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Muse: Issue 02

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PHOTOGRAPHER: Silas Chu, @silas_shc

MODELS: Agatha Tutia, @allaboutaggie

FASHION SHOW: a.oei studio, @a.oei_studio

designs in person, but as an audience,

we unknowingly inspire the culture and

ideals in which the world of fashion is

founded on.

As individuals, we are able to shape

the cultural identity of our society

through creating music, art, and technological

advances unique to our current

decade. Current and traditional culture

from around the world is embedded

into shows to broaden its audience and

to promote diversity in fashion design.

It’s important to recognize the difference

between a designer incorporating

cultural elements from the perspective

of appreciation and education rather

than a self-serving, irreverent perspective.

Some positive examples include

Chanel’s 2016/17 Cruise show in

Cuba, which incorporates Cuban culture

through its use of local musical artists

performing on the runway, and its

location being physically on the streets

of Cuba. The models in the show are

diverse and represent the demographics

of the area in a way appropriate and

important to runway culture. Lagerfeld’s

As a general public,

we may not find

our names on the

exclusive invitation

lists, but we can see

elements of ourselves

within the music that

represents our experiences

and within

the designs that tell

our stories.

pieces in the collection all have a certain

ease representing the free spirited

Cuban culture of the early 1900’s. Guo

Pei, the genius behind Rihanna’s iconic

yellow ensemble at the 2015 Met Gala,

is a specialist in incorporating ethnic

culture into runway fashion. She integrates

traditional Chinese design into

intricate headdresses, dramatic gowns,

and beautiful shoes. This aspect of high

fashion reveals how we as an audience

actually do impact the looks we see in

the seemingly distant and elite runway

scene. We influence our society’s culture,

which then inspires high fashion.

The integral link between the individual

and largely known name brands can

further be found within the designs of

local artists as well as the atmosphere

of their shows. These shows are often

more personal and organic. Through

these designs, the designer’s identity

is clear and at the forefront. They are

unapologetically revealing parts of themselves

within their shows, an aspect that

prestigious high fashion can sometimes

lack. Local fashion culture demonstrates

the possibilities of what the fashion industry

can become when it embraces an

intimate approach of sharing designs.

The prestigious nature of the world

of fashion fosters the captivating unattainability

of runway culture which draws

us all in.

ISSUE 02: SUBCULTURES IN FASHION

25

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