Drawing Cartoon Faces_ 55+ Projects for Cartoons, Caricatures & Comic Portraits ( PDFDrive )

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Ink SpatterNext time you want to add some texture or shading to your work, dip the tip of atoothbrush into your ink and use your thumb or a pencil to run across the bristles. Be sureto aim it at your paper instead of at your friend.
Once dry, erase your pencil linesBBold and Subtle StrokesUse bolder strokes for larger shapes and shapes in the foreground. Bolder strokes shouldalso be used on the underside of shapes to give them a sense of weight.Use subtler strokes for smaller shapes and shapes in the background. Smaller strokesshould also be used to describe details on the surface of objects.Strokes can change in thickness to emphasize the fullness of an object. For example, astroke should be wider at the fullness of the curve of a cheek.Once you’ve finished the inking, let it dry completely. Then you can come back with aneraser to remove your pencil lines.
Page 4 and 5: DrawingCartoonFacesHarry Hamernikan
Page 6 and 7: ContentsIntroduction1 The Fundament
Page 8 and 9: Varying the Profile LineDrawing a C
Page 10 and 11: Three panel:Establishing Shot and C
Page 12: cartoon faces, expressions and how
Page 22 and 23: Materials and EquipmentThese pages
Page 24 and 25: Pens and MarkersFor some of us, usi
Page 26 and 27: mirror taped to your drawing table
Page 28 and 29: Overcoming Drawing BiasWe all have
Page 30 and 31: Keep It Light at FirstWhen blocking
Page 32 and 33: Thick to ThinThis is a standard mar
Page 36 and 37: Marker TechniquesThe best way to pr
Page 38 and 39: ExaggerateWhen you first start prac
Page 40 and 41: Pencil TechniquesMarkers are a grea
Page 42 and 43: Practice Line VariationDraw thick,
Page 44 and 45: Shaping Pencil Tips and BBlending S
Page 46 and 47: Draw Features DecisivelyDraw featur
Page 48 and 49: Colored Pencil TechniquesColoring a
Page 50: Hair ColorsExperiment with blending
Page 54 and 55: 1. Flesh2. Flesh + Blush3. Flesh +
Page 57: Creating HighlightsFor highlights i
Page 61: STEP 2: Add ShadowsOverlay another
Page 64 and 65: Coloring a Face With Colored Pencil
Page 66 and 67: STEP 2: Color the FoundationFill in
Page 68 and 69: that you can’t actually distingui
Page 70 and 71: Computer ColoringThe information gi
Page 72 and 73: Scan in your artwork at 300 DPI usi
Page 74 and 75: STEP 5: Color the HairUse the techn
Page 76 and 77: STEP 7: Add Depth to the Skin ToneT
Page 78: STEP 9: Add a BackgroundPaint a sim
Page 81 and 82: all the layers and leaves your imag
Page 85 and 86:
Expressions Are StoriesNow, try to
Page 87 and 88:
By studying and applying the princi
Page 91 and 92:
The HeadRemember, always start with
Page 93 and 94:
The Face and Cranium TogetherYou ca
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Wrapping Around the FormWhen we loo
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STEP 2: Add the Face as a “U” S
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Add one line splitting the head in
Page 105 and 106:
Finally, add the facial features. P
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Construction LinesNotice that the h
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BBird’s-Eye ViewUse the same cons
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STEP 1: Draw the StructureBegin wit
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STEP 3: Start Adding FeaturesWork y
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STEP 5: Finish and Refine FeaturesA
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Distance, Anchor and Pivot PointsWh
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Anchor LocationAnchors will always
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measuring; just go with your first
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Placing Features BBefore Drawing Th
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The pivot is directly below the anc
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Strive for SymmetryIf you are strug
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Full BeardBBeards and Other Facial
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Vary the Shape but Maintain the Cen
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Different Pivot Point PlacementHere
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Always simplify the shaft of the no
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STEP 1: Draw Construction LinesIndi
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STEP 3: Sketch the Tip, Wings and N
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Make sure to wrap your details arou
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Using an OutlineEyebrows can be nea
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You can show the color and thicknes
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STEP 2: Add Construction LinesSketc
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STEP 4: Sketch the EyelidsSketch wh
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Try to follow this process to incre
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Varying the EyesVary Your ShapesThi
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A larger iris will make your subjec
Page 166 and 167:
Creating MouthsMouth Anchor and Piv
Page 168 and 169:
Drawing TeethThink of teeth as a ci
Page 170 and 171:
Forming the Lower Mouth ShapeIn gen
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The MouthOnce you know the basic me
Page 174 and 175:
Profile ViewWhen relaxed, the corne
Page 176 and 177:
The Smile MuscleThis major muscle d
Page 178 and 179:
Extra LinesAny other lines you draw
Page 180 and 181:
Hair StylesRemember this: Thick lin
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What hair color does each of these
Page 184 and 185:
Embellishing EarsStart With Silhoue
Page 187 and 188:
Placing Anchor and Pivot PointsAs i
Page 189 and 190:
Example Ears
Page 191 and 192:
Example Necks
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Using the Same AngleWhen drawing a
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STEP 2: Draw the HairThere are a lo
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STEP 4: Add Eyes and DetailsNow wor
Page 207 and 208:
STEP 6: Add the NeckNo floating hea
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Adding ColorRemember, color should
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STEP 2: Draw the HairDescribe the h
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STEP 4: Add More Facial FeaturesDra
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STEP 6: Add the NeckNecks on childr
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STEP 1: Draw the StructureDraw a si
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Hairline 1 covers the ears, so don
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STEP 4: Add Facial Features
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STEP 5: Finish and Refine the Featu
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STEP 6: Add the Neck
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Working With PonytailsCaricatures a
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STEP 2: Add HairDraw the ears and h
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STEP 4: Add More FeaturesWhen drawi
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STEP 6: Add the NeckHere I’ve dra
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STEP 1: Draw the StructureStart wit
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STEP 3: Start Adding FeaturesDraw e
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Working With a BeardA beard creates
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STEP 1: Draw the StructureThe jawli
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Drawing the Three-Quarters ViewBasi
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STEP 2: Add HairNext add line 1 of
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STEP 4: Add More FeaturesAdd the no
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STEP 6: Add the NeckAdd the neck an
Page 279 and 280:
Using HighlightsYou can use the hig
Page 281 and 282:
Creating a Three-Quarters View Nose
Page 283 and 284:
Nose ExamplesPractice drawing many,
Page 286:
Study Anchor and Pivot PointsLook f
Page 289 and 290:
Designing Three-Quarters View FaceS
Page 291 and 292:
A Round FaceNotice the round jawlin
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Find the Active LinesThe far side o
Page 295 and 296:
Adding HairDraw the face shape firs
Page 297:
Using Facial Rhythm LinesRhythm lin
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Locate the Profile LineThe profile
Page 303 and 304:
STEP 1: Draw the StructureDraw the
Page 306:
STEP 2: Add HairAdd the hairline ar
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STEP 4: Add More FeaturesDraw the n
Page 314 and 315:
STEP 6: Add the NeckComplete the sk
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Vary the Profile LinePractice varyi
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you are practicing, draw the same p
Page 323:
STEP 3: Start Adding FeaturesWhen y
Page 327:
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Clothing and Decorative LinesThere
Page 334:
STEP 1: Draw the StructureStart at
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STEP 3: Start Adding FeaturesDraw t
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Analyzing Face ShapesWhen you see a
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Start with the face shape. Use only
Page 350 and 351:
Draw the eyes. Once you’re comfor
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Draw the mouth. Remember to look fo
Page 354 and 355:
Complete the sketch. Enjoy adding d
Page 357:
Matching Directional StrokesMatchin
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Drawing hats is no different than d
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Finish the ear and hair, then draw
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Hair StrokesTo draw shaggy hair, us
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STEP 2: Add the Hat
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STEP 3: Start Adding Features
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STEP 4: Add More Features
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STEP 6: Add the NeckKeep the neck s
Page 381:
Unify Multiple LinesWhen you have a
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STEP 2: Add the HairlineFor this po
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STEP 6: Finish the Hair and Add the
Page 396 and 397:
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STEP 3: Start Adding FeaturesAdd th
Page 400 and 401:
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texture. The strokes tucked into th
Page 406 and 407:
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Draw line 1 of the hair, then line
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Draw the eyes. Add some shadows if
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Draw the nose. The nose is a great
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STEP 6: Add the Neck and Details
Page 416:
Making Hair a Graphic ElementA good
Page 422:
STEP 2: Add HairDrawing line 2 of t
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STEP 4: Add More FeaturesThe nose f
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STEP 6: Add Final DetailsAdd some d
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Use Your Imagination!Models and ref
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STEP 2: Add Hair
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Page 440 and 441:
Page 442 and 443:
STEP 6: Add Final DetailsDraw the e
Page 444 and 445:
There are anchor and pivot points t
Page 446 and 447:
Anchor and Pivot Your EyebrowsLook
Page 448 and 449:
Profile Nose Examples
Page 451 and 452:
Forming the Profile MouthThe mouth
Page 453 and 454:
Profile Line and Hair Silhouette Ar
Page 456:
Styling Short HairWhen drawing very
Page 459 and 460:
STEP 2: Add HairDraw lines 1 and 2
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Add the nostril and cheek using you
Page 464 and 465:
STEP 6: Add the NeckComplete the sk
Page 466 and 467:
STEP 1: Draw the StructurePlan care
Page 468 and 469:
STEP 3: Start Adding FeaturesAdd th
Page 470 and 471:
Page 472:
Using Heavy Pencil LinesWhen sketch
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Page 478 and 479:
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STEP 6: Add the NeckFinish the sket
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Losing the Long HairDraw from a thr
Page 487 and 488:
STEP 2: Add the Hair
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STEP 3: Start Adding Features
Page 491 and 492:
STEP 4: Add More Features
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Add lips to the mouth. This should
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Full-Figured SubjectThere are all t
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STEP 3: Start Adding FeaturesDevelo
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3 Scenarios & CharactersLet’s loo
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Artist’s NoteI wanted to start wi
Page 508 and 509:
Start with a simplified head shape,
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movements of the big shapes pull an
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Draw a simplified version of the he
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STEP 4: Clean Up the SketchYou can
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shadows are warmer than the colors
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Gibbs:When I was drawing this, I wa
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About to SneezeWhat Billy doesn’t
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out to one side. Draw his nostril f
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STEP 5: Add ColorA little color fin
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the better.Ben:The desert does stra
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Start with an oval head shape. Draw
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STEP 4: Clean Up the SketchOnce aga
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You can use your coloring to make t
Page 534 and 535:
Gibbs:
Page 536 and 537:
Bronze:His kitten ate his goldfish,
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ConnivingArtist’s NoteWhen I appr
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Draw a circle for the cranium and a
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STEP 3: Add DetailsAdd heavy lids a
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Draw the smile and add some more fo
Page 547:
AngryThe villain has been foiled by
Page 551:
STEP 2: Rough In the FeaturesLightl
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STEP 4: Refine the FormRefine the f
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STEP 6: Add Highlights and ShadowsM
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Bronze:
Page 563:
Deep in ThoughtThe villain tries to
Page 567:
STEP 2: Rough In the FeaturesLightl
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STEP 4: Refine the FeaturesDraw the
Page 575 and 576:
STEP 6: Add ColorColor and lighting
Page 578 and 579:
Bronze:“Hmmm,” he thinks to him
Page 580:
Stages of FearIn this scenario, Bra
Page 584:
STEP 1: Draw the Basic StructureSta
Page 588:
STEP 3: Add DetailsExtend the shape
Page 591:
LaughterLet’s do an expression th
Page 595:
STEP 2: Rough In the ExpressionThis
Page 599:
STEP 4: Clean UpFor this demo you c
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Artist Variations - LaughterGibbs:H
Page 604:
TerrorLet’s suppose our security
Page 608:
STEP 2: Rough In the FeaturesDraw t
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STEP 4: Clean UpUse single, bold st
Page 615 and 616:
Artist Variations - TerrorBen:A fle
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Tuna for Lunch“Not again,” says
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STEP 1: Draw the Basic Structure
Page 622 and 623:
STEP 2: Rough In the Features
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STEP 3: Refine and Add Details
Page 626 and 627:
STEP 4: Clean Up
Page 628 and 629:
Something StinksJoey is like any ki
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Start with the basic head structure
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Draw circles for his eyes fairly cl
Page 634 and 635:
Add wrinkles for his nostrils, maki
Page 636 and 637:
Clean the drawing by inking over yo
Page 638 and 639:
For color, just throw on something
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Ben:Nothing is better than Mr. High
Page 642 and 643:
DisgustedNow that the stink has mad
Page 644 and 645:
Draw in the head structure. I usual
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STEP 3: Refine and Add Details
Page 648 and 649:
STEP 4: Clean Up
Page 650 and 651:
STEP 5: Add ColorAdd a little color
Page 652 and 653:
Ben:Have you ever tried monkey food
Page 654:
The HoboIn this scenario, Ben will
Page 657 and 658:
STEP 1: Draw the Basic Head Structu
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STEP 3: Refine the Features
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STEP 4: Add Details
Page 665 and 666:
STEP 5: Clean Up
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Yummy!What luck! After rummaging th
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Draw the same basic head structure,
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STEP 3: Add Rough, Expressive Featu
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STEP 4: Add Details
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STEP 5: Clean Up
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STEP 6: Mmm! My Favorite!For these
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Bronze:Fine dining by a fine gentle
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DrunkHaving downed a fifth of gin,
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STEP 2: Block in the Basic ShapesBl
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STEP 3: Refine the FeaturesBegin ad
Page 687 and 688:
Add details for the hair, more smal
Page 689:
Clean up the drawing by inking your
Page 692:
Artist Variations - Drunk
Page 695 and 696:
Gibbs:For this, I just wanted to dr
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Page 701 and 702:
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STEP 4: Add Details
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STEP 5: Clean Up
Page 707 and 708:
STEP 6: Rough Morning
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Artist Variations - Hung OverBrando
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Gibbs:Just woke up after some heavy
Page 714 and 715:
Artist’s NoteTeenage girls presen
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STEP 1: Draw the Basic StructureDra
Page 719 and 720:
the eyebrows will be, you should re
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STEP 4: Add DetailsThis is where it
Page 723 and 724:
Use ink lines to add drama. Render
Page 726:
STEP 1: Draw the StructureDraw a ci
Page 730:
STEP 3: Refine the FeaturesBecause
Page 734:
STEP 5: Clean UpConsider your line
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Artist Variations - Rolling EyesBro
Page 739 and 740:
Brandon:This is a kind of pudding-p
Page 742 and 743:
STEP 1: Draw the StructureDraw a ci
Page 744 and 745:
Indicate the end of the nose with a
Page 746 and 747:
but the cheek rises and pushes the
Page 749:
STEP 5: Clean UpAs you ink your dra
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Artist Variations - HostileGibbs:Yo
Page 754 and 755:
Jim has just complimented the regio
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Artist’s NoteThis scenario was su
Page 759 and 760:
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STEP 2: Block In the FeaturesGive y
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Draw the eyebrows high and pinched
Page 765:
Darken the eyelashes, eyebrows and
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SassyBetsy’s boyfriend comes over
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STEP 2: Block In the Basic Features
Page 772 and 773:
Draw the eyebrows, making one lower
Page 774 and 775:
Darken the eyelashes, eyebrows and
Page 776 and 777:
Ink over the pencil lines using swe
Page 778 and 779:
When coloring the hair, remember th
Page 781 and 782:
Bronze:Only women are sassy.Gibbs:D
Page 783 and 784:
STEP 1: Draw the Basic StructureDra
Page 785 and 786:
nose and eyes.STEP 3: Refine the Fe
Page 787 and 788:
STEP 4: Add Details
Page 789 and 790:
STEP 5: Clean Up
Page 792 and 793:
STEP 6: Hubba HubbaComplete your dr
Page 794 and 795:
Bronze:
Page 796 and 797:
The FightFinally, a chance to draw
Page 798 and 799:
Ready for ActionCaptain Thunder is
Page 800 and 801:
Start with a pretty standard head s
Page 802 and 803:
Give him tight lips to show the ten
Page 804 and 805:
Sketch in the area of the hair. The
Page 806 and 807:
Add additional lines to show energy
Page 808:
Ink over the pencil lines. Fill in
Page 811 and 812:
Artist Variations - Ready for Actio
Page 813 and 814:
Ben:Sliver eyes and a small mouth s
Page 815 and 816:
STEP 1: Draw the Basic StructureFor
Page 817 and 818:
Draw her lower lip pulled down in o
Page 819 and 820:
STEP 4: Clean UpKeep the lines show
Page 821:
Artist Variations - Growling
Page 824 and 825:
Ben:Caution: Do not steal food from
Page 826 and 827:
Page 828 and 829:
STEP 2: Block In the FeaturesDraw t
Page 830 and 831:
Sketch in the hair. Add the furrows
Page 832 and 833:
STEP 5: Clean Up
Page 835 and 836:
STEP 6: Hey There, Greenie!Use the
Page 837 and 838:
Gibbs:
Page 839 and 840:
AttackingInfuriated, Serpentra atta
Page 841 and 842:
STEP 2: Block In the FeaturesDraw h
Page 843 and 844:
Refine the features and add details
Page 845 and 846:
STEP 5: Add ColorNyeeeeehhhh!!!!
Page 847 and 848:
Brandon:This is one of those expres
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Slugged in the GutCaptain Thunder i
Page 851 and 852:
Draw the head shape: a typical supe
Page 853 and 854:
Page 855 and 856:
STEP 4: Add DetailsAdd the mask and
Page 857:
Ink your drawing. Make sure that an
Page 860 and 861:
Artist Variations - Slugged in the
Page 862 and 863:
Right in the bread basket.Gibbs:He
Page 864 and 865:
ElectrocutedWhen I approached this
Page 866 and 867:
absorbing the electric bolts that a
Page 868 and 869:
Add pupils to her crossed eyes and
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STEP 5: ZappedI usually color my st
Page 872 and 873:
Brandon:I’m just copying Gibbs he
Page 874 and 875:
ExhaustedCaptain Thunder has given
Page 876 and 877:
Draw the head shape with an elongat
Page 878 and 879:
Page 880:
STEP 4: Add DetailsIndicate the hig
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STEP 6: She’s (Huff) Too (Puff) F
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Bronze:After getting up from his re
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Ben:A long day of snake charming re
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STEP 1: Draw the Elongated Oval Sha
Page 892 and 893:
her teeth should be apart. Make the
Page 894 and 895:
STEP 4: Clean UpKeep the helmet shi
Page 896 and 897:
Artist Variations - GloatingBronze:
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Ben:Look at that ant squirm. This g
Page 901 and 902:
Artist’s NoteOf course they wante
Page 903 and 904:
STEP 2: Define the FeaturesDraw her
Page 905 and 906:
STEP 4: Clean UpDarken the eyelashe
Page 907 and 908:
STEP 1: Draw the Basic StructureLay
Page 909 and 910:
STEP 3: Add DetailsAdd the nostril
Page 911 and 912:
STEP 5: Awww!Of course, she’s a b
Page 913:
Brandon:This time shy is shy. I ima
Page 916 and 917:
SeductiveLouise now feels that her
Page 918 and 919:
side view. I’m cheating by drawin
Page 920 and 921:
STEP 3: Add DetailsFurther define t
Page 922 and 923:
STEP 4: Clean UpDarken the eyelashe
Page 924 and 925:
already created to determine where
Page 926 and 927:
Brandon:She’s seductive in a very
Page 928:
4 StorytellingNow that we’ve expl
Page 931 and 932:
Close-upThis view of the clown’s
Page 933 and 934:
Extreme Close-up of an EyeThis view
Page 936:
EnticingThis alluring mouth brings
Page 940 and 941:
RepulsiveThe details of this ugly f
Page 942 and 943:
Long ShotDetails of the eyes and mo
Page 944:
Medium ShotDull expression, dull mi
Page 948 and 949:
Long ShotEnough of the eyes and mou
Page 950:
Compressed FaceThe features seem to
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Open PoseThe open stance conveys th
Page 955 and 956:
BBalanced PoseThis babe stands firm
Page 957 and 958:
Explosive Action, Explosive Line
Page 959:
Single panel: Zombie & Cave GirlWhe
Page 963:
STEP 2: Try a Different ViewI creat
Page 967:
STEP 4: Choose a View and Create a
Page 971 and 972:
STEP 6: Dead Guy, Meet Cave GirlFin
Page 973 and 974:
STEP 2: Refine the DrawingChoose yo
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STEP 4: Add ColorAh, the final piec
Page 977:
Two panel: Shot/Reverse ShotNoir In
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STEP 2: Keep ‘Em ComingIn this sk
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STEP 3: Make Your ChoiceAt this poi
Page 985:
I took the composition of the third
Page 988 and 989:
Three panel:Establishing Shot and C
Page 990 and 991:
establishing shot seems too boring.
Page 992 and 993:
STEP 3: Try AgainTime to push yours
Page 994 and 995:
STEP 4: Add DetailsNow that you hav
Page 996 and 997:
the shadows directly underneath the
Page 999:
STEP 1: Create Some ThumbnailsPlan
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STEP 3: Clean Up and InkClean up an
Page 1006 and 1007:
Single panel: Three Characters With
Page 1008 and 1009:
STEP 2: Refine Your RoughBecause I
Page 1010:
Cover: Splash PageSuperhero TeamYou
Page 1014:
STEP 3: InkWhen inking, think about
Page 1017:
Cover: Splash PageSupervillainsHere
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STEP 2: Another VariationThis thumb
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STEP 4: Choose and RefineTighten yo
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Battle SceneNow, Brandon is going t
Page 1030 and 1031:
Here I’ve established three diffe
Page 1032 and 1033:
Create a sketch of the scene based
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Tighten up the pencil work. Make an
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Clean up the drawing. Try to mainta
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Harry Hamernik has spent years teac
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Blake Loosli
Page 1043 and 1044:
Ernest Harker
Page 1045 and 1046:
Ben Simonsen
Page 1047:
Drawing Cartoon Faces. Copyright ©
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Drawing Cartoon Faces_ 55+ Projects for Cartoons, Caricatures & Comic Portraits ( PDFDrive )