ASH-FLEX VERSION

Jennifer Jolley 

ASH 

F L E X E N S E M B L E 

A R R . P A T R I C K D U N N I G A N


Ash 

for Adaptable Ensemble in Five Parts 

arranged by Patrick Dunnigan

Instrumentation 

Part 1: Flute, Oboe, Clarinet, Trumpet 

Part 2: Clarinet, Trumpet, Alto Saxophone 

Part 3: Clarinet, Trumpet, Alto Saxophone, French Horn 

Part 4: Tenor Saxophone, French Horn, Trombone, Euphonium, Bassoon 

Part 5: Bass Clarinet, Baritone Saxophone, Trombone, Euphonium, Bassoon, Tuba 

Timpani 

Percussion 1: Snare Drum, Vibraphone, Suspended Cymbal 

Percussion 2: Crash Cymbals, Marimba, Tubular Bells 

Duration: 6 minutes 

Program Note 

I never saw snowfall as a child growing up in Southern California; it was more a phenomenon that 

I saw in cartoons or read in children’s books. 

I did, however, witness my first ash-fall when I was in elementary school. I looked up into the 

clouded sky and saw specks of ash falling from it. Excited but puzzled, I looked to my elementary 

school teacher during recess and held out my hand. “Oh, that’s ash from the wildfires,” she said. 

At that time, I couldn’t comprehend how an enormous forest fire could create a small flurry of 

ash-flakes. 

Now I have the ominous understanding that something so magical and beautiful comes from 

something so powerful and destructive. 

Dedicated to the Fresno Pacific University Symphonic Band, Eric Leung, director. 

Adaptable Version © 2020, Original Version © 2018 by Jennifer Jolley (BMI) 

All Rights Reserved 

www.jenniferjolley.com

Conductor’s Notes 

This version of Ash is playable with as few as five players, one per part. When assigning parts, 

strive to achieve a balance across the ensemble for proper musical effect. 

Across the parts, there are measures where some notes are doubled in octaves. When one note is 

smaller than the other (cued size), the regular-size note is the preferred note. Use the cued note if 

the player is unable to play the regular-size note. When both notes are the same size, the choice 

of which note to play is up to the conductor. In most cases, the choice will be obvious as some 

extremely high or low notes may be out-of-range for younger players. It may also be appropriate 

to cover both octaves (regular size notes), if multiple players are available. 

The designations 'solo' and 'tutti' apply across the parts, not the staves. Thus in Part 1, one player 

covers the 'solo' for all assigned to Part 1, and so forth. Of course, this may be adjusted for proper 

balance at the discretion of the conductor. Designations for ‘1 or 2 Players’ or ‘2 or 3 Players’ may 

include mixed instruments on the same part. 

The percussion parts provided here are identical to the original version. If percussionists are 

available, the order of preference for part assignments is Percussion 1, Percussion 2, then Timpani. 

Switching between parts is also possible as there are never more than three instruments sounding 

at any given time. While it is possible to perform this version without percussion, it is 

recommended that at least one percussionist be used to cover Percussion 1, at minimum. This will 

greatly increase the musical integrity associated with the original version. 

In Part 2, Alto Saxophone, there are numerous notes doubled in octaves between measures 72 and 

83. Use the upper octave only with a player capable of playing with control and excellent 

intonation. If more than one alto saxophone will be assigned to this part, then no more than one 

player should play the upper octave. When in doubt, ask all players to play the lower notes. 

Although not specified in the score, a Bb Soprano Saxophone could play the Bb Part 1. Octave 

choices are left up to the conductor. 

If a Bass Trombone is available, consider using the Part 5 Tuba part for this purpose. The tuba part 

has been edited for potential use by bass trombone. 

If enough players are available, consider using woodwinds only for the first 22 measures. In the 

original version, brasses do not enter until the pick-up notes to measure 23. Using woodwinds only 

in these opening measures will retain some of the sonority and musical intent of the original. 

Player availability and skill level will determine if this option is possible. 

Similarly, the original version closes without trumpets, saxophones, or tuba in the final seven 

measures (pickups to 90 through 96). Again depending upon player availability, consider not using 

these instruments for the closing. Player availability and skill level will determine if this option is 

possible.

Commissioned by 

a consortium of wind ensembles, whose members include 

Duke University Wind Symphony & The Paul R. Bryan Music Department 

Endowment Fund, Verena Mösenbichler-Bryant, director 

Columbus State Community College, Thomas Lloyd, director 

Concordia University Ann Arbor Wind Ensemble, William M. Perrine, director 

Nazareth College, Jared Chase, director 

Henderson State University Wind Ensemble, Steven M. Knight, director 

Women Band Director International, Arizona Chapter/Jill Sullivan, Jill Sullivan, state 

chair 

St. Olaf College/Dr. Timothy Mahr, Timothy Mahr, director 

Indiana University Concert Band, Jason H. Nam, Director 

Caltech-Occidental Wind Orchestra/Dr. Glenn D. Price, Glenn Price, director 

Washburn University Wind Ensemble/Robert M. Schwartz, Robert M. Schwartz, 

director 

University of Minnesota/University Band/Betsy McCann, Betsy McCann, conductor 

SUNY Geneso Wind Ensemble/Leah McGray, Leah McGray, conductor 

University of Wisconsin-Stevens Pointe Wind Ensemble, Michael Butler, conductor 

Nu Chapter of Kappa Kappa Psi and the Lambda Chapter of Tau Beta Sigma at 

The University of Michigan, John Pasquale, director 

Southeastern Louisiana University Wind Symphony, Derek Stoughton, director 

Fresno Pacific University Symphonic Band, Eric Leung, lead organizer and 

commissioner.

Five-Part Adaptable Ensemble 

PART 1 

Flute 

Oboe 

Bb Clarinet 

Bb Trumpet 

PART 2 

Bb Clarinet 

Bb Trumpet 

Eb Alto Sax 

PART 3 

Bb Clarinet 

Bb Trumpet 

Eb Alto Sax 

F Horn 

Languid, q = 66 

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Dedicated to the Fresno Pacific University Symphonic Band, Eric Leung, Director 

, 

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arranged by Patrick Dunnigan 

A tempo q = 66 

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Bass Clarinet 

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Adaptable Version © 2020, Original Version © 2018, Jennifer Jolley (BMI) All Rights Reserved. 

www.jenniferjolley.com

2 

PART 1 

Fl. 

Ob. 

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Bb Tpt. 

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3 

PART 1 

Fl. 

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PART 5 

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Perc. 2 

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24

4 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

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PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

PART 4 

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PART 5 

Bs. Cl. 

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Tuba 

Timp. 

Perc. 1 

Perc. 2 

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Crash Cymbals 

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To Marimba 

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33

5 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

PART 4 

Bb T. Sx. 

F Hn. 

Tbn. 

Euph. 

Bssn. 

34 

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PART 5 

Bs. Cl. 

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4 

Eb B. Sax 

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b 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 b 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

4 

Tuba 

? 

b 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

4 

Timp. 

? 

b 

F# to G 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

4 

Perc. 1 

÷ 

To Vibraphone 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ & 

4 

Perc. 2 

÷ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

b 

4 

34 

35 

36 

37 

38 

39 

40 

41

6 

42 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

& 

& 

b 

# 

4 

4 


˙. 

p 

˙. 

p 

œ 

P 


œ 

P 

œ œœœœœ Œ 

œ œœœœœ Œ 

Œ 

Œ 

Œ 

Œ 

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tutti 

P 

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tutti 

P 

œ œ œœœœœœœœœœ 

œ œ œ œ œœœ œ œœœœ 

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œœœœœœœœœ 

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œ 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

# 

# # 

4 

4 


w 

p 


w 

p 

Ó 

Ó 

Œ œ 

P 

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Œ 

P 

œ œœœœ œ œœ 

œ œœœœ œœœ 

tutti 

œ œ œ œ œœœ œ œœœ œ 

P 

tutti 

œ œ œœœœœ œ œœœ œ 

P 

œœœ œ œœ œ œ œœœ 

œœœ œ œœ œ œ œœœ 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

& 

& 

& 

# 

# # 

4 

4 

4 

Ó 

Ó 

Ó 

Œ œ 

P 

Œ 

œ 

P 

Œ œ 

P 


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P 





P 

P 




tutti 

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P 

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tutti 

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P 

tutti 

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P 

œ¯ 

œ¯ 

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œ¯ 

œ¯ 

˙< 

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˙< 

PART 4 

Bb T. Sx. 

F Hn. 

Tbn. 

Euph. 

Bssn. 

& 

& 

? 

# 

b 

4 

4 

4 


w 

p 


w 

p 

w 


p 

∑ 

∑ 

∑ 

∑ 

∑ 

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tutti 

tutti 

tutti 

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P 

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œ 

P < 

œ¯ œ¯ œ¯ 

P 

œ¯ 

œ¯ 

˙¯ 

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œ < 

˙< 

œ¯ œ¯ ˙¯ 

PART 5 

Bs. Cl. 

Eb B. Sax 

Tbn. 

Euph. 

Bssn. 

Tuba 

& 

& 

? 

? 

# 

# # 

b 

b 

4 

4 

4 

4 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

tutti 

œ 

P < 

œ < 

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tutti 

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P 

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tutti 

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P 

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tutti 

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P 

œ < 

œ < 

œ < 

œ < 

˙< 

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œ < 

˙< 

œ < 

œ < 

˙< 

œ < 

œ < 

˙< 

Timp. 

? 

b 

4 

∑ 

∑ 

∑ 

∑ 

∑ 

Vib. 

Mrb. 

& 

÷ 

b 

b 

4 

4 

∑ 

∑ 

Vibraphone 

œ œ 

P 

∑ 

œ œ 

P 

& 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 

œ 

œ 

Marimba 

œ 

Œ Œ œ 

P 

œ 

œ 

œ 

œ 

œ 

œ 

œ 

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œ 

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œ 

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Œ 

Œ 

42 

43 

44 

45 

46

7 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

& 

& 

b 

# 

œ œ œ œ 

F 

œ œ œ œ 

F 

œ œ œ œ 

œ œ œ œ 

#w 

f 

#w 

f 

∑ 

∑ 

#w 

#w 

U˙ 

U˙ 

Ó 

Ó 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

# 

# # 

˙. 

F 

˙. 

F 

w 

f 

w 

f 

w 

w 

w 

w 

U 

˙ 

U˙ 

Ó 

Ó 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

& 

& 

& 

# 

# # 

∑ 

∑ 

∑ 

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f 

#w 

f 

#w 

f 

nw 

nw 

nw 

#w 

#w 

#w 

U 

n˙ 

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p 

nU˙ 

Œ œ 

p 

U 

n˙ 

Œ 

œ 

p 

PART 4 

Bb T. Sx. 

F Hn. 

Tbn. 

Euph. 

Bssn. 

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& 

? 

# 

b 

˙. 

F 

˙. 

F 

˙. 

F 

w 

f 

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f 

w 

f 

w 

w 

w 

w 

w 

w 

U 

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p 

U 

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Œ 

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p 

U˙ 

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p 

PART 5 

Bs. Cl. 

Eb B. Sax 

& 

& 

# 

# # 

∑ 

∑ 

w 

f 

w 

f 

∑ 

∑ 

w 

w 

U 

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U 

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Ó 

Ó 

Tbn. 

Euph. 

Bssn. 

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b 

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f 

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Tuba 

? 

b 

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w 

f 

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w 

U 

˙ 

Ó 

? 

b 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 n 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 

Timp. 

∑ 

∑ 

∑ 

∑ 

∑ 

Vib. 

Mrb. 

& 

& 

b 

b 

œ 

œ 

f 

œ 

œ 

f 

Œ 

Œ 

47 

œ 

œ 

œ 

œ 

œ 

œ 

œ 

œ 

Œ 

To Sn. Dr. 

Œ 

48 

Ó 

To Tubular Bells 

Ó 

∑ 

∑ 

49 

∑ 

∑ 

50 

∑ ÷ 

∑ ÷ 

51 

n

8 

52 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

& 

& 

b 

# 

# 

# # 

Œ 

Œ 

∑ 

∑ 

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p 

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p 

∑ 

∑ 

œ œ ˙ 

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Fl. 

Ob. 

Cl. 

Trp. 

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P 

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P 

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F 

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w 

w 

f 

w 

w 

f 

w 

w 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

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& 

# 

# # 

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w 

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PART 4 

Bb T. Sx. 

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w 

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Euph. 

Bssn. 

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b 

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F 

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F 

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f 

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f 

PART 5 

Bs. Cl. 

Eb B. Sax 

Tbn. 

Euph. 

Bssn. 

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& 

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# # 

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b 

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p 

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˙. 

w 

F 

Timp. 

? 

b 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

Perc. 1 

Perc. 2 

÷ 

÷ 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 

œ œ œ œ œ œ 

p 

Snare Drum 

∑ 


∑ 


∑ 

œœœœœœœœœœœ æ 

P 

∑ 

œ œ œ œ æ 

∑ 

œ œ œ œ æ 

œ œ œ œ œ œ œ œ œ œ œ æ 

F 

∑ 

52 

53 

54 

55 

56 

57

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

& 

& 

b 

# 

w 

w 

w 

w 

rit. 

w 

w 

F 

w 

w 

F 

˙. 

˙. 

˙ 

˙. 

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61 


4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 

˙. 

F 

˙. 

F 

˙ 

˙ 

œ œ 

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˙. 

f 

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f 

9 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

# 

# # 

w 

f 

w 

f 

w 

F 

w 

F 

˙. # Œ 

#˙. 

Œ 

˙. 

F 

˙. 

F 

˙. 

˙. 

˙. 

f 

˙. 

f 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

PART 4 

Bb T. Sx. 

& 

& 

& 

& 

# 

# # 

# 

w 

f 

w 

f 

w 

f 

w 

w 

F 

w 

F 

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F 

w 

F 

#˙. 

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# ˙. Œ 

# ˙. Œ 

˙. 

Œ 

˙. 

F 

˙. 

F 

˙. 

F 

˙. 

F 

˙ 

˙ 

˙ 

˙. 

œ œ 

œ œ 

œ œ 

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f 

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f 

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f 

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f 

F Hn. 

Tbn. 

Euph. 

Bssn. 

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b 

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w 

w 

F 

w 

F 

˙. 

˙. 

Œ 

Œ 

˙. 

F 

˙. 

F 

˙. 

˙. 

˙. 

f 

˙. 

f 

PART 5 

Bs. Cl. 

Eb B. Sax 

& 

& 

# 

# # 

w 

f 

w 

f 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

Tbn. 

Euph. 

Bssn. 

? 

b 

w 

f 

∑ 

∑ 

∑ 

∑ 

∑ 

Tuba 

? 

b 

w 

f 

∑ 

∑ 

∑ 

∑ 

∑ 

Timp. 

? 

b 

∑ 

∑ 

∑ 

∑ 

∑ 

∑ 

Perc. 1 

Perc. 2 

÷ 

÷ 

œ œ œ œ œ ˙æ 

f 

∑ 

58 

∑ 

∑ 

59 

∑ 

∑ 

60 

& 

b 

˙. 

F 

∑ 

Tubular Bells 

61 

˙. 

∑ 

62 

˙. 

f 

∑ 

63

10 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

& 

& 

b 

# 

˙. 

˙. 

˙. 

˙. 

˙ 

ƒ 

˙ 

ƒ 

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rit. 

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nœ 

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#˙. 

Ï 

# ˙ 

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Ï 

4 

4 

w 

w 

w 

w 

" 

" 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

# 

# # 

˙. 

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˙ 

ƒ 

˙ 

ƒ 

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˙. 

Ï 

4 

4 

w 

w 

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" 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

F Hn. 

PART 4 

Bb T. Sx. 

F Hn. 

Tbn. 

Euph. 

Bssn. 

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& 

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b 

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> 

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ƒ 

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4 

4 

4 

4 

4 

4 

#w 

#w 

#w 

w 

w 

w 

" 

" 

" 

" 

" 

" 

PART 5 

Bs. Cl. 

Eb B. Sax 

Tbn. 

Euph. 

Bssn. 

Tuba 

& 

& 

? 

? 

# 

# # 

b 

b 

Œ Œ 

œ 

> 

œ 

f 

> 

Œ Œ œ œ 

> > 

f 

Œ Œ œ œ 

> > 

f 

Œ Œ œ œ 

> > 

f 

˙. 

˙. 

˙. 

˙. 

˙. 

ƒ 

˙. 

ƒ 

˙. 

ƒ 

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ƒ 

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Ï 

˙. 

Ï 

˙. 

Ï 

˙. 

Ï 

4 

4 

4 

4 

w 

w 

w 

w 

" 

" 

" 

" 

Timp. 

Perc. 1 

T.B. 

? 

÷ 

& 

b 

b 

˙. 

∑ 

∑ 

64 

∑ 

˙. ˙. 

æ æ 

F f 

Œ Œ œ œ ˙. 

> > > 

ƒ 

65 

∑ 

66 

˙. 

æ 

f 

˙. 

æ 

˙. 

67 

˙. 

æ 

˙. 

æ 

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68 

nœ 

˙. 

æ 

ƒ 

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æ 

ƒ 

#˙. 

69 

4 

4 

w æ w æ 

70 

" 

" 

4 É Œ To Cr. Ó Cym. 

" 

÷ n 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3

11 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

71 

& 

& 

& 

& 


b 

# 

# 

# # 

∑ 

∑ 

∑ 

∑ 

˙. 

˙. 

ƒ 

˙ 

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ƒ 

˙ 

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ƒ 

˙ 

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ƒ 

*see 

˙. 

˙. 

˙ 

˙. 

˙ 

˙. 

˙ 

˙. 

conductor's notes 

˙ 

˙ 

˙ 

˙ 

˙ 

˙ 

˙ 

˙ 

œ 

œ 

œ 

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œ 

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w 

w 

w 

w 

˙ 

˙. 

˙. 

˙. 

PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

# 

# # 

˙. 

ƒ 

˙. 

ƒ 

˙. 

˙. 

œ œ œ œ ˙ 


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˙. 

œœœœ 

œœœœ 

F Hn. 

& 

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ƒ 

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˙. 

œœœœ 

PART 4 

Bb T. Sx. 

& 

# 

ƒ 

˙. 

˙. 

˙. 

˙. 

˙. 

w 

F Hn. 

Tbn. 

Euph. 

Bssn. 

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b 

˙. 

ƒ 

˙. 

ƒ 

˙. 

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˙. 

˙. 

w 

w 

PART 5 

Bs. Cl. 

& 

# 

˙. 

ƒ 

˙. 

˙. 

˙. 

˙. 

w 

Eb B. Sax 

Tbn. 

Euph. 

Bssn. 

Tuba 

Timp. 

Perc. 1 

Perc. 2 

& 

? 

? 

? 

÷ 

÷ 

# # 

b 

b 

b 

˙. 

ƒ 

˙. 

ƒ 

˙. 

ƒ 

G, Bb, C, D 

∑ 

∑ 

∑ 

71 

˙. 

˙. 

˙. 

œ œ É Œ 

ƒ 

œ œœ Œ 

ƒ 

Cr. Cym. 

É Œ 

ƒ 

72 

Œ 

Œ 

Œ 

˙. 

˙. 

˙. 

∑ 

∑ 

∑ 

73 

4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 

˙. 

˙. 

˙. 

œ œ Ñ Œ Œ 

œ œœ Œ Œ 

É Œ Œ 

74 

˙. 

˙. 

˙. 

∑ 

∑ 

∑ 

75 

w 

w 

w 

œ œ Ñ Œ Ó 

œ œœ Œ Ó 

É Œ Ó 

76 

Bb to A, C to B

12 

PART 1 

Fl. 

Ob. 

Bb Cl. 

Bb Tpt. 

PART 2 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

& 

& 

b 

# 

# 

# # 

˙ 

˙. 

˙. 

˙. 

w 

w 

w 

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˙. 

w 

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w- 

w 

w- 

w 

w- 

w 

w- 

w 

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. 

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˙. 

. 

. 

# ˙ 

#˙- 

#- ˙ 

#˙ 

. 

. 

Œ 

Œ 

Œ 

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81 

˙. 

˙. 

f 

˙ 

˙ 

f 

. 

nw 

nw 

f 

nw 

nw 

f 

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˙. 

˙ 

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w 

w 

w 

w 

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PART 3 

Bb Cl. 

Bb Tpt. 

Eb A. Sx. 

& 

& 

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˙. 

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w 

w 

w - 

w -w - 

˙- . 

Œ 

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