Visionaries
12 September – 26 October 2019 Curated by Craft ACT, this is a showcase exhibition demonstrating the trends in contemporary craft and design in Australia by accredited practitioners from the ACT and surrounding region. Every year, Craft ACT defines a theme for the members exhibition which helps us to communicate the importance of contemporary craft, and appeals to audiences, collectors and media. Based on the DESIGN Canberra theme of utopia, this year’s exhibition will be titled Visionaries: Craft ACT 2019 members exhibition. 2019 participating artists: Abbey Jamieson | Alison Jackson | Andres Caycedo | Angela Bakker | Annie Trevillian | Avi Amesbury | Barbara Rogers | Belinda Toll | Benedict Laffan | Bev Hogg | Bic Tieu Cassandra Layne | Cathy Franzi | Chelsea Lemon | Daniel Lorrimer | Daniel Margules | Daniel Venables | Debra Jurss | Dianne Firth | Elizabeth Paterson | Elliot Bastianon | Emilie Patteson | Fran Romano | Gilbert Riedelbauch | Hannah Gason | Harriet Schwarzrock | Isabelle Mackay-Sim | Janet DeBoos | Jennifer Kemarre Martiniello | Jennifer Robertson | Jeremy Brown | Jo Victoria | Jochen Heinzmann | John White | Judi Elliott | Julie Bradley | Julie Pennington | Keiko Amenomori-Schmeisser | Leonie Andrews | Lia Tajcnar | Lisa Cahill | Louis Grant | Luna Ryan Madisyn Zabel | Marcia Holden | Margaret Brown Mark Eliott | Melanie Olde Monique van Nieuwland Moraig McKenna Naomi Zouwer | Pamela Irving Phoebe Porter | René Linssen | Robyn Campbell | Rolf Barfoed | Rozlyn de Bussey | Ruby Berry | Ruth Allen | Ruth Hingston Sally Blake | Sarah Bourke | Sarit Cohen Sebastian Davies | Sharon Peoples Sophi Suttor | Sue Hewat | Tania Vrancic Tom Skeehan Valerie Kirk | Ximena Natanya Briceño | Zoe Brand
12 September – 26 October 2019
Curated by Craft ACT, this is a showcase exhibition demonstrating the trends in contemporary craft and design in Australia by accredited practitioners from the ACT and surrounding region.
Every year, Craft ACT defines a theme for the members exhibition which helps us to communicate the importance of contemporary craft, and appeals to audiences, collectors and media. Based on the DESIGN Canberra theme of utopia, this year’s exhibition will be titled Visionaries: Craft ACT 2019 members exhibition.
2019 participating artists:
Abbey Jamieson | Alison Jackson | Andres Caycedo | Angela Bakker | Annie Trevillian | Avi Amesbury | Barbara Rogers | Belinda Toll | Benedict Laffan | Bev Hogg | Bic Tieu Cassandra Layne | Cathy Franzi | Chelsea Lemon | Daniel Lorrimer | Daniel Margules | Daniel Venables | Debra Jurss | Dianne Firth | Elizabeth Paterson | Elliot Bastianon | Emilie Patteson | Fran Romano | Gilbert Riedelbauch | Hannah Gason | Harriet Schwarzrock | Isabelle Mackay-Sim | Janet DeBoos | Jennifer Kemarre Martiniello | Jennifer Robertson | Jeremy Brown | Jo Victoria | Jochen Heinzmann | John White | Judi Elliott | Julie Bradley | Julie Pennington | Keiko Amenomori-Schmeisser | Leonie Andrews | Lia Tajcnar | Lisa Cahill | Louis Grant | Luna Ryan Madisyn Zabel | Marcia Holden | Margaret Brown Mark Eliott | Melanie Olde Monique van Nieuwland Moraig McKenna Naomi Zouwer | Pamela Irving Phoebe Porter | René Linssen | Robyn Campbell | Rolf Barfoed | Rozlyn de Bussey | Ruby Berry | Ruth Allen | Ruth Hingston Sally Blake | Sarah Bourke | Sarit Cohen Sebastian Davies | Sharon Peoples Sophi Suttor | Sue Hewat | Tania Vrancic Tom Skeehan Valerie Kirk | Ximena Natanya Briceño | Zoe Brand
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
CASSANDRA LAYNE<br />
Specialising in kiln formed glass, Canberra based artist, Cassandra, uses abstract carvings<br />
and patterns to demonstrate how light and surface can be manipulated to create a<br />
deception of distance, depth and size. Her works are highly textured and encourage<br />
the viewer to move in close. This is helped by the use of bold contrasting colours. The<br />
contrast plays on the eyes natural ability to sustain a consistent image. The carved<br />
imagery punches through the patterning on top giving a look of depth and layer.<br />
The glass may appear denser, further away or three-dimensional. Observing the work<br />
for an extended period of time causes the clear-cut circles to blur and the surrounding<br />
pattern to lose its stability and become more convincingly false. Only by touching the<br />
surface of the panel is the illusion completely broken and the work completes its journey<br />
into a comprehensively solid object.<br />
Cassandra Layne, Deep Space, 2017, bullseye<br />
glass, tasmanian oak, LEDS, 53.5 x 35 x 5.5cm.<br />
Photo Credit: Kerstin Styche<br />
$1,100
Change language