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NAB XVIII 2019

NAB features the News from the Institute of African Studies at the University of Bayreuth. The 2019 edition especially focuses on the newly estabished Africa Multiple Cluster of Excellence.

NAB features the News from the Institute of African Studies at the University of Bayreuth. The 2019 edition especially focuses on the newly estabished Africa Multiple Cluster of Excellence.

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African Studies around the Globe

Future Africa Visions in Time: Transatlantic and

Transdisciplinary Encounters in Salvador de Bahia

Text and Photos DORIS LÖHR

Aworkshop at the Federal University

of Bahia taking place from

25 to 26 April 2019 fostered a

transatlantic and transdisciplinary debate

on the topic of “Future Africa Visions

in Time”.

Building on a long partnership with

the Centro de Estudos Afro-Orientais

(CEAO) at the Federal University of

Bahia (UFBA), Livio Sansone, CEAO

Director, Ute Fendler, in her function as

stories that offered examples of historical

and contemporary models that allow

a counter-discourse to develop towards

the dominant neo/colonial discourses.

Th ese perspectives were enriched

by artistic practices in photography by

Aderemi Adegbite (Nigeria), painting

and animation by Carlos Smith (hierrotv,

Bogota, Colombia) and Ayodele

Elegba, founder of Spoofanimation and

Lagos Comic Con (Nigeria) that bring

into being imaginative spaces of divergent

perspectives and stories that can

orientate the construction of identity in

The poster was designed by the Brazilian artist Alberto Escobar.

post-colonial societies with a large Afro-descendant

population, like Brazil,

Colombia, or Cuba.

Rina Caceres (Costa Rica), C. Maribel

Brull González (Cuba), and Edwin Salcedo

(Colombia), the invited speakers,

complemented the case studies from the

Brazilian context. Furthermore, some

comparative studies with contemporary

African milieus allowed participants to

critically reflect on the predominance

of historical links to Africa in the Latin

American context as well as the clash of

mythic and mystic images of Africa with

conceptualisations in contemporary socio-political

contexts and their respective

artistic expressions.

the Vice Director of the Bayreuth Academy,

and Doris Löhr, Coordinator of the

Bayreuth Academy, organised a transdisciplinary

and transatlantic workshop

at the CEAO in Salvador de Bahia, Brazil.

Th e topic of the workshop Future Africa

Visions in Time inspired a dialogue

between researchers and artists from

Brazil, Costa Rica, Colombia, Cuba,

Germany and Nigeria, that concentrated

on three major themes: “Em-bodied

Past/Future: representations of the black

body”, Stories and Heroes: linking the

past and the future”, and “Visions of

Future: socio-political perspectives”.

Several talks reflected on the representation

of the black body in painting and

photography from colonial times up to

today, questioning the repercussions of

the past on the present and the future.

Fendler and Osmundo Pinho (Universidade

Federal do Recôncavo da Bahia –

UFRB) presented papers on heroes and

54

The students at Campus St. Amara engaged in lively debates with the visitors.

Ayodele Elegba gave entertaining insights into his work.

Photo: Doris Löhr

Contributions from Bayreuth were concentrated

on the panel Visions of Future:

Socio-Political Perspectives. Using

research within the framework of the

Academy’s project, Löhr presented on

“The Use of African Languages in the

Social Media and their Impact on Sociocultural

Trends and Developments,” and

Florian Stoll on “Future(s) as a Research

Focus of Lifestyle Groups – Middle-

Income Milieus and their Perspectives

of the Future in Urban Kenya.” Th e conference

was held with the attendance of

an interested wider audience; a publication

is under way.

Prior to the conference, a workshop

organised by Fendler, Kleber Amancio

and Löhr was held at St. Amara campus

of the UFBA. Th e master class students

met with the Nigerian participants Elegba

and Adegbite and engaged in lively

discussions about histories and African

futures in time and space and the conceptual

transfer into animated fi lms and

photographs.

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