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Medio Completo artist: Gloria, Nuvia<br />
Huhugam Heritage Center’s: Monica King<br />
Like water in the desert, art has the<br />
powerful ability to bring people together.<br />
In contemporary Phoenix, all too often,<br />
community-based art is reduced to<br />
branding and marketing efforts, and authenticity<br />
can quickly be lost. This city does, however,<br />
continue to bring people together beyond property<br />
and product. One recent powerful example of this<br />
is Vesich eth ve:m, a creative team that arose from<br />
the Water Public Art Challenge.<br />
On May 30, 2018, the Arizona Community Foundation<br />
launched the Challenge – its third philanthropic<br />
competition “aimed at creating the Arizona of<br />
tomorrow.” Funds were distributed to collaborative<br />
projects that delved into the “Hohokam” legacy,<br />
canal system, and history of water use in the Valley.<br />
The majority of winning teams will be exhibiting<br />
their work on <strong>Nov</strong>ember 16 at Scottsdale’s Canal<br />
Convergence, the Mesa Arts Center, and the Rio<br />
Salado Audubon Center (with the exception of<br />
Pueblo Grande Museum’s exhibition, which was<br />
held on October 20).<br />
The competition called for “collaborative temporary<br />
public art projects that build connectivity between<br />
cultures through creative expression.” Audubon<br />
Arizona’s executive director, Sonia Perillo, saw it as<br />
an opportunity to link water and community with the<br />
organization’s mission to protect birds and habitats.<br />
Birds, after all, need water.<br />
Audubon Arizona is one of many nonprofits in<br />
South Phoenix looking for ways to connect with<br />
its community. Public meetings on the South<br />
Central light rail extension brought together many<br />
stakeholders, including Perillo and Sam Gomez of the<br />
Sagrado Galleria (located on south Central Ave.), and<br />
they began to discuss the possibility of collaboration.<br />
Meanwhile, a separate group was coalescing around<br />
Gomez. Diana Calderon, Gloria Martinez-Granados,<br />
Reggie Casillas, Nuvia Enriquez, and Ayo Sinplaneta<br />
were all looking to combine their individual artistic<br />
practices to form a collaborative. Soon enough,<br />
Edgar Fernandez and Martin Moreno joined the<br />
conversation, along with Gomez. Together they<br />
formed the artist group Medio Completo. Gomez<br />
then bridged Medio Completo with Audubon Arizona<br />
through the idea of the water competition.<br />
Perillo was simultaneously reaching out to members<br />
of the Gila River Indian Community, which is<br />
composed of two tribes – the Akimel O’odham<br />
and the Pee Posh. In the past, tribal members had<br />
frequented the Rio Salado Audubon Center to collect<br />
materials for basket weaving.<br />
The Huhugam Heritage Center was established to<br />
ensure that the Gila River tribes continue to flourish<br />
for generations. The center’s education curator,<br />
Monica King, says, “We want it for our community,<br />
but we also want to share with the public.”<br />
King connected with Perillo and signed on to the<br />
competition, inviting Heritage Center staff and artists<br />
from the community, including Joyce Hughes, Tim<br />
Terry Jr., and Aaron Sabori to contribute their vision<br />
and direction to the project.<br />
Together Audubon Arizona, the Huhugam Heritage<br />
Center, and Medio Completo formed a team called<br />
Vesich eth ve:m, which translates to “all of us<br />
together.” Team members got together for the first<br />
time at the Rio Salado Audubon Center over a year<br />
ago to begin the application process, and since<br />
then have forged a path to share the results of their<br />
collaboration on <strong>Nov</strong>ember 16.<br />
While all are interdisciplinary artists, Calderon and<br />
Martinez-Granados both currently work primarily