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ISSUE II

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22 SIENNA SOLSTICE<br />

“I paint flowers so they will not die.” -Frida Kahlo<br />

Well we aren’t really shopping together<br />

it’s just me recognizing her<br />

portrait by the cash register<br />

in the nearby farmer’s market—<br />

well, a parking lot corner with<br />

beachy air, a few gourds and prices marked for “annuals”<br />

(which i learn means flowers that just die by the end of the year never to return)<br />

(i wonder if Frida had annuals and knew to call them “annuals”)<br />

(was it annuals that inspired her to paint them because they always die)<br />

(and she kept them alive)<br />

Thinking what the hell is her portrait doing in this small town market<br />

pale faces everywhere like daisies<br />

or ghosts<br />

if she were here i wouldn’t dare approach her, all<br />

smock and big earrings and tied up hair and perhaps a bag strap across her body<br />

as i’ve met heroes and celebs before, put a foot in my mouth<br />

and kicked myself with it,<br />

still waiting for the right time to message remember me<br />

so we can celeb and collaborate?<br />

(or better yet<br />

someone to approach me) no,<br />

like how my man and i keep each other at arm’s length,<br />

it’s just not the right time,<br />

i’m not who i yet want to be<br />

in this frozen summer<br />

like<br />

should i have thrown something at that man’s car<br />

when two weeks before in the same neighborhood<br />

i walked down the street<br />

like Frida may have through an aisle of annuals<br />

and he screamed<br />

for me<br />

to go back to where i came from 3 times<br />

Flower shoppi<br />

Emily Ahme<br />

should i take a petal out of Frida’s book<br />

and paint flowers and feminism and my Egyptianism<br />

and elephants and doves instead<br />

yet here i am<br />

returning anyway for fruit and flowers<br />

just from a distance<br />

Photography by Milena Correia

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