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Visionaries

12 September – 26 October 2019 Curated by Craft ACT, this is a showcase exhibition demonstrating the trends in contemporary craft and design in Australia by accredited practitioners from the ACT and surrounding region. Every year, Craft ACT defines a theme for the members exhibition which helps us to communicate the importance of contemporary craft, and appeals to audiences, collectors and media. Based on the DESIGN Canberra theme of utopia, this year’s exhibition will be titled Visionaries: Craft ACT 2019 members exhibition. 2019 participating artists: Abbey Jamieson | Alison Jackson | Andres Caycedo | Angela Bakker | Annie Trevillian | Avi Amesbury | Barbara Rogers | Belinda Toll | Benedict Laffan | Bev Hogg | Bic Tieu Cassandra Layne | Cathy Franzi | Chelsea Lemon | Daniel Lorrimer | Daniel Margules | Daniel Venables | Debra Jurss | Dianne Firth | Elizabeth Paterson | Elliot Bastianon | Emilie Patteson | Fran Romano | Gilbert Riedelbauch | Hannah Gason | Harriet Schwarzrock | Isabelle Mackay-Sim | Janet DeBoos | Jennifer Kemarre Martiniello | Jennifer Robertson | Jeremy Brown | Jo Victoria | Jochen Heinzmann | John White | Judi Elliott | Julie Bradley | Julie Pennington | Keiko Amenomori-Schmeisser | Leonie Andrews | Lia Tajcnar | Lisa Cahill | Louis Grant | Luna Ryan Madisyn Zabel | Marcia Holden | Margaret Brown Mark Eliott | Melanie Olde Monique van Nieuwland Moraig McKenna Naomi Zouwer | Pamela Irving Phoebe Porter | René Linssen | Robyn Campbell | Rolf Barfoed | Rozlyn de Bussey | Ruby Berry | Ruth Allen | Ruth Hingston Sally Blake | Sarah Bourke | Sarit Cohen Sebastian Davies | Sharon Peoples Sophi Suttor | Sue Hewat | Tania Vrancic Tom Skeehan Valerie Kirk | Ximena Natanya Briceño | Zoe Brand

12 September – 26 October 2019

Curated by Craft ACT, this is a showcase exhibition demonstrating the trends in contemporary craft and design in Australia by accredited practitioners from the ACT and surrounding region.

Every year, Craft ACT defines a theme for the members exhibition which helps us to communicate the importance of contemporary craft, and appeals to audiences, collectors and media. Based on the DESIGN Canberra theme of utopia, this year’s exhibition will be titled Visionaries: Craft ACT 2019 members exhibition.

2019 participating artists:

Abbey Jamieson | Alison Jackson | Andres Caycedo | Angela Bakker | Annie Trevillian | Avi Amesbury | Barbara Rogers | Belinda Toll | Benedict Laffan | Bev Hogg | Bic Tieu Cassandra Layne | Cathy Franzi | Chelsea Lemon | Daniel Lorrimer | Daniel Margules | Daniel Venables | Debra Jurss | Dianne Firth | Elizabeth Paterson | Elliot Bastianon | Emilie Patteson | Fran Romano | Gilbert Riedelbauch | Hannah Gason | Harriet Schwarzrock | Isabelle Mackay-Sim | Janet DeBoos | Jennifer Kemarre Martiniello | Jennifer Robertson | Jeremy Brown | Jo Victoria | Jochen Heinzmann | John White | Judi Elliott | Julie Bradley | Julie Pennington | Keiko Amenomori-Schmeisser | Leonie Andrews | Lia Tajcnar | Lisa Cahill | Louis Grant | Luna Ryan Madisyn Zabel | Marcia Holden | Margaret Brown Mark Eliott | Melanie Olde Monique van Nieuwland Moraig McKenna Naomi Zouwer | Pamela Irving Phoebe Porter | René Linssen | Robyn Campbell | Rolf Barfoed | Rozlyn de Bussey | Ruby Berry | Ruth Allen | Ruth Hingston Sally Blake | Sarah Bourke | Sarit Cohen Sebastian Davies | Sharon Peoples Sophi Suttor | Sue Hewat | Tania Vrancic Tom Skeehan Valerie Kirk | Ximena Natanya Briceño | Zoe Brand

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JEREMY BROWN<br />

The life cycle of a barnacle; from floating freely in its larval stage, to permanently<br />

attaching to an object or base; is echoed in our human need for connection and<br />

attachment. The creatures that once found shelter and refuge within these shells, leave<br />

them behind as an offering that we too might find comfort within.<br />

Where the shells detract from the practical functionality of the bench, leaving room<br />

for only one person to sit, they instead make room for emotional connection and selfreflection.<br />

The shell-like forms hold an inherent sense of tranquility and naïve wonder,<br />

and comfort the user through form, colour and tactility. The soft interiors hug the<br />

hands of the user, provoking a sense of childhood playfulness through exploration and<br />

interaction with the piece.<br />

Not intended as a permanent escape from reality, this work instead offers the user a<br />

temporary moment of separation from the world around them in which to become lost<br />

in ones own thoughts, thus finding repose in solitude.<br />

Jeremy Brown, Repose In Solitude, 2018,<br />

american white oak, wool felt, brass, 660 x<br />

1100 x 500mm. Photo: Prue Hazelgrove.<br />

$2,000

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