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In conversation with .. 3!

Welcome to our new digital issue: IN CONVERSATION WITH – Part 3, 130 pages art, fashion and music! Out 26.04.2020 – featuring in conversation with Alma, Xuehka, Kraków Loves Adana, Eugenio Andrade Schulz, Mattiel, Anna Barr and many more … Solitude: The Devil’s Worst Weapon I’m sure you hear it all the time that humans are social animals. We need to spend time together to be happy. In a world gone wild, those who prefer solitude are seen as eccentric at best and defective at worst, and are often presumed to be suffering from social anxiety, boredom, and become alienated by others. Loneliness is a negative state of mind, marked by a sense of isolation. At the moment the whole world lives in isolation and we all have to struggle with this condition. With this new issue, we want to give you a moment of joy. To forget about being alone for a while. #staysafe Your KALTBLUT Team

Welcome to our new digital issue: IN CONVERSATION WITH – Part 3, 130 pages art, fashion and music! Out 26.04.2020 – featuring in conversation with Alma, Xuehka, Kraków Loves Adana, Eugenio Andrade Schulz, Mattiel, Anna Barr and many more …

Solitude: The Devil’s Worst Weapon
I’m sure you hear it all the time that humans are social animals. We need to spend time together to be happy.
In a world gone wild, those who prefer solitude are seen as eccentric at best and defective at worst, and are often presumed to be suffering from social anxiety, boredom, and become alienated by others.
Loneliness is a negative state of mind, marked by a sense of isolation.
At the moment the whole world lives in isolation and we all have to struggle with this condition. With this new issue, we want to give you a moment of joy.
To forget about being alone for a while.
#staysafe
Your KALTBLUT Team

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After catching eyes across a crowded nightclub dancefloor Deniz Çiçek<br />

and Robert Heitmann finally plucked up the courage to speak to each<br />

other. Turns out their killer taste in music wasn’t the only thing they had<br />

in common, as the pair were quick to combine Deniz’s songwriting and<br />

vocals <strong>with</strong> Robert’s piano and guitar skills. It wasn’t long before they began<br />

producing guitar-driven electronic ballads <strong>with</strong> a dreamy melancholic edge<br />

under the monika Kraków Loves Adana. Fast-forward 14 years and the<br />

band have since joined the Italians Do It Better family – Johnny Jewel and<br />

Mike Simonetti’s notorious Italo-disco label formed in 2006. <strong>In</strong>fused <strong>with</strong><br />

pulsating synthesizers and sparkling guitars their latest track is a homage<br />

to the bygone days of their youth, and those important lessons they learned<br />

along the way. What better time to catch up <strong>with</strong> the duo on what’s coming<br />

up next <strong>with</strong> Jewel and the gang.<br />

How did Kraków Loves<br />

Adana get started?<br />

Deniz: We met in 2006<br />

in our hometown in a<br />

nightclub. Rob and I had<br />

been eyeing each other for<br />

months and then finally we<br />

both had the courage to talk<br />

to each other. It’s not the<br />

typical kind of discotheque<br />

where you would go, but<br />

those were the kinds of<br />

clubs in our hometown;<br />

where you would go to<br />

explore bands and music<br />

or see touring bands come<br />

to town. So that’s how we<br />

met. We were both in other<br />

bands and decided to try<br />

things out <strong>with</strong> just the two<br />

of us.<br />

Were you studying music<br />

at this time as well?<br />

Rob: Deniz played the<br />

guitar for years but besides<br />

that no, not really, no<br />

musical education just an<br />

interest in music to form a<br />

band since a teenager, stuff<br />

like that. And um, yeah, just<br />

exploring things.<br />

Deniz: It definitely shaped<br />

our identity. Our taste in<br />

music and going to concerts<br />

and stuff like that. Listening<br />

to a lot of independent rock,<br />

a lot of the lesser-known<br />

bands from the UK or US.<br />

What was it like growing<br />

up in your hometown?<br />

Deniz: Bielefeld was a<br />

great town growing up in<br />

because you’ve got all these<br />

bands coming into town<br />

and playing. I mean, now<br />

everything has definitely<br />

changed a lot. A lot of clubs<br />

have closed. But, otherwise, when I was a<br />

teenager it was great. We always used to<br />

go out on the weekends sometimes even<br />

on a school night, but that was the thing<br />

you would do back then when there was no<br />

social media.<br />

Rob: Yeah, and Iike getting the free music<br />

magazines, watching who’s coming to town<br />

and then seeing, okay, can I go? Combined<br />

<strong>with</strong> going to record stores, listening to<br />

music...<br />

Deniz: Also checking out what the artists<br />

would wear and how they cut their hair<br />

and stuff like that. Definitely had a huge<br />

influence on us and our approach of how<br />

we do things now.<br />

Rob: You really often found yourself<br />

discovering things <strong>with</strong>out being able to<br />

look up the band because there was no<br />

social media. It was like, okay, I’m going<br />

to the concert and I see what happens.<br />

Something that’s maybe not so possible<br />

today.<br />

What made you head over and settle in<br />

Hamburg?<br />

Deniz: Our first label was in Hamburg and<br />

we always went there to record stuff in<br />

the studio so that’s when we took the first<br />

serious steps of being a band and making<br />

a record and putting it out. Rob was also<br />

working at a record label there.<br />

How did you find working <strong>with</strong> your first<br />

label?<br />

Rob: I mean the first experiences were<br />

a bit mixed. I wouldn’t say it was really a<br />

label back then. It was maybe like people<br />

who wanted to start a label and we were<br />

there like one of the first bands and it was<br />

all developing so, at some point we knew<br />

that we were developing in a different<br />

direction and wanted to take things into<br />

our own hands for some time. That was<br />

when we decided to put out two records on<br />

our own, number three and number four<br />

[laughs]. But yeah, it was really a studying<br />

experience, To see how things are, how<br />

they work or how they might work.<br />

95

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