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JAVA Nov 19

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Medio Completo artist: Gloria, Nuvia<br />

Huhugam Heritage Center’s: Monica King<br />

Like water in the desert, art has the<br />

powerful ability to bring people together.<br />

In contemporary Phoenix, all too often,<br />

community-based art is reduced to<br />

branding and marketing efforts, and authenticity<br />

can quickly be lost. This city does, however,<br />

continue to bring people together beyond property<br />

and product. One recent powerful example of this<br />

is Vesich eth ve:m, a creative team that arose from<br />

the Water Public Art Challenge.<br />

On May 30, 2018, the Arizona Community Foundation<br />

launched the Challenge – its third philanthropic<br />

competition “aimed at creating the Arizona of<br />

tomorrow.” Funds were distributed to collaborative<br />

projects that delved into the “Hohokam” legacy,<br />

canal system, and history of water use in the Valley.<br />

The majority of winning teams will be exhibiting<br />

their work on <strong>Nov</strong>ember 16 at Scottsdale’s Canal<br />

Convergence, the Mesa Arts Center, and the Rio<br />

Salado Audubon Center (with the exception of<br />

Pueblo Grande Museum’s exhibition, which was<br />

held on October 20).<br />

The competition called for “collaborative temporary<br />

public art projects that build connectivity between<br />

cultures through creative expression.” Audubon<br />

Arizona’s executive director, Sonia Perillo, saw it as<br />

an opportunity to link water and community with the<br />

organization’s mission to protect birds and habitats.<br />

Birds, after all, need water.<br />

Audubon Arizona is one of many nonprofits in<br />

South Phoenix looking for ways to connect with<br />

its community. Public meetings on the South<br />

Central light rail extension brought together many<br />

stakeholders, including Perillo and Sam Gomez of the<br />

Sagrado Galleria (located on south Central Ave.), and<br />

they began to discuss the possibility of collaboration.<br />

Meanwhile, a separate group was coalescing around<br />

Gomez. Diana Calderon, Gloria Martinez-Granados,<br />

Reggie Casillas, Nuvia Enriquez, and Ayo Sinplaneta<br />

were all looking to combine their individual artistic<br />

practices to form a collaborative. Soon enough,<br />

Edgar Fernandez and Martin Moreno joined the<br />

conversation, along with Gomez. Together they<br />

formed the artist group Medio Completo. Gomez<br />

then bridged Medio Completo with Audubon Arizona<br />

through the idea of the water competition.<br />

Perillo was simultaneously reaching out to members<br />

of the Gila River Indian Community, which is<br />

composed of two tribes – the Akimel O’odham<br />

and the Pee Posh. In the past, tribal members had<br />

frequented the Rio Salado Audubon Center to collect<br />

materials for basket weaving.<br />

The Huhugam Heritage Center was established to<br />

ensure that the Gila River tribes continue to flourish<br />

for generations. The center’s education curator,<br />

Monica King, says, “We want it for our community,<br />

but we also want to share with the public.”<br />

King connected with Perillo and signed on to the<br />

competition, inviting Heritage Center staff and artists<br />

from the community, including Joyce Hughes, Tim<br />

Terry Jr., and Aaron Sabori to contribute their vision<br />

and direction to the project.<br />

Together Audubon Arizona, the Huhugam Heritage<br />

Center, and Medio Completo formed a team called<br />

Vesich eth ve:m, which translates to “all of us<br />

together.” Team members got together for the first<br />

time at the Rio Salado Audubon Center over a year<br />

ago to begin the application process, and since<br />

then have forged a path to share the results of their<br />

collaboration on <strong>Nov</strong>ember 16.<br />

While all are interdisciplinary artists, Calderon and<br />

Martinez-Granados both currently work primarily

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