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Bodies. Between Space and Design

ISBN 978-3-86859-630-4

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THE BODY THAT<br />

OFFERS ITSELF AS<br />

ENTERTAINMENT<br />

54<br />

The body is the being‐exposed<br />

of the being.<br />

Nancy, 2014 1<br />

THE BODY THAT OFFERS ITSELF AS ENTERTAINMENT<br />

The New American City<br />

The interior is a classic subject in architecture. Normally discussed in relation<br />

to the architectural artefact or to inhabited spaces, the interior has<br />

not ventured far into the field of urban planning. Charles Rice is one of<br />

the few who have tackled the urban dimension of the interior. In his book<br />

Interior Urbanism, he repositions the subject within the American experience<br />

of the sixties <strong>and</strong> seventies. 2 Rice’s approach is typological, applied to<br />

a specific kind of interior: the lobby of big tertiary complexes, particularly<br />

those designed by John Portman & Associates in the two final decades of the<br />

Golden Age. His theory is that the lobbies of big urban buildings best represent<br />

the new consumer society of the sixties. This theory differs little from<br />

the traditional approach, which considers interiors as microcosms typical of<br />

the period during which administrative, judicial, educational, cultural, <strong>and</strong><br />

consumer buildings were constructed in the modern city. The idea of the<br />

interior is established as the materialisation of the public domain. Or, rather,<br />

as the idea of a re-location of public life into big, built spaces: a process of<br />

“interiorisation of the public” that continued in the contemporary city as a<br />

result of more sophisticated functional <strong>and</strong> climatic systems. 3 In this chapter<br />

I would like to propose a different concept of the urban interior, starting<br />

with Rice’s study.<br />

Interior Urbanism opens with a splendid, grey-toned photograph of the<br />

Renaissance Centre in Detroit, which was designed by John Portman in 1977.

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