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Preview and Complete Catalogue Hatje Cantz Verlag Fall 2011

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42 Art<br />

www.hatjecantz.com<br />

www.hatjecantz.com Art<br />

43<br />

English / Japanese<br />

240 pp., 315 color ills.,<br />

24 × 30 cm, hardcover<br />

€ 49.80, $75.00, £45.00<br />

ISBN 978-3-7757-3156-0<br />

Available<br />

English / German<br />

152 pp., 143 ills., 22 in color,<br />

21 × 27 cm, softcover<br />

C. € 29.80, $45.00, £26.99<br />

ISBN 978-3-7757-3157-7<br />

July <strong>2011</strong><br />

Chiharu Shiota<br />

Ed. Caroline Stummel, text by Mami Kataoka, interview with the artist by James Putnam,<br />

graphic design by Margarethe Hausstätter<br />

❙ First monograph on the complete works of the Japanese installation <strong>and</strong> performance artist<br />

Chiharu Shiota (* 1972 in Osaka) exorable examination of life in the flows through hospital-type tubes,<br />

wraps expressive objects, a burned- manner of Marina Abramović or so that the network metaphor<br />

out piano, for instance, in cocoons Rebecca Horn. Here, as there, truth ranges from spider webs <strong>and</strong> inter-<br />

made of dark yarn. At the same is revealed through experience. personal relationships to neural<br />

time, the tradition <strong>and</strong> grace of cal- The body becomes a medium for links <strong>and</strong> the bloodstream.<br />

ligraphy delicately flash through. art. Shiota herself treads the public<br />

The artist’s oeuvre oscillates be- stage, at times sleeping in musetween<br />

Far Eastern spirituality <strong>and</strong> ums. Or her personal destiny finds<br />

Western existentialism. Traces <strong>and</strong> expression in kinetic sculptures as<br />

memories of places <strong>and</strong> things are a turn away from vivid black. In<br />

her artistic sources, as is the in- “animated” installations, red paint<br />

Exhibition schEdulE:<br />

++ GErVasuti foundation, in co-<br />

opEration with haunch of VEnison,<br />

VEnicE, JunE 2–sEptEMbEr 10,<br />

<strong>2011</strong> ++ followEd by MaruGaME<br />

GEnichiro inoKuMa MusEuM of<br />

contEMporary art, KaGawa, Japan<br />

Ján Mančuška<br />

Against Interpretation<br />

Texts by Karel Cisar, Katrin Meder, Hilke Wagner, graphic design by S<strong>and</strong>ra Kastl<br />

❙ Installations by the Czech spatial <strong>and</strong> text artist<br />

Ján Mančuška (* 1972 in Bratislava) through the space or in relation among other places. This publica-<br />

employs text <strong>and</strong> film in his three- to the works of art. Mančuška’s tion is the first survey of his work.<br />

dimensional works. He generally objects, interiors, <strong>and</strong> visual sen-<br />

includes the venue architecture in tences create a dramatic narrative,<br />

his installations <strong>and</strong> arranges the which the viewer mentally con-<br />

linguistic or visual fragments in denses into fictitious, cinematic<br />

such a way to create a very specific sequences. In 2005 the artist rep-<br />

mode of observation for each of resented the Czech Republic at the<br />

his works. Their reception depends Venice Biennale, <strong>and</strong> he also ex-<br />

on the way the observer moves hibited at the 4th Berlin Biennale,<br />

❙ Where does fashion stop <strong>and</strong> art begin? Erwin Wurm <strong>and</strong> Walter Van Beirendonck<br />

explore the border zone<br />

Austrian artist Erwin Wurm (* 1954)<br />

works with videos, drawings, sculp -<br />

tures, photos, <strong>and</strong> installations<br />

that take on anything but traditional<br />

forms. In his One Minute<br />

Sculptures, which marked Wurm’s<br />

international breakthrough, he<br />

used simple instructional drawings<br />

to invite viewers to themselves<br />

become sculptures. The artist also<br />

throws his own body into the battle<br />

by sculpting it with many layers<br />

of clothing or subjecting it to an<br />

extreme diet. He extended the<br />

idea of a voluminous body to lifeless<br />

objects such as cars <strong>and</strong> houses.<br />

Wurm's perplexing <strong>and</strong> often<br />

extremely ironic works have made<br />

him an extremely popular artist.<br />

The artist’s book presents Wurm’s<br />

latest work: furniture, drawings,<br />

outdoor sculptures, <strong>and</strong>—for the<br />

first time—clothing, developed in<br />

collaboration with the innovative<br />

Belgian fashion designer Walter<br />

Van Beirendonck.<br />

Erwin Wurm<br />

Wear Me Out<br />

Ed. Middelheimmuseum, Antwerp,<br />

Gemeentemuseum Den Haag,<br />

The Hague, interview with the artist<br />

by Sara Weyns, graphic design by<br />

BaseDesign<br />

English<br />

C. 200 pp., c. 80 ills., 60 in color,<br />

23 × 28 cm, clothbound<br />

C. € 35.00, $55.00, £32.50<br />

ISBN 978-3-7757-3218-5<br />

July <strong>2011</strong><br />

9 7 8 3 7 7 5 7 3 2 1 8 5<br />

Exhibition schEdulE:<br />

++ MiddElhEiMMusEuM, antwErp,<br />

May 29–sEptEMbEr 25, <strong>2011</strong> ++<br />

GEMEEntEMusEuM dEn haaG, thE<br />

haGuE, JunE–sEptEMbEr <strong>2011</strong>

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