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FUSE#1

FUSE is a bi-annual publication that documents the projects at Dance Nucleus

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Element# 1.1<br />

Foreign languages<br />

Maps of broken Bodies<br />

by Pat Toh<br />

Further exploration<br />

MOVEMENT:<br />

Working from breath, tension and twitch all at the same time. Where does<br />

one information start and another begin? How to manoeuvre into and<br />

within a knot of information?<br />

Looking at the micro movements in the form of thoughts and actions when<br />

at the edge of consciousness.<br />

AbouT PAT TOH<br />

FORM AND SHAPE<br />

Try measuring within formalised language and codes of movement such as<br />

a sport, a dance form or a skill.<br />

THEMES:<br />

What can you say with a solo body? What can I say with a group of bodies?<br />

How does each part inform to the greater idea of power and control?<br />

PERFORMER AND AUDIENCE RELATIONSHIP:<br />

Where is the performer’s attention, how does that direct or shape her gaze?<br />

What about performing with an inward gaze?<br />

What does the presence of viewers mean to the act of mapping?<br />

Pat Toh is a performer and performance maker. A<br />

Shell-NAC Arts Scholarship recipient, she trained at<br />

National Institute of Dramatic Arts (Australia) and<br />

graduated with a Bachelor of Dramatic Arts (Acting). Her<br />

artistic interest lies in working on, with and about the<br />

tactile body. She looks to the everyday and walks as a<br />

practice of inquiry into human movement, physically and<br />

socially. Pat is concerned with the corporeal sensibilities<br />

of the contemporary body and seeks to develop a<br />

choreographic practice that sensitises one to physical<br />

lived experiences. Following her Dance Nucleus<br />

residency, she will be presenting her work at the<br />

Indonesian Dance Festival Showcase in November<br />

2019.<br />

www.pattoh.com<br />

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