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FUSE#1

FUSE is a bi-annual publication that documents the projects at Dance Nucleus

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Scope #1<br />

Should I kill<br />

myself or have a<br />

cup of coffee?:<br />

A co-choreographer’s work-in-progress reflection by Chiew Peishan<br />

The conceptualization of our creation began in October<br />

2017, and the first phase of exploration spanned from<br />

mid-January to mid-May 2018. The next phase of<br />

exploration will begin from end-June 2018 till the<br />

performance of the work in the DiverCity platform of M1<br />

CONTACT Contemporary Dance Festival on 19 and 20<br />

July 2018. We intend to continue to develop the work.<br />

A common interest in the philosophy of the Absurd by Albert Camus motivated this<br />

co-creation with Liu.<br />

Should I kill myself or have a cup of coffee? is a personal musing<br />

on the absurdity of living.. It is co-choreographed and performed<br />

by Wen-Chun Liu and I, in collaboration with film artist Yan-Hong<br />

Chen, dramaturge Kim Seng Neo, and performers Kenneth Tan<br />

and Supatchai Lappakornkul.<br />

“A stranger to myself and to the world, armed solely with<br />

a thought that negates itself as soon as it asserts, what is<br />

this condition in which I can have peace only by refusing to<br />

know and to live, in which the appetite for conquest<br />

bumps into walls that defy its assaults? To will is to stir up<br />

paradoxes” (Camus 20).<br />

Still from film by Yan-Hong Chen<br />

In Camus’ The Myth of Sisyphus, he presented a<br />

philosophy that challenged itself, and posited that a<br />

disharmony exists between one’s innate impulse to search<br />

for meaning and the meaninglessness of life. If the option<br />

of suicide that escape existence is not taken up in<br />

response to the absurdity of life, then one will turn to<br />

acknowledge and embrace the absurd so as to find worth<br />

in living.<br />

Prior to Should I kill myself or have a cup of coffee?, both<br />

Liu and I shared choreographic responses that drew<br />

influences from the Absurd. We had explored within<br />

different contexts and presented work-in-progress<br />

creations on separate platforms. Liu’s An Absurd<br />

Reasoning explored the futile routine and absurd<br />

encounters in daily life, and was presented as part of<br />

International Choreographers Residency Programme<br />

Concert in American Dance Festival 2017.<br />

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