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The Dynamics of Kea Behaviour and Interpretive Signage on Visitor ...

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1.3 Methods <str<strong>on</strong>g>of</str<strong>on</strong>g> interpretati<strong>on</strong><br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>re has been an increasing trend in zoological parks to use the animals themselves as a method<br />

<str<strong>on</strong>g>of</str<strong>on</strong>g> imparting these informal educati<strong>on</strong>al <str<strong>on</strong>g>and</str<strong>on</strong>g> advocacy based messages, namely through the use<br />

<str<strong>on</strong>g>of</str<strong>on</strong>g> human-animal h<str<strong>on</strong>g>and</str<strong>on</strong>g>ling interacti<strong>on</strong> or keeper presentati<strong>on</strong>s. <strong>Visitor</strong>s to Auckl<str<strong>on</strong>g>and</str<strong>on</strong>g> <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Wellingt<strong>on</strong> Zoo for example can pay extra to have a close h<str<strong>on</strong>g>and</str<strong>on</strong>g>s-<strong>on</strong> encounter with cheetah<br />

(www.wellingt<strong>on</strong>zoo.com/inform/visitor/encounters.html <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

www.auckl<str<strong>on</strong>g>and</str<strong>on</strong>g>zoo.co.nz/informati<strong>on</strong>/default.asp?secti<strong>on</strong>ID=29 respectively). Auckl<str<strong>on</strong>g>and</str<strong>on</strong>g> Zoo<br />

also holds native fauna encounters that occur daily in the weekend <str<strong>on</strong>g>and</str<strong>on</strong>g> public holidays<br />

(www.auckl<str<strong>on</strong>g>and</str<strong>on</strong>g>zoo.co.nz/informati<strong>on</strong>/default.asp?secti<strong>on</strong>ID=28), whereas Wellingt<strong>on</strong> provides<br />

daily keeper talks <strong>on</strong> kiwi (www.wellingt<strong>on</strong>zoo.com/inform/news/nr1181689021.html). Live<br />

interpretati<strong>on</strong> is seen as a priority within the World Zoo <str<strong>on</strong>g>and</str<strong>on</strong>g> Aquarium C<strong>on</strong>servati<strong>on</strong> Strategy,<br />

being c<strong>on</strong>sidered the most ‘effective means <str<strong>on</strong>g>of</str<strong>on</strong>g> communicati<strong>on</strong>’ (WAZA, 2005). This is<br />

supported by research comparing message delivery using traditi<strong>on</strong>al means (such as signage)<br />

against that using animal encounters (Yerke & Burns, 1991; Heinrich & Birney, 1992; Broad &<br />

Weiler 1998; Swanagan, 2000), particularly in regards to the effect <strong>on</strong> either visitor interest,<br />

resp<strong>on</strong>ses or learning. Results <str<strong>on</strong>g>of</str<strong>on</strong>g> a more recent study by Povey & Rios (2002) comparing an<br />

exhibit display <str<strong>on</strong>g>of</str<strong>on</strong>g> a clouded leopard against a pers<strong>on</strong>al encounter with the animal (<strong>on</strong> a lead<br />

within the zoological park grounds) showed a significant difference in viewing time between the<br />

two modes <str<strong>on</strong>g>of</str<strong>on</strong>g> interpretati<strong>on</strong> in favour <str<strong>on</strong>g>of</str<strong>on</strong>g> the pers<strong>on</strong>al encounter. A study by Anders<strong>on</strong> et al.<br />

(2003) comparing the effects <str<strong>on</strong>g>of</str<strong>on</strong>g> public animal training <str<strong>on</strong>g>of</str<strong>on</strong>g> an otter (with or without an oral<br />

interpretati<strong>on</strong>) against passive exhibit viewing, showed l<strong>on</strong>ger visitor exhibit stay times for the<br />

former rather than the later. This is supported by the findings in Reading <str<strong>on</strong>g>and</str<strong>on</strong>g> Miller (2007)<br />

where over 2000 surveys <str<strong>on</strong>g>of</str<strong>on</strong>g> visitors to Denver Zoo dem<strong>on</strong>strated that visitors preferred receiving<br />

informati<strong>on</strong> from talks held by keepers or volunteers (53%) than just watching the animal (48%),<br />

or using accompanying graphics (39%).<br />

10

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