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ACCENT<br />
Solos for a German Flute<br />
ACC 24194<br />
CD<br />
(digipak)<br />
PC: 01Q<br />
Rec.date: 2007<br />
4 015023 241947<br />
Georg Frideric Handel: Solos in B minor, C major & E minor<br />
Charles Dieupart: Ouvertures in B minor & E minor<br />
Frank Theuns, transverse flute<br />
Les Buffardins<br />
______________________________________________________________________________<br />
Within Handel’s chamber music output, the sonatas for transverse flute could appear<br />
insignificant in the light of to the only sonata which the composer seems to have conceived for the<br />
instrument from the beginning, the Sonata in B minor HWV 379. We have, nevertheless, six other<br />
sonatas for traversa (or “German flute”, which is the translation of the French phrase flûte<br />
d’Allemagne (flute of Germany) or flûte allemande (German flute)). They are all, however,<br />
reworkings of earlier pieces for other instruments (violin, oboe, recorder). These sonatas for<br />
transverse illustrate fully one of the techniques of composition dear to the musician from Saxony,<br />
the pastiche, which he used throughout the whole of his English career. By ceaselessly reusing<br />
and reworking material from this protean output, Handel himself showed the particular interest he<br />
had for it, and thereby its undeniable quality is emphasised still further.<br />
Frank Theuns studied recorder, modern flute, counterpoint and composition at the Royal<br />
Conservatory of <strong>Music</strong> in Brussels and baroque flute with Barthold Kuijken. He has been member<br />
of Europe’s most famous baroque orchestras: Anima Eterna, Le Concert des Nations, l’Orchestre<br />
de la Chapelle Royale, Les Talens Lyriques, La Petite Bande. Theuns is professor of baroque flute<br />
at the Royal Conservatory of <strong>Music</strong> in Brussels.<br />
Theuns solo-recordings for Accent include Sonatas by Blavet (ACC 23154), Boismortier (ACC<br />
24168), Montéclair (ACC 24163), and Hotteterre (ACC 21149).