CAACT Newsletter 1972
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C A AC '.i'<br />
N E 'vi S L E T T E H.<br />
PRODUCED FOR THE CRAE"T ASSOCJ.ATI01'T OF THE<br />
AUSTRALIAN CAPITAL TERRITORY<br />
VOL. NO. 2 MAY 1973<br />
EDITORIAL<br />
'l'he last Edi torlal I vr.c(,te was entitled "Why the Craft As::::ociation ?11<br />
in which I t:?::ied to look at the role and purpose of Craft Associat:i.ons.<br />
The fact that they are continuing and thriving indicates<br />
that they have a reason for existence and serve a definite neGd.<br />
The fact that the Government has set up a Craft Enquiry and a<br />
Craft Board indicates that the crafts a"t'e being taken se:?::iously<br />
and. that craftsmen are being considered as necessary and important<br />
mP.mbers of the community.<br />
That more and more :people ar e:igaging in craft work demonstrates<br />
the r..eed that ma.riy people have for creative expression and the<br />
natisfaction they can obtain from getting close to natural<br />
mater:i..als and. f-com acq_ui:dng skills ?<br />
One of the satisfaction::, a craftsrc2n can enjoy, is to ha v -e hia<br />
work sc::en, cowmented on and, hopefully, ad.'llired.<br />
Perha.ps tho best vehicle for this is an exhibition.<br />
serv·e a number of functionB:<br />
Exhibi t;i.or.:::<br />
The cra.f·csman can see his work :L.'1 different surroundings,<br />
which perhaps ID3.kes him rec1.ssess what he is do:L.--ig.<br />
They provide a basis of comparison with the wo"t'k of other<br />
craftsmen.<br />
They can elicit constructive criticism fro;:n o·her craftsmen<br />
and from the public, of the work shovm.<br />
T!1ey can result in sales, whfoh n0t o:ily rays off some of the<br />
overhead but also shows that someone val-u.es the work eno'Li.gh<br />
to pay money for it.<br />
Thy can give the people at-te;idir,g the exhibition a good deal<br />
c.f pleasu.::::e"<br />
They can be edu(;ational to the pu'bllc as v,ell as to the<br />
craftsmen.<br />
They might even inspire other people to t:r.y their hand at<br />
c!.'aft work.<br />
They can add up, collectively 1 to an expression of what the<br />
creat:i.ve people of a country are doi11g.
REPORTS OF FUNCTIONS<br />
W OR1IBI-IOP FOR r10:BILES<br />
4o<br />
'.l'he first CA.ACT workshop for 1973, held on 24 and 25 March, was<br />
concerned with mobile construction and broader problems of<br />
structural design.<br />
Monica Gerondal led the workshop and coverecl, during the Saturday<br />
morning session, the basic principles of mobile constru.cticns -<br />
design, especially balance, and choice of materials o Large<br />
bamboo reeds, coat-ha.'1gers, copper and metal rods were used<br />
most effectively to illustrate the p:::-oblems of "balance points"<br />
- their establishment a;nd the rather rapid disequilibrium caused<br />
by their loss. Heavy ropa was used to illustrate the type of<br />
knot that Monica has found. to be most successful in securing<br />
objects to the rods and the rods to each other and the gxoup<br />
readily mastered this knot in fishing l.ines of v a rying thickness.<br />
A selection of mobiles from books were examined, along with<br />
several mobiles Monica had made aud construction and design<br />
points were noted and discussed.<br />
The theoretical aspects of mobile construction covered during<br />
the first session, the rest of the weekend was spent in construction.<br />
Ass0_;:-ted snails shells Y copper wire, metal discs, woode.n<br />
shapes, bottles, dried flowers J.ight bulbs s ping :pc-1g balls,<br />
bamboo sticks, rods of all description, fishing wire, thread<br />
and leather thong.ing were used jn the structures that evolved.a<br />
Those participating in this work2hop offered assistance and<br />
encouragement to each other and under Monica 1 s interested arnl<br />
lively guidance many extremely attractive mobiles wex·e constructed.<br />
Warm thar.tks both to Monica for her time, patience and<br />
enthusiastic approach a:n.d to the Wrigley I s, who offered their<br />
home for the Satut:>day aftecnoon a.--id Sunday sessions.<br />
Judy Richmond.<br />
JAMES NOEL WHI'l.'E, the Vice President of the European :Branch o:c<br />
the World Craft Council was of tremendous help and interest tt,<br />
those <strong>CAACT</strong> members who atten.dsd the February discussion meeti1<br />
at 2A, Mugga Way ,,<br />
He spoke about the problems difficulties, mistakes a:r.rl sucGe8ses<br />
experienced in the setting up of the Craft Centre of' Great<br />
Britain and related the si t uation in :Belgium, Sweden and Italy<br />
Tl1e question of government aj_d and its influence wa.s a1so<br />
e:;.."Plored and there was nn:;.ch d:Ls1c.ussion about the reasons -<br />
economic and cultural - for en,otJ.raging the setting up of<br />
workshops. These are successfully opex·ated by Master Craftsmen
PJ..ec1.se phone Ann Gusta - 959295 Y or Peter Le Grand 632461 and<br />
let us know how many of you are coming - AGAIN, THERE IS :!'TO COST.<br />
8 ..,<br />
L1 o<br />
LEATHER WORKSHOP:<br />
This j.s an instructional workshop, led by two leather craftsmen<br />
from Sy d ney. The craftsmen, Paul Pulati and his wife, will<br />
leB.d the workshop members in the rudiments of leather working<br />
a,d some emphasis will be placed on the use of "round the home<br />
oddments 11 , which can be succ,essfully utilized in the execution<br />
of this cr a fto So here you have an excellent opportunity to<br />
sea how to maintain a craft with simple tools and without<br />
necessarily incuring excessive initial costs.<br />
Those attending, will of necessity need to provide their own<br />
leather. This will be indicated (i.e. leather t;y-pe, tools<br />
etco) ac the design discussion - July 12th, '73 - (see item 3).<br />
ALSO SEE WORK.SHOP ACCEP'l 1 ANCE FORM lNCLUDED lN THIS ISSUE.<br />
VENUE: As yet to be confir:rued but will be held in a wool shed<br />
on a property of close proximity to Canberra. The dw:·ation of<br />
the 'i..llstructional I workshop will be 1 day August 4th 1 '73,<br />
10.30 c:..m to 4.30 pmo inclusive •· so bring your nose-1ago<br />
For further information, please contact Emily Hurt on 863738<br />
or Freya van Holst Pellek.aan on 861040.<br />
So there is your programme for the next 4 odd months, if you<br />
feel moved ·to contribute progra.IDJ!Je/fu,.,.ctions suggestions, then<br />
don't move in mysterious ways, bu· outline your suggestions<br />
addressed to Craft Association cf the A.C .T. (l!'UNC'I;IONS),<br />
P.O. Box 299, MPJW.KA, A .C. T. 2603.<br />
In October, to coincide with the opening of The Sydney Opera<br />
House, Peter Travis of Sy d ney will be organising an exhibition<br />
o= craft work details of which will appear in the next newslette:c<br />
LOOM SCHOOL CORRECTION:<br />
In the Feb.ruary newsletter the weaving tallght e,t this school<br />
wz.s desc:i:ibed as Inca This was incorrect and should have :rP...::,<br />
TNKLEe