A Selected Bibliography of Chinese Cinema - Princeton University

Chinese Cinema Bibliography 35
Teo, Stephen. "Wong Kar-wai's In the Mood for Love: Like a Ritual in Transfigured Time." Senses of
Cinema 13 (April-May 2001).
Tsui, Curtis K. "Subjective Culture and History: The Ethnographic Cinema of Wong Kar-wai." Asian
Cinema 7, 2 (1995): 93-124.
Villella, Fiona A., compiler. "The Cinema of Wong Kar-wai--A Writing Game." Senses of Cinema 13
(April-May 2001).
Wong Kar-wai. "Wong Kar-wai on Chungking Express." Sight and Sound (Sept. 1995): 14-16.
Wright, Elizabeth."Wong Kar-wai."Senses of Cinema (A critical database, including biography,
bibliography, filmography of great directors).
Yeh, Yueh-yu. "A Life of Its Own: Musical Discourses in Wong Kar-Wai's Films." Post Script: Essays
in Film and the Humanities. Special issue on HK Cinema. 19, 1 (Fall 1999).
Yue, Audrey. "What's So Queer About Happy Together? a.k.a. Queer (N) Asian: Interface, Community,
Belonging." Inter-Asia Cultural Studies 1, 2 (2000): 251-64.
Zhou, Juanita Huan. "Ashes of Time: The Tragedy and Salvation of the Chinese Intelligentsia." Asian
Cinema 10, 1 (1998): 62-70.
Xie Jin
Da, Huo'er. "An Interview with Xie Jin." Jump Cut 34 (1988): 107-09.
Fonoroff, Paul. "Live from Hong Kong: The Opium Wars." Manga Mania (Jan/Feb 1998): 10-11.
Kipnis, Andrew. "Anti-Maoist Gender: Hibiscus Town's Naturalization of a Dengist
Sex/Gender/Kinship System." Asian Cinema 8, 2 (Winter 1996-97): 66-75.
Li Cheuk-to. "Yapian Zhanzheng (The Opium War)." Cinemaya (Oct/Dec 1997): 30-31.
Ma Ning. "Spatiality and Subjectivity in Xie Jin's Film Melodrama of the New Period." In Nick Browne,
Paul Pickowicz, Vivian Sochack, and Esther Yau, eds., New Chinese Cinemas: Forms, Identities,
Politics. New York: Cambridge University Press, 1994, 15-39.
_______. "Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early
1980s." East-West Film Journal 4.1 (Dec. 1989): 79-112.
Silbergeld, Jerome. "The Force of Labels: Melodrama in the Postmodern Era." In Jerome Silbergeld,
China into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion
Books, 1999, 188-233.
Tung, Timothy. "The Work of Xie Jin: A Personal Letter to the Editor." In John Downing, ed. Film and
Politics in the Third World. New York: Praeger, 1987, 199-207.
Xiao Zhiwei. "The Opium War in the Movies: History, Politics and Propaganda." Asian Cinema 11, 1
(Spring/Summer 2000): 68-83.
Yang, Edward (Yang Dechang)
Cheah, Philip. "A One and a Two." (review) Cinemaya 49 (2000): 26-27.
Chiao Hsiung-ping (Peggy). "Mahjong: Urban Travails." Cinemaya 33 (1996): 24-27.
Huang Jianye. Yang Dechang dianying yanjiu--Taiwan xin dianying de zhixing sibain jia (Studies on
films by Yang Dechang-- a critical thinker in Taiwan's new cinema). Taipei: Yuanliu, 1995.
Kraicer, Shelly. "Edward Yang: a Taiwanese Independent Filmmaker in Conversation." Cineaction 47
(Oct. 1998): 48-55.
Kraicer, Shelly and Lisa Roosen-Runge. "Interview with Edward Yang," Cineaction 47 (Summer 1998).
Nornes, Markus. "The Terrorizer" [review]. Film Quarterly 42, 3 (Spring 1989):43-47.
Reynaud, Berenice. "Mahjong." Cinemaya 32 (1996): 31-32.