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NZPhotographer Issue 27, January 2020

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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On a day tiki-touring around Yangshuo province we<br />

visited the gorgeously authentic old Fuli Town, and here<br />

I captured more of the type of image that I personally<br />

love. Wandering through the streets I was drawn to the<br />

doorways, and the glimpses of life you could see within.<br />

Without wanting to intrude, I tried to shoot unobtrusively.<br />

At one doorway, just as I passed, an old woman<br />

emerged and looked up and out at the perfect time.<br />

When I looked more closely at the image later, I loved<br />

that I could just see a picture of Chairman Mao behind<br />

her, and other artefacts that told me more about who<br />

she may be.<br />

Another character in Fuli Town was a woman selling<br />

dusty knick knacks - to enable the photo, I bought a<br />

‘treasure’ off her. Generally I found the Chinese people<br />

quite unwilling to engage with the camera without some<br />

sort of trade off which is fair enough - I’m not fond of<br />

being photographed myself!<br />

We also visited Zhangjiajie National Forest Park. I do<br />

not profess to be a landscape photographer, and this<br />

is definitely an area of continued learning for me but<br />

Zhangjiajie National Forest Park was the perfect canvas<br />

for experimenting and honing my skills.<br />

We visited three different areas of this massive park; Tianzi<br />

Mountain on the first day, and Tianmenshan the next. To<br />

get to Heaven’s Gate at the top of Tianmen mountain,<br />

we rode the longest cable car ride in the world, looking<br />

down on the famous 99 bend road (and trying to<br />

photograph it from out the tiny cable car window!)<br />

which we later bussed down on.<br />

For me, the most spectacular views were from the<br />

‘Avatar’ mountains as they are now often named,<br />

having been the inspiration for the floating Hallelujah<br />

mountains in the movie Avatar. From Wulingyuan, we<br />

travelled to the base and ascended via the Bailong<br />

elevator, the tallest outdoor elevator in the world, which<br />

took us up the mountains in 2 minutes flat. It took us a lot<br />

longer to get down, but that’s a whole other story!<br />

The sandstone pillar like mountains that stretch for miles<br />

are definitely ‘otherworldly’ and scream China to me.<br />

The shot across the layered mountains was another I had<br />

hoped to achieve, and it justified lugging the big lens.<br />

YOU STOPPED BY HONG KONG ON THE WAY<br />

HOME, TELL US ABOUT THAT EXPERIENCE...<br />

Hong Kong was a three day stop over, apart from an<br />

organised bus tour of Hong Kong Island, including Aberdeen<br />

Fishing Village, I stayed on Kowloon. Because of the limited<br />

time I had, and the protest activity (which I had no desire<br />

to seek out or photograph) I elected to hire a photography<br />

guide. Through a quick internet search a couple of days<br />

before arriving in Hong Kong, I found William Banzai who<br />

offers cultural/historic city tours as well as photography<br />

tours. I’d mentioned the sort of photographic experience I<br />

wanted, and through William’s knowledge of the area, I was<br />

taken to all the right places.<br />

TIANZI MOUNTAIN<br />

F8, 1/500s, ISO250<br />

<strong>January</strong> <strong>2020</strong> 23

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