sam<br />
fal<br />
„Fo<br />
Par<br />
in G<br />
eno<br />
len<br />
Ku<br />
lun<br />
klu<br />
Pot<br />
Um<br />
nen<br />
sei<br />
Eu<br />
Erf<br />
zum<br />
Da<br />
Pa<br />
Swiss brochure with flaps<br />
16.7 × 24 cm<br />
464 pages, 220 col. and b/w<br />
English<br />
EUR (D) 42.80<br />
ISBN 978-3-86859-594-9<br />
12.2019<br />
The PhotoBookMuseum<br />
Participative Potentials<br />
of a Medium<br />
Bl<br />
na<br />
ei<br />
in<br />
Sa<br />
fa<br />
„F<br />
Pa<br />
in<br />
en<br />
le<br />
Ku<br />
lu<br />
kl<br />
Po<br />
Um<br />
ne<br />
se<br />
Eu<br />
Er<br />
zu
52<br />
#frauenkloster #kulturelletransformation<br />
Frauenkloster<br />
Frauenkloster Klosterfrauen<br />
Eine künstlerisch-poetische Untersuchung<br />
zur Transformation einer Lebensform<br />
With Photographs by Ulrike Myrzik<br />
Jutta Görlich<br />
Ulrike Rose (ed.)<br />
After the Schlehdorf monastery became too big for the thirty aging Dominican<br />
sisters, they collectively decided to sell the building and move into a newly built<br />
extension. Artist Jutta Görlich, photographer Ulrike Myrzik, and cultural manager<br />
Ulrike Rose visited the Schlehdorf sisters and other female convents gripped by<br />
the process of change. In the book, they explore the present-day disappearance<br />
of these convents, photograph the transformations the institutions are undergoing,<br />
and carry out interviews with those who live there. The book not only reveals<br />
the paths that these shrinking communities chart when their dwellings become<br />
too large, but also what happens to the former monastery and the significance<br />
that spatial change can have for monastic coexistence. Without romanticizing its<br />
subject or focusing on monastic traditions, the book looks at contemporary ways<br />
of life in convents and the future of these centuries-old landmarks that continue<br />
to decisively shape our cultural landscape.<br />
Softcover<br />
16 × 24 cm<br />
114 pages, 120 col.<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-606-9<br />
03.<strong>2020</strong><br />
Eine künstlerisch-poetische Untersuchung zu Frauenklöstern im Wandel<br />
von Edward Beierle, Jutta Görlich und Ulrike Rose<br />
Frauenkloster<br />
Klosterfrauen<br />
FRAUEN<br />
KLOSTER<br />
FRAUEN<br />
KLOSTER<br />
FRAUEN<br />
KLOSTER<br />
FRAUEN<br />
Rückseite Rücken Cover<br />
Frauenkloster<br />
Klosterfrauen<br />
Eine künstlerisch-poetische Untersuchung zu Frauenklöstern im Wandel<br />
Frauenkloster<br />
Rückseite<br />
Rücke<br />
Kloster Schlehdorf, 2019 © Photo: Ulrike Myrzik
53<br />
#Hashtag<br />
Kloster Schlehdorf, 2019 © Photo: Ulrike Myrzik
Wolfgang Wende, Torsten Birne [Hg. / Eds.]<br />
54<br />
#alexakreissl #timtrantenroth<br />
Rapport<br />
Alexa Kreissl, Tim Trantenroth<br />
Wolfgang Wende / Torsten Birne (eds.)<br />
Modernism is celebrating milestone birthdays and remains an object of fascination.<br />
Two Berlin-based artists have joined the exhibition rapport at the Dresden Kulturpalast<br />
to show their contributions to the ongoing history of modernity. They play<br />
with architectural space, deconstructing it and recombining it in new ways, as a<br />
dynamic collage or an image. They give an account of architecture and their time to<br />
discover forms and patterns, recurrence and deviation.<br />
Alexa Kreissl is concerned with the built environment itself; she deconstructs<br />
architects’ creations. With narrow metal or wooden rods, she delineates spaces that<br />
are permeable and airy, under tension or balanced. Tim Trantenroth examines the<br />
aesthetics of series. He continuously transfers elements of the built environment into<br />
built images. The structures and surface patterns of late modernism from both East<br />
and West Germany are reproduced on transparent backgrounds. His work touches<br />
upon an era that has only recently passed, as well as upon fundamental questions<br />
about the design relationship between space and image, surface and depth.<br />
rapport Alexa Kreissl Tim Trantenroth<br />
Wolfgang Wende, Torsten Birne [Hg. / Eds.]<br />
rapport<br />
Alexa Kreissl<br />
Tim Trantenroth<br />
Rapport is the first publication by the Center for Building Culture Saxony (ZfBK),<br />
which was opened in 2017 in the renovated Dresden Kulturpalast, itself one of the<br />
earliest examples of East German modernism.<br />
Softcover<br />
21 × 29.7 cm<br />
104 pages, 77 col.<br />
English/German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-586-4<br />
Available
55<br />
#künstlerischespotenzial #stadtentwicklung<br />
Kunst im UmBau<br />
Eine Berliner Projektreihe im Kontext urbaner<br />
Wohnraumverknappung<br />
Siglinde Lang<br />
Can art make a contribution to debates on urban housing shortages, influxes of<br />
new residents, and gentrification? And if so, what might it be? Guided by these<br />
questions, Kunst im UmBau sets out to investigate Berlin apartment buildings<br />
affected by renovation measures, rent increases, and the conversion into condominiums.<br />
The curated project series aims to create a neutral communication<br />
space for controversial interests and diverging points of view. The artistic interventions<br />
are located in semiprivate, semipublic areas such as staircases, courtyards,<br />
and entrance halls. The documentation presents works by Alexander Wolff,<br />
44flavours, Jelena Fuzinato, Rubén D’hers, Pierre-Etienne Morelle, and Studio<br />
Achtviertel, while also reflecting processes and discussions.<br />
Kunst<br />
im UmBau<br />
Dokumentation einer Berliner Projektreihe<br />
im Kontext urbaner Wohnraumverknappung<br />
Softcover with flaps<br />
17 × 24 cm<br />
208 pages, 80 col.<br />
German<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-614-4<br />
11.2019<br />
rich, hard, poor, soft, Alexander Wolff, Berlin, 2018 © Photo: Philipp Külker
56<br />
#artek #explorativefurniture<br />
Formful Wood<br />
Explorative Furniture<br />
Mario Rinke / Florian Hauswirth (eds.)<br />
Design and construct seating furniture from plywood! Inspired by the famous<br />
L-leg designed by the architect Alvar Aalto for the Finnish furniture company<br />
Artek, an experimental study project investigated the potential and design possibilities<br />
of glued and bent wood. In close cooperation with Artek, twenty-eight<br />
students of architecture at the ETH Zürich worked together with students of<br />
object design at the Lucerne University of Applied Sciences and Arts to not only<br />
turn this material on its head but also question the sensuous qualities of these<br />
objects, their construction as an architectural place, and sitting as a social event.<br />
The volume Formful Wood: Explorative Furniture presents the surprising and<br />
unknown aspects of a well-known material, illuminates the respective creation<br />
processes, and reflects on its context in diverse essays.<br />
FORMFUL WOOD<br />
RINKE, HAUSWIRTH [EDS.]<br />
MARIO RINKE, FLORIAN HAUSWIRTH [EDS.]<br />
FORMFUL WOOD<br />
EXPLORATIVE FURNITURE<br />
With contributions by Nicolai de Gier, Florian Hauswirth, Sebastian Kraft, Mario<br />
Rinke, Christoph Schindler, and Alessandro Oreste Tellini<br />
Softcover with flaps<br />
21 × 29.7 cm<br />
200 pages, 50 col.<br />
English<br />
EUR (D) 39.80<br />
ISBN 978-3-86859-588-8<br />
Available
57<br />
#friederikevonrauch #neuespalais<br />
Heimliche Welten im<br />
Neuen Palais<br />
Erlebt von Rudolf Prinz zur Lippe<br />
Photographs by Friederike von Rauch<br />
Generaldirektion der Stiftung Preußische Schlösser<br />
und Gärten Berlin-Brandenburg (ed.)<br />
In his texts on Friederike von Rauch's photographs of the Neues Palais in<br />
Sanssouci, Rudolf Prinz zur Lippe brings the dark corners and quiet areas<br />
of the magnificent building to life. He questions and unmasks the splendid<br />
decorations and brings to light many a loving quirk by giving voice to apparent<br />
trivialities: “It—pathos—has withdrawn into one of the furniture storage<br />
rooms.” His sensitive observations approach the palace with an attentive<br />
gaze. The book presents courtly architecture and decorative art, perceived<br />
in a different way in texts and images, that transform the sublime palace of<br />
Frederick the Great into a human world.<br />
At the close of 2018, <strong>JOVIS</strong> Verlag published a book about the Neues Palais<br />
with photographs by Friederike von Rauch. In that book, the atmospheric<br />
glimpses behind the scenes and details of the former royal palace are paired<br />
with text miniatures by the philosopher Rudolf Prinz zur Lippe. These have<br />
now been expanded and assembled together in this sophisticated volume.<br />
Softcover<br />
14.8 × 21 cm<br />
72 pages, 30 col.<br />
German<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-582-6<br />
12.2019
58<br />
#friederikevonrauch #klosterräume<br />
Monastic<br />
Friederike von Rauch<br />
With her eye for architectural details, Friederike von Rauch captures the contemplative<br />
power of monastic interiors—while simultaneously separating them from<br />
their religious context. The Berlin-based artist has lived and worked in several<br />
of the icons of European monastic architecture over the past few years, including<br />
Le Corbusier’s Sainte-Marie de La Tourette near Lyon, Hans van der Laan’s<br />
Roosenberg Abbey near Antwerp, and Andrea Palladio’s monastery San Giorgio<br />
Maggiore in Venice. Using an analogue, medium-format camera, she has created<br />
images that tell of immersion, with ascetic lighting control and reduced colors.<br />
The absence of human presence and the subtle treatment of light and shadow<br />
lend her interiors an element of timelessness and placelessness.<br />
Friederike von Rauch Monastic<br />
Monastic<br />
Friederike von Rauch<br />
Hardcover<br />
28.4 × 33.4 cm<br />
64 pages, 33 col.<br />
English/German<br />
EUR (D) 40.00<br />
ISBN 978-3-86859-591-8<br />
Available<br />
28 29
59<br />
#friederikevonrauch #klosterräume
Ein partizipatives Realisierungsprojekt von Studierenden und Geflüchteten<br />
in Kooperation von Land, Kommune und Hochschule<br />
Tatjana Dürr | Jürgen Graf | Andreas Kretzer | Stefan Krötsch<br />
60<br />
#jovisverlag<br />
HOUSING<br />
URBAN DESIGN<br />
Bezahlbar. Gut. Wohnen.<br />
Strategien für erschwinglichen Wohnraum<br />
Klaus Dömer / Hans Drexler / Joachim<br />
Schultz-Granberg<br />
Softcover with flaps, 14 x 19 cm,<br />
296 pages, 240 col. and b/w<br />
German<br />
EUR (D) 25.00<br />
ISBN 978-3-86859-432-4<br />
Urban Design Lab Handbook<br />
Dialogue-Oriented Urban Transformation<br />
Processes and Practical Approaches from Latin<br />
America and the Caribbean<br />
Roland Krebs / Markus Tomaselli (eds.)<br />
Softcover, 20 x 26 cm,<br />
384 pages, 300 col. and b/w<br />
English<br />
EUR (D) 34.80<br />
ISBN 978-3-86859-562-8<br />
CoHousing Inclusive<br />
Self-organized, community-led housing for all<br />
id22: Institute for Creative Sustainability<br />
Michael LaFond / Larisa Tsvetkova (eds.)<br />
Softcover, 21 x 27 cm, 240 pages, num. col.<br />
English/German<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-462-1<br />
Moravia Manifesto<br />
Coding Strategies for Informal Neighborhoods<br />
Estrategias de codificación para barrios<br />
populares<br />
Moritz Ahlert / Maximilian Becker / Albert<br />
Kreisel / Philipp Misselwitz / Nina Pawlicki /<br />
Tobias Schrammek (eds.)<br />
Softcover, 17 x 24 cm, 344 pages, num. col.<br />
English/Spanish<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-535-2<br />
Home not Shelter! 2<br />
Gemeinsam bauen und wohnen in Wien<br />
Ralf Pasel / Alexander Hagner / Ralph Boch /<br />
Max Hacke / Team Traudi (eds.)<br />
Swiss brochure with flaps, 17 x 24 cm,<br />
200 pages, num. col. ill.<br />
German<br />
EUR (D) 24.80<br />
ISBN 978-3-86859-513-0<br />
Across Theory and Practice<br />
Thinking Through Urban Research<br />
Monika Grubbauer / Kate Shaw (eds.)<br />
Softcover, 15 x 22 cm, 256 pages, 61 unicol.<br />
English<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-540-6<br />
HOME NOT SHELTER!<br />
Gemeinschaftshaus Spinelli<br />
[drei]<br />
Home not Shelter! 3<br />
Gemeinschaftshaus Spinelli<br />
Tatjana Dürr / Jürgen Graf / Andreas Kretzer /<br />
Stefan Krötsch (eds.)<br />
Swiss brochure with flaps, 17 x 24 cm,<br />
216 pages, num. col.<br />
German<br />
EUR (D) 24.80<br />
ISBN 978-3-86859-514-7<br />
Zweifel<br />
Performative Stadtplanung in 13 Vorträgen<br />
Ton Matton<br />
Softcover, 10.5 x 14.8 cm, 160 pages<br />
German<br />
EUR (D) 16.80<br />
ISBN 978-3-86859-553-6<br />
ARCHITECTURAL HISTORY<br />
The Vienna Model 2<br />
Housing for the City of the 21st Century<br />
Wolfgang Förster / William Menking (eds.)<br />
Softcover with dust jacket, 22.6 x 27.4 cm,<br />
244 pages, 250 col. and b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-561-1<br />
Bauhaus Dessau<br />
Architecture–Design–Concept<br />
Stiftung Bauhaus Dessau (ed.)<br />
Flexcover, 21 x 27.5 cm, 144 pages, 78 col. and<br />
4 b/w<br />
English/German<br />
EUR (D) 25.00<br />
ISBN 978-3-939633-11-2<br />
Alle wollen wohnen<br />
Gerecht. Sozial. Bezahlbar<br />
Ursula Kleefisch-Jobst / Peter Köddermann /<br />
Karen Jung (eds.)<br />
Hardcover, 18.5 x 26 cm,<br />
248 pages, 190 col. and b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-474-4<br />
Baukultur–Studienausgabe<br />
Spiegel gesellschaftlichen Wandels<br />
Werner Durth / Paul Sigel<br />
Softcover, three volumes in a slipcase,<br />
23.3 x 30.5 cm, 808 pages, 570 col. and<br />
450 b/w<br />
German<br />
EUR (D) 29.95<br />
ISBN 978-3-86859-427-0
61<br />
#jovispublishers<br />
Asmara<br />
Africa’s Jewel of Modernity<br />
Photographs by Stefan Boness<br />
Jochen Visscher (ed.)<br />
Hardcover, 17 x 20 cm, 96 pages, 82 col.<br />
English/German<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-435-5<br />
Die vergessenen Alternativen<br />
Strukturalismus und brutalistische Erfahrung in<br />
der Architektur<br />
Bernhard Denkinger<br />
Flexcover, 16.5 x 24 cm, 288 pages, 150 col.<br />
and b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-551-2<br />
Tel Aviv<br />
The White City<br />
Photographs by Stefan Boness<br />
Essay by Carsten Hueck<br />
Jochen Visscher (ed.)<br />
Hardcover, 17 x 20 cm,<br />
96 pages, 100 col.<br />
English/German<br />
EUR (D) 18.00<br />
ISBN 978-3-939633-75-4<br />
Holidays After The Fall<br />
Seaside Architecture and Urbanism in Bulgaria<br />
and Croatia<br />
Michael Zinganel / Elke Beyer /<br />
Anke Hagemann (eds.)<br />
Softcover, 17 x 24 cm, 272 pages, num. col.<br />
and b/w plans and ill.<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-226-9<br />
Building Berlin<br />
Developers Who Shaped the Emerging<br />
Metropolis<br />
Wolfgang Schäche / Daniel Ralf Schmitz /<br />
David Pessier<br />
Clothbound with jacket, 22.3 x 28.7 cm,<br />
224 pages, 234 col. and b/w<br />
English<br />
EUR (D) 48.00<br />
ISBN 978-3-86859-559-8<br />
URBANISM<br />
märklinMODERNE<br />
From Architecture to Assembly Kit and Back<br />
Again<br />
Daniel Bartetzko / Karin Berkemann (eds.)<br />
Hardcover, 24 x 17 cm, landscape,<br />
136 pages, 102 b/w and col.<br />
English/German<br />
EUR (D) 28.00<br />
ISBN 978-3-86859-518-5<br />
Setting the Stage for Modernity<br />
Cafés, Hotels, Restaurants<br />
Franziska Bollerey<br />
Softcover with flaps, 18.5 x 26 cm, 256 pages,<br />
310 col. and b/w<br />
English/German<br />
EUR (D) 38.00<br />
ISBN 978-3-86859-483-6<br />
Make City<br />
A Compendium of Urban Alternatives<br />
Stadt anders machen<br />
Francesca Ferguson, MAKE_SHIFT (ed.)<br />
Softcover, 17 x 24 cm, 352 pages, 400 col.<br />
and b/w<br />
English/German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-567-3<br />
In den Himmel bauen<br />
Hochhausprojekte von Otto Kohtz (1880–1956)<br />
Wolfgang Schäche / Brigitte Jacob /<br />
David Pessier (eds.)<br />
Hardcover, 18 x 29.7 cm,<br />
320 pages, 200 col. and b/w<br />
German<br />
EUR (D) 49.80<br />
ISBN 978-3-939633-67-9<br />
Forever New: Frankfurt’s Old Town<br />
Building between Dom and Römer since 1900<br />
Philipp Sturm / Peter Cachola Schmal (eds.)<br />
Hardcover, 19.5 x 27 cm, 368 pages, 250 col.<br />
and b/w<br />
English/German<br />
EUR (D) 58.00<br />
ISBN 978-3-86859-501-7<br />
POSTWAR MODERNISM<br />
Potenzial Großsiedlung<br />
Zukunftsbilder für die Neue Vahr<br />
Katja-Annika Pahl / Iris Reuther / Peter Stubbe /<br />
Jürgen Tietz (eds.)<br />
Softcover with flaps, 24 x 30 cm,<br />
160 pages, 120 col and b/w<br />
German<br />
EUR 39.80<br />
ISBN 978-3-86859-533-8<br />
Eventisierung der Stadt<br />
Gabriela Muri / Daniel Späti / Philipp Klaus /<br />
Francis Müller (eds.)<br />
Softcover with flaps, 16.5 x 24 cm,<br />
408 pages, 20 col. and 20 b/w<br />
German<br />
EUR (D) 38.00<br />
ISBN 978-3-86859-493-5
62<br />
#jovisverlag<br />
Städte für Menschen<br />
Jan Gehl<br />
Hardcover<br />
17 x 24 cm, 304 pages, num. col.<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-356-3<br />
E-Book:<br />
ISBN 978-3-86859-897-1<br />
Schulen planen und bauen 2.0<br />
Grundlagen, Prozesse, Projekte<br />
Montag Stiftung Jugend und Gesellschaft (ed.)<br />
Softcover with flaps, 19 x 25 cm, 424 pages,<br />
num. col.<br />
German<br />
EUR (D) 34.80<br />
ISBN 978-3-86859-437-9<br />
Stuttgart in Bewegung—Berichte von<br />
unterwegs<br />
Reallabor für nachhaltige Mobilitätskultur,<br />
Universität Stuttgart (ed.)<br />
Softcover with dust jacket, 21 x 25 cm,<br />
200 pages, num. col. and b/w<br />
German<br />
EUR (D) 32.00<br />
ISBN 978-3-86859-509-3<br />
Schulgesellschaft<br />
Vom Dazwischen zum Lernraum—30 Schulgebäude<br />
im Vergleich<br />
Marika Schmidt / Rolf Schuster (eds.)<br />
Softcover, 16,5 x 24 cm, 112 pages, 92 ill.<br />
German<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-342-6<br />
Berlin—Die Schönheit des Alltäglichen<br />
Urbane Textur einer Großstadt<br />
Frank Peter Jäger (ed.)<br />
Hardcover, 17 x 24 cm, 192 pages, num. col.<br />
and b/w<br />
German<br />
EUR (D) 28.00<br />
ISBN 978-3-86859-380-8<br />
Tezuka Architects: The Yellow Book<br />
Thomas Sherman / Greg Logan (eds.)<br />
With a foreword by Mohsen Mostafavi and an<br />
introduction by Mark Mulligan<br />
Hardcover with rounded edges, 9 x 16 cm,<br />
160 pages, 40 col. and b/w<br />
English<br />
EUR (D) 18.00<br />
ISBN 978-3-86859-423-2<br />
Religion und Stadt<br />
Positionen zum zeitgenössischen Sakralbau in<br />
Deutschland<br />
Ansgar and Benedikt Schultz (eds.)<br />
Hardcover, linen, 17 x 23,5 cm, 96 pages,<br />
39 col. and 22 b/w ill. and plans<br />
German<br />
EUR (D) 28.00<br />
ISBN 978-3-86859-546-8<br />
SUSTAINABILITY<br />
Hortitecture<br />
The Power of Architecture and Plants<br />
Almut Grüntuch-Ernst, IDAS Institute for Design<br />
and Architectural Strategies (ed.)<br />
Softcover, 16.5 x 23.5 cm, 288 pages, num. col.<br />
English<br />
EUR (D) 35.00<br />
ISBN 978-3-86859-547-5<br />
SCHOOL ARCHITECTURE<br />
Architecture Is Participation<br />
Die Baupiloten—Methods and Projects<br />
Susanne Hofmann<br />
Softcover, 17 x 24 cm, 256 pages, 200 col. and<br />
25 b/w<br />
English<br />
EUR (D) 29.80<br />
ISBN 978-3-86859-347-1<br />
Mensch und Landschaftsarchitektur<br />
Juliane Feldhusen / Sebastian Feldhusen (eds.)<br />
Osnabrück University of Applied Sciences,<br />
School of Landscape Architecture, Study<br />
Program Open Space Planning<br />
Softcover, 16 x 24 cm, 336 pages, 146 col. and<br />
b/w<br />
German<br />
EUR (D) 38.00<br />
ISBN 978-3-86859-405-8<br />
ALL E-BOOKS ONLINE<br />
www.jovis.de
63<br />
Authors and Editors<br />
Alcaide, Naomi 16<br />
Bartels, Olaf 18<br />
baukind 32<br />
Baumeister, Eva-Maria 14<br />
Becker, Tobias 5<br />
Behörde für Stadtentwicklung und Wohnen 18<br />
Berkemann, Karin 3<br />
Biermann, Dirk 48<br />
Birne, Torsten 54<br />
Brenner, Klaus Theo 48<br />
Brunner, Matthias 8<br />
Buchholz, Kai 6<br />
Büchsenschuß, Jan 48<br />
Buettner, Anke 26<br />
Dell, Christopher 12<br />
Dolff-Bonekämper, Gaby 29<br />
Dziobek-Bepler, Nathalie 32<br />
Eckhard, Petra 46<br />
Fakultät für Architektur und Landschaft,<br />
Leibniz Universität Hannover 49<br />
Finkenberger, Isabel Maria 14<br />
Forschungslabor Raum 16<br />
Fröbe, Turit 27<br />
Fusi, Paolo 19<br />
future.lab 38<br />
Geipel, Finn 47<br />
Geisel, Thomas 22<br />
Geiß-Netthöfel, Karola 20<br />
Generaldirektion der Stiftung Preußische<br />
Schlösser und Gärten Berlin-Brandenburg 57<br />
Gethmann, Daniel 46<br />
Görlich, Jutta 52<br />
Hansmann, Sabine 47<br />
Harnack, Maren 8<br />
Hauswirth, Florian 56<br />
Heger, Natalie 8<br />
Hirschberg, Urs 46<br />
Höcke, Christian 16<br />
Hoffmann Robbiani, Sandra 5<br />
IBA_Wien 2022 38<br />
Jaeger, Falk 33<br />
Jany, Andrea 40<br />
Kirstgen, Anna 49<br />
Koch, Christian 14<br />
Kundoo, Anupama 10<br />
Lang, Siglinde 55<br />
Lechner, Andreas 46<br />
Leibniz Universität Hannover 49<br />
Lichtblau, Andreas 46<br />
Liotta, Salvator-John A. 44<br />
Lopez-Pineiro, Sergio 13<br />
Lorenzen Mayer Architekten 42<br />
Louyot, Fabienne 44<br />
Marquart, Christian 34<br />
Meier, Hans-Rudolf 29<br />
Montag Stiftung Kunst und Gesellschaft 51<br />
Moretti, Beatrice 23<br />
Mühlhofer, Stefan 21<br />
Mulas, Davide 48<br />
Münchner Stadtbibliothek 26<br />
Nellen, Dieter 20, 22<br />
Noennig, Jörg Rainer 17<br />
Oswalt, Philipp 6, 9<br />
Petersson, Petra 46<br />
Pollmann, Tyyne Claudia 28<br />
Praeger Richter Architekten 41<br />
Prinz zur Lippe, Rudolf 57<br />
Rahmann, Heike 30<br />
Redbergs, Oskars 41<br />
re:form e. V. 43<br />
Regionalverband Ruhr (RVR) 20<br />
Rettich, Stefan 9<br />
Rinke, Mario 56<br />
Rose, Ulrike 52<br />
Schirrmacher, Arne 24<br />
Schwegmann, Raphael 17<br />
Sonne, Wolfgang 20, 21<br />
Stadt Düsseldorf 22<br />
Sulzer, Jörg 29<br />
Tchoban, Sergei 37<br />
The PhotoBookMuseum 51<br />
thyssenkrupp Elevator 34<br />
Universität Hamburg 19<br />
Verhovsek, Sigrid 46<br />
vhw Bundesverband für Wohnen und Stadtentwicklung 16<br />
Voermanek, Katrin 4<br />
von Engelberg-Dočkal, Eva 29<br />
von Rauch, Friederike 58<br />
Voss, Ekkehard 37<br />
Walliss, Jillian 30<br />
weißensee kunsthochschule berlin 28<br />
Welzel, Barbara 21<br />
Wende, Wolfgang 54<br />
Weresch, Katharina 45<br />
Wienigk, Maren 24<br />
Ziemer, Gesa 17<br />
Zuschke, Cornelia 22
64<br />
Academic Partners<br />
jovis publishes in collaboration with,<br />
amongst others<br />
Architectural Association (AA) School of Architecture, London, UK<br />
Bauhaus-Universität Weimar<br />
Bergische Universität Wuppertal<br />
Brandenburgische Technische Universität Cottbus-Senftenberg<br />
Eidgenössische Technische Hochschule (ETH) Zürich, Schweiz<br />
Fachhochschule Münster<br />
Frankfurt University of Applied Sciences<br />
German University in Cairo, Ägypten<br />
Goethe Universität Frankfurt am Main<br />
HafenCity Universität Hamburg<br />
Harvard University, Cambridge MA, USA<br />
Hochschule Darmstadt<br />
Hochschule für Gestaltung Offenbach<br />
Hochschule Osnabrück<br />
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