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Heroines Festival Book Month Program

This is the full program for Heroines Festival's 2020 Book Month.

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Imbi Neemes’ The Spill<br />

Ceridwen Bush<br />

“There was something about the<br />

pressure of the breaks followed by<br />

the release of the accelerator that<br />

made her feel in control again.”<br />

What was the first prompt you had to<br />

write this book?<br />

A friend had a big argument with her sister<br />

about an incident that occurred during<br />

their childhood. Their memory of the<br />

incident was so different, it was almost like<br />

they were talking about two completely<br />

separate events. The fact that two people<br />

who were raised in the same household by<br />

the same parents could experience – and<br />

then remember – something so differently<br />

absolutely fascinated me. I rummaged<br />

around in my own memories, and soon<br />

became fixated on a car accident I’d been<br />

in with my mother and sister, which had<br />

fundamentally changed me. So I decided<br />

to use that as the inciting incident for two<br />

fictitious sisters and their mother.<br />

she ought to live and the life she longs to<br />

live.<br />

What do you think is important for<br />

women who are aspiring to be writers to<br />

know?<br />

That you don’t need hours and hours each<br />

week to write. Nor do you need to make<br />

it perfect the first time. When starting a<br />

new manuscript, I set myself an achievable<br />

word target (250 words) that I make sure<br />

I meet each day. By maintaining that daily<br />

contact with my manuscript, I’m able to<br />

keep the story churning away in my brain<br />

so that by the next time I sit down to do<br />

my 250 words, I’m ready to write.<br />

with a puzzle, the reader doesn’t get the<br />

pieces in order. In the beginning, we are<br />

shown “after the spill” – a car accident,<br />

a drunken mother and an afternoon<br />

of watery lemonade - something that<br />

signposted the end of young Samantha<br />

In the novel, there is a chapter clearly<br />

and Nicole’s parents’ marriage. In the<br />

defined as “The Spill” - what is it about a<br />

middle, we are given the spill itself: the<br />

What did you learn - about anything, moment that marks it as a spill?<br />

Imbi Neeme’s first novel The Spill won the moment the car tumbles too fast around a<br />

including yourself - along your writing In the book, the term “the spill” most<br />

Penguin Literary Award in 2019. It is a fullbodied<br />

examination of relationships and juxtaposed by all the other indistinct spills<br />

Writing has always been a way for me heart of the story. But it’s more than that<br />

bend. The clarity of the spill in the novel is<br />

process?<br />

obviously refers to the car accident at the<br />

trauma. It’s a brilliant story of secrets that sprinkled in, including seemingly unrelated<br />

to emotionally digest experiences or – it’s the spilling of a jigsaw puzzle, the<br />

absorbs its reader through loaded prose material – puzzles, vodka, tears – tiny<br />

feelings (I’ve got decades of journals and spilling of liquid, the spilling of secrets. I<br />

and complicated characters.<br />

things that get lost in a moment.<br />

notebooks as evidence of this!). While I like to make my titles work hard!<br />

The story is told through the interchanging The everyday or usual as traumatic is a<br />

often cannabilise my own life and the lives<br />

perspectives of two sisters: Nicole and concept reminiscent of Virgina Woolf’s<br />

of those around me, I try to do so with as “The Spill” has a form that is deeply<br />

Samantha. A formal choice that exemplifies Mrs. Dalloway. Woolf presents a similar<br />

much kindness and empathy as I can and interwoven with the experience of<br />

the novels themes of perception and juxtaposition of trauma: veteran Septimus<br />

to move as quickly as possible into the trauma. What did the process of writing<br />

memory, but also puts the experience of Smith and his explicit, visual, postwar<br />

trauma, and Clarissa Dalloway’s<br />

I have little control over how people close Because I’ve never felt my own memory<br />

realm of fiction. However, I’ve learned that something non-linear look like for you?<br />

women at the forefront of the plot. The<br />

diversity of secondary characters, both dissatisfaction with life and longing for<br />

to me read my writing and that they’ll is particularly linear, I had this idea of<br />

men and women, is refreshing – nothing past connections. Like Woolf, Imbi Neeme<br />

often find themselves in places I haven’t structuring the book like a giant jigsaw<br />

virtue signalling or irredeemably evil, just presents the reader with a traumatic event<br />

put them!<br />

puzzle, where I give the readers pieces<br />

fully-fleshed. Despite never being in the so clear, it indirectly highlights the many<br />

from different parts of the puzzle one at a<br />

spotlight, I was fond of Nicole’s partner, stitches of trauma in everyday life.<br />

What would your ideal reader experience time. Slowly, they are able to connect the<br />

Jethro. Imbi shows us not only Nicole and The Spill, just like it’s protagonists, is<br />

with this book look like?<br />

pieces and see the bigger picture.<br />

Jethro’s first interaction – playful, awkward full of cryptic secrets. It is a series of<br />

I would hope it would make people reflect<br />

– but Jethro’s and Samantha’s – hostile and scattered pieces: to understand is to work<br />

on their own family relationships and The writing process relied heavily on a big<br />

uncomfortable. These little interactions backwards, something impossible in the<br />

consider that there might be more to the spreadsheet I created to manage all the<br />

are something that tie all of the characters real world. Finally, in “Before the Spill”, the<br />

past than they’ve remembered.<br />

different puzzle pieces. It allowed me to<br />

together. No moment is truly insignificant reader learns something that Samantha<br />

sort the chapters in chronological order<br />

in The Spill, nor in reality.<br />

and Nicole never will. With this framework,<br />

What are you reading at the moment? as well as in the order they appear in the<br />

The Spill is a novel set against a backdrop the novel becomes a commentary on<br />

I’m just starting ‘No Small Shame’<br />

novel, as well as track character’s ages.<br />

of two Australia’s: the 1980’s and now. It memory, truth, and trauma. Ultimately,<br />

by Christine Bell. I met Christine at a<br />

is a novel surrounding the spill: a clearly The Spill is a beautifully critical analysis of<br />

workshop late last year and have been<br />

defined moment in time, presented individual reality, and the trauma entwined<br />

itching to read this, her debut novel. Set<br />

differently in the beginning, middle, and in everyday life.<br />

during the first world war, a woman is<br />

end of the novel. It gives this feeling of<br />

forced to make a decision between the life<br />

collecting memories, or “pieces”. Just as<br />

40 41

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