FUSE#1
FUSE is a bi-annual publication that documents the projects at Dance Nucleus
FUSE is a bi-annual publication that documents the projects at Dance Nucleus
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Scope #1<br />
Should I kill<br />
myself or have a<br />
cup of coffee?:<br />
A co-choreographer’s work-in-progress reflection by Chiew Peishan<br />
The conceptualization of our creation began in October<br />
2017, and the first phase of exploration spanned from<br />
mid-January to mid-May 2018. The next phase of<br />
exploration will begin from end-June 2018 till the<br />
performance of the work in the DiverCity platform of M1<br />
CONTACT Contemporary Dance Festival on 19 and 20<br />
July 2018. We intend to continue to develop the work.<br />
A common interest in the philosophy of the Absurd by Albert Camus motivated this<br />
co-creation with Liu.<br />
Should I kill myself or have a cup of coffee? is a personal musing<br />
on the absurdity of living.. It is co-choreographed and performed<br />
by Wen-Chun Liu and I, in collaboration with film artist Yan-Hong<br />
Chen, dramaturge Kim Seng Neo, and performers Kenneth Tan<br />
and Supatchai Lappakornkul.<br />
“A stranger to myself and to the world, armed solely with<br />
a thought that negates itself as soon as it asserts, what is<br />
this condition in which I can have peace only by refusing to<br />
know and to live, in which the appetite for conquest<br />
bumps into walls that defy its assaults? To will is to stir up<br />
paradoxes” (Camus 20).<br />
Still from film by Yan-Hong Chen<br />
In Camus’ The Myth of Sisyphus, he presented a<br />
philosophy that challenged itself, and posited that a<br />
disharmony exists between one’s innate impulse to search<br />
for meaning and the meaninglessness of life. If the option<br />
of suicide that escape existence is not taken up in<br />
response to the absurdity of life, then one will turn to<br />
acknowledge and embrace the absurd so as to find worth<br />
in living.<br />
Prior to Should I kill myself or have a cup of coffee?, both<br />
Liu and I shared choreographic responses that drew<br />
influences from the Absurd. We had explored within<br />
different contexts and presented work-in-progress<br />
creations on separate platforms. Liu’s An Absurd<br />
Reasoning explored the futile routine and absurd<br />
encounters in daily life, and was presented as part of<br />
International Choreographers Residency Programme<br />
Concert in American Dance Festival 2017.<br />
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