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<strong>2020</strong><br />

ARCHITECTURE<br />

URBANISM<br />

LANDSCAPE


Technical Administration Building of Hoechst AG, Frankfurt (Main) © Photo: Kris Scholz,<br />

in: 100 Jahre Moderne in Hessen. Von der Reichsgründung bis zur Ölkrise. Ein Architekturführer, p. 221


Das gelobte Land der Moderne 3<br />

Typisch Posener 4<br />

Surfing Bauhaus. Hessen + Typography 5<br />

100 Jahre Moderne in Hessen 6<br />

Adaptive Re-Use 8<br />

Zentralitäten 4.0 9<br />

Auroville. The City the Earth Needs 10<br />

The Improvisation of Space 12<br />

A Glossary of Urban Voids 13<br />

Amplifier and Complement 14<br />

Shaping Diversity 16<br />

Crossing Borders—Activating Spaces 16<br />

Digital City Science 17<br />

Stadträume bauen 18<br />

Multiple Campus 19<br />

Vom Ruhrgebiet zur Metropole Ruhr 20<br />

Dortmunder Passagen 21<br />

Düsseldorf 22<br />

Beyond the Port City 23<br />

Architectures of Science 24<br />

Public! 26<br />

Architectural Policy in Finland 27<br />

visions4people 28<br />

Neo-Historismus? 29<br />

The Big Asian Book of Landscape Architecture 30<br />

Räume für Kinder 32<br />

Fuzhou Strait Culture and Art Centre 33<br />

The Future Is Up 34<br />

speech: 23—Industrial 36<br />

speech: 24—Temporary 36<br />

TCHOBAN VOSS Architects 37<br />

New Social Housing 38<br />

Experiment Wohnbau 40<br />

Ausbauhaus 41<br />

Lincoln Revisited 42<br />

Re:Eden 43<br />

What Is Co-dividuality? 44<br />

Funktionen der Architektur 45<br />

GAM.16—gewohnt: un/common 46<br />

Raummaschine 47<br />

City Life Collage 48<br />

Raumreiz 49<br />

Hochweit 2019 49<br />

The Photobook in Art and Society 51<br />

Frauenkloster Klosterfrauen 52<br />

Rapport 54<br />

Kunst im UmBau 55<br />

Formful Wood 56<br />

Heimliche Welten im Neuen Palais 57<br />

Monastic 58<br />

From our Backlist 60<br />

Authors and Editors 63<br />

Academic Partners 64


Jerusalem, The National Library of Israel, 1960, photo: private


3<br />

#reisefotografie #gustafdalman<br />

Das gelobte Land<br />

der Moderne<br />

Deutsche Reisefotografien zwischen Aleppo und Alexandria<br />

Karin Berkemann<br />

Gustaf Dalman did not place much stock in snapshots. When the German theologian<br />

traveled between Aleppo and Alexandria beginning in 1899, he took his<br />

time. He observed, made use of his notebook and a plate camera: with objectivity<br />

and style, always treating his counterpart as an equal, be it a human being or a<br />

folding shovel. Until his death in 1941, Dalman collected around 20,000 photographs<br />

in Greifswald—taken by himself and by others—of a cultural landscape<br />

moving toward modernity. For the first time, the theologian and art historian Karin<br />

Berkemann will comprehensively evaluate this collection: unique in Europe, from<br />

the perspective of visual studies, comparing it with photographs taken by German<br />

travelers from 1948 onwards, after the founding of the State of Israel. Some of<br />

these photographers used the camera to seek out what was ancient, while others<br />

looked for the signs of a new era. Spanning decades, the photographs today form<br />

a multilayered topography of a region considered sacred by three world religions<br />

and countless others with a belief in culture.<br />

Elhosn, Teacher, 1899/1900, photo: Gustaf Dalman<br />

© Gustaf Dalman Institute Greifswald<br />

Hardcover<br />

approx. 20 × 26 cm<br />

256 pages, 170 col. and b/w<br />

German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-603-8<br />

06.<strong>2020</strong><br />

Amman, 1959, photo: private, via WDR Digit


4<br />

#häusergeschichten #juliusposener<br />

Typisch Posener<br />

Katrin Voermanek<br />

Without doubt, the most beautiful aspect of Julius Posener's legacy, lies in his<br />

language. Though trained as an architect, Posener changed the face of Berlin<br />

without constructing a single building. Instead, he used his writing to save buildings<br />

from demolition. In nine histories of individual buildings, Katrin Voermanek<br />

traces the footsteps of Posener, an architectural historian, critic, and activist<br />

who died in 1996. The book sheds light on how Posener advanced his fight<br />

to preserve architectural heritage and how he articulated his criticism of new<br />

buildings: sometimes impulsively, sometimes strategically, always grounded<br />

in a profound erudition, with humor and a gentle eloquence that remains<br />

unparalleled today. The short accounts—which include the Schaubühne, the<br />

Künstlerhaus Bethanien, the Babylon movie theater, and two villas by Hermann<br />

Muthesius, among others—bring to life Berlin's architectural Zeitgeist between<br />

the 1960s and 1990s and demonstrate both the necessity and effectiveness of<br />

committed architectural criticism.<br />

Softcover<br />

14 × 23 cm<br />

152 pages, 16 unicol.<br />

German<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-593-2<br />

10.2019<br />

T ypisch Posener<br />

KATRIN VOERMANEK<br />

KATRIN VOERMANEK<br />

Typisch Posener<br />

ICC, 1980 © Landesarchiv Berlin<br />

Julius Posener, approx. 1985 © Baukunstarchiv / Jill Posener<br />

Kino Babylon, 1991 © Landesarchiv Berlin


5<br />

Surfing Bauhaus<br />

Hessen + Typography<br />

Links, Data, Texts, Quotes, References,<br />

and more<br />

Tobias Becker / Sandra Hoffmann Robbiani (eds.)<br />

<strong>JOVIS</strong> NEUES!<br />

ANKÜNDIGUNGS-<br />

COVER<br />

Every day, new artifacts related to the Bauhaus surface online,<br />

and with the 100 th anniversary of the school, the number is<br />

reaching a peak. Surfing Bauhaus confronts this flood of information<br />

and approaches the institution Bauhaus in a contemporary<br />

way. Becker and Hoffmann Robbiani focus on Bauhaus<br />

representatives who had a connection to Hesse and worked<br />

typographically. Using Internet search engines, they collect,<br />

filter, and combine digital results with material researched<br />

using more classic methods, from archives and libraries. In<br />

their search, the editors—a graphic designer and a professor<br />

of typography and communication design—work by association,<br />

provoking forms of digression and meandering, switching<br />

between English and German, and thus achieving an open<br />

perspective on the Bauhaus: a compilation of essays, links,<br />

data, references, and anecdotes, retrieved in 2019. No claim to<br />

completeness.<br />

With contributions by Kai Buchholz, Tine<br />

Melzer, Michael Mischler and Christoph<br />

Stähli Weisbrod, Sabrina Rahman, Dan<br />

Reynolds, and Florian Walzel<br />

#bauhaus100 #typografie<br />

S U R F ING<br />

BAUHAUS<br />

H E S SEN+<br />

TYPOGRAPHY<br />

L I N K S , DATA ,<br />

TEXTS, QUOTES,<br />

REFERENCES<br />

AND MORE<br />

TOBIAS BECKER<br />

SANDRA H.ROBBIANI<br />

Karl Peter Röhl, Komposition, 1926, Gouache on Cardboard,<br />

63 x 47,5 cm, Wilhelm-Hack-Museum, Ludwigshafen<br />

© Klassik Stiftung Weimar / Karl Peter Röhl Stiftung<br />

Softcover<br />

21 × 29.7 cm<br />

248 pages, num. col. and b/w<br />

English/German<br />

EUR (D) 33.00<br />

ISBN 978-3-86859-601-4<br />

12.2019


6<br />

100 Jahre Moderne<br />

in Hessen<br />

Von der Reichsgründung bis zur Ölkrise<br />

Ein Architekturführer<br />

Kai Buchholz / Philipp Oswalt (eds.)<br />

For many, flat roofs, white façades, and large glass surfaces—the so-called<br />

Bauhaus style—are hallmarks of modern architecture. On the occasion of the<br />

100 th anniversary of the Bauhaus as an internationally renowned institution, this<br />

unique architectural guide aims to correct such one-sided and reductive views.<br />

The development of new building types—whether railway stations or shopping<br />

centers, company headquarters or museums, zoos or nuclear power plants—is<br />

more important than outward appearance. Focusing on exemplary buildings in<br />

Hesse, the guide uncovers backgrounds and makes them tangible. The spectrum<br />

ranges from Ernst May’s residential house in Frankfurt to the Biblis nuclear power<br />

plant, Metzendorf’s buildings for the Odenwald School, the Ernst-Moritz-Arndt<br />

barracks in Neustadt, and the Frankfurt Zoological Garden. The book shows that<br />

modern surroundings rest upon architects whose different visions of people and<br />

society—cast in stone, concrete, steel, or glass—continue to decisively shape our<br />

everyday lives to this day. Clearly organized according to building types, with<br />

numerous illustrations, maps, and floor plans, the volume makes for stimulating<br />

reading.<br />

Hardcover<br />

15 × 20.5 cm<br />

584 pages, 130 col. and 420 b/w<br />

German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-583-3<br />

Available<br />

#bauhaus100 #hessen<br />

100 Jahre<br />

Moderne<br />

in<br />

Hessen<br />

Von der Reichsgründung<br />

bis<br />

zur Ölkrise<br />

Hg. Kai Buchholz und Philipp Oswalt<br />

Ein Architekturführer<br />

Hauptpost Marburg © Photo: Kris Scholz


7<br />

#Hashtag<br />

Hochzeitsturm Darmstadt © Photo: Kris Scholz


8<br />

#densification #postwarhousing<br />

Adaptive Re-Use<br />

Strategies for Post-War Modernist Housing<br />

Maren Harnack / Natalie Heger / Matthias Brunner (eds.)<br />

In prosperous regions, housing markets are under significant pressure.<br />

With the focus on preserving land and developing brownfield sites, postwar<br />

housing estates are being earmarked for densification, as their density<br />

is perceived as rather low and the ownership is often concentrated in the<br />

hands of only a few publicly owned housing associations. In this setting,<br />

postwar estates are in danger of losing their characteristic spatial structures<br />

and landscaping.<br />

Adaptive Re-Use discusses strategies for the development of post-war housing<br />

by referring to European case studies from the period of 1945 to 1975.<br />

The contributions in this edited volume show how housing estates from<br />

different European countries are listed and preserved, and how architectural<br />

fabric can be adapted to meet today’s needs, while exploring the strategies<br />

applied to ensure the future development of large-scale housing.<br />

Softcover<br />

16.5 × 24 cm<br />

192 pages, 50 col.<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-611-3<br />

<strong>2020</strong>


B6<br />

9<br />

R<br />

#raumpolitik #digitalisierung<br />

Zentralitäten 4.0<br />

Raumpolitiken Im Zuge der Digitalisierung und neue Mobilität zeichnet sich auf dem ein rasanter Lande Wandel der Strukturen des<br />

Einzelhandels, der Mobilitätsangebote und der Daseinsvorsorge ab. Dieser Wandel<br />

Philipp beeinflusst Oswalt auch / Stefan die Ent-wicklung Rettich (eds.) der Mittelzentren in Deutschland. Angesichts<br />

zunehmender Disparitäten zwischen den ländlichen Räumen und den Metropolregionen<br />

the 1930s, verändert Walter Christaller sich die used Rolle new media der Mittelzentren to work out his ohnehin central place seit theory Jahren. by In counting<br />

telephone lines to identify centralities that connected multiple spaces. Today, digitization has<br />

a formative effect on space—on cities, the countryside, and mobility. Or when it is lacking, spatial<br />

oppositions Durch technologische are the result. The Neuerungen contributions wie to this Onlinehandel, book offer introductory autonomes examination Fahren oder of the<br />

effects Telemedizin of digitization ist damit on space zu rechnen, and deal with dass the manche topicality of zentralörtlichen Christaller’s central Funktionen place theory. noch The<br />

book weiter does modifiziert so both theoretically werden. and In practically, Zukunft werden by examining einzelne spatial kommunale policies of current Aufgaben regional durch<br />

development programs, different conceptions of public services, and the tasks of medium-sized<br />

Koproduktion zivilgesellschaftlicher Akteure gestützt, durch neue Angebote ersetzt<br />

centers in urban and rural areas. The second part of the book discusses which structural changes<br />

oder gar ganz entfallen, aber auch neue Aufgaben hinzukommen.<br />

are to be expected in the course of digitization, especially through new mobility, and how this might<br />

affect the attractiveness of rural areas and the tasks of medium-sized towns. Finally, it examines the<br />

causes of populist tendencies and experiences of loss produced by processes of globalization and<br />

Die ursprünglichen Steuerungsmodelle der Raumordnung, die unter ganz anderen<br />

social division, as well as right-wing extremist developments rural areas.<br />

ökonomischen und technischen Rahmenbedingungen entwickelt wurden, müssen<br />

langfristig an diese Veränderungen angepasst werden.<br />

Softcover<br />

16.5 × 24 cm<br />

192 pages, 60 b/w<br />

German<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-622-9<br />

04.<strong>2020</strong><br />

Alpen<br />

München<br />

Toskana des Nordens<br />

Nürnberg<br />

Chemnitz / Dresden<br />

Jena<br />

Erfurt<br />

A4<br />

Kassel<br />

Eisenach<br />

A9<br />

A38<br />

Göttingen<br />

Halle / Leipzig<br />

Mansfelder Land<br />

A38<br />

Nordhausen<br />

Sangerhausen<br />

Bad Lauterberg<br />

Herzberg am Harz<br />

Northeim<br />

Halle / Leipzig<br />

A38<br />

B4<br />

B243<br />

Halle / Leipzig<br />

Lutherstadt<br />

Eisleben<br />

Mansfeld<br />

B180<br />

Niederharz<br />

B27<br />

Hochharz<br />

Clausthal-Zellerfeld<br />

Bad Grund<br />

Osterode am Harz<br />

A7<br />

A14<br />

B86<br />

Thale<br />

Halle / Leipzig<br />

Bernburg<br />

B6<br />

Aschersleben<br />

B6<br />

Quedlinburg<br />

B6<br />

Blankenburg<br />

Wernigerode<br />

B6<br />

Bad Harzburg<br />

Goslar<br />

B82<br />

Seesen<br />

Westharz Regenerativ<br />

Hannover<br />

A14<br />

Bad Salzgitter<br />

Halberstadt<br />

Magdeburg / Berlin<br />

Magdeburg<br />

Burgensaum / Industriegürtel<br />

Wolfsburg /<br />

Braunschweig<br />

Republic of Harz, Scenario for IBA Stadtumbau 2010 © KARO* / urbikon.com


10<br />

#rogeranger #idealisticcity<br />

Auroville. The City the Earth Needs<br />

Roger Anger’s Visions for Urbanism<br />

Anupama Kundoo<br />

Roger Anger (1923–2008) was one of the most prolific architects in France during the 1950s and 1960s. His<br />

unique architectural language is characterized by sculptural plasticity and individualized, timeless modernity.<br />

In 1965, he was appointed chief architect of Auroville, an idealistic city conceived in South India. The city’s<br />

founder, Mirra Alfassa, asked the architect to design “the city the earth needs” as a model city for 50,000<br />

inhabitants. The experimental nature of the Auroville project, in the context of rapidly urbanizing India, took<br />

up Alfassa’s whole-hearted attention, where he set standards for the city of the future that could serve as<br />

a replicable model. He also undertook work for other new towns in India such as Vijaynagar, Kudremukh,<br />

Faridabad, and Salem.<br />

Hardcover<br />

30.5 × 22.5 cm<br />

160 pages, 240 col.<br />

English<br />

EUR (D) 39.80<br />

ISBN 978-3-86859-609-0<br />

12.2019


11<br />

#rogeranger #idealisticcity<br />

Auroville. The City the Earth Needs<br />

Roger Anger’s Visions for Urbanism<br />

Anupama Kundoo<br />

Also available in French:<br />

ISBN: 978-3-86859-618-2


12<br />

#christopherdell #urbandesign<br />

The Improvisation of Space<br />

Christopher Dell<br />

This volume investigates one of the most significant shifts in contemporary urban<br />

research: the shift from an object- to an action-related perspective on the city.<br />

Outlining a critical urban theory from an improvisational perspective, the book<br />

shows why this transition might change our understanding of the city at large<br />

and make us reconsider the role of architecture and urban design, as well as their<br />

representations. The German theorist, composer, and musician Christopher Dell,<br />

widely known for his performances and teaching in urban design, explores the<br />

question of making in a constellation of matter, things, embodiment, active living,<br />

and discourse. Insightful and engagingly written, this extraordinary volume offers,<br />

for the first time in English, a far-reaching narrative that examines the improvisation<br />

of space and reflects multifaceted aspects of the city today. The book<br />

assembles a unique collection of images and essays, providing a substantial new<br />

contribution and advancement in the field of urban research.<br />

THE IMPROVISATION OF SPACE<br />

Christopher Dell<br />

THE<br />

IMPROVISATION<br />

OF<br />

SPACE<br />

Christopher Dell<br />

Softcover<br />

17 × 24 cm<br />

256 pages, 50 b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-602-1<br />

11.2019<br />

Constructlab: Mont Réel. How to Build a mountain © Constructlab / Carla Rangel


13<br />

#urbanvoid #publicspace<br />

A Glossary of Urban Voids<br />

Sergio Lopez-Pineiro<br />

This book is a critiqued collection of over 200 terms regularly used to name the<br />

urban void, from terrain vague to buffer zone. As the landscape architect James<br />

Corner has pointed out, a void cannot be labeled because “to name it is to claim<br />

it in some way.” By listing existing terms, A Glossary of Urban Voids attempts to<br />

name the unnamable, to define that which should have no precise definition.<br />

It records terms, names, and labels used to designate leftover spaces, resulting<br />

from processes of urban abandonment, that originate from some kind of obsolescence<br />

or loss. In addition to their obvious consequences, these processes of<br />

abandonment open up space, liberating it from existing ideological frameworks<br />

(financial, capital, cultural …), allowing divergent spatialities to emerge, and ultimately<br />

offering opportunities to imagine and conceptualize an alternative type<br />

of public space. Using the glossary as an intellectual tool, this book presents the<br />

most relevant questions on the issue of the urban void and its potential role as<br />

public space.<br />

A<br />

Glossary<br />

of<br />

Urban<br />

Voids<br />

SERGIO<br />

LOPEZ-PINEIRO<br />

Softcover<br />

15 × 21 cm<br />

240 pages, 30 b/w<br />

English<br />

EUR (D) 28.00<br />

ISBN 978-3-86859-604-5<br />

01.<strong>2020</strong><br />

ABANDONED PROPERTY ABANDONMENT<br />

can be developed. [See: Abalos and<br />

Herreros, 206.]<br />

artificial landscape without cultural<br />

precedent<br />

1. Usage: When I was teaching at<br />

Cooper Union in the first year or two<br />

of the ‘50s, someone told me how I<br />

could get on to the unfinished New<br />

Jersey Turnpike. I took three students<br />

and drove from somewhere in the<br />

Meadows to New Brunswick. It was<br />

a dark night and there were no lights<br />

or shoulder markers, lines, railings or<br />

anything at all except the dark pavement<br />

moving through the landscape<br />

of the flats, rimmed by hills in the<br />

distance, but punctuated by stacks,<br />

towers, fumes and colored lights. This<br />

drive was a revealing experience. The<br />

road and much of the landscape was<br />

artificial, and yet it couldn’t be called<br />

a work of art. On the other hand, it<br />

did something for me that art had<br />

never done … The experience on the<br />

road was something mapped out but<br />

not socially recognized. I thought to<br />

myself, it ought to be clear that’s the<br />

end of art. Most paintings look pretty<br />

pictorial after that. There is no way<br />

you can frame it, you just have to<br />

experience it. Later I discovered some<br />

abandoned airstrips in Europe—abandoned<br />

works, Surrealist landscapes,<br />

something that had nothing to do<br />

with any function, created worlds<br />

without tradition. Artificial landscape<br />

without cultural precedent began to<br />

dawn on me. [Quoting Tony Smith.<br />

See: Wagstaff, 14.]<br />

as found<br />

1. Usage: In architecture, the “as found”<br />

aesthetic was something we thought<br />

we named in the early 1950s when<br />

we first knew Nigel Henderson and<br />

saw in his photographs a perceptive<br />

recognition of the actuality<br />

around his house in Bethnal Green:<br />

children’s pavement play-graphics;<br />

repetition of “kind” in doors used<br />

as site hoardings; the items in the<br />

detritus on bombed sites, such as the<br />

old boot, heaps of nails, fragments<br />

of sack or mesh and so on … Thus<br />

the “as found” was a new seeing of<br />

the ordinary, an openness as to how<br />

prosaic “things” could re-energise<br />

our inventive activity. [See: Smithson,<br />

Alison and Peter, 201.]<br />

black holes<br />

1. the in-between scenes of landscape<br />

beauty; we travel daily through a<br />

multitude of unexplained black holes;<br />

dominant feature of peripheries and<br />

urbanized countries. [See: Girot, 100.]<br />

2. we need to consider these long<br />

non-entities as probably equally significant<br />

as the most celebrated vistas<br />

of the Alps; require a long process of<br />

aesthetic acceptance; need more time<br />

and memory to decant their specific<br />

identity and to operate a veritable<br />

change in our appreciation of them.<br />

[See: Girot, 100.]<br />

3. unplanned and nameless landscapes;<br />

nondescript places; very ugly and<br />

banal places. [See: Girot, 100-101.]<br />

4. these blind “after the fact” environments—call<br />

them landscapes if you<br />

will—require both discernment and<br />

an exquisite intuition to make any<br />

kind of sense out of them. [See: Girot,<br />

101–102.]<br />

blank space<br />

1. readily accessible, openly shared, yet<br />

non-descript, banal, and ordinary;<br />

lack of identity and (re)cognizance; genericized<br />

form of space; undesigned,<br />

unbuilt, and open. [See: Corner, 125.]<br />

blot<br />

1. from block and lot, i.e. a block of lots;<br />

when a homeowner takes, borrows,<br />

or buys one or more adjacent lots,<br />

the connected lots form a blot. [See:<br />

Interboro, 243.]<br />

ANNOTATIONS & CRITIQUES<br />

WHAT DOES THE TERM URBAN VOID IMPLY?<br />

While this book is a glossary of terms used to discuss urban<br />

vacancy, the term urban void will be used as a default label<br />

throughout the book to refer to the urban spaces that are<br />

the subject of this book. Since the objective of this book<br />

is to define and portray the constellation of terms used to<br />

discuss urban vacancy, it must be clear that this decision is<br />

obviously made for practical reasons only.<br />

The term void, however, typically projects bad connotations<br />

when discussing urban spaces—primarily those<br />

of emptiness and nothingness—and, thus, the expression<br />

urban void could be misunderstood. In fact, people interested<br />

in the redefinition of the city according to other ideologies<br />

or points of view that are not exclusively economic<br />

(ecological sustainability or social diversity, for example)<br />

might argue that these spaces are not empty: in fact, they<br />

are full of other alternative (non-economical) potentials.<br />

Due to their marginality, these spaces offer opportunities<br />

(again ecological or social as an example) that other public<br />

spaces do not—and cannot. Following this line of thought,<br />

it could be argued then, that another term—even if it is<br />

only for practical reasons—should be used.<br />

However, the term void is not used in this book to<br />

imply that these spaces are emptied of everything. As the<br />

reader will see, the term void—along with many others that<br />

could offer similar controversies—implies that these spaces<br />

are emptied of the value that is associated with the prevailing<br />

ideology of cities as places of capital accumulation.<br />

But this emptiness (of capital, real state value, efficacy, or<br />

production) is precisely what enables for other sensibilities<br />

17


14<br />

#stadtentwicklung #urbanepraktiken<br />

Amplifier and Complement<br />

About the Relationship between Urban Planning,<br />

Artistic Practices, and Cultural Institutions<br />

Isabel Maria Finkenberger / Eva-Maria Baumeister /<br />

Christian Koch (eds.)<br />

Increasingly often, new protagonists from the arts and culture are becoming<br />

involved in processes of urban development, participating in unconventional<br />

ways in the design of urban spaces. This is no coincidence, because many of the<br />

urban development challenges of today require abilities that go beyond traditional<br />

planning tools. What is the relationship between urban planning, artistic<br />

practices, and cultural institutions: do they merely complement each other, or do<br />

they mutually amplify each other? This volume gathers perspectives from different<br />

disciplines that understand changing urban practices, as well as constantly<br />

changing hierarchies and power relationships, as an opportunity to think differently<br />

about places, institutions, and those involved, and about forms of organization<br />

and action.<br />

With contributions from Hilke Marit Berger, Marta Doehler-Behzadi, Christoph<br />

Grafe, Saskia Hebert, Hanna Hinrichs, Kay von Keitz, Thomas Malorny, Tobi<br />

Müller, Berthold Schneider, Birgit Schneider-Bönninger, Uwe Schneidewind,<br />

Renée Tribble, and Stephan Willinger, among others<br />

Softcover<br />

17 × 24 cm<br />

272 pages, 20 col. and 50 b/w<br />

English/German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-578-9<br />

Available<br />

© Van Abbemuseum / Peter Cox


© IBA Thüringen<br />

© Schauspiel Köln / Ana Lukenda


16<br />

#shapingeuropeancities<br />

#europäischeraumentwicklung<br />

Naomi Alcaide<br />

Christian Höcke<br />

(Hrsg.)<br />

Vielfalt gestalten | Shaping Diversity<br />

Vielfalt gestalten<br />

Ansätze zur Förderung<br />

der sozialen Kohäsion<br />

in Europas Städten<br />

Shaping Diversity<br />

Approaches to Promoting<br />

Social Cohesion in<br />

European Cities<br />

Naomi Alcaide | Christian Höcke (Hrsg.)<br />

Shaping Diversity<br />

Approaches to Promoting Social Cohesion<br />

in European Cities<br />

Naomi Alcaide / Christian Höcke (eds.)<br />

for the vhw Bundesverband für Wohnen und<br />

Stadtentwicklung<br />

Diversity in Europe’s cities and societies is increasing—and<br />

with it, the need to strengthen social cohesion. Today, this<br />

seems more necessary than ever, as societies are becoming<br />

more diverse and their cohesion finds itself challenged<br />

by radical economic, ecological, social, and political<br />

change. The contributions to this volume demonstrate<br />

how these challenges are being met at the local level of<br />

cities and urban districts. Contributors from municipal politics,<br />

science, administration, community social work, and<br />

urban planning engage with various approaches that aim to<br />

successfully achieve social cohesion in Europe.<br />

Softcover<br />

20 × 24 cm<br />

208 pages, 76 col.<br />

English/German<br />

EUR (D) 24.80<br />

ISBN 978-3-86859-597-0<br />

12.2019<br />

Forschungslabor Raum 3:<br />

Crossing Borders—<br />

Activating Spaces<br />

Transnational Approaches of<br />

Spatial Planning in Europe<br />

Internationales Doktorandenkolleg—<br />

Forschungslabor Raum (ed.)<br />

The challenges of spatial development in Europe can only<br />

be met through transdisciplinary cooperation. In a continent<br />

that is dynamically changing and undergoing complex<br />

processes of transformation, new and integrated methods<br />

for planning and design are needed to strengthen cohesion<br />

between Europe's countries and regions. This book focuses<br />

on current issues of landscape and residential development,<br />

mobility, demography, energy, and climate, as well<br />

as on material flows—and on the spatial manifestation of<br />

all these phenomena. The contributions deal with topics<br />

such as the labor and housing markets and their increased<br />

integration, or concepts of infrastructure and landscape<br />

planning in border regions. Under the guiding theme of<br />

Crossing Borders—Activating Spaces, the book explores<br />

possibilities of cross-border concepts and strategies, while<br />

also testing tools and procedures apt for this task.<br />

Softcover<br />

17 × 24 cm<br />

320 pages, 150 col.<br />

English/German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-573-4<br />

09.<strong>2020</strong>


17<br />

#metropolitanresearch #digitalcity<br />

Perspectives in Metropolitan Research 6:<br />

Digital City Science. Researching New<br />

Technologies in Urban Environments<br />

Raphael Schwegmann / Gesa Ziemer / Jörg Rainer Noennig (eds.)<br />

How do science and technology shape future cities—and how do cities shape science and technology in<br />

return? Who are the architects and actors behind these processes? Driven by a transdisciplinary approach,<br />

Perspectives in Metropolitan Research 6 will elaborate on the intertwinements of science, technology, and<br />

cities. The contributions will discuss recent theoretical approaches on how to look at the intersection between<br />

digitalization and cities scientifically, as well as how to define one’s role as a researcher. What are the assumptions<br />

that guide our view while researching? What does it mean to work transdisciplinarily with a focus on the<br />

future of cities? In sum, this edition offers an overview of current perspectives on the Digital City. It is conceptualized<br />

as a forum for academic exchange on different methods, methodologies, measurements, and materials;<br />

on theories, treasures, toys, and tools; and on power, prestige, problems, and perfection of/in digital city<br />

research.<br />

This volume is based on contributions to this year’s City Science Summit (CSS 2019), a global conference<br />

hosted by the CityScienceLab at HafenCity University Hamburg in cooperation with the MIT Media Lab. The<br />

summit looked towards future cities that are more livable and innovative in using novel technologies for urban<br />

decision-making, design, and operation. In addition to academic members and researchers of the City Science<br />

Network, the summit also welcomed international mayors, established experts, and high-level CEOs.<br />

Softcover<br />

16.5 × 24 cm<br />

192 pages, 100 col. and b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-600-7<br />

09.<strong>2020</strong><br />

© CityScienceLab


18<br />

#innerestadtentwicklung #hamburg<br />

Hamburg – Positionen, Pläne, Projekte 1:<br />

Stadträume bauen<br />

Olaf Bartels / Behörde für Stadtentwicklung<br />

und Wohnen (eds.)<br />

Hamburg is growing. Germany‘s largest port city is getting ready to have<br />

more than 1.9 million residents by 2030. For some time now, the city has<br />

been pursuing an ambitious construction program, with a focus on inner<br />

city development: the new buildings on the northern banks of the Elbe<br />

River, HafenCity, or the strategy “Sprung über die Elbe” (Leap across the<br />

Elbe) stand for development strategies on a grand scale.<br />

How should Hamburg continue to develop? What will its priorities be in the<br />

future? Hamburg’s urban development planning is placing a new emphasis<br />

on the city’s outskirts and the urban spaces along its main thoroughfares:<br />

postwar modernist housing developments are to be upgraded in order to<br />

preserve affordable living space and make modern workplaces possible.<br />

The goal is an effective mix of uses and new urban quality of life.<br />

This book shows Hamburg in the international discourse of urban development.<br />

It presents the most important projects and protagonists from the<br />

fields of architecture, urban planning, and landscape design, while allowing<br />

users and initiatives to have a voice.<br />

Visualisierung Baakenhafen Baufeld 92a @ Bloomimages/Ditting/GWG<br />

Softcover<br />

19.5 × 29.5 cm<br />

160 pages, 200 col. and b/w<br />

German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-625-0<br />

04.<strong>2020</strong><br />

Internationales Bauforum 2019 | Magistralen @ Behörde für Stadtentwicklung und Wohnen / Michael Zapf


19<br />

#multiplecampus #universitäthamburg<br />

Multiple Campus<br />

Szenarien für die Universität der Zukunft<br />

Paolo Fusi<br />

University of Hamburg (ed.)<br />

What will the urban campus of the future look like? Academia is undergoing<br />

massive change as it faces increasingly complex challenges—and with it, cities<br />

are changing, too. Paolo Fusi describes the “multiple campus” as a place of<br />

knowledge transfer that enables new models for creatively and innovatively<br />

researching, working, and living in the city. Focusing first on the Universität<br />

Hamburg, he then examines the development of urban campuses worldwide,<br />

evaluating architectural and conceptual tendencies. Turning to exemplary projects<br />

that have developed over time, been recently realized, or are in the planning<br />

stages, in New York, Chicago, Lausanne, London, Trondheim, and Copenhagen,<br />

he examines instruments for designing architectural and spatial types. These<br />

future scenarios complement his morphological analysis of the Hamburg city<br />

campus and his consideration of its historical emergence.<br />

Swiss brochure with flaps<br />

21.5 × 31 cm<br />

280 pages, 450 col. and b/w<br />

German<br />

EUR (D) 38.00<br />

ISBN 978-3-86859-598-7<br />

10.2019<br />

Makro Meso Mikro<br />

New York<br />

Manhattanville Campus<br />

Grafik: © Johannes Bouchain/<br />

Nicolai Bouchain. Kartendaten:<br />

© OpenStreetMap-Mitwirkende,<br />

Gebäudedaten: Department of<br />

Information Technology & Telecommunications<br />

(DoITT), City of New<br />

York; geplante Gebäudedaten auf<br />

Basis eines Lageplans der Columbia<br />

University<br />

Grafik: © Johannes Bouchain/<br />

Nicolai Bouchain. Kartendaten: ©<br />

OpenStreetMap-Mitwirkende<br />

Ein neuer Standort im<br />

historischen urbanen Raster<br />

3 4 5<br />

2<br />

2<br />

Blick auf den Platz im<br />

Süden des neuen Manhattanville<br />

Campus mit<br />

dem Lenfest Center for<br />

Die Columbia University ist eine der großen traditionsreichen<br />

Universitäten der Stadt New York<br />

und eine der ältesten der Vereinigten Staaten. Sie<br />

wurde 1754 gegründet, ist seit jeher an unterschied-<br />

College Campus der City University of New York<br />

(CUNY). Topografisch ist Manhattanville insofern<br />

besonders, als dass dieses Viertel zum Teil nicht<br />

erhöht über dem Hudson River liegt, wie die an-<br />

the Arts im Hintergrund<br />

lichen Standorten in Manhattan beheimatet und<br />

grenzenden Viertel, sondern in einem Taleinschnitt<br />

3<br />

Übersichtsplan der Stadt<br />

New York mit der Lage<br />

hat heute über 32.000 Studierende 1 . Die heutigen<br />

Standorte der Universität liegen im nördlichen Teil<br />

von Manhattan nahe dem Hudson River. Der Haupt-<br />

entlang der heutigen 125th Street.<br />

Das nun in Bau befindliche Areal des neuen<br />

Manhattanville Campus im Westen des Stadtvier-<br />

des Manhattanville<br />

Campus (schwarzer<br />

Punkt) und des Financial<br />

Districts (grauer Punkt)<br />

M 1:50.0000<br />

campus befindet sich im Stadtviertel Morningside<br />

Heights in einem 13 Hektar großen Bereich um die<br />

116th Street. Der zweite, 8,1 Hektar umfassende<br />

Campus mit der Medizinischen Fakultät liegt im<br />

tels war bereits in den 1980er und 1990er Jahren<br />

Bestandteil unterschiedlicher Revitalisierungsprojekte<br />

gewesen. Es liegt in einem bisher durch gewerblich-industrielle<br />

Bauten, Lagerhäuser, Garagen<br />

4<br />

Lageplan des Manhattanville<br />

Campus mit bestehenden<br />

und geplanten<br />

Stadtviertel Washington Heights in Höhe der 165th<br />

Street. Die zunehmende urbane Verdichtung von<br />

Manhattan schränkt die räumlichen Erweiterungsmöglichkeiten<br />

der Universität stark ein, weshalb<br />

und große Parkplätze geprägten Gebiet innerhalb<br />

der typischen Blockstruktur Manhattans. Die vernachlässigten<br />

öffentlichen Räume im Viertel und<br />

die fehlende Anbindung an den Hudson-River wa-<br />

Gebäuden<br />

M 1:10.000<br />

lange nach geeigneten Flächen für einen weiteren<br />

Campus gesucht wurde, bis die Entscheidung fiel,<br />

ren Anlass für eine enge Zusammenarbeit zwischen<br />

Universität und Stadt, um das Projekt für eine<br />

5<br />

Tabelle: Übertragbarkeit<br />

einen neuen Universitätscampus im Stadtviertel<br />

Manhattanville zu errichten. Inzwischen wurden<br />

gleichzeitige urbane Aufwertung des gesamten Gebiets<br />

zu nutzen. Dies manifestierte sich in besonde-<br />

der Planungs- und Gestaltungsprinzipen<br />

des<br />

Beispiels Manhattanville<br />

Campus auf die Standorte<br />

der Universität Hamburg<br />

die ersten Gebäude fertiggestellt.<br />

Manhattanville: vom industriellen Viertel zum<br />

urbanen Universitätscampus<br />

rer Form 2009 mit dem West Harlem Community<br />

Benefits Agreement (CBA), das zwischen der Universität<br />

und der lokalen Entwicklungsgesellschaft<br />

vereinbart wurde. Zuvor war die nötige Flächenum-<br />

Im Jahr 2003 begann eine enge Zusammenar-<br />

widmung zur universitären Nutzung bereits 2007<br />

beit der Universität mit Politik und Verwaltung in<br />

von der Stadt genehmigt worden. 2 Trotz weiter<br />

West Harlem für eine Konversion eines Teils von<br />

anhaltender Kritik an der rigorosen Umstrukturie-<br />

Manhattanville auf Höhe der 125th Street zu einer<br />

rung und urbanen Verdichtung des Viertels und<br />

verdichteten universitären Nutzung innerhalb der<br />

der Verdrängung der alteingesessenen Gewerbe-<br />

bestehenden Blockstrukturen. Historisch gesehen<br />

betriebe kann diese Entwicklung aus stadtplane-<br />

ein Dorf weit nördlich der Tore des damaligen New<br />

rischer Sicht sehr positiv bewertet werden, gerade<br />

Yorker Stadtgebiets, entwickelte sich der Westen<br />

weil der neue Campus sich hier sehr weit zur Stadt<br />

Manhattanvilles im Laufe des 19. Jahrhunderts zu<br />

öffnen wird und eine introvertierte bzw. simulierte<br />

einem pulsierenden, stark industriell geprägten<br />

Urbanität, wie sie in der Vergangenheit bei zahlrei-<br />

Gebiet. Aber auch akademische Einrichtungen spie-<br />

chen Campusanlagen geschaffen wurde und – zum<br />

len im Stadtviertel seit dem 19. Jahrhundert eine<br />

Beispiel beim Campus Morningside Heights 3 – ver-<br />

wichtige Rolle. So befindet sich dort auch der City<br />

mieden wird.<br />

Tendenzen<br />

88 | 89


20<br />

#metropoleruhr #stadtderstädte<br />

Vom Ruhrgebiet zur Metropole Ruhr<br />

Die Entwicklung einer Region<br />

Karola Geiß-Netthöfel / Dieter Nellen / Wolfgang Sonne (eds.)<br />

for the Regionalverband Ruhr (RVR)<br />

In the twenty-first century, the Ruhr area—with 5.1 million inhabitants, the largest conurbation in Germany—finds itself poised<br />

between historical preservation and modernization: the region still stands for its mining past and its postindustrial transformation,<br />

and yet it also offers an example of sustainable urban and regional development. The more the structural change of<br />

the region advances, the more the Ruhr area reflects a pattern common to many cities internationally: the in-between urban<br />

spaces become more connected to the densely populated centers that are traditionally found in European cities.<br />

This book is being published on the occasion of the 100 th anniversary of the Siedlungsverband Ruhrkohlenbezirk, now the<br />

Regionalverband Ruhr. This organization was founded in 1920, at the beginning of the Weimar Republic, as a planning and<br />

environmental body and is today still the largest metro administrative body in Europe. The volume offers a programmatic<br />

agenda for the future. It documents the history, strategy, and governance of the Regionalverband Ruhr as a network organization<br />

for regional management that has jointly been responsible for internationally renowned lead projects such as the IBA Emscher<br />

Park, RUHR.2010—European Capital of Culture, Ruhrtriennale, Green Infrastructure, and the IGA Metropole Ruhr 2027.<br />

Using texts, images, and plans, it vividly depicts the inner master plan for the Ruhr metropolis, producing a master narrative—<br />

not least of all for the areas of soft regionalization, culture, tourism, industrial culture, and economic and scientific marketing<br />

in the “city of cities.”<br />

Hardcover<br />

24 × 32 cm<br />

340 pages, 200 col.<br />

German<br />

EUR (D) 45.00<br />

ISBN 978-3-86859-584-0<br />

04.<strong>2020</strong><br />

Halde Haniel Ruhrtriennale / Michael Kneffel / Ruhrtriennale 2012


Backstein wurde von den<br />

„Hütten“ bis zu den „Palästen“<br />

der Industriezeit verwendet:<br />

Wohnblock Lenten insel und<br />

Union Verwaltungsgebäude.<br />

146 Materialien<br />

147<br />

21<br />

#soundderstadt #dortmund<br />

Dortmunder Passagen<br />

Ein Stadtführer<br />

Stefan Mühlhofer / Wolfgang Sonne / Barbara Welzel (eds.)<br />

Five routes lead through Dortmund and follow the sound of the city: paths,<br />

water, materials, town and countryside, and public spaces. These routes cross<br />

Dortmund’s urban area, rendering history, the present, and geographical features<br />

visible and understandable in specific places. The hubs of these urban explorations<br />

are museums, industrial monuments, and the municipal church St. Reinoldi.<br />

The routes include aristocratic manors, parks, gas pipelines, village structures and<br />

churches going back to medieval times, buildings from postwar modernity, areas<br />

of industrialization and structural change, and colleges. Dortmunder Passagen<br />

opens up new perspectives and invites the reader to explore the city.<br />

Flexocover<br />

14 × 19 cm<br />

288 pages, num. col.<br />

German<br />

EUR (D) 15.00<br />

ISBN 978-3-86859-572-7<br />

Available<br />

blöcke mit begrünten Innenhöfen an Straßen und Plätzen<br />

gruppiert und bieten günstigen Wohnraum in großstädtischen<br />

vier- bis fünfgeschossigen Häusern.<br />

In der Nachkriegszeit wurde Backstein gerne als bescheidenes<br />

Material im Zeichen eines demutsvollen Neubeginns<br />

verwendet. So etwa bei der Paul-Gerhardt-Kirche, die<br />

als eine von 48 Notkirchen des Architekten Otto Bartning<br />

1949 an der Markgrafenstraße in Selbstbauweise durch<br />

die Gemeinde errichtet wurde. Oder beim Wiederaufbau<br />

des Museums am Ostwall, dem heutigen Baukunstarchiv<br />

NRW, das 1956 eine einfache, aber solide Ummantelung<br />

aus hellem Backstein erhielt. Wie erfolgreich die Wiederaufnahme<br />

des Backsteins als quartierprägendes Baumaterial<br />

sein kann, zeigt der Technologiepark westlich des Universitätscampus:<br />

Hier war 1985 der Backstein eine Vorgabe<br />

der Gestaltungssatzung, so dass ein harmonisch-charaktervolles<br />

Gewerbegebiet entstand – wahrlich eine Seltenheit<br />

für diese Bauaufgabe!<br />

EISEN UND STAHL: Die Material-Route führt von Zollern II/<br />

IV in südöstlicher Richtung zur Rheinischen Straße zum<br />

Verwaltungsgebäude für die Union Aktiengesellschaft<br />

für Bergbau, Eisen- und Stahlindustrie (gegründet<br />

1872). Stahl für Gleisanlagen und Fahrzeuge, Maschinen<br />

und Waffen, Bauwerke und Konstruktionsteile – ein universell<br />

verwendbarer Werkstoff. Hier an der Rheinischen<br />

Straße war er für den Stahlkonzern auch das Baumaterial<br />

– zumindest in der Konstruktion versteckt. Das Architekturbüro<br />

Dietrich und Karl Schulze erbaute 1916–1922 den<br />

imposanten Klinkerbau. Er trägt an der Fassade die Inschrift<br />

„Es lobe den Mann die Arbeit und die Tat“ und orientiert<br />

sich in den Formen deutlich am Mannesmann-Verwaltungsgebäude,<br />

das Peter Behrens 1912 in Düsseldorf erbauen<br />

ließ. Beide Bauten nehmen in ihrer blockhaften Geschlossenheit<br />

den Typ des italienischen Renaissance-Palazzo<br />

auf – in dieser Neorenaissance wollte sich das reiche Bürgertum<br />

im „Bürgertum“ von Florenz des 15. und 16. Jahrhunderts<br />

spiegeln, dem es sich kulturell verbunden fühlte.<br />

Dennoch ist das imposante Gebäude, das die Bedeutung


22<br />

#rheinmetropole #stadtentwicklung<br />

Düsseldorf<br />

Stadtentwicklung in der wachsenden Metropole am Rhein<br />

Thomas Geisel / Dieter Nellen / Cornelia Zuschke / Stadt Düsseldorf (eds.)<br />

Düsseldorf is growing—in both its economy and its urban space. Yet the metropolis on the Rhine<br />

is doing so not by reinventing itself but by gaining new qualities. As in other, similar European<br />

metropolises, this wave of development offers an opportunity to further raise the profile of<br />

architecture and urban development and to launch projects in public space, art, culture, and<br />

infrastructure, with contemporary forms of living and new mobility. Düsseldorf regularly scores<br />

highly on rankings of quality of life, and it profits from its location on the Rhine and the urban<br />

development of the river’s banks. This publication provides a compact overview of current key<br />

projects, formats, areas, addresses, competitions, and participation initiatives in the state capital<br />

of North Rhine-Westphalia. It gives voice to the City of Düsseldorf and its main actors.<br />

Softcover<br />

19.5 × 29.5 cm<br />

160 pages, 200 col. and b/w<br />

German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-624-3<br />

06.<strong>2020</strong><br />

© Landeshauptstadt Düsseldorf – Vermessungs- und Katasteramt


0 1 2 3 4 5 6 7 8 9 10 km<br />

0 1 2 3 4 5 6 7 8 9 10 km<br />

23<br />

#portuality #threshold<br />

Beyond the Port City<br />

The Condition of Portuality and the Threshold’s Field<br />

Beatrice Moretti<br />

Portuality is a concept that has long been rooted in several urban centers. It<br />

denotes a territorial quality specific to those cities and developed through strong<br />

relationships with their own port. Beyond the Port City recognizes portuality as<br />

a specific condition and suggests that the urban-port threshold could emerge<br />

as one major symbolic field of exploration. This unique threshold materializes<br />

along the margin between the two authorities, namely in that space where the<br />

city and the port are side by side. It is marked by an administrative boundary that<br />

becomes an accumulator of transit: a fragmented space where the juxtapositions<br />

take sufficient shape to acquire a dimension and to be recognizable.<br />

This book updates the old city-port dichotomy and outlines a new vision in<br />

which the port city is a forma urbis affected by the speed of changing processes<br />

and influenced by the factors that are embodied in its territorial palimpsest.<br />

Softcover with flaps<br />

17 × 24 cm<br />

216 pages, 32 col. and b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-613-7<br />

09.<strong>2020</strong><br />

legenda<br />

viabilità principale<br />

viabilità secondaria<br />

costruito<br />

confine urbano-portuale<br />

soglia urbano-portuale<br />

mare/fiume<br />

T E R R I T O R I A L E<br />

U R B A N O - P O R T U A L E<br />

Genova<br />

44°24 25.87 N 8°56 02.34 E<br />

The Urban-Port Threshold Map: Genoa<br />

© B. Moretti, 2019<br />

Genoa-Prà Terminal © Autorità di Sistema Portuale del Mar Ligure Occidentale


24<br />

Architectures of Science<br />

The Berlin Universities and Their Development<br />

in Urban Space<br />

#wissenslandschaft #berlinuniversities<br />

ARCHITECTURES<br />

OF<br />

Arne Schirrmacher / Maren Wienigk (eds.)<br />

In Berlin, science, architecture, and the city are interwoven in a unique way:<br />

what was originally a single palace in the historic center gradually developed to<br />

become a comprehensive academic landscape, in which three large universities<br />

today shape the city. Taking a multiperspectival approach, this architectural guide<br />

asks how the growth of Berlin as a metropolis has been linked to the development<br />

of science and how its various disciplines have been able to realize their<br />

demands for buildings to carry out research and teaching and to hold scientific<br />

collections. In five chapters, the authors guide readers through various locations<br />

in Mitte, Charlottenburg, Dahlem, Adlershof, and Buch and show how questions<br />

about the representation and functionality of buildings, their conversion, or even<br />

their relocation to the outskirts of the city were reconciled with the expansion of<br />

infrastructure and contemporary ideas about urban planning. The book’s critical<br />

and detailed look at the architectures of science, the genesis of which it traces<br />

over more than two centuries, sheds new light on Berlin’s university landscape.<br />

At the same time, it allows readers to rediscover the political and social zeitgeist<br />

in the buildings of science.<br />

Also available in German:<br />

ISBN: 978-3-86859-595-6<br />

Berlin Universities and<br />

Their Development in<br />

Urban Space<br />

Arne Schirrmacher,<br />

Maren Wienigk (Eds.)<br />

SCIENCE<br />

In cooperation with Gabriele Metzler (concept) and Konrad Angermüller (design)<br />

and with additional contributions by Nils Exner and Sascha Morawe.<br />

Swiss brochure with flaps<br />

17 × 24 cm<br />

304 pages, 150 col. and 50 b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-605-2<br />

11.2019<br />

Science Institutes Dorotheenstraße (AIV Berlin)<br />

Facade of Universitätsklinikum Benjamin Franklin (E. Straub)


25<br />

#wissenslandschaft #berlinuniversities<br />

Atrium Technische Hochschule (Architekturmuseum TU Berlin)


26<br />

#bibliotheksbauten #offenestadtgesellschaft<br />

Public!<br />

Die Stadt und ihre Bibliotheken<br />

Anke Buettner / Münchner Stadtbibliothek (eds.)<br />

Ö ff n u n g<br />

The practice of an open urban society poses challenges to our democracy.<br />

What kinds of culture, what institutions do we need to moderate and curate<br />

this openness? What can public libraries and cultural centers do to promote<br />

a sense of community beyond filter bubbles? Designing complexity and<br />

shaping fields of action for good neighborhoods and society is the task for<br />

architecture and urban planning.<br />

The symposium series Public!—initiated in 2017 by the Munich City Library<br />

on the occasion of the renovation of its headquarters, the Gasteig cultural<br />

center—focused on changes in urban reality and the renaissance of libraries<br />

as places of culture, knowledge, and democracy. This volume brings together<br />

positions from architecture, urban planning, cultural education, science, and<br />

politics and gives librarians and users a voice. It also discusses current library<br />

buildings such as the Oodi in Helsinki, the Library of Birmingham, the Chocoladefabriek<br />

in Gouda, or the McMillan Library in Nairobi.<br />

Softcover<br />

16.5 × 24 cm<br />

176 pages, 75 col. and b/w<br />

German<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-623-6<br />

04.<strong>2020</strong><br />

Oodi Helsinki Central Library, ALA Architects, Top Floor


27<br />

#baukulturellebildung #finnland<br />

Architectural Policy in Finland<br />

Architecture as Civic Education<br />

Turit Fröbe<br />

Finland is the undisputed pioneer in architectural education. In 1998, it was one of the first<br />

countries in Europe to develop an official architectural policy, the declared aim of which was<br />

to more systematically integrate architecture into the educational system, teacher training<br />

programs at universities, and adult education.<br />

In her field study, Turit Fröbe spoke with various experts to get a picture of just how successful<br />

this internationally acclaimed Finnish architectural policy has been. Has it succeeded in anchoring<br />

architectural education in the education system? What conditions did this require? What<br />

structures were created to do so? And is it possible to derive recommendations from Finnish<br />

experience for countries such as Germany?<br />

Softcover with flaps<br />

18.5 × 26.5 cm<br />

192 pages, 50 col. and b/w<br />

English<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-616-8<br />

03.<strong>2020</strong><br />

Also available in German:<br />

ISBN 978-3-86859-617-5


28<br />

#artisticresearch #psychiatrischelebenswelten<br />

visions4people<br />

Artistic Research Meets Psychiatry<br />

Tyyne Claudia Pollmann /<br />

weißensee kunsthochschule berlin (ed.)<br />

visions4people offers a kaleidoscopic overview of artistic research in the context of psychiatric<br />

environments and conveys their particular challenges. What form can design visions<br />

and interventions take when people are central? Tyyne Claudia Pollmann has addressed<br />

this question and explored it in a cooperation between the Department of Psychiatry and<br />

Psychotherapy Charité Berlin Mitte and weißensee kunsthochschule berlin, together with<br />

students, patients, and staff of the psychiatric clinic.<br />

Scientific and artistic contributions, as well as photographs and polyphonic research materials,<br />

reveal to the reader the multifaceted experiences gleaned from this cooperation. The<br />

book is a valuable contribution for specialists and students from the disciplines of art, architecture,<br />

design, psychology, psychiatry, anthropology, and sociology who are planning a<br />

similar initiative—and a basis for novel collaborative projects in which the patient’s role in<br />

psychiatry changes fundamentally: from being affected to getting involved.<br />

Tyyne Claudia Pollmann<br />

visions4people<br />

ARTISTIC RESEARCH MEETS PSYCHIATRY<br />

Softcover<br />

17 × 24 cm<br />

304 pages, 93 col.<br />

English<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-581-9<br />

Available


29<br />

#neohistorismus #zeitgenössischbauen<br />

Stadtentwicklung & Denkmalpflege 19:<br />

Neo-Historismus?<br />

Historisierendes Bauen in der zeitgenössischen Architektur<br />

Eva von Engelberg-Dočkal<br />

Gaby Dolff-Bonekämper / Hans-Rudolf Meier / Jörg Sulzer (eds.)<br />

Adopting and adapting historical forms is an integral part of architectural design today. Strictly rejected by some and<br />

embraced by others, this practice has provoked controversy since the beginning of modernism. With its assertion of continuity<br />

and claim to universality, historicizing architecture from the twentieth century is decidedly antimodernistic—a counterproject<br />

to modernistic architecture and yet also a part of modern times. The diversity of historicizing approaches and the<br />

history of historicizing construction have received little attention so far—a fact that is especially evident with a comparative<br />

view that looks beyond Germany to other countries and their building traditions.<br />

This volume aims to take historicizing architecture seriously as an architectural reality and one possible variation of contemporary<br />

building, with a focus on describing and categorizing its diverse concepts and manifestations. In considering histor -<br />

icizing architecture as a contemporary phenomenon, the book places its topic in the context of reconstructions and postmodern<br />

ideas while also comparing it with nineteenth-century historicism. This view also includes designs inspired by the<br />

classic modernism of the 1920s.<br />

Softcover<br />

17 × 22 cm<br />

192 pages, 150 col. and b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-610-6<br />

11.<strong>2020</strong><br />

© Photo: Eva von Engelberg-Dočkal


30<br />

#landscapearchitecture #asianurbanism<br />

The Big Asian Book of<br />

Landscape Architecture<br />

Jillian Walliss / Heike Rahmann (eds.)<br />

This book provides one of the first comprehensive discussions of contemporary<br />

landscape architecture practice across the Asian region. Bringing together established<br />

designers, writers, and thinkers with those of the new generation, Jillian<br />

Walliss and Heike Rahmann explore emerging Asian perspectives on urbanism,<br />

modes of engagement, design thinking, and construction in a field that has traditionally<br />

been dominated by North American and European influences.<br />

The Big Asian Book of Landscape Architecture is divided into three thematic<br />

sections—Continuum, Interruption, and Speed—as characteristics that simultaneously<br />

influence an Asian practice of landscape architecture. Each section presents<br />

an interweaving of theoretical writing, reflection on practice, photo essays,<br />

and design projects to explore issues such as the shared cultural, philosophical,<br />

and physical understandings of landscape, the impact of modernity, and the<br />

effects of speed on Asian design and cities. This dynamic structure allows readers<br />

to dip into sections, rather than progress in a linear manner.<br />

Softcover with flaps<br />

20 × 25 cm<br />

288 pages, 200 col. and b/w<br />

English<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-612-0<br />

10.<strong>2020</strong><br />

Blossom Park, Gwanggyo, South-Korea by PARKKIM


31<br />

#hashtag<br />

Karesansui Park, Tokyo, Japan by EARTHSCAPE


32<br />

Räume für Kinder<br />

Mit einer ganzheitlichen Gestaltung die Entwicklung<br />

von Kindern fördern<br />

baukind / Nathalie Dziobek-Bepler (eds.)<br />

#baukind #architekturfürkinder<br />

Räume<br />

für<br />

Kinder<br />

Mit einer ganzheitlichen<br />

Gestaltung die Entwicklung<br />

von Kindern fördern<br />

baukind — Architektur für Kinder<br />

Nathalie Dziobek-Bepler<br />

Meeting children as equals, on their own level, is not only a question of educational<br />

theory. Räume für Kinder shows how architecture and interior design can<br />

promote childhood development. Based on historical and current concepts of<br />

progressive education, the book sketches design principles for building daycare<br />

centers and schools that can also be transferred to other spaces, such as pediatric<br />

clinics. Rooms can invite discovery; they can promote communication<br />

and social interaction, strengthen self-confidence, and be places of retreat or<br />

landscapes for play.<br />

For years, the Berlin architectural firm baukind has been creatively balancing the<br />

strict legal requirements and architectural possibilities of architecture suitable<br />

for children—always with a view to children’s needs. The book presents realized<br />

projects, such as the kindergarten Weltenbummler in Berlin, and aims to foster<br />

the equal involvement of children in the design of our environment.<br />

Pädagogik + Architektur + Design<br />

Softcover with flaps<br />

22 × 28 cm<br />

160 pages, 270 col.<br />

German<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-620-5<br />

05.<strong>2020</strong><br />

05 – SINNESERFAHRUNG WASSER<br />

SINNESERFAHRUNG WASSER – 05<br />

Ein Badezimmer in einer Kita kann so viel mehr als ein<br />

Ort der Körperhygiene sein. Das Bad ist wertvoller<br />

pädagogischer Raum in dem Kinder stundenlang<br />

spielen, erleben und forschen können. Das Spiel mit<br />

Wasser sensibilisiert und schult alle Sinne: Wie fühlt<br />

sich Wasser an, wie hört es sich an, wie verändern sich<br />

Formen und Dimensionen<br />

unter Wasser,<br />

welche Materialien<br />

können schwimmen,<br />

welche gehen unter?<br />

Kinder entdecken<br />

das Element Wasser<br />

mit allen Sinnen. In<br />

Der Fliesenspiegel<br />

als organisches<br />

Gestaltungselement<br />

einem Kitabauprojekt in der Hafencitiy in Hamburg<br />

wurde aufgrund des maritimen Themas besonderen<br />

Wert auf die Gestaltung des Badzeimmerbereiches<br />

gelegt. Ein besonderes Highlight für die Sinneserfahrung<br />

in der Kita Hafencity ist die Badelandschaft<br />

mit unterschiedlichen Duschwannen und Kaskaden<br />

aus Natursteinbecken. Eigens für dieses Projekt<br />

wurde gemeinsam mit einer Mosaikkünstlerin und<br />

dem ErzieherInnen ein Wandmosaik entwickelt.<br />

SEITE<br />

Architektonisch sollte<br />

der Badbereich so ausgelegt<br />

sein, dass dem<br />

Wasserspiel nichts im<br />

Wege steht. Das bedeutet<br />

den Raum offen<br />

zu konzipieren, für eine<br />

gute Akustik zu sorgen<br />

und eine Fußbodenheizung<br />

einzuplanen,<br />

damit die Kinder auch<br />

in leichter Kleidung<br />

nicht unterkühlen. Holz<br />

im Bad erhöht den<br />

Aufenthaltskomfort<br />

und sorgt für ein angenehmes<br />

Raumklima.<br />

Fliesenspiegel als lebendiges<br />

Gestaltungselement. Ein Mosaik<br />

macht das Bad zu einer kleinen,<br />

sehr persönlichen Oase.<br />

48 49<br />

Wasserspritzer – Mit einfachen<br />

Mitteln kann ein dynamischer<br />

Eindruck entstehen.<br />

SEITE


33<br />

#pes-architects #fuzhou<br />

Fuzhou Strait Culture<br />

and Art Centre<br />

PES-Architects<br />

Falk Jaeger<br />

With the construction of the new Strait Culture and Art Centre SCAC, the<br />

capital of the eastern Chinese province of Fujian has made its mark on<br />

the map of China’s cultural locations. The Finnish firm PES-Architects<br />

Pekka Salminen designed the ensemble of opera house, concert hall,<br />

multifunctional hall, museum, and multiplex cinema, which opened<br />

in 2018, in the form of a shining white jasmine blossom, the symbolic<br />

flower of the city on the Min River. Yet the architects referred to Chinese<br />

traditions not only on a symbolic level: they also used locally produced<br />

porcelain tiles and bamboo for the façades and interior fittings. The<br />

Berlin-based architectural critic Falk Jaeger describes the development<br />

of this ensemble and the working methods of the firm, which has offices<br />

in Helsinki and Shanghai. Photographs by the London architectural<br />

photographer Marc Goodwin give a picture of the cultural temple.<br />

Softcover<br />

21 × 25 cm<br />

144 pages, 200 col.<br />

English/Chinese<br />

EUR (D) 39.80<br />

ISBN 978-3-86859-608-3<br />

06.<strong>2020</strong>


34<br />

#verticalmobility #thyssenkrupp<br />

The Future Is Up<br />

thyssenkrupp’s Test Tower in Rottweil<br />

Christian Marquart<br />

thyssenkrupp Elevator (ed.)<br />

Since 2017, one of the most spectacular and tallest engineering structures in<br />

Germany has stood at the edge of the city of Rottweil in Baden-Württemberg:<br />

thyssenkrupp’s test tower for elevators, designed by Werner Sobek with Helmut<br />

Jahn. At a height of 246 meters, and wrapped in a high-tech textile façade, a<br />

public visitor platform offers a panoramic view of the region. Inside the tower, a<br />

research team is rethinking vertical mobility. Today, 160 years after the invention<br />

of the elevator, the team is testing the world’s first ropeless elevator with linear<br />

motors for skyscrapers that operates vertically as well as horizontally. The MULTI,<br />

which will soon be ready for series production, can transport people and goods<br />

to previously unimagined heights. It will efficiently enable entire high-rise neighborhoods<br />

in the future, transforming cities, architecture, and traffic. The book<br />

vividly describes the planning and construction of the tower, as well as everyday<br />

life behind the scenes. It describes how progress works.<br />

Hardcover<br />

23 × 30 cm<br />

256 pages, 200 col.<br />

English/German<br />

EUR (D) 45.00<br />

ISBN 978-3-86859-590-1<br />

06.<strong>2020</strong>


#Hashtag


36<br />

#industrialarchitecture<br />

#temporariness<br />

speech: 23<br />

Industrial<br />

The twenty-third issue of speech: will be on the subject of<br />

industrial architecture, focusing on factories and manufacturing<br />

facilities and the sites they occupy—property that,<br />

following changes in the economy and urban-planning<br />

strategies, needs to be approached today in a fundamentally<br />

new way. The issue will not just deal with listed<br />

architectural heritage but also with the industrial structures<br />

of the 1960s to 1980s: these are buildings not subject<br />

to any legal preservation requirement, but for which it is<br />

nevertheless more human and sustainable to refrain from<br />

demolition. Industrial heritage offers additional capacity to<br />

develop areas for large cities and an opportunity to create<br />

new formats for living.<br />

Softcover with flaps<br />

23.5 × 30 cm<br />

272 pages, 300 col.<br />

English/Russian<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-850-6<br />

01.<strong>2020</strong><br />

speech: 24<br />

Temporary<br />

The focus of this issue of speech: is a range of pavilions,<br />

installations, and design projects for exhibitions and theater<br />

productions—all works that, by definition, are created by<br />

architects to last not centuries but relatively short periods<br />

of time. It is often precisely this temporariness that gives<br />

architects the chance to fully manifest their imagination<br />

and talent and take the risk of using nontraditional materials<br />

and innovative structural solutions that then, after a<br />

successful trial in this small format, are adopted widely for<br />

architectural use.<br />

Softcover with flaps<br />

23.5 × 30 cm<br />

272 pages, 300 col.<br />

English/Russian<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-851-3<br />

07.<strong>2020</strong>


37<br />

#tchobanvossarchitekten #architekturmonografie<br />

TCHOBAN VOSS Architects<br />

Sergei Tchoban / Ekkehard Voss /<br />

TCHOBAN VOSS Architekten (eds.)<br />

TCHOBAN VOSS Architekten have been successfully active on the national and<br />

international market for decades. Created together with EINSATEAM, this monograph<br />

offers insight into the working methods of the firm based in Hamburg,<br />

Berlin, and Dresden. The scope of the projects studied ranges from the Rhein-<br />

Waal college ensemble in Kleve to the Federation Complex in Moscow city and<br />

the modernization of the magnificent regional courthouse in Halle (Saale).<br />

Project essays, focus stories, and themed features vibrantly present various<br />

building typologies and their main purposes, such as residential, education, or<br />

commercial buildings. The publication thus also asks what a monograph on architecture<br />

can offer today. Through studies instead of lists, and journalistic contributions<br />

and discussions instead of standard commentaries, it presents an authentic<br />

portrait of a firm told by Tim Berge, Christina Gräwe, Jasmin Jouhar, and Luise<br />

Rellensmann.<br />

Also available in German:<br />

ISBN: 978-3-86859-592-5<br />

Hardcover<br />

29 × 30 cm<br />

192 pages, num. col.<br />

English<br />

EUR (D) 45.00<br />

ISBN 978-3-86859-577-2<br />

Available<br />

The Court Building in Halle, Halle (Saale) © Michael Moser<br />

Residential High-rise Living Levels, Berlin © Roland Halbe


38<br />

New Social Housing<br />

Positions on the IBA_Vienna 2022<br />

IBA_Wien 2022 / future.lab (eds.)<br />

With the IBA_Vienna 2022, which was announced in 2016, the Austrian<br />

capital is taking on the challenges of an International Building Exhibition<br />

for the first time. The focus on New Social Housing refers to Vienna's<br />

historical core competence in housing construction and to the most<br />

pressing question for the development of European cities today: in<br />

light of current changes, how can cities remain inclusive, livable, and<br />

affordable, and what can comprehensive neighborhood development<br />

contribute to realizing these aims?<br />

On the occasion of the interim presentation in <strong>2020</strong>, the future.lab at<br />

the TU Vienna and IBA_Vienna 2022 will offer a first summary of where<br />

things stand, allowing experts from research, planning, politics, and<br />

practice to articulate positions.<br />

Softcover<br />

22.5 × 27.5 cm<br />

256 pages, 150 col. and b/w<br />

English<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-626-7<br />

04.<strong>2020</strong><br />

Neues<br />

soziales<br />

Wohnen<br />

POSITIONEN ZUR IBA_WIEN 2022<br />

IBA_Wien 2022 und future.lab (Hg.)<br />

Also available in German:<br />

ISBN: 978-3-86859-619-9<br />

#wohnen #iba_wien<br />

© Luiza Puiu


39<br />

#hashtag<br />

© Christian Fürthner<br />

© Ludwig Schedl


GSEducationalVersion<br />

1<br />

40<br />

#modellsteiermark #wohnbau<br />

architektur + analyse 7:<br />

Experiment Wohnbau<br />

Die partizipative Architektur des Modell Steiermark<br />

Andrea Jany<br />

As an alternative to the standard mass housing construction of the postwar<br />

years, an independent typology developed in in the 1970s in Styrian social housing<br />

construction. Up to the beginning of the 1990s, a combination of reformist<br />

politicians, visionary officials, and architects and clients willing to experiment<br />

produced the Modell Steiermark (or “Styria model”) housing construction that<br />

drew widespread international attention. Planned participatively together with<br />

future residents, the projects bear witness to both the distinctive individualism<br />

and the community spirit of the Graz School. Andrea Jany’s monograph<br />

recounts, for the first time, the historical-social development of the Styria model,<br />

while presenting twenty-eight housing projects and evaluating them according to<br />

a residential satisfaction survey from the point of view of present-day users.<br />

Softcover<br />

16.5 × 22.5 cm<br />

200 pages, 226 col. and b/w<br />

German<br />

EUR 29.80<br />

ISBN 978-3-86859-589-5<br />

Available<br />

© Photos: Andrea Singer<br />

Assignment of future residents<br />

© Werner Nussmüller<br />

28. WOHNBAU WÖLLMISSBERG<br />

Adresse<br />

Architekten<br />

Bauherr<br />

Gebietscharakter<br />

Planung/Bau<br />

Wohnnutzfläche 501 m 2<br />

Wohneinheiten 6<br />

Gebäudecharakter Geschosswohnbau<br />

Rechtsform<br />

Miete<br />

Wöllmißberg 9a+b, St. Martin am Wöllmißberg<br />

Franz Riepl mit Josef Hohensinn, Graz<br />

Gemeinde St. Martin am Wöllmißberg<br />

Dorf<br />

1993 Planung<br />

1995 Fertigstellung<br />

193<br />

190 191<br />

194<br />

24 Wohnbau Wöllmißberg<br />

Das Projekt Wohnbau Wöllmißberg stellt das letzte der im Rahmen des Modell Steiermark realisierten<br />

Wohnbauprojekte dar. Zugleich war es der erste Wohnbau des damals noch jungen Josef<br />

Hohensinn, der zu dieser Zeit Universitätsassistent am Institut für Landwirtschaftliches Bauwesen<br />

und Ländliches Siedlungswesen an der TU Graz unter der Leitung von Franz Riepl war.<br />

Die kleine Ortschaft St. Martin am Wöllmißberg liegt östlich von Graz inmitten einer malerisch-hügeligen<br />

Landschaft. Das Grundstück der Siedlung liegt angrenzend an das Zentrum des Ortes und<br />

bildet zugleich den nordöstlichen Abschluss der kleinen Ortschaft. Direkt anschließend befindet<br />

sich der Sportplatz der Gemeinde, welcher im Zuge der Planung mitprojektiert wurde.<br />

Die Siedlung besteht aus sechs Wohneinheiten, welche in zwei leicht keilförmig zueinander angeordneten<br />

Gebäuden untergebracht sind. In den beiden zweigeschossigen Volumina befinden<br />

sich teils Geschoss- und teils Maisonettewohnungen. Jeder Einheit ist ein privater Außenbereich<br />

in Form eines Balkons oder einer Loggia zugeordnet. Im Laufe der Jahre wurden diese teilweise<br />

geschlossen und werden heute als Wintergarten genutzt. Der großzügige und freiläufige Gartenbereich<br />

wird gemeinschaftlich von den sechs Mietparteien genutzt. Die Fassade weist eine<br />

rhythmisch aufgelockerte Struktur von Putz und Holzoberflächen auf, welche durch unregelmäßige<br />

Öffnungen wohltuend erscheint.<br />

192<br />

154 II. DIE 28 PROJEKTE DES MODELL STEIERMARK<br />

155 WOHNBAU WÖLLMISSBERG


41<br />

Ausbauhaus<br />

More Space for Living<br />

#praegerrichter #doityourselfconstruction<br />

AUSBAUHAUS<br />

VIEL RAUM ZUM WOHNEN<br />

MORE SPACE FOR LIVING<br />

Praeger Richter Architekten / Oskars Redbergs (eds.)<br />

Cost pressure, the multiplication of construction and design standards, and increasing<br />

expectations regarding the flexibility of living space—with Ausbauhaus, the Berlin<br />

architectural duo Praeger Richter has offered one much-noticed answer to the challenges<br />

currently facing housing construction. The volume examines this modular<br />

concept, which makes it possible to build adaptive basic apartments using a costeffective,<br />

robust basic structure consisting of a frame and shell. Focusing on two<br />

Ausbauhäuser that have already been realized in Berlin-Neukölln and Berlin-Lichtenberg,<br />

the book considers issues of planning, architecture, society, law, and economics<br />

to question existing standards for building and shed light on principles for individually<br />

setting frames, do-it-yourself construction, referencing urban contexts, and ecological<br />

development. It also shows how the principles of the Ausbauhaus, which have been<br />

well proven for owner builders, can be applied to the building of subsidized rental<br />

apartments, as documented in the Frankfurt apartment building Hilgenfeld.<br />

Hardcover<br />

17 × 24 cm<br />

160 pages, 120 col.<br />

English/German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-615-1<br />

04.<strong>2020</strong>


42<br />

#lincolnquartier #lorenzenmayerarchitekten<br />

Lincoln Revisited<br />

Gebrauchsspuren einer Wohnbebauung<br />

With Photographs by Till Schuster<br />

Lorenzen Mayer Architekten<br />

The Lincoln Quarter in Münster is turning twenty—time for a reassessment. Built<br />

to the plans of German-Danish firm Lorenzen Mayer Architekten, the district can<br />

be regarded as an early example of the post-cold war conversion and densification<br />

of former barracks in Germany. Lincoln Revisited examines how homes<br />

and their surroundings have been used, going far beyond pure architectural<br />

documentation. Through discussions with residents and those who commissioned<br />

the project it provides a testbed for key urban planning concepts such as<br />

car-free streets, social mixing, and the application of design codes. Photographer<br />

Till Schuster’s personal perspective juxtaposes the intentions of the past with the<br />

reality of the present. The result is a portrait of a quarter that has aged gracefully,<br />

but now appears more lively and diverse than ever.<br />

LINCOLN<br />

REVISITED<br />

Lorenzen Mayer Architekten (Hg.)<br />

Mit Fotografien von Till Schuster<br />

Softcover with flaps<br />

20 × 26 cm<br />

72 pages, 69 col. und 4 b/w<br />

German<br />

EUR (D) 22.00<br />

ISBN 978-3-86859-607-6<br />

01.<strong>2020</strong><br />

© Photo: Till Schuster


43<br />

#gartenstadtbewegung #eden<br />

Re:Eden<br />

uf die ökologischen und sozialen Herausforder<br />

ungen der Industrialisierung<br />

rea gierten die Berliner Gründer der<br />

Genossenschaftssiedlung Eden mit einem<br />

Gegenmodell: einem naturnahen Leben<br />

in der Nähe der Großstadt, ermöglicht durch<br />

gemeinsamen Grundbesitz. Die Sied lung<br />

avancierte zum Vorbild der Gartenstadt ­<br />

be wegung und zum Musterbeispiel einer<br />

frühen Alternativ kultur, bis National sozialismus,<br />

DDR und die treuhandgelenkte<br />

Nach wende zeit den Spielraum immer mehr<br />

einschränkten.<br />

Die Grundgedanken der Reformsiedlung<br />

– Lebens reform, Bodenreform, Wirtschaftsreform<br />

– sind so aktuell wie nie. In der<br />

Publikation RE:EDEN widmen sich füh r en ­<br />

de Expert*innen, zeitgenössische Kün stler*innen,<br />

engagierte Bewohner*innen der<br />

Siedlung und junge Architekt*innen der<br />

125 Jahre alten Reform siedlung und fragen<br />

nach Perspektiven: Welche Rolle kann das<br />

Modell Eden als räumliches Gemeingut<br />

heute noch spielen? Wie ließe sich lokales<br />

Wissen in Dialog setzen zu neuen Bewe ­<br />

g ungen wie Urban Gardening, Ökodörfern,<br />

neuen Genossenschaften, Wohnmodellen<br />

oder Initiativen solidarischen Wirtschaftens?<br />

Wie kann partizipative Kunst auf Gemeinschaften<br />

einwirken und deren Wünsche und<br />

Neue Blicke auf die älteste Reformsiedlung Deutschlands<br />

re:form e. V. (ed.)<br />

The Berlin founders of the Eden cooperative housing estate reacted to the<br />

ecological and social challenges of industrialization with a countermodel: living<br />

close to nature near the city, enabled through cooperative land ownership. The<br />

housing estate became a role model for the German garden city movement and<br />

a paradigm for an early alternative culture until National Socialism, the GDR, and<br />

the post-reunification period shaped by the Treuhandanstalt (the agency tasked<br />

with privatizing East German enterprises).<br />

The basic principles of the cooperative—life reform, land reform, Interessen economic verräumlichen?<br />

reform—remain as relevant as ever. In the publication Re:Eden, leading experts,<br />

contemporary artists, participating residents, and young architects examine the<br />

125-year-old housing cooperative and pose new questions: What role can the<br />

Eden model still play today as a cooperatively held property? How might local<br />

knowledge feed into dialogue about new movements such as urban gardening,<br />

eco villages, new cooperatives, residential models, or solidarity economic initiatives?<br />

How can participative art affect communities and spatially express their<br />

wishes and interests?<br />

9 783868 595871<br />

ISBN 978-3-86859-587-1<br />

RE:EDEN NEUE BLICKE AUF DIE ÄLTESTE REFORMSIEDLUNG DEUTSCHLANDS<br />

Neue Blicke auf<br />

die älteste<br />

Reformsiedlung<br />

Deutschlands<br />

EIN PROJEKT VON RE:FORM E.V.<br />

€ 18<br />

Softcover<br />

13 × 19 cm<br />

144 pages, 76 col. and b/w<br />

German<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-587-1<br />

Available<br />

Heckenbank, Eden, 2018 © team dis+co<br />

Natural Building Lab und Habitat Unit, Raumkonzept/Agora, Eden 2018 56<br />

57<br />

8. Internationaler Vegetarierkongress 1932 in der Obstbaukolonie Eden, 1932 12<br />

13


44<br />

What Is Co-dividuality?<br />

What is Co-Dividuality?<br />

Today there is an urgency in answering how we can re-establish authentic<br />

Post-individual Architecture, Shared connections between Houses, individuals, strengthen the sense and<br />

of community, reconnect<br />

urban and rural areas, and benefit from current technologies. There is a clear demand<br />

for having common spaces and sharing life together in spaces designed with this<br />

aim. Both in urban and rural areas, there is a demand for designing spaces<br />

appropriate to contemporary needs: brining people together and re-connecting them<br />

Other Stories of Openness in Japan<br />

to a more natural lifestyle. The 20th century incarnated the celebration of<br />

individualistic society.<br />

The 21st century maybe will be more based on shared economy and on a notion we<br />

have called Co-Dividual. We’d love to think that the next stage of our society will be of<br />

a post-individual type. We believe that individualism should be paired with codividualism.<br />

Both, intimacy and possibility to be part of a community or a shared<br />

project are options to work on in the future. We believe that architecture can do a lot<br />

to conceive experimental spaces where people can spend significative time<br />

together. The phenomenon of shared house demonstrates that a different approach<br />

to living together is possible.<br />

Salvator-John A. Liotta / Fabienne Louyot (eds.)<br />

This book explores the concepts of “co-dividuality” and co-dividual spaces in<br />

Japanese Architecture. It is a point of reflection on a type of architecture that is<br />

looking to redefine what is today the relationship between inside and outside of a<br />

building and also about its in-betweeness. It makes clear that there are different<br />

ways for architecture to answer and interpret the so called “shared economy”. When<br />

we think about the impact that Uber, Airbnb, Facebook have had on our life it is<br />

evident that architects have to interrogate themselves about the current<br />

economical changes and social needs. There is a clear demand of community, a<br />

desire to be together, to be part of something. We believe that even if it has not yet<br />

been formally defined, it exists a type of architecture where the space is made to<br />

welcome a multiplicity of functions and programs. We believe that we can read these<br />

type of new spaces through the lenses of Co-Dividuality.<br />

This book explores the concept of co-dividuality, an architecture that<br />

ex presses a new response to joint living in the age of postindividualism,<br />

social media, and the sharing economy. The focus lies on current experimentation<br />

in Japanese architecture and presents thematic homes with<br />

shared spaces designed as a result of warm, simple, fun, and contemporary<br />

design reflections. In addition to their private room, the co-tenants<br />

have large common areas where they can practice urban farming, create<br />

a start-up, cook together, or experience new spatial ergonomics. The<br />

book offers an overview not only on domestic space but also on projects<br />

characterized by a multifarious mix between public and private spheres.<br />

What Is Co-dividuality? reflects on how we might want to live tomorrow.<br />

The book includes projects by Kengo Kuma, Kazuyo Sejima,<br />

Ryue Nishizawa, Shigeru Ban, Sou Fujimoto, Satoko Shinohara,<br />

Ayano Uchimura, Taichi Kuma, Junya Ishigami, Suppose Design,<br />

Naruse Inokuma, and Masuda + Otsubo, among others.<br />

Softcover<br />

21 × 21 cm<br />

144 pages, 150 col. and b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-621-2<br />

05.<strong>2020</strong><br />

WHAT IS C0-DIVIDUALITY?<br />

SALVATOR-JOHN A.LIOTTA<br />

FABIENNE LOUYOT<br />

#japanesearchitecture #sharedhouses<br />

WHAT IS<br />

C0-DIVIDUALITY?<br />

Post-individual Architecture, shared houses and other<br />

stories of openness in Japan<br />

Kengo Kuma Kazuyo Sejima Ryue Nishizawa Shigeru Ban<br />

Sou Fujimoto Satoko Shinohara Ayano Uchimura Taichi Kuma<br />

Junya Ishigami Studio MNM-Mio Tsuneyama Naka Architects<br />

Ikimono Architects Alphaville Architects Suppose Design<br />

Yuri Naruse Jun Inokuma Shingo Masuda Katsuhisa Otsubo<br />

ON design partners Farm Cultural Park<br />

EDITED BY SALVATOR-JOHN A. LIOTTA AND FABIENNE LOUYOT<br />

south side<br />

(passive solar)<br />

Beams:2x6 inch wood @455mm AEP<br />

Support:2x4 inch wood AEP<br />

Beams:2x6 Tie-beam:2x4 inch wood inch AEP wood @455mm AEP<br />

Column:2x4 inch wood @455mm AEP<br />

Support:2x4 inch wood AEP<br />

Tie-beam:2x4 inch wood AEP<br />

Column:2x4 Ladder:2x4 inch wood AEP inch wood @455mm AEP<br />

bed :2x6 inch wood @455mm AEP<br />

south side<br />

sky lights promote<br />

(passive natural solar) ventilation<br />

sky lights promote<br />

natural ▽maximum ventilation<br />

height GL+4,530<br />

▽maximum eave height GL+3,360<br />

▽maximum height GL+4,530<br />

Roof:galvanized steel corrugated sheet t=0.4mm<br />

Ladder:2x4 inch wood AEP<br />

rubber asphalt coated felt t=1mm<br />

bed waterproof :2x6 inch plywood wood t=12mm@455mm AEP<br />

insulation t=60mm<br />

structural plywood t=12mm<br />

Plasterboard t=9.5mm AEP<br />

Openings:Double sliding window<br />

Dormitory<br />

wall:galvanized steel corrugated sheet t=0.4mm<br />

polyethylene waterproof sheet<br />

Roof:galvanized waterproof plywood t=12mm steel corrugated sheet t=0.4mm<br />

phenol form composite sheet t=50mm<br />

plywood rubber t=12mm asphalt coated felt t=1mm<br />

glass waterproof wool t=75mm plywood t=12mm<br />

Plasterboard t=12.5mm AEP<br />

Floor(Hall):concrete insulation metal t=60mm<br />

trowel finish<br />

Dormitory<br />

structural plywood t=12mm<br />

Floor(Dormitory):mattress t150mm<br />

Plasterboard plywood t=12mm t=9.5mm AEP AEP<br />

Groundsill:2x4inch woods<br />

(termite-proofing coating)<br />

Openings:Double sliding window<br />

Dormitory<br />

wall:galvanized steel corrugated sheet t=0.4mm<br />

2,400 1,600<br />

2,400<br />

polyethylene waterproof sheet<br />

6,400<br />

waterproof plywood t=12mm<br />

phenol form composite sheet t=50mm<br />

plywood t=12mm<br />

glass wool t=75mm funlight:fixed double glazing<br />

Double sliding wooden door<br />

B-Sectional Plasterboard perspective t=12.5mm 1/40 AEP<br />

Floor(Hall):concrete metal Wire screen trowel finish<br />

Ladder:2x4inch wood<br />

High-side light:double sliding aluminum window<br />

Foothold:2x4inch Dormitory wood<br />

Hall<br />

Dormitory<br />

Dormitory<br />

1,820 1,440<br />

50100<br />

4,550<br />

▽tie-beam GL+1,920<br />

▽dormitory FL GL+150<br />

▽hall FL GL+50 ▽GL±0<br />

Hall<br />

Preventing freezing system<br />

Shelf:2x4inch wood<br />

Buckling preventive steel bolt<br />

Wood-burning stove<br />

bench:2x4inch wood<br />

Dormitory<br />

Dormitory<br />

▽maximum eave height GL+3,360<br />

▽tie-beam GL+1,920<br />

1,820 1,440<br />

4,550<br />

Floor(Dormitory):mattress t150mm<br />

plywood t=12mm AEP<br />

Groundsill:2x4inch woods<br />

(termite-proofing coating)<br />

▽dormitory FL GL+150<br />

▽hall FL GL+50<br />

50100<br />

▽GL±0<br />

Hall<br />

2,400 1,600<br />

2,400<br />

6,400<br />

B-Sectional perspective 1/40<br />

14,560 (910 x16)<br />

funlight:fixed double glazing<br />

Double sliding wooden door<br />

Wire screen<br />

High-side light:double sliding aluminum window<br />

floor:concrete metal trowel finish<br />

Ladder:2x4inch wood<br />

Foothold:2x4inch wood<br />

Preventing freezing system<br />

Shelf:2x4inch wood<br />

Buckling preventive steel bolt<br />

Wood-burning stove<br />

bench:2x4inch wood<br />

Storage<br />

2,400<br />

Bar<br />

C-Sectional perspective 1/60<br />

Shower<br />

Dormitory<br />

Compartment B<br />

6,400<br />

1,600<br />

C<br />

sky lights<br />

Hall<br />

Hall<br />

2,400<br />

Lounge<br />

Compartment A<br />

Dormitory<br />

Compartment B<br />

455 455 455<br />

frame<br />

5,460<br />

910 910<br />

14,560<br />

A<br />

B<br />

precutting (910 x16) wood frame panel<br />

3,185 5,915<br />

14,560<br />

N<br />

floor:concrete metal trowel finish<br />

Plan and above two<br />

sections of the Koyasan<br />

Guest House


45<br />

#architektursoziologie #bautypologien<br />

Funktionen der Architektur<br />

Katharina Weresch<br />

Demographic and social change are placing new demands on architecture.<br />

In this essential volume, architectural sociologist Katharina Weresch examines<br />

three building typologies selected to correspond with three areas of life:<br />

day care centers for children, family and multigenerational living spaces, and<br />

residential facilities and care facilities for the elderly. Building on Norbert Elias’s<br />

sociological studies, Waresch outlines the historical development of these<br />

three types and shows how social standards of behavior and perception manifest<br />

themselves in space, aesthetics, and architecture. The book researches,<br />

and in part empirically investigates, built examples from the last two decades,<br />

such as the company kindergarten Troplo Kids in Hamburg, the Munich cooperative<br />

wagnisART, or the Dutch village de Hogeweyk for sufferers of dementia.<br />

Funktionen der Architektur offers detailed insight into the interdependence of<br />

architecture and society while also providing practically applicable knowledge<br />

for planning. Its focus is on the question of how architecture can contribute to<br />

improving quality of life in order to promote child development, the individual<br />

living needs of families, intergenerational communication, and the health of<br />

the elderly.<br />

Kompetenzzentrum für Menschen mit Demenz,<br />

Feddersen Architekten, Nürnberg, 2006, Garden<br />

© Photo: Ronald Grunert-Held<br />

Hardcover<br />

21 × 26.5 cm<br />

304 pages, 400 col. and b/w<br />

German<br />

EUR (D) 55.00<br />

ISBN 978-3-86859-585-7<br />

11.2019<br />

Residential Complex wagnisART, bogevischs buero architekten & stadtplaner GmbH, München, 2016 © Photo: Julia Knop


46<br />

#communalliving #socialrelationships<br />

GAM.16<br />

gewohnt: un/common<br />

Guest Editors: Andreas Lichtblau / Sigrid Verhovsek<br />

Editors: Daniel Gethmann (Executive Editor) / Petra Eckhard (Managing Editor) /<br />

Urs Hirschberg (Editor) / Andreas Lechner (Book Reviews) / Petra Petersson<br />

(Faculty News)<br />

Contemporary and future forms of living together urgently need new concepts in order to respond<br />

to growing social inequality, the dissolution of traditional structures for work and the family, and the<br />

emergence of diverse patterns of social relationships. GAM.16 conceives of spatial formation as a permeable<br />

framework for sociospatial structures in various architectural, sociological, and cultural contexts,<br />

aiming to increase awareness of common resources and again make them one focus of sociopolitical<br />

discourse. Themed “gewohnt: un/common,” GAM.16 advocates for communal living and introduces<br />

collaborative and coproductive concepts of organization as a spatial practice.<br />

With contributions by Massimo Bricocoli, Heike Delitz, Marson Korbi, Nikolai Roskamm, Sabine Storp,<br />

Fritz Strempel, and others<br />

Softcover<br />

22.6 × 27.4 cm<br />

250 pages, num. col. and b/w<br />

English/German<br />

EUR (D) 19.95<br />

ISBN 978-3-86859-856-8<br />

04.<strong>2020</strong>


47<br />

Raummaschine<br />

Exploring Manifold Spaces<br />

#architecturaldesign #space<br />

Raummaschine.<br />

Exploring<br />

Manifold Spaces<br />

Sabine Hansmann / Finn Geipel (eds.)<br />

Sabine Hansmann and Finn Geipel (eds.)<br />

As much as space and movement have been subjects of debate and analysis<br />

in architectural theory, they have also long been driving forces in the field of<br />

architectural design. In 2016, the Raummaschine—a kinetic and experimental<br />

installation presented at the Gropius Bau in Berlin—took space and movement as<br />

starting points for exploring the relation between body and architecture. Three<br />

hundred and eighty-four motor-driven vertically hanging ball chains created<br />

changing spatial compositions, with visitors able to alter the space simply by<br />

moving their finger on a touchpad.<br />

Raummaschine—Exploring Manifold Spaces describes the design project and<br />

introduces theoretical discussions that accompanied it. The book includes contributions<br />

from leading authors in the fields of architecture, design, anthropology,<br />

sociology, and art history, including Heike Delitz, Joachim Krausse, Kerstin Sailer,<br />

and Albena Yaneva.<br />

Softcover<br />

17 × 24 cm<br />

144 pages, 81 col.<br />

English<br />

EUR (D) 25.00<br />

ISBN 978-3-86859-579-6<br />

Available<br />

© Photos: Jens Liebchen, 2016


GSPublisherEngine 1847.85.89.100 GSPublisherEngine 1847.85.89.100<br />

Klaus Theo Brenner<br />

48<br />

#stadtarchitektur #klaustheobrenner<br />

City Life Collage<br />

Klaus Theo Brenner / Jan Büchsenschuß /<br />

Davide Mulas / Dirk Biermann<br />

In his collages, the Berlin architect Klaus Theo Brenner—who coined the term<br />

“Stadtarchitektur,” or urban architecture—engages with both the urban mix<br />

and public space. The collages reflect a broad spectrum, sometimes coming<br />

closer to his office's projects, sometimes less so. What they have in common<br />

is an atmospheric compression and the elaboration of theatrical qualities. The<br />

numerous works, presented together in this volume for the first time, convey an<br />

architecture that is always situated in an urban context, in relation to the city’s<br />

inhabitants and the reality of their lives.<br />

CITYLIFECOLLAGE<br />

CITYLIFE<br />

COLLAGE<br />

Jan Büchsenschuß<br />

Davide Mulas<br />

Dirk Biermann<br />

Hardcover<br />

20 × 26 cm<br />

200 pages, num. col. and b/w<br />

English/German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-599-4<br />

11.2019


49<br />

#atmosphäre<br />

#leibnizuniversitäthannover<br />

hochweit<br />

2019<br />

jahrbuch der<br />

fakultät für architektur<br />

und landschaft<br />

Leibniz Universität Hannover<br />

Raumreiz<br />

Zur Wirkungsweise architektonischer Räume<br />

Anna Kirstgen<br />

How does one design an atmosphere? Architects can<br />

employ a multitude of physical and intangible elements<br />

to do so. Some of these elements skillfully control the use<br />

of materials, colors, or light—and others seem to generate<br />

atmosphere and ambience by mere chance.<br />

In Raumreiz, Anna Kirstgen asks how spaces affect people<br />

and by what means spatial effects can be deliberately<br />

evoked. She introduces six spatial concepts, derived from<br />

architectural practice, that allow the design process to be<br />

structured. Using her model of the “spatial narrative,” she<br />

proposes a method for shaping atmospheric situations in<br />

architecture in a more targeted way.<br />

Softcover<br />

17 × 24 cm<br />

248 pages, 60 b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-542-0<br />

Available<br />

Hochweit 2019<br />

Jahrbuch 2019 der Fakultät für Architektur<br />

und Landschaft, Leibniz Universität Hannover<br />

Fakultät für Architektur und Landschaft,<br />

Leibniz Universität Hannover (ed.)<br />

Hochweit makes a statement about the current teaching<br />

and research of the award-winning Fakultät für Architektur<br />

und Landschaft at the Leibniz Universität Hannover and<br />

functions as a mouthpiece for the faculty, whose nine institutes<br />

reflect the enriching power of interdisciplinary cooperation.<br />

The yearbook presents numerous exemplary design<br />

and teaching events, research activities, lectures, excursions,<br />

workshops, exhibitions, and discussions about the discipline<br />

organized by the faculty from the past year.<br />

Both essays in this year’s edition of Hochweit focus on the<br />

Bauhaus. Markus Jager’s contribution is devoted to the<br />

interaction between this famous institution and the Werkkunstschule<br />

Hannover. Herbert Lindinger and Jens Broszeit<br />

discuss the influence of the Bauhaus on the Ulmer Hochschule<br />

für Gestaltung (Ulm School of Design).<br />

Swiss brochure with flaps<br />

24 × 21.5 cm<br />

192 pages, 300 col. and b/w<br />

English/German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-596-3<br />

12.2019


#Hashtag<br />

© Photo: Marvin Ibo Göngür, Kassel, 2018<br />

© Photo / Cover: Sarah Larissa Heuser, Duisburg, 2017


51<br />

#montagstiftung #photobookmuseum<br />

The Photobook in<br />

Art and Society<br />

Participative Potentials of a Medium<br />

Montag Stiftung Kunst und Gesellschaft (ed.)<br />

in cooperation with The PhotoBookMuseum<br />

Since the turn of the millennium, the analogue photo book<br />

has experienced an international boom, developing into its<br />

own art form: a kind of visual literature, somewhere between<br />

novel and film. More and more often, photographers are<br />

publishing their works in this format rather than only as part<br />

of exhibitions. However, the photo book as an art form is<br />

hardly known to a wider public. The multiyear project “Welt<br />

im Umbruch” (World in Transition), which the Montag Stiftung<br />

initiated together with the PhotoBookMuseum, made one<br />

attempt to change this. In Rostock, Duisburg, and Kassel,<br />

members of the public were able to get to know photobooks<br />

as an artistic form of expression and to design photobooks of<br />

their own.<br />

This volume not only documents the experience-based<br />

knowledge of all participants but also introduces the history<br />

of the photobook along with theories and current practices<br />

of participative art. It collects contributions on the production<br />

and distribution conditions of photobooks from Asia, Europe,<br />

and the United States. In addition to the medium’s political<br />

and emancipatory potential, topics discussed include the<br />

reasons for the analogue photobook's enormous appeal in<br />

the digital present.<br />

The PhotoBookMuseum<br />

Das Fotobuch<br />

in Kunst und<br />

Gesellschaft<br />

The Photobook<br />

in Art and<br />

Society<br />

Das Fotobuch<br />

in Kunst und<br />

Gesellschaft<br />

Partizipative Potenziale<br />

eines Mediums<br />

Also available in German:<br />

ISBN: 978-3-86859-580–2<br />

The Photobook<br />

in Art and<br />

Society<br />

Da<br />

Par<br />

Da<br />

tio<br />

ein<br />

in S<br />

Sam<br />

fal<br />

„Fo<br />

Par<br />

in G<br />

eno<br />

len<br />

Ku<br />

lun<br />

klu<br />

Pot<br />

Um<br />

nen<br />

sei<br />

Eu<br />

Erf<br />

zum<br />

Da<br />

Pa<br />

Swiss brochure with flaps<br />

16.7 × 24 cm<br />

464 pages, 220 col. and b/w<br />

English<br />

EUR (D) 42.80<br />

ISBN 978-3-86859-594-9<br />

12.2019<br />

The PhotoBookMuseum<br />

Participative Potentials<br />

of a Medium<br />

Bl<br />

na<br />

ei<br />

in<br />

Sa<br />

fa<br />

„F<br />

Pa<br />

in<br />

en<br />

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Ku<br />

lu<br />

kl<br />

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Eu<br />

Er<br />

zu


52<br />

#frauenkloster #kulturelletransformation<br />

Frauenkloster<br />

Frauenkloster Klosterfrauen<br />

Eine künstlerisch-poetische Untersuchung<br />

zur Transformation einer Lebensform<br />

With Photographs by Ulrike Myrzik<br />

Jutta Görlich<br />

Ulrike Rose (ed.)<br />

After the Schlehdorf monastery became too big for the thirty aging Dominican<br />

sisters, they collectively decided to sell the building and move into a newly built<br />

extension. Artist Jutta Görlich, photographer Ulrike Myrzik, and cultural manager<br />

Ulrike Rose visited the Schlehdorf sisters and other female convents gripped by<br />

the process of change. In the book, they explore the present-day disappearance<br />

of these convents, photograph the transformations the institutions are undergoing,<br />

and carry out interviews with those who live there. The book not only reveals<br />

the paths that these shrinking communities chart when their dwellings become<br />

too large, but also what happens to the former monastery and the significance<br />

that spatial change can have for monastic coexistence. Without romanticizing its<br />

subject or focusing on monastic traditions, the book looks at contemporary ways<br />

of life in convents and the future of these centuries-old landmarks that continue<br />

to decisively shape our cultural landscape.<br />

Softcover<br />

16 × 24 cm<br />

114 pages, 120 col.<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-606-9<br />

03.<strong>2020</strong><br />

Eine künstlerisch-poetische Untersuchung zu Frauenklöstern im Wandel<br />

von Edward Beierle, Jutta Görlich und Ulrike Rose<br />

Frauenkloster<br />

Klosterfrauen<br />

FRAUEN<br />

KLOSTER<br />

FRAUEN<br />

KLOSTER<br />

FRAUEN<br />

KLOSTER<br />

FRAUEN<br />

Rückseite Rücken Cover<br />

Frauenkloster<br />

Klosterfrauen<br />

Eine künstlerisch-poetische Untersuchung zu Frauenklöstern im Wandel<br />

Frauenkloster<br />

Rückseite<br />

Rücke<br />

Kloster Schlehdorf, 2019 © Photo: Ulrike Myrzik


53<br />

#Hashtag<br />

Kloster Schlehdorf, 2019 © Photo: Ulrike Myrzik


Wolfgang Wende, Torsten Birne [Hg. / Eds.]<br />

54<br />

#alexakreissl #timtrantenroth<br />

Rapport<br />

Alexa Kreissl, Tim Trantenroth<br />

Wolfgang Wende / Torsten Birne (eds.)<br />

Modernism is celebrating milestone birthdays and remains an object of fascination.<br />

Two Berlin-based artists have joined the exhibition rapport at the Dresden Kulturpalast<br />

to show their contributions to the ongoing history of modernity. They play<br />

with architectural space, deconstructing it and recombining it in new ways, as a<br />

dynamic collage or an image. They give an account of architecture and their time to<br />

discover forms and patterns, recurrence and deviation.<br />

Alexa Kreissl is concerned with the built environment itself; she deconstructs<br />

architects’ creations. With narrow metal or wooden rods, she delineates spaces that<br />

are permeable and airy, under tension or balanced. Tim Trantenroth examines the<br />

aesthetics of series. He continuously transfers elements of the built environment into<br />

built images. The structures and surface patterns of late modernism from both East<br />

and West Germany are reproduced on transparent backgrounds. His work touches<br />

upon an era that has only recently passed, as well as upon fundamental questions<br />

about the design relationship between space and image, surface and depth.<br />

rapport Alexa Kreissl Tim Trantenroth<br />

Wolfgang Wende, Torsten Birne [Hg. / Eds.]<br />

rapport<br />

Alexa Kreissl<br />

Tim Trantenroth<br />

Rapport is the first publication by the Center for Building Culture Saxony (ZfBK),<br />

which was opened in 2017 in the renovated Dresden Kulturpalast, itself one of the<br />

earliest examples of East German modernism.<br />

Softcover<br />

21 × 29.7 cm<br />

104 pages, 77 col.<br />

English/German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-586-4<br />

Available


55<br />

#künstlerischespotenzial #stadtentwicklung<br />

Kunst im UmBau<br />

Eine Berliner Projektreihe im Kontext urbaner<br />

Wohnraumverknappung<br />

Siglinde Lang<br />

Can art make a contribution to debates on urban housing shortages, influxes of<br />

new residents, and gentrification? And if so, what might it be? Guided by these<br />

questions, Kunst im UmBau sets out to investigate Berlin apartment buildings<br />

affected by renovation measures, rent increases, and the conversion into condominiums.<br />

The curated project series aims to create a neutral communication<br />

space for controversial interests and diverging points of view. The artistic interventions<br />

are located in semiprivate, semipublic areas such as staircases, courtyards,<br />

and entrance halls. The documentation presents works by Alexander Wolff,<br />

44flavours, Jelena Fuzinato, Rubén D’hers, Pierre-Etienne Morelle, and Studio<br />

Achtviertel, while also reflecting processes and discussions.<br />

Kunst<br />

im UmBau<br />

Dokumentation einer Berliner Projektreihe<br />

im Kontext urbaner Wohnraumverknappung<br />

Softcover with flaps<br />

17 × 24 cm<br />

208 pages, 80 col.<br />

German<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-614-4<br />

11.2019<br />

rich, hard, poor, soft, Alexander Wolff, Berlin, 2018 © Photo: Philipp Külker


56<br />

#artek #explorativefurniture<br />

Formful Wood<br />

Explorative Furniture<br />

Mario Rinke / Florian Hauswirth (eds.)<br />

Design and construct seating furniture from plywood! Inspired by the famous<br />

L-leg designed by the architect Alvar Aalto for the Finnish furniture company<br />

Artek, an experimental study project investigated the potential and design possibilities<br />

of glued and bent wood. In close cooperation with Artek, twenty-eight<br />

students of architecture at the ETH Zürich worked together with students of<br />

object design at the Lucerne University of Applied Sciences and Arts to not only<br />

turn this material on its head but also question the sensuous qualities of these<br />

objects, their construction as an architectural place, and sitting as a social event.<br />

The volume Formful Wood: Explorative Furniture presents the surprising and<br />

unknown aspects of a well-known material, illuminates the respective creation<br />

processes, and reflects on its context in diverse essays.<br />

FORMFUL WOOD<br />

RINKE, HAUSWIRTH [EDS.]<br />

MARIO RINKE, FLORIAN HAUSWIRTH [EDS.]<br />

FORMFUL WOOD<br />

EXPLORATIVE FURNITURE<br />

With contributions by Nicolai de Gier, Florian Hauswirth, Sebastian Kraft, Mario<br />

Rinke, Christoph Schindler, and Alessandro Oreste Tellini<br />

Softcover with flaps<br />

21 × 29.7 cm<br />

200 pages, 50 col.<br />

English<br />

EUR (D) 39.80<br />

ISBN 978-3-86859-588-8<br />

Available


57<br />

#friederikevonrauch #neuespalais<br />

Heimliche Welten im<br />

Neuen Palais<br />

Erlebt von Rudolf Prinz zur Lippe<br />

Photographs by Friederike von Rauch<br />

Generaldirektion der Stiftung Preußische Schlösser<br />

und Gärten Berlin-Brandenburg (ed.)<br />

In his texts on Friederike von Rauch's photographs of the Neues Palais in<br />

Sanssouci, Rudolf Prinz zur Lippe brings the dark corners and quiet areas<br />

of the magnificent building to life. He questions and unmasks the splendid<br />

decorations and brings to light many a loving quirk by giving voice to apparent<br />

trivialities: “It—pathos—has withdrawn into one of the furniture storage<br />

rooms.” His sensitive observations approach the palace with an attentive<br />

gaze. The book presents courtly architecture and decorative art, perceived<br />

in a different way in texts and images, that transform the sublime palace of<br />

Frederick the Great into a human world.<br />

At the close of 2018, <strong>JOVIS</strong> Verlag published a book about the Neues Palais<br />

with photographs by Friederike von Rauch. In that book, the atmospheric<br />

glimpses behind the scenes and details of the former royal palace are paired<br />

with text miniatures by the philosopher Rudolf Prinz zur Lippe. These have<br />

now been expanded and assembled together in this sophisticated volume.<br />

Softcover<br />

14.8 × 21 cm<br />

72 pages, 30 col.<br />

German<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-582-6<br />

12.2019


58<br />

#friederikevonrauch #klosterräume<br />

Monastic<br />

Friederike von Rauch<br />

With her eye for architectural details, Friederike von Rauch captures the contemplative<br />

power of monastic interiors—while simultaneously separating them from<br />

their religious context. The Berlin-based artist has lived and worked in several<br />

of the icons of European monastic architecture over the past few years, including<br />

Le Corbusier’s Sainte-Marie de La Tourette near Lyon, Hans van der Laan’s<br />

Roosenberg Abbey near Antwerp, and Andrea Palladio’s monastery San Giorgio<br />

Maggiore in Venice. Using an analogue, medium-format camera, she has created<br />

images that tell of immersion, with ascetic lighting control and reduced colors.<br />

The absence of human presence and the subtle treatment of light and shadow<br />

lend her interiors an element of timelessness and placelessness.<br />

Friederike von Rauch Monastic<br />

Monastic<br />

Friederike von Rauch<br />

Hardcover<br />

28.4 × 33.4 cm<br />

64 pages, 33 col.<br />

English/German<br />

EUR (D) 40.00<br />

ISBN 978-3-86859-591-8<br />

Available<br />

28 29


59<br />

#friederikevonrauch #klosterräume


Ein partizipatives Realisierungsprojekt von Studierenden und Geflüchteten<br />

in Kooperation von Land, Kommune und Hochschule<br />

Tatjana Dürr | Jürgen Graf | Andreas Kretzer | Stefan Krötsch<br />

60<br />

#jovisverlag<br />

HOUSING<br />

URBAN DESIGN<br />

Bezahlbar. Gut. Wohnen.<br />

Strategien für erschwinglichen Wohnraum<br />

Klaus Dömer / Hans Drexler / Joachim<br />

Schultz-Granberg<br />

Softcover with flaps, 14 x 19 cm,<br />

296 pages, 240 col. and b/w<br />

German<br />

EUR (D) 25.00<br />

ISBN 978-3-86859-432-4<br />

Urban Design Lab Handbook<br />

Dialogue-Oriented Urban Transformation<br />

Processes and Practical Approaches from Latin<br />

America and the Caribbean<br />

Roland Krebs / Markus Tomaselli (eds.)<br />

Softcover, 20 x 26 cm,<br />

384 pages, 300 col. and b/w<br />

English<br />

EUR (D) 34.80<br />

ISBN 978-3-86859-562-8<br />

CoHousing Inclusive<br />

Self-organized, community-led housing for all<br />

id22: Institute for Creative Sustainability<br />

Michael LaFond / Larisa Tsvetkova (eds.)<br />

Softcover, 21 x 27 cm, 240 pages, num. col.<br />

English/German<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-462-1<br />

Moravia Manifesto<br />

Coding Strategies for Informal Neighborhoods<br />

Estrategias de codificación para barrios<br />

populares<br />

Moritz Ahlert / Maximilian Becker / Albert<br />

Kreisel / Philipp Misselwitz / Nina Pawlicki /<br />

Tobias Schrammek (eds.)<br />

Softcover, 17 x 24 cm, 344 pages, num. col.<br />

English/Spanish<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-535-2<br />

Home not Shelter! 2<br />

Gemeinsam bauen und wohnen in Wien<br />

Ralf Pasel / Alexander Hagner / Ralph Boch /<br />

Max Hacke / Team Traudi (eds.)<br />

Swiss brochure with flaps, 17 x 24 cm,<br />

200 pages, num. col. ill.<br />

German<br />

EUR (D) 24.80<br />

ISBN 978-3-86859-513-0<br />

Across Theory and Practice<br />

Thinking Through Urban Research<br />

Monika Grubbauer / Kate Shaw (eds.)<br />

Softcover, 15 x 22 cm, 256 pages, 61 unicol.<br />

English<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-540-6<br />

HOME NOT SHELTER!<br />

Gemeinschaftshaus Spinelli<br />

[drei]<br />

Home not Shelter! 3<br />

Gemeinschaftshaus Spinelli<br />

Tatjana Dürr / Jürgen Graf / Andreas Kretzer /<br />

Stefan Krötsch (eds.)<br />

Swiss brochure with flaps, 17 x 24 cm,<br />

216 pages, num. col.<br />

German<br />

EUR (D) 24.80<br />

ISBN 978-3-86859-514-7<br />

Zweifel<br />

Performative Stadtplanung in 13 Vorträgen<br />

Ton Matton<br />

Softcover, 10.5 x 14.8 cm, 160 pages<br />

German<br />

EUR (D) 16.80<br />

ISBN 978-3-86859-553-6<br />

ARCHITECTURAL HISTORY<br />

The Vienna Model 2<br />

Housing for the City of the 21st Century<br />

Wolfgang Förster / William Menking (eds.)<br />

Softcover with dust jacket, 22.6 x 27.4 cm,<br />

244 pages, 250 col. and b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-561-1<br />

Bauhaus Dessau<br />

Architecture–Design–Concept<br />

Stiftung Bauhaus Dessau (ed.)<br />

Flexcover, 21 x 27.5 cm, 144 pages, 78 col. and<br />

4 b/w<br />

English/German<br />

EUR (D) 25.00<br />

ISBN 978-3-939633-11-2<br />

Alle wollen wohnen<br />

Gerecht. Sozial. Bezahlbar<br />

Ursula Kleefisch-Jobst / Peter Köddermann /<br />

Karen Jung (eds.)<br />

Hardcover, 18.5 x 26 cm,<br />

248 pages, 190 col. and b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-474-4<br />

Baukultur–Studienausgabe<br />

Spiegel gesellschaftlichen Wandels<br />

Werner Durth / Paul Sigel<br />

Softcover, three volumes in a slipcase,<br />

23.3 x 30.5 cm, 808 pages, 570 col. and<br />

450 b/w<br />

German<br />

EUR (D) 29.95<br />

ISBN 978-3-86859-427-0


61<br />

#jovispublishers<br />

Asmara<br />

Africa’s Jewel of Modernity<br />

Photographs by Stefan Boness<br />

Jochen Visscher (ed.)<br />

Hardcover, 17 x 20 cm, 96 pages, 82 col.<br />

English/German<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-435-5<br />

Die vergessenen Alternativen<br />

Strukturalismus und brutalistische Erfahrung in<br />

der Architektur<br />

Bernhard Denkinger<br />

Flexcover, 16.5 x 24 cm, 288 pages, 150 col.<br />

and b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-551-2<br />

Tel Aviv<br />

The White City<br />

Photographs by Stefan Boness<br />

Essay by Carsten Hueck<br />

Jochen Visscher (ed.)<br />

Hardcover, 17 x 20 cm,<br />

96 pages, 100 col.<br />

English/German<br />

EUR (D) 18.00<br />

ISBN 978-3-939633-75-4<br />

Holidays After The Fall<br />

Seaside Architecture and Urbanism in Bulgaria<br />

and Croatia<br />

Michael Zinganel / Elke Beyer /<br />

Anke Hagemann (eds.)<br />

Softcover, 17 x 24 cm, 272 pages, num. col.<br />

and b/w plans and ill.<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-226-9<br />

Building Berlin<br />

Developers Who Shaped the Emerging<br />

Metropolis<br />

Wolfgang Schäche / Daniel Ralf Schmitz /<br />

David Pessier<br />

Clothbound with jacket, 22.3 x 28.7 cm,<br />

224 pages, 234 col. and b/w<br />

English<br />

EUR (D) 48.00<br />

ISBN 978-3-86859-559-8<br />

URBANISM<br />

märklinMODERNE<br />

From Architecture to Assembly Kit and Back<br />

Again<br />

Daniel Bartetzko / Karin Berkemann (eds.)<br />

Hardcover, 24 x 17 cm, landscape,<br />

136 pages, 102 b/w and col.<br />

English/German<br />

EUR (D) 28.00<br />

ISBN 978-3-86859-518-5<br />

Setting the Stage for Modernity<br />

Cafés, Hotels, Restaurants<br />

Franziska Bollerey<br />

Softcover with flaps, 18.5 x 26 cm, 256 pages,<br />

310 col. and b/w<br />

English/German<br />

EUR (D) 38.00<br />

ISBN 978-3-86859-483-6<br />

Make City<br />

A Compendium of Urban Alternatives<br />

Stadt anders machen<br />

Francesca Ferguson, MAKE_SHIFT (ed.)<br />

Softcover, 17 x 24 cm, 352 pages, 400 col.<br />

and b/w<br />

English/German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-567-3<br />

In den Himmel bauen<br />

Hochhausprojekte von Otto Kohtz (1880–1956)<br />

Wolfgang Schäche / Brigitte Jacob /<br />

David Pessier (eds.)<br />

Hardcover, 18 x 29.7 cm,<br />

320 pages, 200 col. and b/w<br />

German<br />

EUR (D) 49.80<br />

ISBN 978-3-939633-67-9<br />

Forever New: Frankfurt’s Old Town<br />

Building between Dom and Römer since 1900<br />

Philipp Sturm / Peter Cachola Schmal (eds.)<br />

Hardcover, 19.5 x 27 cm, 368 pages, 250 col.<br />

and b/w<br />

English/German<br />

EUR (D) 58.00<br />

ISBN 978-3-86859-501-7<br />

POSTWAR MODERNISM<br />

Potenzial Großsiedlung<br />

Zukunftsbilder für die Neue Vahr<br />

Katja-Annika Pahl / Iris Reuther / Peter Stubbe /<br />

Jürgen Tietz (eds.)<br />

Softcover with flaps, 24 x 30 cm,<br />

160 pages, 120 col and b/w<br />

German<br />

EUR 39.80<br />

ISBN 978-3-86859-533-8<br />

Eventisierung der Stadt<br />

Gabriela Muri / Daniel Späti / Philipp Klaus /<br />

Francis Müller (eds.)<br />

Softcover with flaps, 16.5 x 24 cm,<br />

408 pages, 20 col. and 20 b/w<br />

German<br />

EUR (D) 38.00<br />

ISBN 978-3-86859-493-5


62<br />

#jovisverlag<br />

Städte für Menschen<br />

Jan Gehl<br />

Hardcover<br />

17 x 24 cm, 304 pages, num. col.<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-356-3<br />

E-Book:<br />

ISBN 978-3-86859-897-1<br />

Schulen planen und bauen 2.0<br />

Grundlagen, Prozesse, Projekte<br />

Montag Stiftung Jugend und Gesellschaft (ed.)<br />

Softcover with flaps, 19 x 25 cm, 424 pages,<br />

num. col.<br />

German<br />

EUR (D) 34.80<br />

ISBN 978-3-86859-437-9<br />

Stuttgart in Bewegung—Berichte von<br />

unterwegs<br />

Reallabor für nachhaltige Mobilitätskultur,<br />

Universität Stuttgart (ed.)<br />

Softcover with dust jacket, 21 x 25 cm,<br />

200 pages, num. col. and b/w<br />

German<br />

EUR (D) 32.00<br />

ISBN 978-3-86859-509-3<br />

Schulgesellschaft<br />

Vom Dazwischen zum Lernraum—30 Schulgebäude<br />

im Vergleich<br />

Marika Schmidt / Rolf Schuster (eds.)<br />

Softcover, 16,5 x 24 cm, 112 pages, 92 ill.<br />

German<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-342-6<br />

Berlin—Die Schönheit des Alltäglichen<br />

Urbane Textur einer Großstadt<br />

Frank Peter Jäger (ed.)<br />

Hardcover, 17 x 24 cm, 192 pages, num. col.<br />

and b/w<br />

German<br />

EUR (D) 28.00<br />

ISBN 978-3-86859-380-8<br />

Tezuka Architects: The Yellow Book<br />

Thomas Sherman / Greg Logan (eds.)<br />

With a foreword by Mohsen Mostafavi and an<br />

introduction by Mark Mulligan<br />

Hardcover with rounded edges, 9 x 16 cm,<br />

160 pages, 40 col. and b/w<br />

English<br />

EUR (D) 18.00<br />

ISBN 978-3-86859-423-2<br />

Religion und Stadt<br />

Positionen zum zeitgenössischen Sakralbau in<br />

Deutschland<br />

Ansgar and Benedikt Schultz (eds.)<br />

Hardcover, linen, 17 x 23,5 cm, 96 pages,<br />

39 col. and 22 b/w ill. and plans<br />

German<br />

EUR (D) 28.00<br />

ISBN 978-3-86859-546-8<br />

SUSTAINABILITY<br />

Hortitecture<br />

The Power of Architecture and Plants<br />

Almut Grüntuch-Ernst, IDAS Institute for Design<br />

and Architectural Strategies (ed.)<br />

Softcover, 16.5 x 23.5 cm, 288 pages, num. col.<br />

English<br />

EUR (D) 35.00<br />

ISBN 978-3-86859-547-5<br />

SCHOOL ARCHITECTURE<br />

Architecture Is Participation<br />

Die Baupiloten—Methods and Projects<br />

Susanne Hofmann<br />

Softcover, 17 x 24 cm, 256 pages, 200 col. and<br />

25 b/w<br />

English<br />

EUR (D) 29.80<br />

ISBN 978-3-86859-347-1<br />

Mensch und Landschaftsarchitektur<br />

Juliane Feldhusen / Sebastian Feldhusen (eds.)<br />

Osnabrück University of Applied Sciences,<br />

School of Landscape Architecture, Study<br />

Program Open Space Planning<br />

Softcover, 16 x 24 cm, 336 pages, 146 col. and<br />

b/w<br />

German<br />

EUR (D) 38.00<br />

ISBN 978-3-86859-405-8<br />

ALL E-BOOKS ONLINE<br />

www.jovis.de


63<br />

Authors and Editors<br />

Alcaide, Naomi 16<br />

Bartels, Olaf 18<br />

baukind 32<br />

Baumeister, Eva-Maria 14<br />

Becker, Tobias 5<br />

Behörde für Stadtentwicklung und Wohnen 18<br />

Berkemann, Karin 3<br />

Biermann, Dirk 48<br />

Birne, Torsten 54<br />

Brenner, Klaus Theo 48<br />

Brunner, Matthias 8<br />

Buchholz, Kai 6<br />

Büchsenschuß, Jan 48<br />

Buettner, Anke 26<br />

Dell, Christopher 12<br />

Dolff-Bonekämper, Gaby 29<br />

Dziobek-Bepler, Nathalie 32<br />

Eckhard, Petra 46<br />

Fakultät für Architektur und Landschaft,<br />

Leibniz Universität Hannover 49<br />

Finkenberger, Isabel Maria 14<br />

Forschungslabor Raum 16<br />

Fröbe, Turit 27<br />

Fusi, Paolo 19<br />

future.lab 38<br />

Geipel, Finn 47<br />

Geisel, Thomas 22<br />

Geiß-Netthöfel, Karola 20<br />

Generaldirektion der Stiftung Preußische<br />

Schlösser und Gärten Berlin-Brandenburg 57<br />

Gethmann, Daniel 46<br />

Görlich, Jutta 52<br />

Hansmann, Sabine 47<br />

Harnack, Maren 8<br />

Hauswirth, Florian 56<br />

Heger, Natalie 8<br />

Hirschberg, Urs 46<br />

Höcke, Christian 16<br />

Hoffmann Robbiani, Sandra 5<br />

IBA_Wien 2022 38<br />

Jaeger, Falk 33<br />

Jany, Andrea 40<br />

Kirstgen, Anna 49<br />

Koch, Christian 14<br />

Kundoo, Anupama 10<br />

Lang, Siglinde 55<br />

Lechner, Andreas 46<br />

Leibniz Universität Hannover 49<br />

Lichtblau, Andreas 46<br />

Liotta, Salvator-John A. 44<br />

Lopez-Pineiro, Sergio 13<br />

Lorenzen Mayer Architekten 42<br />

Louyot, Fabienne 44<br />

Marquart, Christian 34<br />

Meier, Hans-Rudolf 29<br />

Montag Stiftung Kunst und Gesellschaft 51<br />

Moretti, Beatrice 23<br />

Mühlhofer, Stefan 21<br />

Mulas, Davide 48<br />

Münchner Stadtbibliothek 26<br />

Nellen, Dieter 20, 22<br />

Noennig, Jörg Rainer 17<br />

Oswalt, Philipp 6, 9<br />

Petersson, Petra 46<br />

Pollmann, Tyyne Claudia 28<br />

Praeger Richter Architekten 41<br />

Prinz zur Lippe, Rudolf 57<br />

Rahmann, Heike 30<br />

Redbergs, Oskars 41<br />

re:form e. V. 43<br />

Regionalverband Ruhr (RVR) 20<br />

Rettich, Stefan 9<br />

Rinke, Mario 56<br />

Rose, Ulrike 52<br />

Schirrmacher, Arne 24<br />

Schwegmann, Raphael 17<br />

Sonne, Wolfgang 20, 21<br />

Stadt Düsseldorf 22<br />

Sulzer, Jörg 29<br />

Tchoban, Sergei 37<br />

The PhotoBookMuseum 51<br />

thyssenkrupp Elevator 34<br />

Universität Hamburg 19<br />

Verhovsek, Sigrid 46<br />

vhw Bundesverband für Wohnen und Stadtentwicklung 16<br />

Voermanek, Katrin 4<br />

von Engelberg-Dočkal, Eva 29<br />

von Rauch, Friederike 58<br />

Voss, Ekkehard 37<br />

Walliss, Jillian 30<br />

weißensee kunsthochschule berlin 28<br />

Welzel, Barbara 21<br />

Wende, Wolfgang 54<br />

Weresch, Katharina 45<br />

Wienigk, Maren 24<br />

Ziemer, Gesa 17<br />

Zuschke, Cornelia 22


64<br />

Academic Partners<br />

jovis publishes in collaboration with,<br />

amongst others<br />

Architectural Association (AA) School of Architecture, London, UK<br />

Bauhaus-Universität Weimar<br />

Bergische Universität Wuppertal<br />

Brandenburgische Technische Universität Cottbus-Senftenberg<br />

Eidgenössische Technische Hochschule (ETH) Zürich, Schweiz<br />

Fachhochschule Münster<br />

Frankfurt University of Applied Sciences<br />

German University in Cairo, Ägypten<br />

Goethe Universität Frankfurt am Main<br />

HafenCity Universität Hamburg<br />

Harvard University, Cambridge MA, USA<br />

Hochschule Darmstadt<br />

Hochschule für Gestaltung Offenbach<br />

Hochschule Osnabrück<br />

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