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Womb as Paradise Lost

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life. My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life.
My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

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Womb as Paradise Lost – Foetal Programming

Thetic Part 1 – Philosophical Introduction

Chapter 1 - 18th century Enlightment:

Resistance against living inside the ‘octave’

1. Introduction

I

n this dissertation the connection between language related disorders and

neurological music therapy (NMT) has formed one of the core items. Music

and language seem to be an evolutionary unity. The scientific debate about

the question if language and music are genetic phenomena is an ongoing at an

interdisciplinary level. So it’s a part of my investigation. Because the first part of

my dissertation belongs to the fundamental, philosophical research, I only follow

the debate about these genetical problems only by research of literature as relevant

publicated investigations.

1.1 Music and Number

For the cultural meaning and the development of numbers we ought to be in the

community of Pythagoras. We illustrate the music developments by the famous

story of the blacksmith’s workshop. Pythagoras is so illustrated for us, when we

are thinking about the relationship between numbers and music. The proportional

differences between the objects generating musical intervals on which harmony

and melody are often based will first spring in mind. Pythagoras was said to have

been walking past a workshop where the sound of anvils of different weights

were being struck, with each weight producing a different tone. Sounding together

the result was consonant or stable. Upon investigation Pythagoras, it is said,

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