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XII Young Painter Prize Book

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The 2019 Venice Biennale showed us that<br />

there has been a shift in the representation<br />

of different genders, with the amount<br />

of women artists participating the largest<br />

in its long history (many of whom were<br />

painters). Liquidity has happened not just<br />

in art but also in other aspects of life, giving<br />

a main stage to those who have had<br />

a harder time to be noticed before. This<br />

has also effected an important shift in the<br />

way the world is represented through art.<br />

The gaze has changed, with the female<br />

gaining more dominance than ever before.<br />

From the Female<br />

Gaze To a Naked<br />

Man With White Socks<br />

Identity in one or another way has always<br />

been on the menu of art but now it seems<br />

to have become an even more important<br />

dish. The historical discoveries that have<br />

been actualized and represented have<br />

become an important encouragement to<br />

many. For example, the discovery of the<br />

first abstract painter Hilma af Klint, and<br />

now the big show of baroque painter Artemisia<br />

Gentileschi 4 all play an important<br />

role. The women’s history movement that<br />

started in 70’s has now become a true<br />

powerhouse, thanks to the undertakings of<br />

influential institutions. Hopefully this movement<br />

won’t be hushed by the conservative<br />

section of society - to which a large<br />

number of historians unfortunately belong.<br />

It seems that the stigma amongst women<br />

that painting represents the patriarchy is<br />

also not so present anymore.<br />

4 Exhibition “Artemisia” (3.10.2020-24.01.2021). The National<br />

Gallery, London.

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