english cameo glass in the corning museum of glass

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In Fig. 41, Cleopatra is shown standing in front of an elaborately carved Egyptian temple. She holds a sistrum (a musical instrument used in religious rituals) in her right hand. The vase is marked on the base: "THOMAS WEBB 8c SONS / GEM / CAMEO / W2848 CLEOPATRA." FIG. 40 (left). Venus and Cupid, carved by George Woodall, 1884. FIG. 41. Cleopatra, carved by George Woodall, 1896.
11 m m FIG. 42. A Maid of Athens, by Thomas and George Woodall. 46 This is a fine example of the work of Thomas and George Woodall when they worked as partners. Thomas Woodall (1849-1926), George's elder brother, was also a skilled cameo carver. When the two brothers collaborated on a piece, George carved or completed carving the figures and Thomas designed and carved the borders. The Woodalls signed pieces jointly from about 1880 to 1895, when, for unknown reasons, they quarreled. This is a well-documented example of their collaboration, since the base is signed "T. 8c G. WOODALL. DES. & SCULPS." The base also bears the impressed mark "THOMAS WEBB & SONS / GEM / CAMEO."
Page 1 and 2: ENGLISH CAMEO GLASS THE CORNING MUS
Page 3 and 4: Cover: Moorish Bathers. England, Am
Page 6 and 7: CONTENTS Preface 7 Introduction 11
Page 8 and 9: THIS SHORT BOOK has two objectives:
Page 10 and 11: FIG. 3. The Stourbridge area. Roman
Page 12 and 13: FIG. 4. Vase (unfinished) carved by
Page 14: covered at the upper left. The plaq
Page 17 and 18: The hand tools were very simple. Ac
Page 20 and 21: FIG. 13. John Northwood's drawing o
Page 23 and 24: The three tazzas are decorated with
Page 26: .mi gwtwri; itrntu yr-rrrrnvrrri CA
Page 29 and 30: The Portland Vase continued to fasc
Page 32 and 33: IN SPITE OF Richardson's outstandin
Page 34 and 35: FIG. 28. The Great Tazza, carved by
Page 36: Ivory," for example, was gilded, pa
Page 39 and 40: George and Thomas Woodall left scho
Page 41 and 42: On January 20, 1912, a local newspa
Page 43: A WOODALL MISCELLANY FIG. 38. Georg
Page 50 and 51: FIG. 45. Moorish Bathers, by George
Page 52 and 53: FIG. 47. George Woodall's Andromach
Page 55 and 56: FIG. 50. The Dancing Girl, carved b
Page 57 and 58: EPILOGUE
Page 59 and 60: FURTHER READING Beard, Geoffrey W.
Page 61 and 62: 12. Replica of the Portland Vase. W
Page 63 and 64: 38. George Woodall in his studio. P

english cameo glass in the corning museum of glass

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