ISSUE II
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22 SIENNA SOLSTICE<br />
“I paint flowers so they will not die.” -Frida Kahlo<br />
Well we aren’t really shopping together<br />
it’s just me recognizing her<br />
portrait by the cash register<br />
in the nearby farmer’s market—<br />
well, a parking lot corner with<br />
beachy air, a few gourds and prices marked for “annuals”<br />
(which i learn means flowers that just die by the end of the year never to return)<br />
(i wonder if Frida had annuals and knew to call them “annuals”)<br />
(was it annuals that inspired her to paint them because they always die)<br />
(and she kept them alive)<br />
Thinking what the hell is her portrait doing in this small town market<br />
pale faces everywhere like daisies<br />
or ghosts<br />
if she were here i wouldn’t dare approach her, all<br />
smock and big earrings and tied up hair and perhaps a bag strap across her body<br />
as i’ve met heroes and celebs before, put a foot in my mouth<br />
and kicked myself with it,<br />
still waiting for the right time to message remember me<br />
so we can celeb and collaborate?<br />
(or better yet<br />
someone to approach me) no,<br />
like how my man and i keep each other at arm’s length,<br />
it’s just not the right time,<br />
i’m not who i yet want to be<br />
in this frozen summer<br />
like<br />
should i have thrown something at that man’s car<br />
when two weeks before in the same neighborhood<br />
i walked down the street<br />
like Frida may have through an aisle of annuals<br />
and he screamed<br />
for me<br />
to go back to where i came from 3 times<br />
Flower shoppi<br />
Emily Ahme<br />
should i take a petal out of Frida’s book<br />
and paint flowers and feminism and my Egyptianism<br />
and elephants and doves instead<br />
yet here i am<br />
returning anyway for fruit and flowers<br />
just from a distance<br />
Photography by Milena Correia