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Glam Africa: The Revolutionary Edition (2019)

2019 has been a special year for so many reasons, and Glam Africa is bringing the year - and the decade - to a close with our most ambitious edition ever: The Revolutionary Edition. In this edition, the reality TV phenomenon is front-and-centre, with Love Island star Ovie Soko joining us for his first ever cover shoot, as well as a fashion cover featuring Big Brother Naija and Dancing on Ice stars, power couple Mike and Perri Edwards. To pull off this one-of-a-kind issue, we said sayonara to our in-house editorial team (temporarily) and enlisted a diverse group of talented, young content creators for our first ever ‘digital takeover’, which sees online personalities including bloggers, presenters and YouTubers adapting their digital expertise for print media. Very few publications can boast such a diverse range of content, and whatever it is you're looking for, GA has got you covered. We might as well have called this ‘The Egalitarian Issue’, because there really is something for everyone.

2019 has been a special year for so many reasons, and Glam Africa is bringing the year - and the decade - to a close with our most ambitious edition ever: The Revolutionary Edition. In this edition, the reality TV phenomenon is front-and-centre, with Love Island star Ovie Soko joining us for his first ever cover shoot, as well as a fashion cover featuring Big Brother Naija and Dancing on Ice stars, power couple Mike and Perri Edwards. To pull off this one-of-a-kind issue, we said sayonara to our in-house editorial team (temporarily) and enlisted a diverse group of talented, young content creators for our first ever ‘digital takeover’, which sees online personalities including bloggers, presenters and YouTubers adapting their digital expertise for print media. Very few publications can boast such a diverse range of content, and whatever it is you're looking for, GA has got you covered. We might as well have called this ‘The Egalitarian Issue’, because there really is something for everyone.

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Q: D’banj, your incredible journey began with

the decision to move back to Nigeria. Why did

you decide to move back?

Honestly, I've never been too comfortable being

in one spot. Today it looks like this great story,

but going back to Nigeria and so many other

big things that God has done with the brand

have happened through misfortune. Don Jazzy

and I went back to Nigeria because we had no

money - no money at all - and I think Jazzy and his

former partner had fallen out. Before that, one of

my friends back home, Ruggedman, told me that

he'd been paid a thousand pounds for a show in

Nigeria, and so I went to Jazzy and I said, "there's

money in Nigeria, let's go home" even if it was

just to balance ourselves out for a little while ... he

agreed. So going back to Nigeria was literally

out of us looking for visible hope. Then after going

back, in less than a year, everything changed.

not something you'd wish on your worst enemy.

Losing a child is not something you ever think

about, I'd never, ever thought about it before.

Unlike other situations, this was one thing that

really broke me. Getting through it took the grace

of God and a little bit of therapy, but I'm happy

that over time, I've been able to channel those

feelings into my music, which is so important for

me. The most important thing that I prayed for was

restoration. No matter how many times I tell me

wife that everything is okay, I know it's God that

has to give us the restoration, and I'm proud to

say that in a few months I'm going to be a father

again. On the album I wanted to talk about how

we've been able to deal with the loss and how

we're still dealing with it, but more importantly, to

let people know that we're on our way to being

restored, and if that can happen for us, it can

happen for anybody.

Q: Afrobeats has now completely transformed,

we're seeing different doors open for the likes of

Wizkid, Davido, everybody has kind of walked

in the path that you opened doors with. What

were some of the struggles for you as an African

pop artist trying to become the superstar that you

envisioned and taking your music international?

The biggest problem for me was lack of belief

because no one had done it before. People didn't

believe - not my partners, nobody but me. For

me, I think that was the hardest part. Today, a

child can wake up and tell his mom, "I wanna

have a number one record worldwide", and it's

believable. But when we were saying it, it was

more like a dream and so that was one major

struggle, but I'm the kind of person who when I set

my mind on something and I pray and I believe

and I move, it might be tough, but I'll always do

it. I'm so happy for us as a continent and as an

industry as well, because getting that access was

one of the hardest things for us to get. When it

comes to the UK industry, you'd have to actually

ridicule yourself or go through a lot before they'd

even recognise you, but today to come here and

see my posters on the wall as we were driving

down, to see the things that are happening and

hear and see all the successes is just a dream

come true and an affirmation that I'm on the right

path.

Q: The last year and a half has been really tough

for D'banj, the artist, and Dapo, the person. Our

condolences to you and your family for the loss

of your young one. How have you been able to

cope through this very difficult time?

Firstly, I want to thank everyone out there that has

supported us. I believe that it's God that granted

the grace and mercy for myself and my wife to be

able to be here today, and be able to smile. It's

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