Drawing Cartoon Faces_ 55+ Projects for Cartoons, Caricatures & Comic Portraits ( PDFDrive )

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DrawingCartoonFacesHarry Hamernikand 8fishCincinnati, Ohiowww.impact-books.com
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Page 6 and 7: ContentsIntroduction1 The Fundament
Page 8 and 9: Varying the Profile LineDrawing a C
Page 10 and 11: Three panel:Establishing Shot and C
Page 12: cartoon faces, expressions and how
Page 22 and 23: Materials and EquipmentThese pages
Page 24 and 25: Pens and MarkersFor some of us, usi
Page 26 and 27: mirror taped to your drawing table
Page 28 and 29: Overcoming Drawing BiasWe all have
Page 30 and 31: Keep It Light at FirstWhen blocking
Page 32 and 33: Thick to ThinThis is a standard mar
Page 34 and 35: Ink SpatterNext time you want to ad
Page 36 and 37: Marker TechniquesThe best way to pr
Page 38 and 39: ExaggerateWhen you first start prac
Page 40 and 41: Pencil TechniquesMarkers are a grea
Page 42 and 43: Practice Line VariationDraw thick,
Page 44 and 45: Shaping Pencil Tips and BBlending S
Page 46 and 47: Draw Features DecisivelyDraw featur
Page 48 and 49: Colored Pencil TechniquesColoring a
Page 50: Hair ColorsExperiment with blending
Page 54 and 55:
1. Flesh2. Flesh + Blush3. Flesh +
Page 57:
Creating HighlightsFor highlights i
Page 61:
STEP 2: Add ShadowsOverlay another
Page 64 and 65:
Coloring a Face With Colored Pencil
Page 66 and 67:
STEP 2: Color the FoundationFill in
Page 68 and 69:
that you can’t actually distingui
Page 70 and 71:
Computer ColoringThe information gi
Page 72 and 73:
Scan in your artwork at 300 DPI usi
Page 74 and 75:
STEP 5: Color the HairUse the techn
Page 76 and 77:
STEP 7: Add Depth to the Skin ToneT
Page 78:
STEP 9: Add a BackgroundPaint a sim
Page 81 and 82:
all the layers and leaves your imag
Page 85 and 86:
Expressions Are StoriesNow, try to
Page 87 and 88:
By studying and applying the princi
Page 91 and 92:
The HeadRemember, always start with
Page 93 and 94:
The Face and Cranium TogetherYou ca
Page 95:
Wrapping Around the FormWhen we loo
Page 99:
STEP 2: Add the Face as a “U” S
Page 102:
Add one line splitting the head in
Page 105 and 106:
Finally, add the facial features. P
Page 107 and 108:
Construction LinesNotice that the h
Page 109 and 110:
BBird’s-Eye ViewUse the same cons
Page 112:
STEP 1: Draw the StructureBegin wit
Page 116:
STEP 3: Start Adding FeaturesWork y
Page 120:
STEP 5: Finish and Refine FeaturesA
Page 123 and 124:
Distance, Anchor and Pivot PointsWh
Page 125 and 126:
Anchor LocationAnchors will always
Page 127 and 128:
measuring; just go with your first
Page 129 and 130:
Placing Features BBefore Drawing Th
Page 132:
The pivot is directly below the anc
Page 135 and 136:
Strive for SymmetryIf you are strug
Page 137 and 138:
Full BeardBBeards and Other Facial
Page 139 and 140:
Vary the Shape but Maintain the Cen
Page 141:
Different Pivot Point PlacementHere
Page 144 and 145:
Always simplify the shaft of the no
Page 146 and 147:
STEP 1: Draw Construction LinesIndi
Page 148 and 149:
STEP 3: Sketch the Tip, Wings and N
Page 150 and 151:
Make sure to wrap your details arou
Page 152 and 153:
Using an OutlineEyebrows can be nea
Page 154 and 155:
You can show the color and thicknes
Page 156 and 157:
STEP 2: Add Construction LinesSketc
Page 158 and 159:
STEP 4: Sketch the EyelidsSketch wh
Page 160 and 161:
Try to follow this process to incre
Page 162 and 163:
Varying the EyesVary Your ShapesThi
Page 164 and 165:
A larger iris will make your subjec
Page 166 and 167:
Creating MouthsMouth Anchor and Piv
Page 168 and 169:
Drawing TeethThink of teeth as a ci
Page 170 and 171:
Forming the Lower Mouth ShapeIn gen
Page 172 and 173:
The MouthOnce you know the basic me
Page 174 and 175:
Profile ViewWhen relaxed, the corne
Page 176 and 177:
The Smile MuscleThis major muscle d
Page 178 and 179:
Extra LinesAny other lines you draw
Page 180 and 181:
Hair StylesRemember this: Thick lin
Page 182 and 183:
What hair color does each of these
Page 184 and 185:
Embellishing EarsStart With Silhoue
Page 187 and 188:
Placing Anchor and Pivot PointsAs i
Page 189 and 190:
Example Ears
Page 191 and 192:
Example Necks
Page 195:
Using the Same AngleWhen drawing a
Page 199:
STEP 2: Draw the HairThere are a lo
Page 203:
STEP 4: Add Eyes and DetailsNow wor
Page 207 and 208:
STEP 6: Add the NeckNo floating hea
Page 209 and 210:
Adding ColorRemember, color should
Page 211 and 212:
STEP 2: Draw the HairDescribe the h
Page 213 and 214:
STEP 4: Add More Facial FeaturesDra
Page 215 and 216:
STEP 6: Add the NeckNecks on childr
Page 218 and 219:
STEP 1: Draw the StructureDraw a si
Page 220 and 221:
Hairline 1 covers the ears, so don
Page 222 and 223:
STEP 4: Add Facial Features
Page 224 and 225:
STEP 5: Finish and Refine the Featu
Page 226 and 227:
STEP 6: Add the Neck
Page 228:
Working With PonytailsCaricatures a
Page 232:
STEP 2: Add HairDraw the ears and h
Page 236:
STEP 4: Add More FeaturesWhen drawi
Page 240 and 241:
STEP 6: Add the NeckHere I’ve dra
Page 244:
STEP 1: Draw the StructureStart wit
Page 248:
STEP 3: Start Adding FeaturesDraw e
Page 252:
Page 255:
Working With a BeardA beard creates
Page 258:
STEP 1: Draw the StructureThe jawli
Page 262:
Page 266:
Page 269:
Drawing the Three-Quarters ViewBasi
Page 272 and 273:
STEP 2: Add HairNext add line 1 of
Page 274 and 275:
STEP 4: Add More FeaturesAdd the no
Page 277 and 278:
STEP 6: Add the NeckAdd the neck an
Page 279 and 280:
Using HighlightsYou can use the hig
Page 281 and 282:
Creating a Three-Quarters View Nose
Page 283 and 284:
Nose ExamplesPractice drawing many,
Page 286:
Study Anchor and Pivot PointsLook f
Page 289 and 290:
Designing Three-Quarters View FaceS
Page 291 and 292:
A Round FaceNotice the round jawlin
Page 293 and 294:
Find the Active LinesThe far side o
Page 295 and 296:
Adding HairDraw the face shape firs
Page 297:
Using Facial Rhythm LinesRhythm lin
Page 300 and 301:
Locate the Profile LineThe profile
Page 303 and 304:
STEP 1: Draw the StructureDraw the
Page 306:
STEP 2: Add HairAdd the hairline ar
Page 310:
STEP 4: Add More FeaturesDraw the n
Page 314 and 315:
STEP 6: Add the NeckComplete the sk
Page 317 and 318:
Vary the Profile LinePractice varyi
Page 319:
you are practicing, draw the same p
Page 323:
STEP 3: Start Adding FeaturesWhen y
Page 327:
Page 330:
Clothing and Decorative LinesThere
Page 334:
STEP 1: Draw the StructureStart at
Page 338:
STEP 3: Start Adding FeaturesDraw t
Page 342:
Page 345:
Analyzing Face ShapesWhen you see a
Page 348 and 349:
Start with the face shape. Use only
Page 350 and 351:
Draw the eyes. Once you’re comfor
Page 352 and 353:
Draw the mouth. Remember to look fo
Page 354 and 355:
Complete the sketch. Enjoy adding d
Page 357:
Matching Directional StrokesMatchin
Page 360 and 361:
Drawing hats is no different than d
Page 362 and 363:
Page 364 and 365:
Finish the ear and hair, then draw
Page 367 and 368:
Hair StrokesTo draw shaggy hair, us
Page 369 and 370:
STEP 2: Add the Hat
Page 371 and 372:
STEP 3: Start Adding Features
Page 373 and 374:
STEP 4: Add More Features
Page 375 and 376:
Page 378 and 379:
STEP 6: Add the NeckKeep the neck s
Page 381:
Unify Multiple LinesWhen you have a
Page 385:
STEP 2: Add the HairlineFor this po
Page 389:
Page 393 and 394:
STEP 6: Finish the Hair and Add the
Page 396 and 397:
Page 398 and 399:
STEP 3: Start Adding FeaturesAdd th
Page 400 and 401:
Page 402 and 403:
texture. The strokes tucked into th
Page 406 and 407:
Page 408 and 409:
Draw line 1 of the hair, then line
Page 410 and 411:
Draw the eyes. Add some shadows if
Page 412 and 413:
Draw the nose. The nose is a great
Page 414 and 415:
STEP 6: Add the Neck and Details
Page 416:
Making Hair a Graphic ElementA good
Page 422:
STEP 2: Add HairDrawing line 2 of t
Page 426:
STEP 4: Add More FeaturesThe nose f
Page 430 and 431:
STEP 6: Add Final DetailsAdd some d
Page 433:
Use Your Imagination!Models and ref
Page 436 and 437:
STEP 2: Add Hair
Page 438 and 439:
Page 440 and 441:
Page 442 and 443:
STEP 6: Add Final DetailsDraw the e
Page 444 and 445:
There are anchor and pivot points t
Page 446 and 447:
Anchor and Pivot Your EyebrowsLook
Page 448 and 449:
Profile Nose Examples
Page 451 and 452:
Forming the Profile MouthThe mouth
Page 453 and 454:
Profile Line and Hair Silhouette Ar
Page 456:
Styling Short HairWhen drawing very
Page 459 and 460:
STEP 2: Add HairDraw lines 1 and 2
Page 461 and 462:
Add the nostril and cheek using you
Page 464 and 465:
STEP 6: Add the NeckComplete the sk
Page 466 and 467:
STEP 1: Draw the StructurePlan care
Page 468 and 469:
STEP 3: Start Adding FeaturesAdd th
Page 470 and 471:
Page 472:
Using Heavy Pencil LinesWhen sketch
Page 476 and 477:
Page 478 and 479:
Page 481 and 482:
STEP 6: Add the NeckFinish the sket
Page 484:
Losing the Long HairDraw from a thr
Page 487 and 488:
STEP 2: Add the Hair
Page 489 and 490:
STEP 3: Start Adding Features
Page 491 and 492:
STEP 4: Add More Features
Page 493 and 494:
Add lips to the mouth. This should
Page 495:
Full-Figured SubjectThere are all t
Page 498 and 499:
STEP 3: Start Adding FeaturesDevelo
Page 500 and 501:
Page 502:
3 Scenarios & CharactersLet’s loo
Page 506 and 507:
Artist’s NoteI wanted to start wi
Page 508 and 509:
Start with a simplified head shape,
Page 510 and 511:
movements of the big shapes pull an
Page 512 and 513:
Draw a simplified version of the he
Page 514 and 515:
STEP 4: Clean Up the SketchYou can
Page 516 and 517:
shadows are warmer than the colors
Page 518 and 519:
Gibbs:When I was drawing this, I wa
Page 520 and 521:
About to SneezeWhat Billy doesn’t
Page 522 and 523:
out to one side. Draw his nostril f
Page 524 and 525:
STEP 5: Add ColorA little color fin
Page 526 and 527:
the better.Ben:The desert does stra
Page 528 and 529:
Start with an oval head shape. Draw
Page 530 and 531:
STEP 4: Clean Up the SketchOnce aga
Page 532 and 533:
You can use your coloring to make t
Page 534 and 535:
Gibbs:
Page 536 and 537:
Bronze:His kitten ate his goldfish,
Page 539 and 540:
ConnivingArtist’s NoteWhen I appr
Page 541 and 542:
Draw a circle for the cranium and a
Page 543 and 544:
STEP 3: Add DetailsAdd heavy lids a
Page 545 and 546:
Draw the smile and add some more fo
Page 547:
AngryThe villain has been foiled by
Page 551:
STEP 2: Rough In the FeaturesLightl
Page 555:
STEP 4: Refine the FormRefine the f
Page 559 and 560:
STEP 6: Add Highlights and ShadowsM
Page 561 and 562:
Bronze:
Page 563:
Deep in ThoughtThe villain tries to
Page 567:
STEP 2: Rough In the FeaturesLightl
Page 571:
STEP 4: Refine the FeaturesDraw the
Page 575 and 576:
STEP 6: Add ColorColor and lighting
Page 578 and 579:
Bronze:“Hmmm,” he thinks to him
Page 580:
Stages of FearIn this scenario, Bra
Page 584:
STEP 1: Draw the Basic StructureSta
Page 588:
STEP 3: Add DetailsExtend the shape
Page 591:
LaughterLet’s do an expression th
Page 595:
STEP 2: Rough In the ExpressionThis
Page 599:
STEP 4: Clean UpFor this demo you c
Page 602 and 603:
Artist Variations - LaughterGibbs:H
Page 604:
TerrorLet’s suppose our security
Page 608:
STEP 2: Rough In the FeaturesDraw t
Page 612:
STEP 4: Clean UpUse single, bold st
Page 615 and 616:
Artist Variations - TerrorBen:A fle
Page 617:
Tuna for Lunch“Not again,” says
Page 620 and 621:
STEP 1: Draw the Basic Structure
Page 622 and 623:
STEP 2: Rough In the Features
Page 624 and 625:
STEP 3: Refine and Add Details
Page 626 and 627:
STEP 4: Clean Up
Page 628 and 629:
Something StinksJoey is like any ki
Page 630 and 631:
Start with the basic head structure
Page 632 and 633:
Draw circles for his eyes fairly cl
Page 634 and 635:
Add wrinkles for his nostrils, maki
Page 636 and 637:
Clean the drawing by inking over yo
Page 638 and 639:
For color, just throw on something
Page 640 and 641:
Ben:Nothing is better than Mr. High
Page 642 and 643:
DisgustedNow that the stink has mad
Page 644 and 645:
Draw in the head structure. I usual
Page 646 and 647:
STEP 3: Refine and Add Details
Page 648 and 649:
STEP 4: Clean Up
Page 650 and 651:
STEP 5: Add ColorAdd a little color
Page 652 and 653:
Ben:Have you ever tried monkey food
Page 654:
The HoboIn this scenario, Ben will
Page 657 and 658:
STEP 1: Draw the Basic Head Structu
Page 659 and 660:
Page 661 and 662:
STEP 3: Refine the Features
Page 663 and 664:
STEP 4: Add Details
Page 665 and 666:
STEP 5: Clean Up
Page 667 and 668:
Yummy!What luck! After rummaging th
Page 669 and 670:
Draw the same basic head structure,
Page 671 and 672:
STEP 3: Add Rough, Expressive Featu
Page 673 and 674:
STEP 4: Add Details
Page 675 and 676:
STEP 5: Clean Up
Page 677 and 678:
STEP 6: Mmm! My Favorite!For these
Page 679 and 680:
Bronze:Fine dining by a fine gentle
Page 681 and 682:
DrunkHaving downed a fifth of gin,
Page 683 and 684:
STEP 2: Block in the Basic ShapesBl
Page 685 and 686:
STEP 3: Refine the FeaturesBegin ad
Page 687 and 688:
Add details for the hair, more smal
Page 689:
Clean up the drawing by inking your
Page 692:
Artist Variations - Drunk
Page 695 and 696:
Gibbs:For this, I just wanted to dr
Page 697 and 698:
Page 699 and 700:
Page 701 and 702:
Page 703 and 704:
STEP 4: Add Details
Page 705 and 706:
STEP 5: Clean Up
Page 707 and 708:
STEP 6: Rough Morning
Page 709 and 710:
Artist Variations - Hung OverBrando
Page 711 and 712:
Gibbs:Just woke up after some heavy
Page 714 and 715:
Artist’s NoteTeenage girls presen
Page 717 and 718:
STEP 1: Draw the Basic StructureDra
Page 719 and 720:
the eyebrows will be, you should re
Page 721 and 722:
STEP 4: Add DetailsThis is where it
Page 723 and 724:
Use ink lines to add drama. Render
Page 726:
STEP 1: Draw the StructureDraw a ci
Page 730:
STEP 3: Refine the FeaturesBecause
Page 734:
STEP 5: Clean UpConsider your line
Page 737 and 738:
Artist Variations - Rolling EyesBro
Page 739 and 740:
Brandon:This is a kind of pudding-p
Page 742 and 743:
STEP 1: Draw the StructureDraw a ci
Page 744 and 745:
Indicate the end of the nose with a
Page 746 and 747:
but the cheek rises and pushes the
Page 749:
STEP 5: Clean UpAs you ink your dra
Page 752 and 753:
Artist Variations - HostileGibbs:Yo
Page 754 and 755:
Jim has just complimented the regio
Page 757 and 758:
Artist’s NoteThis scenario was su
Page 759 and 760:
Page 761 and 762:
STEP 2: Block In the FeaturesGive y
Page 763 and 764:
Draw the eyebrows high and pinched
Page 765:
Darken the eyelashes, eyebrows and
Page 768 and 769:
SassyBetsy’s boyfriend comes over
Page 770 and 771:
STEP 2: Block In the Basic Features
Page 772 and 773:
Draw the eyebrows, making one lower
Page 774 and 775:
Darken the eyelashes, eyebrows and
Page 776 and 777:
Ink over the pencil lines using swe
Page 778 and 779:
When coloring the hair, remember th
Page 781 and 782:
Bronze:Only women are sassy.Gibbs:D
Page 783 and 784:
STEP 1: Draw the Basic StructureDra
Page 785 and 786:
nose and eyes.STEP 3: Refine the Fe
Page 787 and 788:
STEP 4: Add Details
Page 789 and 790:
STEP 5: Clean Up
Page 792 and 793:
STEP 6: Hubba HubbaComplete your dr
Page 794 and 795:
Bronze:
Page 796 and 797:
The FightFinally, a chance to draw
Page 798 and 799:
Ready for ActionCaptain Thunder is
Page 800 and 801:
Start with a pretty standard head s
Page 802 and 803:
Give him tight lips to show the ten
Page 804 and 805:
Sketch in the area of the hair. The
Page 806 and 807:
Add additional lines to show energy
Page 808:
Ink over the pencil lines. Fill in
Page 811 and 812:
Artist Variations - Ready for Actio
Page 813 and 814:
Ben:Sliver eyes and a small mouth s
Page 815 and 816:
STEP 1: Draw the Basic StructureFor
Page 817 and 818:
Draw her lower lip pulled down in o
Page 819 and 820:
STEP 4: Clean UpKeep the lines show
Page 821:
Artist Variations - Growling
Page 824 and 825:
Ben:Caution: Do not steal food from
Page 826 and 827:
Page 828 and 829:
STEP 2: Block In the FeaturesDraw t
Page 830 and 831:
Sketch in the hair. Add the furrows
Page 832 and 833:
STEP 5: Clean Up
Page 835 and 836:
STEP 6: Hey There, Greenie!Use the
Page 837 and 838:
Gibbs:
Page 839 and 840:
AttackingInfuriated, Serpentra atta
Page 841 and 842:
STEP 2: Block In the FeaturesDraw h
Page 843 and 844:
Refine the features and add details
Page 845 and 846:
STEP 5: Add ColorNyeeeeehhhh!!!!
Page 847 and 848:
Brandon:This is one of those expres
Page 849 and 850:
Slugged in the GutCaptain Thunder i
Page 851 and 852:
Draw the head shape: a typical supe
Page 853 and 854:
Page 855 and 856:
STEP 4: Add DetailsAdd the mask and
Page 857:
Ink your drawing. Make sure that an
Page 860 and 861:
Artist Variations - Slugged in the
Page 862 and 863:
Right in the bread basket.Gibbs:He
Page 864 and 865:
ElectrocutedWhen I approached this
Page 866 and 867:
absorbing the electric bolts that a
Page 868 and 869:
Add pupils to her crossed eyes and
Page 870 and 871:
STEP 5: ZappedI usually color my st
Page 872 and 873:
Brandon:I’m just copying Gibbs he
Page 874 and 875:
ExhaustedCaptain Thunder has given
Page 876 and 877:
Draw the head shape with an elongat
Page 878 and 879:
Page 880:
STEP 4: Add DetailsIndicate the hig
Page 884 and 885:
STEP 6: She’s (Huff) Too (Puff) F
Page 886 and 887:
Bronze:After getting up from his re
Page 888 and 889:
Ben:A long day of snake charming re
Page 890 and 891:
STEP 1: Draw the Elongated Oval Sha
Page 892 and 893:
her teeth should be apart. Make the
Page 894 and 895:
STEP 4: Clean UpKeep the helmet shi
Page 896 and 897:
Artist Variations - GloatingBronze:
Page 898 and 899:
Ben:Look at that ant squirm. This g
Page 901 and 902:
Artist’s NoteOf course they wante
Page 903 and 904:
STEP 2: Define the FeaturesDraw her
Page 905 and 906:
STEP 4: Clean UpDarken the eyelashe
Page 907 and 908:
STEP 1: Draw the Basic StructureLay
Page 909 and 910:
STEP 3: Add DetailsAdd the nostril
Page 911 and 912:
STEP 5: Awww!Of course, she’s a b
Page 913:
Brandon:This time shy is shy. I ima
Page 916 and 917:
SeductiveLouise now feels that her
Page 918 and 919:
side view. I’m cheating by drawin
Page 920 and 921:
STEP 3: Add DetailsFurther define t
Page 922 and 923:
STEP 4: Clean UpDarken the eyelashe
Page 924 and 925:
already created to determine where
Page 926 and 927:
Brandon:She’s seductive in a very
Page 928:
4 StorytellingNow that we’ve expl
Page 931 and 932:
Close-upThis view of the clown’s
Page 933 and 934:
Extreme Close-up of an EyeThis view
Page 936:
EnticingThis alluring mouth brings
Page 940 and 941:
RepulsiveThe details of this ugly f
Page 942 and 943:
Long ShotDetails of the eyes and mo
Page 944:
Medium ShotDull expression, dull mi
Page 948 and 949:
Long ShotEnough of the eyes and mou
Page 950:
Compressed FaceThe features seem to
Page 953 and 954:
Open PoseThe open stance conveys th
Page 955 and 956:
BBalanced PoseThis babe stands firm
Page 957 and 958:
Explosive Action, Explosive Line
Page 959:
Single panel: Zombie & Cave GirlWhe
Page 963:
STEP 2: Try a Different ViewI creat
Page 967:
STEP 4: Choose a View and Create a
Page 971 and 972:
STEP 6: Dead Guy, Meet Cave GirlFin
Page 973 and 974:
STEP 2: Refine the DrawingChoose yo
Page 975 and 976:
STEP 4: Add ColorAh, the final piec
Page 977:
Two panel: Shot/Reverse ShotNoir In
Page 980 and 981:
STEP 2: Keep ‘Em ComingIn this sk
Page 983 and 984:
STEP 3: Make Your ChoiceAt this poi
Page 985:
I took the composition of the third
Page 988 and 989:
Three panel:Establishing Shot and C
Page 990 and 991:
establishing shot seems too boring.
Page 992 and 993:
STEP 3: Try AgainTime to push yours
Page 994 and 995:
STEP 4: Add DetailsNow that you hav
Page 996 and 997:
the shadows directly underneath the
Page 999:
STEP 1: Create Some ThumbnailsPlan
Page 1003:
STEP 3: Clean Up and InkClean up an
Page 1006 and 1007:
Single panel: Three Characters With
Page 1008 and 1009:
STEP 2: Refine Your RoughBecause I
Page 1010:
Cover: Splash PageSuperhero TeamYou
Page 1014:
STEP 3: InkWhen inking, think about
Page 1017:
Cover: Splash PageSupervillainsHere
Page 1021:
STEP 2: Another VariationThis thumb
Page 1025:
STEP 4: Choose and RefineTighten yo
Page 1028 and 1029:
Battle SceneNow, Brandon is going t
Page 1030 and 1031:
Here I’ve established three diffe
Page 1032 and 1033:
Create a sketch of the scene based
Page 1034 and 1035:
Tighten up the pencil work. Make an
Page 1036 and 1037:
Clean up the drawing. Try to mainta
Page 1039 and 1040:
Harry Hamernik has spent years teac
Page 1041 and 1042:
Blake Loosli
Page 1043 and 1044:
Ernest Harker
Page 1045 and 1046:
Ben Simonsen
Page 1047:
Drawing Cartoon Faces. Copyright ©
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Drawing Cartoon Faces_ 55+ Projects for Cartoons, Caricatures & Comic Portraits ( PDFDrive )