Panels & Furniture Asia March/April 2020
Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.
Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.
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MICA (P) No: 079/05/2019 • ISSN: 0219-5704 • KDN: PPS 1453/11/2012(022879) • www.panelsfurnitureasia.com • MARCH/APRIL <strong>2020</strong>
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Contents<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong> • Issue 2 • <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
6 | EDITOR’S NOTE<br />
8 | NEWS<br />
MARKET REPORT<br />
18 | Phase 1 of the China-U.S. trade agreement<br />
20 | A brief review of the global woodworking machinery industry<br />
IN PERSON<br />
22 | The next step for Japan's wood product exports<br />
PANELS MANUFACTURING<br />
28 | Tightening the grip on Formaldehyde Emissions<br />
FLOORING<br />
32 | Parklex’s Hy Tek, High-scoring Flooring<br />
MATERIALS<br />
36 | Douglas Fir arrives at Lorient Station<br />
38 | Gabon: The land full of opportunities<br />
16<br />
22
32<br />
47<br />
STRUCTURAL ELEMENTS<br />
Kajstaden, the Tall Timber Building | 43<br />
DESIGN<br />
A touch of wood in Changi Jewel | 47<br />
Toca Madera finalists exhibit at Madrid Design Festival <strong>2020</strong> | 49<br />
SHOW PREVIEW<br />
Xylexpo promises to be a rewarding show for all | 54<br />
Fifth time’s the charm | 57<br />
Hanoi Wood: An important first step forward | 59<br />
COLUMNISTS<br />
Wood Clinic: Dealing with chair joints loosening/ How to produce<br />
ellipse-shaped cutting template and related sawing issues | 60<br />
MMMA Newsletter: China, what next? | 64<br />
CALENDAR OF EVENTS | 66<br />
ADVERTISER’S LIST | 67<br />
38
FROM THE EDITOR<br />
PANELS & FURNITURE ASIA<br />
Standing<br />
strong in<br />
time of<br />
coronavirus<br />
PABLO SINGAPORE<br />
Publisher<br />
Associate Publisher<br />
Senior Editor<br />
Editor<br />
William Pang<br />
williampang@pabloasia.com<br />
Pamela Buckley<br />
pamela@pabloasia.com<br />
Pang Yanrong<br />
yanrong@pabloasia.com<br />
Szeto Hiu Yan<br />
hiuyan@pabloasia.com<br />
HIU YAN | Editor<br />
Since January this year, the<br />
COVID-19 coronavirus has spread<br />
rapidly across the globe. The only<br />
certainty right now seems to be that<br />
the virus will continue to be around for<br />
some time.<br />
As of early <strong>March</strong>, the virus is spreading across Europe and the U.S. The<br />
silver lining is that, it now appears to be under control in China. Factories<br />
and companies are slowly resuming operation as infected cases dwindled.<br />
In the report on the global woodworking machinery industry, Dario<br />
Corbetta, Director of Acimall, shared trade statistics as well as his views on<br />
the performance of the global woodworking machinery market in 2018 -<br />
2019 at the Xylexpo international press conference held in mid-February,<br />
when China was at its peak of the outbreak. Despite the epidemic, he<br />
remains optimistic that the Chinese market will see some recovery in the<br />
second half of <strong>2020</strong>. (pg.20)<br />
Business Development Manager<br />
Graphic Designer<br />
Circulation Manager<br />
PABLO BEIJING<br />
General Manager<br />
PABLO SHANGHAI<br />
Editor<br />
YanJun Pang<br />
yanjun@pabloasia.com<br />
Edwin De Souza<br />
edwin@pabloasia.com<br />
Shu Ai Ling<br />
circulation@pabloasia.com<br />
Ellen Gao<br />
pablobeijing@163.com<br />
Sharon Wu<br />
pabloshanghai@163.net<br />
The trade dispute between China and the U.S. is also deescalating, as<br />
tariffs on most U.S. hardwoods products were lifted. Now that the pathway<br />
is finally open again for a more normal, consistent market climate for U.S.<br />
and Chinese hardwood trading partners, Judd Johnson, managing editor<br />
of Hardwood Market Report suggested that there are still some challenges<br />
that may hold back businesses (Pg. 18).<br />
On a lighter note, Michael Buckley, a renowned figure in the hardwood<br />
industry worldwide, was picked to be the 2019 recipient of “The Guy in<br />
the Glass” by Hardwood Market Report. It is a well-deserved recognition<br />
applauded by many in the industry. (pg. 16)<br />
While we will continue to face further uncertainties in the next few months,<br />
I believe both businesses and individuals alike are doing our best to protect<br />
each other and exercise personal responsibilities – take precaution where<br />
we can and wash our hands diligently, as our governments fight their<br />
hardest against the epidemic.<br />
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<strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
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Malaysian MDF Manufacturers Association
8 | NEWS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
VIETNAM’S WOOD AND WOOD PRODUCT EXPORTS<br />
ACHIEVED 19.5 PER CENT GROWTH IN 2019<br />
ACCORDING to Vietnam’s customs, the<br />
total value of wood* and wood product<br />
exports in 2019 from 2392 enterprises<br />
(Vietnamese-owned and FDI enterprises)<br />
amounted to US$10.65 billion, or<br />
19.5 per cent higher when compared to<br />
2018, reported ITTO.<br />
Of the total, wood product exports<br />
accounted for US$7.783 billion<br />
(+ 23.5 per cent compared to 2018) and<br />
contributed a 74 per cent share of the total<br />
value of wood and wood product exports.<br />
With the current trend, wood and wood<br />
product exports are expected to grow at<br />
between 17 – 20 per cent in <strong>2020</strong>.<br />
WOOD AND WOOD PRODUCT<br />
EXPORTS BY FDI ENTERPRISES<br />
In 2019, the value of wood and wood<br />
products exported by 612 FDI enterprises<br />
amounted to US$4.71 billion, or<br />
42 per cent of total value of wood and<br />
wood product exports from Vietnam (+<br />
20 per cent compared to 2018). Wood<br />
product exports by FDI enterprises were<br />
reported at US$4.34 billion or over 90 per<br />
cent of the total value of wood and wood<br />
product exports by FDI enterprises.<br />
EXPORT DESTINATIONS<br />
In 2019, the U.S. continued as the top<br />
market for Vietnam’s wood and wood<br />
product exports at US$5.33 billion, a<br />
share of around 50 per cent of all wood<br />
and wood product exports and which<br />
had grown by 37 per cent in 2019,<br />
compared to 2018. Japan was the second<br />
largest market accounting for 12 per cent<br />
of 2019 exports, followed by China<br />
(11 per cent) and South Korea<br />
(7 per cent). In contrast to the growth<br />
in the markets mentioned above, there<br />
were declines in exports to South Korea,<br />
Australia and Malaysia.<br />
WOOD AND WOOD PRODUCT<br />
IMPORTS<br />
Wood and wood product imports by<br />
Vietnamese-owned and FDI enterprises<br />
in 2019 were valued at US$2.54 billion<br />
(+ 10 per cent compared to 2018).<br />
In 2019, the value of wood and wood<br />
products imported by FDI enterprises was<br />
reported at US$775 million, equivalent<br />
to 31 per cent of total wood and wood<br />
product imports and 16 per cent up<br />
on 2018). In 2019, China continued<br />
as the leading wood and wood product<br />
supplier to Vietnam with shipments worthed<br />
US$656 million (equivalent to 26 per cent<br />
of all wood and wood product imports<br />
into Vietnam in 2019), followed by the<br />
U.S. at 13 per cent. P<br />
(*Wood defined as HS4401 – 4418. Wood<br />
Products defined as HS9401 – 9421).<br />
CHINA’S NEW FOREIGN INVESTMENT LAW TAKES EFFECT<br />
CHINA’S updated Foreign Investment<br />
Law took effect on 1 Janauary <strong>2020</strong>. This<br />
is a comprehensive and fundamental set<br />
of legal standards for foreign investment<br />
activities with unified provisions for<br />
the entry, promotion, protection and<br />
management of foreign investment.<br />
The new law has replaced the Law of<br />
the People's Republic of China on Sino-<br />
Foreign Equity Joint Ventures, the Law of<br />
the People's Republic of China on Wholly<br />
Foreign-owned Enterprises and the Law<br />
of the People's Republic of China on Sino-<br />
Foreign Contractual Joint Ventures passed<br />
between 1979 and 1990. The changes<br />
were made as the previous laws could<br />
not address the emerging challenges in<br />
foreign investment, including intellectual<br />
property rights.<br />
The new law provides foreign investors<br />
with more rights and more convenient<br />
registration procedures. Most Chinese<br />
cities have rolled out favourable policies<br />
to attract foreign investment such as<br />
offering low cost or even free space for<br />
manufacturing, low taxes for the first<br />
year, and/or incentives to attract foreign<br />
technology transfer.<br />
Analysts expect foreign investment in<br />
wood product manufacturing and trade<br />
will increase as a result of these changes<br />
to the law. P<br />
VIETNAMESE WOOD FIRMS URGED TO SEEK ALTERNATIVE<br />
MATERIALS SUPPLIERS IN THE FACE OF CORONAVIRUS<br />
LOCAL wood processing enterprises<br />
need to widen supply chains with a focus<br />
on seeking suppliers from domestic and<br />
overseas markets to ease disruptions from<br />
China due to the coronavirus (COVID-19)<br />
outbreak, experts said.<br />
According to Vietnam News, Do Xuan<br />
Lap, chairman of the Vietnam Timber<br />
and Forest Product Association (VTFPA)<br />
said that this year may be a bumpy one<br />
for the wood processing industry as the<br />
fast-spreading virus outbreak have been<br />
impacting trade between Vietnam and<br />
China, as well as Vietnam’s exports to<br />
other countries.<br />
The wood product industry is affected<br />
since certain materials are supplied from<br />
China. Lap said in terms of cost prices of<br />
producing wood products, wood materials<br />
account for only 35 per cent, while other<br />
costs come from auxiliary materials such as<br />
paint products, which are usually made in<br />
China even if the brands are from the U.S.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 9<br />
To Xuan Phuc, an expert from Forest Trends,<br />
also agreed. “China is an important source of<br />
auxiliary materials for Vietnam’s wood industry<br />
with items such as straps, accessories, sliders,<br />
hinges, paints and chemicals. Businesses also<br />
need to find alternative sources of supplies,<br />
especially when the materials imported from<br />
the previous period are only enough for two to<br />
three months of production,” Phúc said.<br />
worth of wood planks last year.<br />
EXPANDING EXPORT OPPORTUNITIES<br />
Vu Hai Bang, chairman of Woodsland Joint<br />
Stock Company, said the epidemic will have<br />
a major impact on wood companies in the<br />
early stages but with the dynamic and quick<br />
solutions, they will overcome difficulties.<br />
He also called for enterprises to search for<br />
domestic suppliers.<br />
“There are opportunities to expand exports<br />
for the timber industry, mainly to the U.S.<br />
market, but the risks of trade and investment<br />
fraud in the timber industry still go hand<br />
in hand with these opportunities,” Bang<br />
said. P<br />
Lap urged local enterprises to seek out<br />
alternative raw material suppliers in Vietnam<br />
and other countries as soon as possible.<br />
MORE COLLABORATIONS BETWEEN<br />
ENTERPRISES NEEDED<br />
“Domestic enterprises also need to connect<br />
with each other so that their products can join<br />
the supply chains of export products. When<br />
they collaborate to produce products that<br />
meet the importers’ demand, they can quickly<br />
join the global supply chain,” he told a seminar<br />
on prospects for Vietnam’s timber industry in<br />
<strong>2020</strong> in Hanoi.<br />
However, Lap stated that as of now, the links<br />
in the value chain of the timber industry –<br />
whether vertically or horizontally – are very<br />
limited. The newly-formed links are small in<br />
scale and mainly limited to links between the<br />
forestry plantation households and some wood<br />
processing companies such as Scancia Pacific,<br />
Woodsland and Nam Dịnh Forest Products Joint<br />
Stock Company.<br />
Foreign direct investment (FDI) still plays an<br />
important role in exports with half of Vietnam’s<br />
wood export value coming from this sector.<br />
The links between the FDI sector and domestic<br />
companies are almost non-existent, Lap said.<br />
SLOWDOWN IN CHINESE DEMAND OF<br />
WOOD MATERIALS<br />
The coronavirus has also slowed down China’s<br />
demand for wood materials. Phuc said COVID-19<br />
has driven down demand from Chinese paper<br />
and pulp companies. At the same time, halts of<br />
some ports in China and stringent inspection<br />
of loading goods activities by ships have also<br />
hampered Vietnam’s exports to this country.<br />
Wood chips are Vietnam’s main export products<br />
to China with a turnover of more than US$972<br />
million in 2019, or 79.2 per cent of total<br />
export turnover of wood and timber products.<br />
Meanwhile, Vietnam imported $400 million
10 | NEWS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
EUROPE BEATS CANADA TO BE CHINA’S SECOND<br />
LARGEST SOFTWOOD LUMBER SUPPLIER<br />
WOODSTAT, a market analyst<br />
company, reports that China imported<br />
approximately 1.88 million m³ of<br />
softwood lumber in December 2019 (-5<br />
per cent compared to 2018), according<br />
to figures from the Chinese Customs.<br />
China's import totalled 27.1 million m³<br />
during 2019 (+11 per cent compared<br />
to 2018). Since China began importing<br />
softwood lumber in smaller volumes<br />
10 years ago, Russia and Canada have<br />
completely dominated as suppliers.<br />
Limited volumes have been imported<br />
from the U.S., Europe, Chile and New<br />
Zealand.<br />
China imported approximately 3.39<br />
million m³ of softwood lumber from<br />
Russia during 4Q 2019 (-9 per cent<br />
compared to 4Q 2018), 1.14 million<br />
m³ from main European countries (+90<br />
per cent) and 761,000 m³ from Canada<br />
(-33 per cent).<br />
The rapid increase in import from Europe<br />
is directly reflected in the increase in<br />
Europe's market share. The market share<br />
for Europe reached in 4Q 2019 a new<br />
record high at 20 per cent, doubled from<br />
10 per cent in 4Q 2018. The Russian<br />
market share in the Chinese market sees<br />
a slight drop, reaching 58 per cent in<br />
4Q 2019 (4Q 2018: 63 per cent). The<br />
market share for Canada decreased<br />
during the same period from 19 per cent to<br />
13 per cent. P<br />
INDIAN STATE OF GUJARAT TO BUILD MORE<br />
PARTICLEBOARD PLANTS IN <strong>2020</strong><br />
DUE to a perceived increase in availability<br />
of raw wood materials from local<br />
sawmills, the Indian state of Gujarat is<br />
expected to build more particleboard<br />
plants this year. Gujarat is a pioneer in<br />
particleboard manufacturing and holds<br />
major market share in the country,<br />
reported Ply Reporter.<br />
There are currently more than two<br />
dozen lines producing particleboard at<br />
a production capacity of more than<br />
3500 m 3 per day in the region. Most of<br />
the plants have machinery that produces<br />
4 feet sized boards, with several<br />
producing six feet boards.<br />
There is news of two upcoming<br />
particleboard plants in Morbi and Rajkot,<br />
which will begin production in the next<br />
few months.<br />
However, raw materials may yet be<br />
sufficient to bolster the increasing<br />
number of sawmills, as thought to be.<br />
Gandhidham, India’s biggest saw mill<br />
cluster, has around 3000 sawmills<br />
producing sawn timber waste and is an<br />
important source of raw materials for<br />
local particleboard manufacturers. Most<br />
of these sawmills process pinewood<br />
where sizing and kerf waste are sold to<br />
the manufacturers. Additionally, sawmills<br />
in the Saurashtra region have begun to<br />
receive a stable quantity of local Neelgiri<br />
wood. However, the increase in supply<br />
of raw material may not be able to<br />
catch up with the surging demand from<br />
particleboard manufacturers.<br />
Particleboard manufacturers are also<br />
facing more challenges with the fastgrowing<br />
supply of particleboards which<br />
may not be absorbed as quickly by<br />
the local market, resulting in falling<br />
particleboard prices in the past two<br />
years.<br />
Mr. Kanti Patel, Director of Realtouch<br />
Particle Board said that the units located<br />
in Morbi and Saurasthtra area are<br />
procuring adequate quantity of local<br />
timber but it is not consistent throughout<br />
the year. “We can hardly find sufficient<br />
timber for running plants on 100 per cent<br />
capacity with present installed capacity<br />
mainly because of raw material issues. It<br />
is anticipated that, if local wood supply<br />
improves, a few more plants may spring<br />
up in this area although there is already<br />
a price war among existing ones. The<br />
prices of finished particleboards have<br />
bottomed in the last two years and if more<br />
plants open, prices would begin to go into<br />
minus,” he added.<br />
As surveyed by Ply Reporter, the<br />
Gujarat-based particleboard plants are<br />
utilising, on average, 60 percent of their<br />
capacity lately. These plants mainly<br />
depend on Gujarat, Maharashtra, North<br />
India, Central and Eastern markets<br />
that sell through retail counters. With<br />
around 25 plants in this region alone,<br />
it can be considered as a large hub for<br />
particleboard manufacturing in India. P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 11<br />
TIMBETER CLOSES $1 MILLION SEED ROUND TO FUEL<br />
EXPANSION IN SOUTHEAST ASIA AND LATIN AMERICA<br />
ESTONIAN COMPANY TIMBETER, whose<br />
solutions help the forestry sector<br />
adopt digital technology to optimise<br />
transparency and efficiency in forestry<br />
management, has raised $1 million in<br />
its seed round. The seed round was led<br />
by TMT Investments, a venture investing<br />
company listed on the London Stock<br />
Exchange.<br />
The Tallinn-based company developed a<br />
smartphone application that measures<br />
timber quickly and accurately, which is<br />
now a full-fledged logistics and reporting<br />
platform. This helps companies to<br />
speed up forestry operations, increase<br />
employee safety and save resources.<br />
Timbeter makes processes more<br />
transparent, enables better control<br />
and data-driven planning of logistics<br />
and production, thus contributing to<br />
sustainable forest management.<br />
Timbeter has also built the world’s<br />
largest database of photometric<br />
measurements of roundwood, allowing<br />
for live online tracking of timber assets<br />
down to individual shipments and piles<br />
throughout the forestry value chain.<br />
Anna-Greta Tsahkna, CEO of Timbeter,<br />
explained that the new financing round<br />
will help Timbeter expand its sales<br />
activities in the target markets, and<br />
also to develop the bridge between<br />
companies and governmental<br />
organisations, by reducing the sectors<br />
administrative burden in insurance, tax<br />
and regulatory reporting. “By facilitating<br />
smooth digital data exchange between<br />
the government and companies, it is<br />
easier to ensure sustainable forest<br />
management and fight illegal logging,”<br />
the CEO of Timbeter said.<br />
Timbeter is a global industrial timber<br />
measurement, logistics and reporting<br />
platform. P
12 | NEWS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
DIEFFENBACHER INVESTS IN INTERNET START-UP APPBYYOU<br />
DIEFFENBACHER has purchased a<br />
financial stake in APPbyYOU GmbH,<br />
the company that developed the<br />
MyMessenger ticket and messaging app, a<br />
key component of the MyDIEFFENBACHER<br />
digital service platform. DIEFFENBACHER<br />
introduced the MyMessenger app at last<br />
year’s Ligna in Hannover.<br />
In mid-2018, DIEFFENBACHER met<br />
APPbyYOU while searching for a partner<br />
to develop an innovative ticket system.<br />
DIEFFENBACHER wanted a single tool<br />
that combined the core functions of a<br />
ticket system with complete supporting<br />
communications. APPbyYOU won over<br />
DIEFFENBACHER with its innovative<br />
approach, flexible and agile team and app<br />
building blocks.<br />
The result of the cooperation is<br />
DIEFFENBACHER’s MyMessenger, the<br />
perfect combination of ticket system and<br />
messaging application for smartphones,<br />
tablets and desktops. Service cases can<br />
be quickly processed and documented,<br />
with users communicating with each other<br />
in the same app. Pictures, videos and<br />
documents can be exchanged to facilitate<br />
documentation and understanding.<br />
Another advantage: Users write in their<br />
native language; the app takes care of<br />
the translation.<br />
The proof of concept for MyMessenger<br />
was completed at the beginning of 2019.<br />
A DIEFFENBACHER customer tested<br />
the new app and contributed to its<br />
development. Customer feedback to the<br />
app’s introduction at the Ligna in May was<br />
consistently positive. “By the end of the<br />
year, MyMessenger was already in daily<br />
use by eight customers in wood-based<br />
panel and composites plants, and interest<br />
is still growing," said Peter Martin, who<br />
leads DIEFFENBACHER Customer Service<br />
globally.<br />
APPbyYOU specialises in intelligent<br />
digitalisation solutions for medium-sized<br />
businesses. Thomas Teufel and Willi<br />
Pasternak founded the company in May<br />
2012 in Balgheim, Baden-Württemberg,<br />
Germany. The mission of the company,<br />
which now has 12 employees, is to<br />
provide companies with a customisable<br />
messenger they can run in their own<br />
cloud. With the acquisition of shares,<br />
DIEFFENBACHER deepens its partnership<br />
with APPbyYOU. The two companies are<br />
currently developing additional smart<br />
solutions for the digital factory. P<br />
DIEFFENBACHER OPENS SPARE PARTS WAREHOUSE IN BANGKOK<br />
DIEFFENBACHER has strengthened its<br />
ability to serve customers in Thailand<br />
with the opening of a new spare<br />
parts warehouse near Suvarnabhumi<br />
International Airport in Bangkok. The<br />
warehouse will help satisfy increased<br />
demand resulting from five new<br />
DIEFFENBACHER plants commissioned in<br />
Thailand since <strong>March</strong> 2017. An additional<br />
plant is scheduled to start up this year.<br />
The new warehouse is supervised by<br />
DIEFFENBACHER personnel at the<br />
company’s site in Kuala Lumpur, Malaysia.<br />
At the Bangkok warehouse, two Thaispeaking<br />
service technicians support<br />
clear communication<br />
with customers and<br />
fast response times.<br />
Another advantage<br />
of the new location:<br />
Framework agreements<br />
for customer-specific<br />
storage and other<br />
services are now<br />
possible. Furthermore,<br />
parts can be invoiced in<br />
Baht, the Thai currency.<br />
With the new spare<br />
parts warehouse,<br />
DIEFFENBACHER also offers express<br />
delivery service in Thailand. To minimise<br />
customer downtime, a selection of<br />
failure-critical and common spare parts<br />
is always available. If ordered before<br />
10 a.m., these “express” parts are<br />
shipped the same day. This provides<br />
Thai customers with the best possible<br />
support.<br />
Additional services at the new site in<br />
Bangkok include individual spare parts<br />
packages, issuing of all necessary export<br />
and import documents, and inventory<br />
management services such as on-site<br />
inspection of spare parts inventory,<br />
status and outflow checks and advice<br />
on optimal stocking. Plant inspections<br />
and process optimisation complete the<br />
service offer. P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 13<br />
JIANGSU BAOLONG SUCCESSFULLY INSTALLS FIRST<br />
OSB DEBARKING LINE IN THAILAND<br />
JIANGSU BAOLONG has installed a<br />
debarking and material preparation<br />
line for OSB production for Thailandbased<br />
VANACHAI Group. Installation<br />
and testing were completed in January<br />
this year.<br />
VANACHAI Group is one of <strong>Asia</strong>’s<br />
leading producers of particleboard and<br />
medium-density fibreboard. It is now<br />
building Thailand’s first continuous OSB<br />
production line, with Jiangsu Baolong<br />
involved in the custom-design and<br />
production of the debarking line. The<br />
star feature of this line is the Roller<br />
Debarker machine that is 21-metre long<br />
with a diameter of four metres as well as<br />
the automated feeder installed between<br />
debarker and the flaker machine. P<br />
CHINA TO REMOVE TARIFFS ON U.S. HARDWOODS<br />
BASED on reports from the Agricultural<br />
Specialist at the U.S. Embassy in Beijing<br />
as well as the Chinese Ministry of Finance,<br />
the Chinese government is removing<br />
U.S. hardwood lumber import tariffs<br />
starting on 28 February <strong>2020</strong> for one<br />
year, NHLA announced in its newsletter<br />
to its member.<br />
A product list that was released by<br />
China’s State Council Tariff Commission<br />
confirmed that several U.S. hardwood<br />
product HS codes are on this list, such<br />
as oak lumber and logs, cherry and ash<br />
lumber, and “other” hardwood lumber<br />
and logs<br />
Chinese companies will be able to “apply<br />
for refunds of collected duties within six<br />
months from Feb 21.” P
14 | NEWS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
DOUBLEHELIX, BLUENUMBER AND SOURCEMAP LAUNCH<br />
TIMBER TRACEABILITY PLATFORM<br />
COMBINING traceability, verification,<br />
and visualisation, the timber traceability<br />
platform being introduced by DoubleHelix<br />
in partnership with Sourcemap and<br />
Bluenumber makes critical supply<br />
chain information available to different<br />
stakeholders:<br />
• Compliance and procurement officers<br />
can organise huge volumes of supply<br />
chain data and due diligence evidence.<br />
• Company leaders can quickly understand<br />
supply chain risk.<br />
• ESG investors or regulatory authorities<br />
can evaluate sustainability metrics.<br />
• Consumers can explore where their wood<br />
products come from.<br />
DoubleHelix, Bluenumber and Sourcemap<br />
have a common objective to help leaders in<br />
the industry be confident in the products<br />
they bring to market. This is achieved<br />
through better visibility, understanding,<br />
and control of their supply chain practices.<br />
The new Timber Traceability Platform<br />
enables a full suite of services including<br />
traceability, verification, and presentation<br />
in a stunning database visualisation.<br />
DoubleHelix provides supply chain<br />
discovery, risk assessment, mitigation,<br />
and verification services to buyers of<br />
wood products. On-the-ground experts<br />
check supply chain practices, supported<br />
by a suite of scientific tools such as DNA<br />
and isotope testing to independently<br />
verify data. Bluenumber brings technical<br />
expertise to digitise, analyse and ensure<br />
confidentiality of supply chain data<br />
through blockchain, machine learning, and<br />
other emerging technologies. Sourcemap<br />
provides the platform to present, visualise<br />
and communicate complex supply chain<br />
data in a simple, accessible and attractive<br />
format.<br />
Darren Thomas, Chief Executive Officer<br />
of DoubleHelix shares, “This partnership<br />
helps our customers to not only manage<br />
and analyse huge amounts of supply chain<br />
data but also respond to growing calls<br />
from consumers, investors and regulators<br />
to demonstrate better knowledge and<br />
control of their global supply chains. It<br />
provides our customers with access to the<br />
latest technologies, safe in the knowledge<br />
that they are tailored to the needs of the<br />
industry. We hope that, as more and more<br />
people start to appreciate where their<br />
wood products come from, we kick-start a<br />
virtuous cycle that drives up the demand<br />
for responsibly sourced wood products,<br />
and increases the value of the forests that<br />
produce them.” P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 15<br />
WOOD TECHNOLOGY CO. (WOTECH) ORDERS MDF PLANT THAT USES<br />
RICE STRAW AS RAW MATERIAL FROM SIEMPELKAMP<br />
IN December 2019, Wood Technology<br />
Co. (WOTECH) from Egypt achieved a<br />
“green” milestone with Siempelkamp.<br />
Representatives from both companies<br />
signed the contract for a MDF plant with<br />
an annual production capacity of 205,000<br />
m³ that will process rice straw as the raw<br />
material.<br />
With this plant, WOTECH seeks to achieve<br />
environmental protection and resource<br />
efficiency with the value-added use<br />
of rice straw that would otherwise be<br />
burnt as a waste product. The concept<br />
is also attractive for countries such<br />
as Egypt, which do not have sufficient<br />
wood resources for industrial use.<br />
WOTECH is the second customer after<br />
CalAg, LLC, California, to work with<br />
Siempelkamp on a MDF plant that uses<br />
rice straw.<br />
In the area of production - e.g. spreading<br />
machines, forming and press line - the<br />
production process is comparable to<br />
that of MDF production. The straw<br />
preparation, however, requires specific<br />
adjustments which Siempelkamp<br />
has developed and reached market<br />
maturity. "Among other things, the<br />
preparation, handling and processing<br />
of the rice straw were newly developed<br />
in the production process," explained<br />
Jochen Dauter, Sales Director<br />
Siempelkamp.<br />
Contract signing in December 2019 in Cairo. Chem. Azza<br />
Aabd Alaty Serry, Chairman of WOTECH (centre), Jürgen<br />
Philipps, Managing Director of Siempelkamp Maschinen- und<br />
Anlagenbau GmbH (left) and Jochen Dauter, Sales Director<br />
Siempelkampa<br />
The contract value of the new project marks the thirdlargest<br />
single order ever placed with Siempelkamp.<br />
WOTECH, which was founded by companies from<br />
the Egyptian oil and gas industry, is also part of the<br />
country's Ministry of Petroleum and had received<br />
positive feedback from the country. P
16 | NEWS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
MICHAEL BUCKLEY SELECTED AS “THE GUY IN THE<br />
GLASS” FOR 2019 BY HARDWOOD MARKET REPORT<br />
MICHAEL BUCKLEY, a well-respected<br />
and accomplished figure in the global<br />
woodworking industry, has been selected<br />
to be The Guy in the Glass for 2019 in<br />
recognition of his achievements and<br />
contributions to the American hardwood<br />
industry. Buckley, who is from the UK, is<br />
the first non-North American to receive<br />
this title.<br />
Launched by Hardwood Market Report<br />
(HMR)’s owner Abe Lemsky in 1960,<br />
The Guy in the Glass is the equivalent<br />
of a “Who’s Who” of people in the<br />
hardwood industry distinguished by<br />
their personal character, commitment<br />
and achievements. According to HMR,<br />
its office hallway is lined with framed<br />
pictures of the honourees. Buckley is the<br />
60 th recipient.<br />
On selecting Buckley, Judd Johnson,<br />
managing editor of HMR said, “Michael<br />
deserves gratitude from anyone who<br />
derives their livelihood from U.S.<br />
hardwoods. We all are beneficiaries of his<br />
efforts that helped build U.S. hardwood<br />
export markets from a small percent of<br />
total grade lumber markets (16 per cent<br />
in 1999) to more than half of all grade<br />
lumber markets (2017).”<br />
Buckley is a renowned expert on<br />
the uses and market applications of<br />
hardwood species and products. Working<br />
internationally, he is an authority in<br />
the areas of hardwood market analysis<br />
and promotion, sustained yield forest<br />
management of hardwood industries<br />
in Europe, <strong>Asia</strong> and the USA, as well as<br />
tropical forest products.<br />
Michael Buckley, the first non-American recipient of “The Guy in the Glass”<br />
A GREAT LOVE FOR HARDWOOD<br />
AND THE HARDWOOD INDUSTRY<br />
His long list of accomplishments includes<br />
being the former European Director<br />
of the American Hardwood Export<br />
Council (AHEC) for 12 years. He has<br />
taken on major projects on behalf of<br />
national governments as his international<br />
consultancy assignments, as well as<br />
being accredited as an adviser to the<br />
Timber Committee of the UN/ECE in<br />
Geneva and was a member of the UN/ECE<br />
Team of Specialists on Forest Products<br />
Markets and Marketing for many years.<br />
In recent years, Buckley took a keen<br />
interest in designing with timber, working<br />
with leading furniture designers and<br />
many architects. In 2003, on behalf<br />
of sponsors, he launched the annual<br />
Wood Awards, now the leading UK<br />
award scheme for wood in architecture<br />
and furniture. He was Chairman of the<br />
Judging Panel of the Wood Awards<br />
and was also involved with several<br />
national furniture design schemes around<br />
the world, particularly in Southeast<br />
<strong>Asia</strong>. He worked on the International<br />
<strong>Furniture</strong> Design Advisory Committee<br />
of the Singapore <strong>Furniture</strong> Industries<br />
Council (SFIC) and was an advisor to its<br />
Environmental Committee.<br />
On receiving this title, Buckley expressed<br />
his appreciation and his continuing<br />
intention to promote wood as the only<br />
sustainable and low carbon impact<br />
material available to man. “We have<br />
come a long way in understanding the<br />
importance of wood from natural forests<br />
and plantations,” he says “but there is<br />
still the job of passing this understanding<br />
to professionals and consumers. I have<br />
played a small role in this over the<br />
last 52 years, while enjoying meeting<br />
the hundreds of people that I have<br />
cooperated with internationally who work<br />
in wood.” P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 17<br />
Trust America’s Hardwoods Company.<br />
KEEP PIONEERING<br />
northwesthardwoods.com<br />
Trust the on-grade quality of Northwest Hardwoods, America’s largest and only<br />
coast-to-coast hardwood lumber producer. Our inspection and grading ensures that<br />
our lumber quality and appearance are both exceptional and consistent. That’s why<br />
our customers rank us above other brands – we always live up to our responsibility.
18 | MARKET REPORT<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
PHASE 1<br />
OF THE CHINA-U.S.<br />
TRADE AGREEMENT<br />
By: Judd Johnson Managing Editor, Hardwood Market Report<br />
A Necessary First Step but More Work Lies Ahead for Hardwoods<br />
There are those who blame the<br />
trade war for all of the problems<br />
facing U.S. hardwood lumber<br />
business with China. Whether or not<br />
they actually believe the trade war is the<br />
only problem is another issue. If so, they<br />
are compelled to believe Phase 1 of the<br />
China-U.S. trade agreement will resolve<br />
the situation.<br />
After all, the reduced sales prices for<br />
U.S. hardwood lumber have more than<br />
compensated for the tariff amounts,<br />
so the monetary concerns about tariffs<br />
should not be a factor to Chinese buyers.<br />
And now that the two governments have<br />
formally agreed to move forward with<br />
this new accord, the pathway is open<br />
for a more normal, consistent market<br />
climate for U.S. and Chinese hardwood<br />
trading partners. Looking at market<br />
circumstances from this perspective,<br />
there is nothing holding business back.<br />
Except there is.<br />
There is no argument that Phase 1 of a<br />
China-U.S. trade agreement is paramount<br />
for market stability. Among highlights of<br />
the agreement, the U.S. will relax some<br />
of the tariffs on imported Chinese goods,<br />
and China will increase purchases of<br />
U.S. goods and services within the<br />
next two years by US$200B over 2017<br />
levels.<br />
U.S. hardwoods are included in the<br />
list of goods negotiated by Beijing and<br />
Washington. The trouble is, Phase 1<br />
did not remove Chinese tariffs that<br />
are suppressing sales prices of U.S.<br />
hardwoods entering China. There<br />
continues to be financial stress on U.S.<br />
suppliers.<br />
Apart from the tariffs and trade<br />
agreement, there are other challenges<br />
that must be worked through before U.S.<br />
hardwood business in China begins to<br />
rebound and strengthen. Most important<br />
is the economy. Just as in every other<br />
market, China’s economic vibrancy is<br />
necessary to stimulate consumer activity.<br />
Second to the economy is competition.<br />
U.S. hardwood companies compete<br />
among themselves for sales into China<br />
and elsewhere in the world, just as they<br />
compete against hardwood sources<br />
located in other countries. This is the kind<br />
of competition every company in every<br />
type of business should expect.<br />
Fashion is another form of competition<br />
among high-valued appearance woods.<br />
Painted surfaces are currently popular<br />
with consumers for many interior
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> MARKET REPORT | 19<br />
fittings and furnishings traditionally<br />
manufactured with hardwoods. This is<br />
why the cabinet industry has increased<br />
use of American Tulipwood in place of<br />
Red Oak and Hard Maple, for example.<br />
It is also why American Tulipwood,<br />
Red Oak, Hard Maple, and all other<br />
species from all other sources are<br />
at risk of losing market share<br />
to engineered wood products,<br />
such as plywood and MDF.<br />
Once painted, the appearance<br />
characteristics of hardwood<br />
species are not important to<br />
the overall appearance of the<br />
manufactured product.<br />
goods to customers by chasing after the<br />
lowest possible price. It has abandoned<br />
the concept of selling value.<br />
Importantly, this is not just a China<br />
wood products market problem or a<br />
U.S. wood products market problem.<br />
Your challenge as a hardwood producer,<br />
distributor, or manufacturer of hardwood<br />
goods is that value is exactly what you<br />
have to sell. Consumers need to know<br />
the environmental, economic, and social<br />
benefits of U.S. hardwoods outperform<br />
those from every other material. They<br />
need to be reminded that value endures,<br />
while the memory of an inferior product<br />
lasts far longer than the memory of its<br />
low price. P<br />
Then there is competition<br />
from non-wood materials.<br />
Some of these materials used<br />
in manufacturing consumer<br />
products have displaced wood.<br />
Many are painted or colored and<br />
have no resemblance to wood<br />
whatsoever.<br />
Yet, there is strong consumer<br />
interest in products that look like<br />
wood but are made from other<br />
types of materials. Ceramic and<br />
porcelain tile has taken market<br />
share from wood, especially<br />
in the floor covering segment.<br />
Luxury vinyl tile (LVT, which is<br />
manufactured from poly vinyl<br />
chloride, or PVC) has elevated<br />
competition against wood to an<br />
even higher level. The LVT product<br />
group touts its “waterproof”<br />
attributes with the look of wood<br />
to consumers, but it sells the<br />
construction trade on its cheap<br />
prices.<br />
Alternative materials put the<br />
marketplace for solid wood at<br />
risk – regardless if it is U.S.<br />
hardwoods or wood from other<br />
sources. The world is selling
20 | MARKET REPORT<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
A BRIEF REVIEW OF THE GLOBAL<br />
WOODWORKING MACHINERY INDUSTRY<br />
In the past two years, the global woodworking machinery industry has been slowing down gradually since<br />
hitting a peak several years ago. Though China’s economy has been softening, with the sudden onslaught<br />
of the corona virus serving as a double whammy, its influence on the global industry is still formidable.<br />
Dario Corbetta, Director of Acimall,<br />
shared trade figures as well as his<br />
views on the performance of the<br />
global woodworking machinery market<br />
in 2019 at the Xylexpo international<br />
press conference held on 18 th February<br />
in Milan, Italy.<br />
In 2018, Germany continues to be the<br />
top producer of woodworking machinery<br />
in Europe, or 49.2 per cent of total<br />
production value in Europe. Italy came<br />
in second at 37.0 per cent. Both are the<br />
current leaders in Europe (Table 1).<br />
CHINA’S INFLUENCE ON THE<br />
GLOBAL MARKET<br />
Corbetta also highlighted the<br />
performance of the Chinese market in<br />
2018 and the first 10 months of 2019.<br />
“The topic that is currently impacting<br />
global economy comes from China,<br />
and all business activities, including<br />
manufacturer behind Germany and Italy,”<br />
said Corbetta.<br />
Even as China’s economy softened and<br />
its import of woodworking machinery<br />
saw quite a drastic decline in the first<br />
10 months of 2019, Corbetta remarked<br />
that China’s market growth is still “not<br />
Table 1: Woodworking technology - European production in 2018<br />
ITALY’S PERFORMANCE IN THE<br />
WOODWORKING MACHINERY<br />
INDUSTRY<br />
Looking specifically at the wood<br />
technology industry, Corbetta stressed<br />
that the core businesses of Italian<br />
industry are the secondary processing<br />
of panels and finishing technology.<br />
“Our skills in transforming resources<br />
we do not own is the best expression of<br />
the ingenuity of Italian entrepreneurs,<br />
together with taste and surface quality:<br />
it’s not mere chance that we are the<br />
country of beauty, quality, style and<br />
design, envied by the entire world for our<br />
leadership in these domains.”<br />
Source: Eumabois<br />
Woodworking machinery exports in 2018 - Top 6 manufacturers (million<br />
euro)<br />
The latest figures available for Italy are<br />
preliminary balance figures for 2019,<br />
with the Italian woodworking machinery<br />
industry achieving a production value of<br />
2.5 billion euro, 6 per cent less than the<br />
previous year. Export value decreased<br />
by 3 per cent to achieve a total value of<br />
1.56 billion euro.<br />
Also, import value decreased by 13 per<br />
cent (225 million euro) and the domestic<br />
market trend is slowing down (690 million<br />
euro, 13 per cent less than in 2018).<br />
Source: intracen.org<br />
exhibitions, are looking with strong<br />
concern to what is happening in the Far<br />
East and its potential consequences.<br />
China plays a leading role in woodworking<br />
machinery, it’s the world’s third-largest<br />
so bad” on absolute terms. There is hope<br />
that China’s production will see a good<br />
enough bounce back in the third quarter<br />
of <strong>2020</strong>.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> ENVIRONMENT REPORT | 21<br />
Woodworking machinery: Chinese export 2018 - top 10 markets<br />
Woodworking machinery: Chinese import 2018 - top<br />
manufacturers<br />
Source: intracen.org<br />
Woodworking machinery: Chinese import 2019 (Jan to Oct) -<br />
top manufacturers<br />
Source: intracen.org<br />
As of early <strong>March</strong>, the coronavirus situation in China has<br />
improved significantly, with the outbreak coming under control;<br />
factories and companies are also ready to resume production<br />
progressively. P<br />
Source: intracen.org
22 | IN PERSON<br />
The next step<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
for Japan's<br />
Wood Product<br />
Export s<br />
After decades of dependency on its local<br />
market, Japan’s wood products industry<br />
is facing a culmination of challenges<br />
that sees wood products manufacturers<br />
venturing into the overseas markets.<br />
By Szeto Hiu Yan<br />
River side project in Tokyo uses<br />
S-tech wood for outdoor decking<br />
THE NEED TO EXPORT<br />
The Japan Wood-Products Export<br />
Association was only formed in 2004<br />
against a backdrop where Japan’s mature<br />
forests have reached harvesting age but<br />
timber self-sufficiency rate has fallen<br />
to 18 per cent due to the availability of<br />
cheaper imported wood. “On the other<br />
hand, the beneficial role of forests and<br />
wood in mitigating global warming has<br />
come to the forefront worldwide. Efforts<br />
to use Japanese forests in circulation<br />
was kickstarted once again, partly with<br />
the intention of contributing to exports.<br />
That was how the Japan Wood-Products<br />
Export Association came about, in<br />
cooperation with the industry and the<br />
wood community,” said Inoue Mikihiro,<br />
Secretary General of Japan Wood-<br />
Products Export Association.<br />
The association currently has<br />
89 wood companies and wood industry<br />
associations as members, as well as 150<br />
members from the local governments.<br />
JAPAN’S WOOD PRODUCT<br />
EXPORTS IN RECENT YEARS<br />
Japan’s most highly demanded wood<br />
product export remains to be logs.<br />
Faced with a shrinking population and<br />
contracting domestic demand, its wood<br />
products industry has turned to the<br />
overseas market to sustain growth.<br />
“ While our main exported wood products<br />
are still logs, we do have many processed<br />
wood products that are of high quality<br />
and durability. By exhibiting at trade<br />
shows, we hope to introduce them to the<br />
overseas market,” shared Mikihiro.<br />
In recent years, the main destination for<br />
Japan’s wood product exports is China,<br />
where they enjoy a high demand. Other<br />
export markets include South Korea,<br />
the Philippines and Taiwan. In 2018,<br />
the association investigated the export<br />
potential of Japanese timber products<br />
to Singapore and found that there is<br />
potential, but they have to first promote<br />
Japan’s wood products as few Japanese<br />
wood product brands are known here.<br />
This was why the association brought<br />
along members to promote their products<br />
at the BEX <strong>Asia</strong> exhibition last year.<br />
In Japan, the forestry and timber<br />
industries are recognised as growth<br />
industries. The government is already<br />
working on strengthening the supply<br />
chain management from logging,<br />
processing to distribution to end-users.<br />
CHALLENGES<br />
While Japan’s forestry and wood products<br />
industries are seeking to expand, they<br />
have to first cross several hurdles.<br />
One challenge is the lack of infrastructure<br />
to support the forestry industry that is<br />
seeking to expand. “Our forests grow at<br />
8 million cubic metres per year, almost<br />
equal to our demand for wood. However,<br />
only 30 million m 3 is being utilised. There<br />
are still limits in reaching the ideal state
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in forest activities due to insufficient<br />
maintenance of forest roads and the<br />
lack of forest management resulting in<br />
forests not being harvested because it<br />
is not profitable to do so,” said Mikihiro.<br />
“Cheap wood products from Canada, the<br />
U.S. and other countries are plentiful<br />
and available, some areas in Japan find<br />
it more advantageous to import instead,”<br />
he added.<br />
There is also the problem of forest<br />
ownership. Many forestlands were<br />
purchased by some Japanese a long<br />
time ago and passed down to their next<br />
generations. However, there is no proper<br />
documentation of the exact locations of<br />
the lands by both the government and<br />
the landowners, so nobody knows which<br />
piece of land belongs to who. This adds<br />
to the difficulty of managing Japan’s<br />
forestlands, said Mikihiro.<br />
Furthermore, the lack of marketing<br />
of Japanese wood products overseas<br />
may be the main reason why the many<br />
innovative Japanese wood products<br />
are yet ot be known by the overseas<br />
audience.<br />
“Japan has been developing wood<br />
processing technology for a long time and<br />
we would like to introduce products that<br />
are durable, antiseptic and anti-termites,<br />
such as Thermo-wood and S-tech wood.<br />
I would also like to introduce Japanese<br />
toys made of Japanese cypress, said to<br />
be good for health.”<br />
With the support of the Japanese<br />
government, the timber self-sufficiency<br />
rate has returned to 36 per cent, from 18<br />
per cent in 2002. It now aims to reach 50<br />
per cent by 2025. In the domestic market,<br />
the plywood industry is also seeing tree<br />
species conversion from tropical wood<br />
like Lauan or Meranti to using domestic<br />
conifers such as Japanese Cedar.<br />
PLANS FOR THE FUTURE<br />
“In addition to promoting domestic use,<br />
we would like to actively respond to<br />
overseas demand. For this reason, we<br />
will distribute information on Japanese<br />
wood overseas by providing information<br />
such as export potential surveys, plant<br />
quarantine related to wood trade, legality<br />
certification of the wood, exhibiting<br />
Japanese wood products at exhibitions as<br />
well as organising seminars to increase<br />
exports of Japanese timber products, ”<br />
concluded Mikihiro.<br />
S-tech's wood panels used in Toyomi Elementary School in Tokyo. Emachu Mokuzai Co., Ltd, producer of S-tech wood, is one of the wood product<br />
company that Japan Wood-Products Export Association hopes to introduce to the international market through participating in exhibitions
24 | IN PERSON<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
CASE STUDY: NITROGEN HEAT TREATED S-WOOD FROM JAPAN<br />
When it comes to thermally modified wood, there are several preferred heat treatment transfer<br />
media such as nitrogen, oil, steam and vacuum as they do not use chemicals in the process.<br />
S-Tech wood from Japan, manufactured by Emachu Mokuzai Co., Ltd., is probably one of only<br />
two companies in Japan to produce nitrogen heat treated wood. The two companies partner<br />
up with each other to share resources and own five plants in Aichi between them. Emachu’s<br />
annual production capacity is an estimated 2000 cubic metres.<br />
To execute the S-Tech treatment, wood is<br />
placed in a pressure-resistant container<br />
which is filled with nitrogen. The container<br />
is then heated above 200°C for several<br />
hours under controlled pressure.<br />
The treatment decomposes perishable<br />
components of wood with nitrogen at<br />
high heat, stabilising the shape of<br />
the material and reduces its weight,<br />
drastically improving its durability<br />
compared to conventional wood. It<br />
boasts a durability record exceeding 20<br />
years, even when used in promenades<br />
with heavy foot-traffic.<br />
PROPERTIES OF S-TECH<br />
TREATED WOOD<br />
Sterilised wood that is anti-termite<br />
During the drying process, nutrients and<br />
moisture of wood is reduced to a level as<br />
low as three to seven per cent, making it<br />
unattractive to fungi and termites, thus<br />
imbuing S-Tech wood with anti-termite<br />
property. No harmful substance is used,<br />
ensuring the safety of the material.<br />
Excellent water resistance and stability<br />
In the process of reducing moisture<br />
content from the wood material, the<br />
cellular structure of the wood becomes<br />
porous. This increases the material’s<br />
insulation effect and lowers radiation<br />
heat transfer, making S-Tech wood a<br />
suitable material for exterior applications<br />
such as decking, louvers, fences and<br />
outer walls.<br />
Modification of the material’s<br />
hermicellulose structure keeps<br />
moisture such as dew condensation at<br />
bay, resulting in less shrinkage and<br />
warps. The material also has high<br />
dimensional stability as well as heat<br />
retention performance on heated<br />
floors.<br />
Miura Corporation Head Office in Tokyo
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> IN PERSON | 25
26 | IN PERSON<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Photo 1: Exterior of Kashiyama-Daikanyama in Tokyo, a<br />
commercial complex for a clothing company<br />
Photo 2 & 3: Minato Park Shibaura, the biggest public complex<br />
facility in Tokyo, uses S-Tech wood for its louvers and walls<br />
3<br />
1<br />
2<br />
High permeability of oil paints<br />
Additionally, S-Tech treated wood has<br />
a permeability of oil paints of about<br />
1.5 to two times that of ordinary dried<br />
wood, applied wood-protective paints<br />
can be sustained for a long time.<br />
No resins or stains<br />
The S-Tech treatment removes resins,<br />
ensuring that there will be no resins residue<br />
on the wood after construction, nor will<br />
brown water leach out after rain soak.<br />
While the colour of S-Tech treated wood<br />
will gradually change over time due<br />
to exposure to sunlight and water, the<br />
colour change is generally acceptable<br />
to the Japanese.<br />
the treatment can be used for any kind<br />
of wood.<br />
interested parties to test the wood in<br />
Singapore’s climate.<br />
“Japanese people see the gradual colour<br />
change in wood as a natural part of life,<br />
they see beauty in it and can appreciate<br />
such colour tones,” said Shinji Maeno,<br />
general manager of Emachu’s Eco-Life<br />
Department.<br />
S-Tech treatment can be used for any<br />
wood<br />
At Emachu, the S-Tech treatment is used<br />
on Japanese cedar, Japanese cypress<br />
and white ash from North America, but<br />
S-Tech wood is mostly sold and used in<br />
domestic projects but S-Tech wood has<br />
successfully been used in two recent<br />
projects in Taiwan, said Maeno. By<br />
introducing S-Tech wood to Singapore<br />
and regional visitors at BEX <strong>Asia</strong>, Maeno<br />
is hoping to venture into the Southeast<br />
<strong>Asia</strong>n market.<br />
As for S-Tech wood’s performance in<br />
humid weather, Maeno is still uncertain<br />
but he has already roped in the help of<br />
“There were a few visitors who took<br />
samples back to test and see what the<br />
weather here will do to S-Tech wood, so<br />
we still can’t say for sure. My objective of<br />
participating in this show as an exhibitor<br />
is to give S-Tech wood some exposure as<br />
well as to see how people respond to it,”<br />
said Maeno. P<br />
All images are credited to Emach Mokuzai.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> IN PERSON | 27<br />
BIFA WOOD<br />
VIETNAM <strong>2020</strong><br />
www.bifawoodvietnam.com<br />
27-30 October <strong>2020</strong><br />
Venue:<br />
Binh Duong Convention &<br />
Exhibition Centre (open ground)<br />
Duong Hung Vuong, Phu Hoa ward,<br />
Thu Dau Mot city, Binh Duong province,<br />
Vietnam<br />
Google Map<br />
QR code<br />
Exhibition Site<br />
WOOD &<br />
WOODWORKING<br />
MACHINERY<br />
EXHIBITION<br />
Enquiries For International Exhibitors<br />
Pablo Publishing Pte Ltd<br />
3 Ang Mo Kio Street 62 #01-23 Link@AMK<br />
Singapore 569139<br />
Tel: (65) 6266 5512<br />
Email: williampang@pabloasia.com<br />
info@pabloasia.com<br />
Enquiries For Vietnamese Exhibitors:<br />
BIFA JSC.CO Floor 11, Becamex Tower, 230 Binh Duong<br />
Boulevard, Phu Hoa Ward, Thu Dau Mot City, Binh Duong,<br />
Viet Nam.<br />
Tel : (84) 965 064 993<br />
Email: phuong.dl@bifajsc.com<br />
WeChat<br />
Jointly organised by<br />
BINH DUONG FURNITURE ASSOCIATION (BIFA)<br />
PANELS & FURNITURE Group<br />
BINH DUONG FURNITURE ASSOCIATION
28 | PANELS MANUFACTURING<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
TIGHTENING THE GRIP ON<br />
FORMALDEHYDE EMISSIONS<br />
By Szeto Hiu Yan<br />
With Malaysia preparing to introduce regulations on formaldehyde emission in woodbased<br />
boards, the measurement and control of this chemical may be of growing interest<br />
for manufacturers in this region.<br />
In Malaysia, the government<br />
has recommended last year for<br />
formaldehyde emission to be set at<br />
a limit of ≤ 1.5 mg/L (F**/E1 class) on<br />
imported and locally produced woodbased<br />
panels products.<br />
Even in Southeast <strong>Asia</strong>n countries<br />
where formaldehyde emission levels<br />
are not regulated, formaldehyde<br />
emission standard is something that<br />
manufacturers are familiar with as many<br />
export-oriented producers have to<br />
adhere to the standards set by importing<br />
countries.<br />
In Vietnam, for example, its main woodbased<br />
panel furniture and composite<br />
materials markets are the U.S. (40<br />
per cent), the EU (20 per cent), India,<br />
South Korea and Japan in 2018. Of<br />
these countries, the U.S., EU and Japan<br />
have different formaldehyde emission<br />
standards to be met, and these standards<br />
are continuously revised over time.<br />
THE EFFECTS OF FORMALDEHYDE<br />
EMISSIONS<br />
As the wood products industry grows<br />
rapidly in Southeast <strong>Asia</strong>, the use of<br />
formaldehyde-based resins continues to<br />
be extensive in the production of woodbased<br />
panels such as particleboard,<br />
medium-density fibreboards, plywood<br />
and oriented strand board.<br />
According to a paper released in 2018<br />
by the Organisation for Economic Cooperation<br />
and Development (OECD)<br />
that studied the economic valuation in<br />
formaldehyde regulation, <strong>Asia</strong> accounts<br />
for almost half (48 per cent) of global<br />
formaldehyde production, followed by<br />
Europe (23 per cent) and North America<br />
(17 per cent) in 2013. <strong>Asia</strong> is also<br />
the largest consumer (47 per cent) of<br />
The GA300 Lab Formaldehyde Tester
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<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
The test chambers<br />
formaldehyde. This could mean that<br />
<strong>Asia</strong>n consumers may be at a higher risk<br />
of being exposed to formaldehyde than in<br />
countries where formaldehyde emissions<br />
levels are regulated, such as in the<br />
U.S., EU, Japan and China.<br />
Formaldehyde exposure can be harmful to<br />
human health; not only is it a carcinogen<br />
but it can impact on female fertility, and<br />
cause respiratory conditions as well as<br />
a range of less severe, acute conditions<br />
such as skin and eye irritations.<br />
As consumers are also becoming<br />
more health-conscious, there may be<br />
increasing demand for wood products<br />
that are better for health. The need<br />
for wood-based panel manufacturers<br />
to better meet formaldehyde emission<br />
standards may eventually be as inevitable<br />
as is necessary.<br />
ACCURATELY MEASURING<br />
FORMALDEHYDE LEVELS<br />
IMAL PAL produces the most widely used<br />
unit for such measurements, specifically<br />
the GA300, which utilises a rapid and<br />
accurate method using gas for testing<br />
formaldehyde level and is accepted by<br />
CARB from North America.<br />
The perforator method, known as the<br />
traditional method, will soon be phased<br />
out as it requires a highly toxic and very<br />
expensive chemical component for the<br />
test. The gas analysis method complies<br />
with the 717 standard requirements<br />
and water is used in place of chemical<br />
components.<br />
TESTING PROCESS USING THE<br />
GA300<br />
The GA300 apparatus for the gas analysis<br />
test permits a rapid calculation of the<br />
amount of formaldehyde released by<br />
wood-based panels. Testing is conducted<br />
to meet EN ISO 12460-3 standard<br />
requirements.<br />
The sample, which has been suitably<br />
prepared for testing, is placed inside<br />
an airtight chamber at a controlled<br />
temperature, pressure and air flow. The<br />
formaldehyde released by the sample is<br />
collected in the controlled flow of hot<br />
air that travels through the chamber.<br />
The air containing the formaldehyde is<br />
passed through wash bottles at outfeed<br />
where the formaldehyde recombines with<br />
the water. The amount of formaldehyde<br />
contained in the water is measured using<br />
the photometric method. The result is<br />
given in milligrams of formaldehyde per<br />
square metre of board surface in one<br />
hour (mg/m 2 h).<br />
SHORTENING TESTING TIME<br />
The GA300 gas analyser rapidly provides<br />
details on the amount of formaldehyde<br />
released by the boards produced<br />
to enable timely corrections to the<br />
production parameters. A full test using<br />
only one chamber takes approximately<br />
four hours. For faster results, using a twochamber<br />
lab tester will yield results in half<br />
the time, while a four-chamber tester will<br />
produce results every hour.<br />
OTHER ADVANTAGES<br />
• Possibility of controlling two or even<br />
four test chambers with one device<br />
• Each chamber is able to control<br />
temperature and air flow regulation<br />
independently<br />
• Test data may be printed and recorded<br />
after the analysis<br />
• The gas collection times and temperature<br />
regulation may be configured should<br />
any changes be introduced to standard,<br />
or for experimenting purposes<br />
• Besides processing the data for each<br />
analysis, the central processor is able<br />
to supply the calibration value of the<br />
spectrophotometer<br />
• Can be tested on particleboard, oriented<br />
strand board and medium-density<br />
fibreboard. P<br />
All images are credited to IMAL PAL.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> PANELS MANUFACTURING | 31
32 | FLOORING<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Parklex’s Hy Tek,<br />
High-scoring Flooring<br />
By Szeto Hiu Yan<br />
From Frank Gehry’s Guggenheim Museum Bilbao in Spain;<br />
Alliance 1892 - Cognac Museum and Cellar in Russia; Cocoon<br />
Community Centre in China to Teega Residences in Johor<br />
Bahru, Malaysia, the usage of Parklex’s interior and exterior<br />
cladding and flooring panels can be found in many projects<br />
worldwide.<br />
Hailed from Spain, Parklex has been providing interior and<br />
exterior cladding solutions for more than 40 years. With<br />
EWINS, a Singapore-based company, being its regional<br />
distributor, Parklex has been present in <strong>Asia</strong> for a decade.<br />
WIA speaks to EWINS’ Executive Director, Mark Yong, to<br />
better understand Parklex’s performance in <strong>Asia</strong> as well as<br />
the upcoming flooring trends.<br />
When it comes to flooring, Parklex’s two ranges of flooring products<br />
— Hy Tek natural timber-surfaced floors for interiors and Block Tek<br />
outdoor decking are well-known for their refined appearances, and<br />
ultra-low maintenance due to their hard-wearing durability and the ease of<br />
installation.<br />
Parklex’s Hy Tek flooring has been in use at Frank Gehry’s<br />
Guggenheim Museum Bilbao since its opening in 1997
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> FLOORING | 33<br />
HY TEK<br />
The Hy Tek range is a zero-maintenance<br />
engineered wood flooring for interiors<br />
that is designed to withstand high foot<br />
traffic areas in residential or commercial<br />
spaces. It is available in more than<br />
30 different wood species and two types<br />
of surface finish.<br />
The natural wood surface of the Hy Tek<br />
floors is also scratch and stain resistant<br />
due to the use of proprietary resin-based<br />
technology, as well as the Bakelite layer<br />
underneath the natural wood veneer<br />
ensure protection to the floor.<br />
Parklex could supply Hy Tek with two<br />
different anti-slip levels according to<br />
performance requirements, together<br />
with the high anti-damp properties of<br />
the product, allowing Hy Tek floors to be<br />
installed in areas where there is frequent<br />
contact with water.<br />
WET INTERNAL AND DRY<br />
INTERNAL, AND ACOUSTIC —<br />
WALL AND CEILING FINISHES<br />
FOR INTERIORS<br />
Parklex’s Wet Internal, Dry Internal and<br />
Acoustic range of finishes are available in<br />
the same colour selections, but treated<br />
according to their application. Architects<br />
and designers are now able to keep the<br />
same colours and finishes throughout<br />
the interior.<br />
Hy Tek floor in Country Oak Bamboo Woodskin Matt 188/290/107 mm bevelled<br />
Wet Internal is a natural wood cladding<br />
that is highly resistant to moisture due to<br />
a layer of moisture-resistant overlay on<br />
the natural timber sheets on both sides.<br />
It is suitable for bathrooms, gyms, saunas,<br />
swimming pools and porches.<br />
Due to its hardness, Dry Internal is<br />
the ideal natural wood cladding for<br />
interior walls and ceilings in high traffic<br />
areas. Dry Internal reports the best<br />
possible results for organic materials in<br />
accordance with European regulation<br />
EN 13.501 for reaction to fire.<br />
Acoustic is an acoustic panel solution. It<br />
can be applied to interior walls and ceilings<br />
that require a specific level of sound<br />
absorption, such as conference rooms,<br />
auditoriums, classrooms and theatres.<br />
The main halls of the Guggenheim Museum<br />
in Bilbao have been fitted with Hy Tek since<br />
its opening in 1997.<br />
BLOCK TEK<br />
Block Tek is a high-density composite<br />
floor for exteriors. It is strong, hardwearing<br />
and highly resistant to<br />
atmospheric changes in moisture and<br />
temperature.<br />
Block Tek is also slip resistant and has a<br />
rating of Class 3, which is the highest slip<br />
resistance rating according to the UNE-<br />
ENV 12633 standard.<br />
Block Tek flooring was recently installed<br />
at the Manila Polo Club in Manila,<br />
the Philippines, and is also used in<br />
One Altitude in Singapore.<br />
PARKLEX IN ASIA<br />
<strong>Asia</strong> has been one of Parklex’s fastest<br />
growing regions, with China, the Philippines<br />
and Singapore doing particularly well,<br />
said Yong. Given the strong performance,<br />
EWINS is now starting to market<br />
Parklex in Japan.<br />
“Parklex’s natural timber façade panels<br />
are currently the most popular product<br />
amongst its range, but Block Tek and<br />
Hy Tek are fast gaining importance,” Yong<br />
shared.
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<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Hy Tek / Wood: Country Oak Woodskin<br />
A REVIEW OF 2019 FLOOR<br />
TRENDS<br />
Yong observed three main flooring trends<br />
in <strong>Asia</strong> last year:<br />
Natural surface materials are now<br />
preferred<br />
“Natural surface materials are now<br />
preferred over synthetic and repetitive<br />
materials for both residential and<br />
commercial projects, wherever possible.<br />
With advances in material science,<br />
some natural materials that were not<br />
recommended for application in high<br />
humidity or high UV-exposure areas can<br />
now be used.”<br />
panels, the natural beauty of the wood’s<br />
grains and tones can truly be appreciated.”<br />
YONG PREDICTS UPCOMING<br />
FLOORING TRENDS IN <strong>2020</strong>:<br />
Lighter wood continues to be the<br />
favoured choice<br />
“We see that lighter wood tones are<br />
gaining in popularity and this will continue.<br />
Darker woods were favoured in the past<br />
but we are starting to see a shift towards<br />
lighter toned woods, such as maple, ash,<br />
and oaks.”<br />
Herringbone OUT, Clean lines IN<br />
“The herringbone layout pattern seemed<br />
to be trending two or three years back, but<br />
this trend seems to be abating as quickly<br />
as it came, perhaps because cleaner lines<br />
are favoured now.”<br />
ENGINEERED WOOD FLOORING<br />
VS SOLID WOOD FLOORING<br />
While engineered wood flooring are<br />
sometimes seen as inferior to solid<br />
hardwood flooring in terms of the look<br />
and feel, Yong emphasised that Parklex’s<br />
flooring panels are premium engineered<br />
flooring with surfaces made of natural<br />
timber. It also offers advantages that<br />
hardwood flooring cannot offer.<br />
“The ‘engineering’ allows the floor to be<br />
used in difficult indoor conditions with a<br />
high risk of wear and tear, but without any<br />
compromise on the natural appearance<br />
of timber. This means that throughout<br />
the lifespan of a well-engineered wood<br />
flooring product, there can be little to no<br />
maintenance required.<br />
This is especially important for commercial<br />
or hospitality projects where down-time<br />
for replacement or repairs can prove to<br />
be very costly. All of Parklex’s products<br />
are engineered to be of zero to extremely<br />
low maintenance,” explained Yong. | WIA<br />
All images are credited to Parklex.<br />
Lighter wood for indoor flooring<br />
“We are starting to see a shift in preferences<br />
for use of lighter woods for indoor flooring<br />
for residential projects; to bring interiors<br />
a lighter, airier, and more spacious feel,<br />
without compromising on warmth."<br />
Wider flooring panels<br />
“Architects and interior designers are<br />
frequently hampered by the limited widths<br />
of flooring materials available on the<br />
market. Many floor panels do not go beyond<br />
widths of 150 or 200mm. They are excited<br />
when wider flooring panels are available,<br />
and they are also able to mix flooring strip<br />
widths in the same project. With wider<br />
It is even possible to combine boards of different widths
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> FLOORING | 35
36 | MATERIALS<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
ALL ABOARD LORIENT<br />
TRAIN STATION<br />
After two years of construction,<br />
the face of the new Lorient Train<br />
Station, or also known as Gare de<br />
Lorient, in Brittany, France, was<br />
revealed. Opened in May last year,<br />
the station’s airy, open form draws<br />
inspiration from the hull of a boat.<br />
DOUGLAS FIR ARRIVES AT<br />
LORIENT STATION<br />
At 115 metres long, Lorient Train Station is<br />
a showcase for Douglas fir glue-laminated<br />
timber. Designed by AREP, the multi-sector<br />
subsidiary of SNCF Gares et Connexions,<br />
the project is located strategically in the<br />
heart of Lorient.<br />
The old station, built in 1960, had its<br />
back to its surroundings, but the newly<br />
design train station has a welcoming<br />
structure to Brittany's third largest city.<br />
After a passageway was installed over<br />
the tracks in September 2016, a decision<br />
was made to create a new “passenger<br />
space”, protected by an immense wooden<br />
hall — a long, rounded shape inspired by<br />
a boat hull, which is a nod to the area's<br />
maritime history.<br />
EXTRAORDINARY GLULAM<br />
STRUCTURES<br />
The idea for the station's structure was an<br />
original one: huge arches made of Douglas<br />
fir glue-laminated timber. Three rounds<br />
of gluing and lamination were needed to<br />
build these unique elements so as to reach<br />
their above-average thickness (more than<br />
60cm). The posts and cross-pieces were<br />
then joined together, giving an impression<br />
Three rounds of gluing and lamination were needed to build these unique elements in order<br />
to reach their above-average thickness (more than 60cm)<br />
of waves when seen together in a row. The<br />
arches continued on the exterior, losing a<br />
post on a side to showcase a boomerangshaped,<br />
cantilevering 20 metres out to<br />
provide shelter for the entrance area, and<br />
to create a large and welcoming space.<br />
The 57 metres long and seven metres wide<br />
passageway that crosses the tracks was<br />
built with a lattice beam system, with struts<br />
and posts also made of Douglas fir gluelaminated<br />
timber and diagonals, metal ties.<br />
The passageway is also made of double<br />
Vierendeel trusses built using the same<br />
material. It leads directly to the station's<br />
main hall, creating an urban connection<br />
between the city centre and the Kerentrech<br />
neighbourhood to the north.<br />
700M 3 OF DOUGLAS FIR USED<br />
Douglas fir was chosen as the predominant<br />
material for its environmental qualities, durability,<br />
and the warm atmosphere that it creates. The<br />
material produces an elegant and delicate frame,<br />
which exhibits an impressive yet welcoming<br />
and reassuring public space that expresses<br />
hospitality, exchange, and intermodality.<br />
This project was also an opportunity to create<br />
a new neighbourhood on the west side of the<br />
entrance area, which may house up to 100,000m 2<br />
of new construction: 32,000m 2 of offices,<br />
28,000m 2 of shops, and 42,000m 2 of housing. P<br />
All photos are credited to Didier Boy de la Tour<br />
and France Douglas, AREP.
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<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
The entrance of the Gabon Special Economic Zone<br />
GABON: THE<br />
LAND FULL OF<br />
OPPORTUNITIES<br />
Gabon is a picturesque country with rich natural resources in West Central Africa. A privileged<br />
geographical location on the edge of the Congo Basin and bordered by the Atlantic Ocean on the<br />
west, it shares the Northern Boundary with Cameroon, Equatorial Guinea as well as the Eastern<br />
and Southern boundary with Republic of Congo.<br />
On August 17, 1960 Gabon declared<br />
itself an independent nation<br />
following centuries of foreign<br />
intrusion and colonial conflicts. Since<br />
independence from French rule, Gabon<br />
has developed a relatively stable political<br />
and social environment. Fast-forward to<br />
the present day, and Gabon is emerging<br />
as something of a regional flagbearer for<br />
foreign investment. With the continent<br />
increasingly opening up to international<br />
enterprise, the Central African nation is<br />
proving itself as an enticing place to do<br />
business. This is backed up by figures<br />
of inward FDI, which show that foreign<br />
direct investment in 2017 neared $1.5<br />
billion, up significantly from the $1.24<br />
billion seen in 2016 and $990 million a<br />
year earlier.<br />
With astonishing resources: Oil,<br />
Manganese (second largest producer<br />
in the world for high grade), tropical<br />
forest with more than 400 identified<br />
species and some major infrastructures,<br />
Gabon is the new face of the progressive<br />
and prosperous Africa. With a strategic<br />
location at the heart of Africa, Gabon<br />
offers an ideal gateway for entry to a<br />
regional market of 250 million consumers.<br />
This is why several multinationals and<br />
visionary SMEs have been attracted by its<br />
great assets and have decided to establish<br />
their business here.<br />
GABON FOREST … HOME OF<br />
OKOUMÉ<br />
Boasting the second highest forestry<br />
potential in Africa, Gabon's forests cover<br />
22.8 million hectares, i.e. 88 per cent of<br />
the country’s land surface. The tropical<br />
forest offers enormous possibilities<br />
with a logging potential of 18 million<br />
hectares with more than 400 species<br />
including Okoumé, Okan, Padouk, Tali,<br />
Kevazingo. Until 2010 i.e. before ban on<br />
export of raw logs, Gabon was the largest<br />
exporter of raw wood in the region, and<br />
its sales represent 20 per cent of Africa’s<br />
raw wood exports. Gabon’s reserves<br />
of harvestable timber includes<br />
130 million m 3 of Okoumé, 25-35 million<br />
m 3 of Ozigo, 20-30 million m 3 of Ilomba,<br />
15-25 million m 3 of Azobé and 10-20<br />
million m 3 of Padouk. Other woods are<br />
Dibetou (Tigerwood or African Walnut),<br />
Movingui, Kevazingo and Zingana<br />
(Zebrano or Zebrawood).
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Over the past ten years, Gabon has gone<br />
through a profound process of reform<br />
affecting the forest and environment.<br />
A new forest law has come into force<br />
that emphasises Sustainable Forest<br />
Management (SFM) as the overall<br />
approach in the forestry. Forestry is, and<br />
will remain, one of the pillars of Gabon's<br />
economic and social development. The<br />
private sector has become a major driver<br />
of industrial forest development and the<br />
export of forest products. Gabon has<br />
a low deforestation rate, forests rich<br />
in valuable timber species and among<br />
the best prospects for a healthy and<br />
sustainable forest industry. The timber<br />
industry is already the largest private<br />
sector employer, employing 28 per cent<br />
of the working population, and represents<br />
an extremely significant growth potential.<br />
OKOUMÉ … THE PINK GOLD FROM<br />
GABON<br />
Commercial forest harvesting in Gabon<br />
began as early as 1892, but only in 1913<br />
was Okoumé, Gabon’s most valuable<br />
wood, introduced to the international<br />
market. Gabon supplies 90 per cent of the<br />
world’s Okoumé, known worldwide for the<br />
production of plywood.<br />
Aucoumea klaineana (Angouma, Gaboon,<br />
Gabonese<br />
Republic is aiming to<br />
turn Gabon into a world<br />
leader in certified<br />
tropical timber<br />
production through<br />
an industrial strategy<br />
aimed at sustainably<br />
managing timber<br />
stocks and by promoting<br />
secondary and tertiary<br />
processing.<br />
or Okoumé) is a tree in the family<br />
Burseraceae, found in equatorial West<br />
Africa in Gabon, the Republic of the Congo,<br />
and Rio Muni.<br />
Okoumé is a medium-sized hardwood<br />
tree growing to 30-40 m tall with a trunk<br />
diameter in the range of 1 to 2.5 m. Its<br />
attractive appearance means that it is<br />
often used decoratively as the top surface<br />
veneer in panelling and furniture or, in<br />
solid form in luxury items such as boxes<br />
for cigars or other high value items (e.g.<br />
audio equipment).<br />
PHYSICAL AND MECHANICAL<br />
PROPERTIES<br />
Widely recognised as one of the world’s<br />
best materials for rotary cut veneers,<br />
Okoumé timber is easy to work with<br />
and is as suitable for the manufacturing<br />
of furniture as for interior joinery.<br />
Moreover, it is a species of a very even<br />
colour, good bonding performances<br />
and good compatibility with finished<br />
products.<br />
ADVANTAGES OF OKOUMÉ<br />
• Uniform and single species<br />
• Uniform colour and density<br />
• Easy workability – no coarse grains<br />
• Durable and resistant to dry wood borers<br />
so does not require any preservative<br />
treatment against dry wood borer<br />
attack.<br />
• Suitable for staining and polishing<br />
without much variations across the grain<br />
and so better finish.<br />
• Reliable and sustainable production with<br />
assured availability in quality and<br />
quantity.<br />
• Sawn timber without much timber<br />
Okoumé sawn wood
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The Gabon Special Economic Zone is one of the largest industrial park in Sub-Saharan Africa<br />
defects and therefore less wastage in<br />
end usage.<br />
GABON SPECIAL ECONOMIC<br />
ZONE (GSEZ): THE BIGGEST<br />
WOODWORKING HUB IN AFRICA<br />
In the last decade, African countries<br />
have promoted the idea of processing of<br />
natural resources within their countries<br />
so as to generate employment and<br />
give boost to their economy. With the<br />
same ideology, Gabonese Republic<br />
also banned exports of raw timber<br />
in 2010. Subsequently, Gabonese<br />
Republic has embarked on a journey<br />
to provide amenable ecosystem and<br />
infrastructure to facilitate the secondary<br />
and tertiary processing of timber and<br />
other natural resources within Gabon.<br />
Witnessing a favourable investment<br />
climate, Olam International Limited in<br />
partnership with the Gabonese Republic<br />
decided to develop the Special Economic<br />
Zone in 2010. The Special Economic Zone<br />
spreads over 1126 ha at Nkok (20 km from<br />
the capital city of Libreville) and is the<br />
outcome of a shared vision of Gabonese<br />
Republic and Olam to effectively master<br />
the transition toward industrialisation of<br />
Gabon. It is one of the largest industrial<br />
park in Sub-Saharan Africa aimed at<br />
promoting sustainable production and<br />
processing timber and various other<br />
resources in the country.<br />
INCENTIVES TO INVESTORS<br />
Investors in GSEZ enjoys following fiscal<br />
incentives on their industrial investments:<br />
• No Income tax for first 10 years and a<br />
preferential rate of 10 per cent over the<br />
next 5 years<br />
• No Customs Duty on the import of<br />
equipment and machinery for the<br />
industry<br />
• No VAT<br />
• No Property Tax<br />
• 100 per cent foreign ownership<br />
permitted<br />
• 100 per cent exemption from capital<br />
gains tax<br />
• Other relaxations and waivers:<br />
¤ 50 per cent on Electricity/Power Tariff<br />
¤ Relaxed Labour laws & flexibility in<br />
employing expatriates<br />
A worker at a wood veneer factory in Gabon<br />
In 2018, Gabon<br />
became the biggest<br />
producer of tropical<br />
veneer in Africa and the<br />
2nd largest exporter of<br />
tropical veneer, mainly<br />
because of veneer<br />
plants established in<br />
Gabon SEZ.
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¤ Reduced Export Duty for products<br />
manufactured in SEZ<br />
¤ 100 per cent repatriation of profits<br />
¤ Up to 25 per cent DTA sales permitted<br />
without any tax implications<br />
SINGLE WINDOW CLEARANCE - A<br />
DIFFERENTIATOR<br />
GSEZ facilitates to obtain all necessary<br />
regulatory and statutory clearances<br />
required for setting up an industry in the<br />
SEZ from various government departments<br />
by way of Single Window Clearance<br />
Facility; simplifying the process in granting<br />
speedy approvals to all units. To ensure<br />
that the investors do not have to run<br />
from one office to another, all concerned<br />
22 departments / agencies from which<br />
approvals are required, are housed in a<br />
special building within the SEZ.<br />
GABON SEZ, AS OF TODAY<br />
SEZ at Nkok currently has 166 customers<br />
and the expected foreign direct investment<br />
is more than USD$ 1.7 billion. The<br />
investors who have invested so far are<br />
from 17 nationalities; out of which, more<br />
than 70 are from <strong>Asia</strong>n countries like<br />
China, India, Malaysia, Singapore and<br />
UAE. The industries making SEZ their<br />
base are mainly industries into wood<br />
transformation (sawmill, veneer and<br />
plywood), ferro-alloys, construction<br />
materials, pharmaceutical, food<br />
processing, telecom equipment, waste<br />
and metal recycling and warehousing<br />
etc. To date, 72 companies are already under<br />
production and another 33 companies<br />
are in different stages of construction.<br />
Africa is openingup<br />
to investments<br />
and Gabon, one of<br />
the most politically<br />
and economically<br />
stable country in the<br />
continent, has clearly<br />
taken the lead in<br />
attracting investors<br />
by doling out number<br />
of fiscal and non-fiscal<br />
incentives.<br />
Since year 2016, many veneer<br />
manufacturing companies established<br />
their veneer plants in Gabon SEZ and in<br />
2018, Gabon became the biggest tropical<br />
veneer producer in Africa and the second<br />
largest exporter of tropical veneer in the<br />
world. With a jump of more than 75 per<br />
cent y-o-y growth, around 292,000 cubic<br />
metres of veneer was exported from<br />
Gabon SEZ itself in 2019. Gabon SEZ is<br />
already a veneer manufacturing hub and<br />
now plywood manufacturing has also<br />
started picking up in Gabon SEZ.<br />
The past year also saw a lot of traction<br />
for plywood production. Three plywood<br />
plants with a cumulative production<br />
capacity of 100,000 cubic metres came<br />
into production in 2019 and construction<br />
of another five plywood plants started in<br />
2019. The plywood export from Gabon<br />
SEZ itself is expected to cross 150,000<br />
cubic metres in <strong>2020</strong>.<br />
Gabon Special Economic Zone has<br />
emerged as the West Central Africa’s<br />
manufacturing hub and entrepreneurs<br />
from across the globe are welcome to<br />
benefit from the business opportunities<br />
unlocked by Gabon SEZ. P<br />
For business, investment and trade<br />
enquiries, please get in touch with team<br />
of GSEZ at gsez@olamnet.com or at<br />
+24102001086.<br />
All images are credited to Gabon Special<br />
Economic Zone SA.<br />
Gabon supplies<br />
90 per cent of the<br />
world’s Okoumé,<br />
known in Europe<br />
and America for the<br />
production of veneer<br />
and plywood. Its<br />
demand is also picking<br />
up in <strong>Asia</strong><br />
The Single Window Clearance Facility
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> STRUCTURAL ELEMENTS | 43<br />
Kajstaden,<br />
the tall<br />
timber building<br />
The Tall Timber Building residence<br />
has become Sweden's tallest solid<br />
wooden building in the new district<br />
of Kajstaden at Lake Mälaren in<br />
Västerås. All parts of the building<br />
consist of cross-laminated wood,<br />
which includes the walls, joists<br />
and balconies as well as the lift and<br />
stairwell shafts.<br />
The Kajstaden project<br />
(Image credit: Nikolaj Jakobsen)
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> STRUCTURAL ELEMENTS | 45<br />
unnecessary materials in the walls. The<br />
low weight of the material means fewer<br />
deliveries to the construction site and a<br />
more efficient, safer and quieter working<br />
environment during construction.<br />
It took an average of three days per floor<br />
for three craftsmen to raise the frame.<br />
Mechanical joints with screws have been<br />
used, which means that the building can<br />
be taken apart so that the materials can be<br />
recycled. The total carbon dioxide saving<br />
is estimated to be 550 tonnes of CO 2 when<br />
using solid wood instead of concrete.<br />
RESIDENTIAL NEIGHBOURHOOD<br />
NEAR THE WATER<br />
Kajstaden is a central residential<br />
neighbourhood near the water in the<br />
Öster Mälarstrand area of Västerås. The<br />
new neighbourhood is designed as a city<br />
block and is a natural extension of the<br />
Västerås city centre.<br />
(Image credit: Nikolaj Jakobsen)
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<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
(Image credit: Nikolaj Jakobsen)<br />
Kajstaden - Tall Timber Building is an<br />
important landmark for sustainable<br />
construction and a reference<br />
project that shows that conversion<br />
to climate conscious architecture is<br />
possible. Through spearheading research<br />
projects and several active wood projects,<br />
C.F. Møller Architects has focused on<br />
innovation as well as developing and<br />
implementing multi-storey buildings with<br />
solid wood frames.<br />
In Kajstaden, the architects prioritised<br />
industrial timber techniques for the<br />
building material to influence and take<br />
responsibility for the impact of the<br />
construction industry on the environment<br />
and climate change. A crucial advantage<br />
of wood, unlike other building materials,<br />
is that the production chain for the<br />
material produces a limited amount of<br />
carbon dioxide emissions. Instead, it is<br />
part of a closed cycle, where carbon is<br />
retained in the frame of the building.<br />
.<br />
THE BUILDING PROCESS<br />
The Kajstaden - Tall Timber Building is<br />
nine floors high with an elevated ground<br />
floor and a top floor with a double height<br />
ceiling. The high precision technology<br />
involved in CNC-milled solid timber with<br />
glulam elements results in air-tight and<br />
energy-efficient houses without other<br />
(Image credit: Nikolaj Jakobsen)
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(Image credit: C.F. Moller Architects)<br />
The neighbourhood has a generous view<br />
of Lake Mälaren and is located directly<br />
adjacent to the square and the quayside<br />
promenade. The concept includes an<br />
electric boat sharing scheme and a<br />
special chilled room in the lobby for food<br />
deliveries from MatHem.<br />
The housing being constructed is<br />
comprised of 99 flats with the first stage<br />
estimated to be completed by the spring<br />
of 2018. In its entirety, the local plan for<br />
Öster Mälarstrand contains about 700<br />
flats with marinas for recreational boats,<br />
which will be connected and integrated<br />
with new residential developments.<br />
The apartment building was inaugurated,<br />
and tenants moved in during February<br />
2019. P<br />
Construction Principle CLT<br />
1) CLT PANELS<br />
2) INSULATION<br />
3) GYPSYM BOARDS<br />
4) WATER PROOFING<br />
(Image credit: C.F. Moller Architects)<br />
5) SEDUM<br />
6) WOOD PANELS<br />
7) FLOORING<br />
Client: Slättö Förvaltning<br />
Size: 7,500 m²<br />
Address: Västerås, Sweden<br />
Year: 2016-2019<br />
Architect: C.F. Møller Architects<br />
Landscape: C.F. Møller Architects<br />
Contractor: Martinsons and Consto<br />
Engineer: Bjerking<br />
(Image credit: C.F. Moller Architects)
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 47<br />
A touch of<br />
wood in<br />
Changi Jewel<br />
The stylish and functional wooden seats designed by Nathan Yong<br />
How Singapore’s godfather of furniture design married function and form at Changi’s Jewel<br />
Around the world, if you ask anyone who knows design to<br />
name a Singaporean furniture designer, Nathan Yong will<br />
be first to mind. The multi-award winning creator, whose<br />
designs have been exhibited around the world and adopted<br />
by legendary brands including Ligne Roset, not only runs the<br />
Industrial Design Course at Lasalle College of the Arts but is<br />
also co-founder of new creative space Grafunkt in Singapore’s<br />
Funan mall. Therefore, it seems only right that he was invited to<br />
design the public seating for Singapore’s landmark experiential<br />
retail destination – Jewel at Changi.<br />
Since it opened in 2019, the complex designed by Moshe Safdie<br />
has drawn global attention as a destination in itself for travellers<br />
passing through Changi airport as much as for the enjoyment<br />
of Singaporeans looking for a day of entertainment. Premium<br />
retail and dining combines with an extraordinary indoor garden,<br />
the highlight of which is a 40-metre high rain vortex. This indoor<br />
waterfall is a cascade of harvested rainwater that streams<br />
spectacularly from the glass-domed roof down seven floors. Its<br />
surrounding is a forest valley of lush trees and palms and above<br />
this, two walkways. The effect is a fascinating juxtaposition of the<br />
mental escape provided by nature with the buzz and dynamism<br />
of a high-end mall.<br />
Changi Jewel, designed by renowned architect Moshe Safdie<br />
(Image credit: Szeto Hiu Yan)
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INSPIRATIONS FOR DESIGN<br />
When asked to design for this space,<br />
Nathan Yong’s take was to provide a<br />
cool and calm balance to this energetic<br />
environment. His aim was to create a<br />
space where visitors could sit, absorb<br />
and reflect. Drawing on his favourite Flow<br />
bench, the seating he has designed is<br />
stripped of superfluous details. Narrow<br />
strips of American white oak form soft<br />
curves that are soothing to the eye and<br />
the shaped white oak seats look invitingly<br />
comfortable.<br />
This is where Yong shows his real skill as<br />
an industrial designer and artist. Seating<br />
in one of Singapore’s busiest public<br />
spaces needs to be durable to withstand<br />
the high amount of usage. American<br />
white oak is widely used for its strength<br />
and stability and these timber strips are<br />
1cm apart and supported by a metal<br />
frame. Furthermore, the fabulous glass<br />
dome roof in Jewel created a need for<br />
an alternative air-conditioning solution.<br />
Yong’s benches conceal underground<br />
aircon units. The seating structure can<br />
be quickly and easily dismantled to allow<br />
service access and cleaning. LED lights<br />
illuminate the seating at night when<br />
visitors are treated to a lightshow in the<br />
canopy.<br />
The design, like its creator, is a cool and<br />
understated exterior hiding an innovative<br />
and highly intelligent core.<br />
(All images are credited to AHEC unless<br />
otherwise stated.)
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Toca Madera<br />
finalists exhibit at<br />
Madrid Design Festival <strong>2020</strong><br />
THE EIGHT FINAL PIECES<br />
OF THE TOCA MADERA<br />
COMPETITION, ORGANISED BY<br />
AHEC AND INDUSTRIAL DESIGN<br />
ENGINEERING ASSOCIATION<br />
(AIDI) FOR YOUNG DESIGNERS IN<br />
SPAIN, ARE NOW ON DISPLAY AT<br />
THE FERNÁN GÓMEZ CULTURAL<br />
CENTRE OF THE VILLA (PLAZA DE<br />
COLÓN, 4) UNTIL 29 TH FEBRUARY,<br />
AS PART OF MADRID DESIGN<br />
FESTIVAL <strong>2020</strong>. THE DESIGNERS<br />
WERE CHALLENGED TO CREATE<br />
“INFINITE OBJECTS”, OBJECTS TO<br />
STAND THE TEST OF TIME, IN ONE<br />
SINGLE MATERIAL – AMERICAN<br />
RED OAK.<br />
and 29 th February, the eight final pieces<br />
from the competition are exhibited at<br />
the Fernán Gómez Cultural Centre of the<br />
Villa. A committee of renowned national<br />
and international designers, including<br />
Izaskun Chinchilla and Sebastian Cox,<br />
were to choose the three winners at the<br />
final gala on 15 th February.<br />
10 young Spanish designers participated<br />
in the competition and were tasked to<br />
create long-lasting objects in American<br />
red oak. "We are creating objects that last<br />
longer, use less energy, barely generate<br />
waste and with a carbon footprint that is<br />
beneficial to the environment," explains<br />
Carlos Kasner, head of AHEC in Spain.<br />
Participants include Andrés Mariño,<br />
Fernando Hernández, Irena<br />
Ventsislavova, Jaume Molina, María<br />
Risueño, María Soriano and Sergio<br />
Rodríguez and the mORR_design<br />
collective (Celia Martínez, Daniel Romero<br />
and María Ruíz de Elvira). The importer<br />
and distributor AE Maderas donated<br />
the American red oak needed for the<br />
manufacturing of the eight final designs.<br />
During December and January, the<br />
designers had the opportunity to watch<br />
and partake in the manufacturing of<br />
their pieces at the La Navarra workshop<br />
(Torrejón de Ardoz).<br />
In a global context of awareness about<br />
climate change, the Toca Madera contest<br />
in sustainable design is one of the great<br />
milestones of the third edition of Madrid<br />
Design Festival. Between 29 th January<br />
“Tired of today’s throw-away culture, we<br />
are re-designing products for eternity,”<br />
says Cecilia Zavala, Coordinator of AIDI.<br />
The infinite objects aim to inspire and<br />
claim the value of sustainable design as<br />
a "social transformer".
50 | DESIGN<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
THE ‘TABURETE BARLOVENTO’<br />
STOOL,<br />
by Andrés Mariño<br />
Object: Stool<br />
The infinite objects combine durability with sustainability,<br />
ergonomics and efficiency - they adapt, change and last. The<br />
‘Taburete Barlovento’ stool (Andrés Mariño) uses a bending<br />
technique traditionally used for building ships, in order to obtain<br />
a more efficient, aerodynamic shape – strong, but light. The stool<br />
also uses the grain of the wood in a way that minimises waste.<br />
‘Bailarinas’ by Sergio Rodríguez<br />
Object: Console table<br />
The console table ‘Bailarinas’ (Sergio Rodríguez) incorporates<br />
spinning tops that are meant to remind us of things we tend<br />
to forget, like our keys or wallet. ‘Dew’ (María Soriano), is an<br />
atomized structure that adapts to any space and any domestic<br />
use: bedside table, dressing table, coat rack…<br />
‘DEW’<br />
by María Soriano
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 51<br />
‘ROJO FUROSHIKI’<br />
by María Risueño<br />
Object: Handbag<br />
According to geometric laws, the cube is the<br />
only way that allows for infinite growth. This<br />
is explored with the handbag ‘Rojo Furoshiki’<br />
(María Risueño) made from a structure of<br />
intertwined wooden cubes, joined by ropes.<br />
‘CRADLE TO CRADLE’<br />
by mORR_design<br />
Object: Cradle, chairs<br />
‘Cradle to Cradle’ (mORR_design) transforms the cradle into<br />
two chairs that its occupants can use when they grow up.<br />
‘COOPLAY’<br />
by Irena Ventsislavova<br />
Object: Children’s free play table<br />
Conceived as a tool for educators and parents, the children's<br />
table of free play ‘Cooplay’ (Irena Ventsislavova) breaks the<br />
economic and spatial barriers of urban playgrounds. Through<br />
imagination, children can explore six figurative worlds.
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<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
‘SAN’<br />
by Fernando Hernández<br />
Object: A box with scales and<br />
a mortar<br />
‘San’ (Fernando Hernández), a box with scales and a mortar,<br />
is an object meant for the preservation of manual coffee<br />
making, inspired by Ethiopian architecture.<br />
‘REINTERPRETAR LO INFINITO’<br />
by Jaume Molina<br />
Object: Chair<br />
‘Reinterpretar lo infinito’ (Jaume Molina) enhances the<br />
functionality of the chair that we all remember from our<br />
childhood.<br />
The first phase of the competition shortlisted 40 designers under<br />
35 at the beginning of 2019. Before developing their projects,<br />
they all got to partake in a training session of the application<br />
of American hardwood species in sustainable design in July.<br />
After a first selection of 12 candidates in September, each was<br />
assigned a well-known designer to supervise their project and<br />
stimulate their level of development and quality. National and<br />
international designers such as Izaskun Chinchilla, Antonio<br />
Serrano and Sebastian Cox took part in the project. After a<br />
second selection, eight finalists were chosen, whose designs<br />
are on display at the Fernán Gómez Cultural Center of the Villa<br />
until 29 th February.<br />
(All images are credited to AHEC.)
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 53<br />
MICA (P) No: 079/05/2019 • ISSN: 0219-5704 • KDN: PPS 1453/11/2012(022879) • www.panelsfurnitureasia.com • MARCH/APRIL <strong>2020</strong><br />
ImalPal ad_FC_PFA <strong>March</strong><strong>April</strong> <strong>2020</strong>.indd 1<br />
17/3/20 2:13 PM
54 | SHOW PREVIEW<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Xylexpo <strong>2020</strong><br />
promises<br />
to be a<br />
rewarding<br />
show for all<br />
The international press conference<br />
was held on the 31 st floor of the<br />
Pirelli skyscraper designed by<br />
the world-famous architect and<br />
designer Giò Ponti
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 55<br />
On February 18, Milan hosted the<br />
traditional international press<br />
conference introducing next<br />
Xylexpo, the biennial international<br />
exhibition of woodworking technology<br />
and furniture industry supplies to be<br />
held from 26 to 29 May <strong>2020</strong> at the<br />
FieraMilano-Rho expo centre.<br />
The location was the Enzo Jannacci<br />
Auditorium, on the 31 st floor of the<br />
Pirelli skyscraper designed by the worldfamous<br />
architect and designer Giò Ponti,<br />
to celebrate the 40th anniversary of his<br />
death on September 16, 1979 and the 60 th<br />
anniversary of the tower inauguration.<br />
The agenda opened with an interesting<br />
roundtable discussion involving Paolo<br />
Borgio of Fiera Milano, Massimo<br />
Goldoni, president of Comitato Fiere<br />
Industria at Confindustria, and Luigi De<br />
Vito, vice president of Eumabois, the<br />
European federation of Acimall’s “peer”<br />
associations.<br />
The three speakers offered different<br />
points of view on the exhibition and had<br />
an open and meaningful conversation<br />
about the role of an exhibition in an<br />
increasingly digital economic and social<br />
context. The outcome was a strong<br />
endorsement to the value of high-quality<br />
exhibitions which offer the opportunity<br />
– in a world that offers more and more<br />
digital opportunities – to meet, look into<br />
each other's eyes and shake hands.<br />
Lorenzo Primultini, president of Acimall<br />
and Xylexpo, was the next to speak.<br />
He gave an analysis of the factors of<br />
uncertainty that are characterising<br />
this period – Brexit, Corona Virus and<br />
increasing international conflicts –<br />
and possible short and medium term<br />
effects.<br />
WHAT TO EXPECT FOR XYLEXPO<br />
<strong>2020</strong>?<br />
Primultini stated that “…Xylexpo<br />
is organised by Acimall, a no-profit<br />
industrial association whose mission is<br />
to support the industry, create business<br />
opportunities for Italian companies and<br />
for organizations from all over the world,<br />
coming here to face the challenge of the<br />
demanding but rewarding Italian market”.<br />
He added: “What do we expect? A<br />
successful edition, for sure, that will<br />
reflect the market situation as usual. The<br />
2018 edition closed with 37 thousand<br />
visits by 17,781 industry operators,<br />
2.1 percent more than in 2016. Among<br />
them, 5,032 international visitors,<br />
28.3 percent of total attendance. This<br />
year we expect to achieve the following<br />
figures: until January 30, <strong>2020</strong>, 330<br />
companies have registered at Xylexpo,<br />
with a 30 percent share of international<br />
companies, covering a total net surface<br />
of 29,000 m 3 . This year, Xylexpo will<br />
occupy three halls, so as to ensure<br />
regular visitor flows to all exhibitors, as<br />
far as possible. More generally, I can<br />
anticipate that we will keep the same<br />
layout of recent editions, placing one<br />
or more big players in each hall: Biesse<br />
Group and Ima Schelling Group in<br />
hall 1, Scm Group and Weinig Group in<br />
hall 2, Homag Group, Felder Group, Cefla<br />
and Giardina Finishing Group in hall 3,<br />
just to mention a few.”<br />
Primultini then confirmed access<br />
conditions for visitors (a ticket will cost<br />
15 euro, but free access will be granted<br />
to operators who pre-register on www.<br />
xylexpo.com), and reminded that the<br />
exhibition in May will host the fourth<br />
edition of “Xylexpo Awards”, this year<br />
with three categories: “Wood and Panel<br />
Processing” (including tools), “Finishing<br />
and Coating” (equipment and materials)<br />
and for the first time “IoT and industrial<br />
process management”.<br />
Dario Corbetta speaking to the press. Massimo Goldoni (from left) and Luigi De Vito had earlier debated the role of an exhibition in an increasingly<br />
digital economic and social context
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He also thanked all participants and<br />
sponsors (Aimsad, Bacci, Biesse, Big on<br />
Dry, Dalso, Fimal, Giardina Group, Greda,<br />
Homag, Incomac, Leuco, Metal World,<br />
Salvamac, Scm Group, Vitap and Weinig).<br />
THREE CONFERENCES BY CATAS<br />
Andrea Giavon, director of Catas, the<br />
most important European laboratory for<br />
wood-furniture testing and certification.<br />
shared that Xylexpo has a strong<br />
partnership with Catas to organise<br />
important meetings and initiatives on the<br />
critical topic of education and training.<br />
Giavon shared that “… spreading<br />
knowledge has always been a mission<br />
pursued by Catas with great attention<br />
and commitment, and such activity will<br />
be further strengthened in <strong>2020</strong> through<br />
the collaboration with Xylexpo.”<br />
Giavon introduced three conferences that<br />
will be the core of this agenda:<br />
• On Wednesday, May 27, the Xylexpo<br />
Arena will host the second edition of<br />
the technical seminar “Next Wood -<br />
Designing future surfaces together” –<br />
organised by Catas, Poliefun-Politecnico<br />
di Milano, Anver and Acimall – dedicated<br />
to the “response of coating and plant<br />
manufacturers to the increasingly tough<br />
challenge of coating materials”.<br />
• On Thursday, May 28, Xylexpo will<br />
sponsor the event “Adhesives in the<br />
furniture industry and current product<br />
and process developments”, created<br />
by Catas and Federchimica. Topics<br />
will include the application of veneer<br />
in compliance with new German<br />
formaldehyde regulations, the use of<br />
hotmelt glues for the application of<br />
glossy coatings, the use of polyurethane<br />
glues with low free isocyanate content,<br />
and new water-resistant vinyl glues.<br />
• On Friday, May 29, the discussion<br />
will focus on VOCs, volatile organic<br />
compounds, a source of indoor pollution,<br />
starting from the stricter and stricter<br />
regulations on formaldehyde emissions<br />
that, unfortunately, are not shared<br />
and coordinated on a global scale,<br />
forcing producers and processors to very<br />
complicated management practices.<br />
GLOBAL ECONOMY’S IMPACT ON<br />
XYLEXPO <strong>2020</strong><br />
The next on stage was Dario Corbetta,<br />
Acimall director, who added some<br />
remarks about the decision to set up the<br />
<strong>2020</strong> edition in three halls, “…a decision<br />
driven by the economic uncertainty that<br />
has been characterising the final months<br />
of 2019 and the beginning of <strong>2020</strong>. Many<br />
actors and players showed a pessimistic<br />
vision that has not been confirmed by<br />
facts, so that the largest majority of<br />
exhibitors has actually maintained the<br />
same area as in past editions. But still, we<br />
had to work to squeeze all requests into<br />
more constrained space, covering only<br />
three halls, and even narrowing down the<br />
aisles to the limits prescribed by safety<br />
regulations”.<br />
POSSIBLE IMPACT OF<br />
CORONAVIRUS<br />
Corbetta then dealt with an awaited topic,<br />
namely the potential impact of “Chinese<br />
epidemics” on global economy. "China<br />
plays a leading role in woodworking<br />
machinery – Corbetta said – it's the<br />
world’s third-largest manufacturer<br />
behind Germany and Italy. As to trade<br />
relations, Italy and Europe are more<br />
focused on domestic and continental<br />
business, plus the fact that the first<br />
destination market is the United States.<br />
Don’t forget that Xylexpo is basically a<br />
Euro-centric exhibition (70 percent of<br />
international visitors come from Europe),<br />
so we don’t expect significant effects<br />
from the “Corona Virus”; also because<br />
the exhibition is planned in three months<br />
from now and, if the situation has not<br />
been solved or the general alarm has not<br />
vanished until then, we will have much<br />
more serious things to worry about…"<br />
The Acimall and exhibition director’s<br />
speech closed with an analysis of visitor<br />
flows in the past two editions (+2.1<br />
percent in 2018), a trend that is expected<br />
to be confirmed this year, in a global<br />
economic scenario marked by serious<br />
political instability. For a more detailed<br />
report, please see page 20. P<br />
All images are credited to Xylexpo.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 57<br />
(Postponed: In view of<br />
the coronavirus situation,<br />
Sylvawood has been<br />
rescheduled to<br />
29 th Jun to 1 st July 2021)<br />
Fifth time’s<br />
the charm<br />
Sylva Wood returns, with<br />
its fifth edition bringing<br />
industry peers together in<br />
sourcing for wood materials.<br />
To be held in Shanghai, the fifth edition of Sylva Wood seeks to once again bring<br />
the global timber network together, to trade and secure new avenues of growth<br />
in one of the world’s most exciting markets for wood.<br />
Visitors ranging from furniture and flooring manufacturers, to agents and wood traders<br />
will be present at the trade show. They will have the opportunity to meet with leading<br />
wood associations and professional<br />
buyers from various sectors including<br />
flooring, furniture, doors and windows,<br />
and interior furnishing.<br />
Exhibitor profiles range from hardwoods,<br />
softwoods, engineered wood, wood<br />
products, veneers, and other wood<br />
components.<br />
These exhibitors will also reap the<br />
benefits of connecting with designers<br />
and architects present at the expo, which<br />
will give them the chance to understand<br />
the development of engineered wood<br />
structures in <strong>Asia</strong>, and learn how best to<br />
penetrate the wood market in China.<br />
Sylva Wood will run from 29 th June to<br />
1 st July, and the three-day expo is expected<br />
to host a full programme of keynote<br />
speakers, who will facilitate targeted<br />
discussions revolving around market<br />
movements and how innovation can be<br />
harnessed for an increasingly competitive<br />
and challenging landscape.<br />
The previous edition of the show hosted<br />
discussions such as “The relationship<br />
between supply and demand in the<br />
Chinese timber market” and “Industry<br />
Sylva Wood <strong>2020</strong> will run from 29 th June to 1 st July
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1<br />
4.0 in the customised furniture industry”.<br />
It also included a FUN Hardwood Lifestyle<br />
Design Competition, where designers<br />
were encouraged to send in their design<br />
prototypes.<br />
Past exhibitors have had nothing but<br />
glowing praise to speak of the show.<br />
For example, Xu Fang, director of the<br />
American Softwoods China Office, said,<br />
“I am glad to see that quality and scale<br />
wise, the show is growing. Every year, we<br />
have more and more quality audiences.<br />
While there are quite a few shows in China<br />
related to wood, most of the shows are<br />
furniture and machinery focused, with a<br />
portion for wood materials – whereas this<br />
show is raw materials and wood focused,<br />
as well as finished material focused.”<br />
Agreeing with him was Noah Li, director<br />
(China) of the Quebec Wood Export<br />
Bureau. “Compared to other woodrelated<br />
shows in China,” he said, “Sylva<br />
Wood places more emphasis on wood<br />
materials. There are a lot of mixed<br />
2<br />
1) The three-day expo is expected to host a full programme of keynote speakers, who will<br />
facilitate targeted discussions revolving around market movements and how<br />
innovation can be harnessed for an increasingly competitive and challenging landscape<br />
2) The Russian Pavilion was the largest at Sylva Wood 2018<br />
visitors, and what I like about this show<br />
is that the visitors all come with the same<br />
intention – to buy wood materials.”<br />
Sylva Wood is organised by China<br />
Timber and Wood Products Distribution<br />
Association, Shanghai Timber Trade<br />
Associaiton and Shanghai Pablo<br />
Exhibition, and endorsed by the following<br />
wood associations: French Timber, the<br />
American Hardwood Export Council,<br />
American Softwoods, the Softwood<br />
Export Council, Canada Wood, the Thai<br />
Timber Association, the Malaysian Timber<br />
Council, and the National Hardwood<br />
Lumber Association. P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 59<br />
n<br />
o<br />
i<br />
W<br />
o<br />
a<br />
o<br />
H<br />
d<br />
AN IMPORTANT FIRST STEP FORWARD<br />
Held in Hanoi, Vietnam, the inaugural edition of Hanoi Wood is expected to act as a<br />
site of convergence for industry players, experts, buyers and visitors. Held from 20 th to 22 nd January<br />
2021 , Hanoi Wood 2021 is jointly organised by BIFA, VIFORES, and the <strong>Panels</strong> & <strong>Furniture</strong> Group of<br />
wood magazines – all respected pillars of the timber and woodworking sector.<br />
The decision to hold a wood<br />
exhibition in Hanoi comes at an<br />
opportune time, with the local<br />
wood industry welcoming more local<br />
small-and-medium enterprises (SMEs)<br />
and foreign direct investments (FDIs)<br />
that have built their new facilities in<br />
Hanoi.<br />
These factories are manufacturing<br />
more export-oriented wood products<br />
and specialising in one type of wood<br />
products such as plywood, mediumdensity<br />
fibreboards and block boards.<br />
On top of this, Hanoi is known as the fifthlargest<br />
wood product exporting province<br />
in Vietnam, following Binh Duong, Dong<br />
Nai, Ho Chi Minh city and Binh Dinh. In<br />
2018, wood exports from Hanoi were<br />
valued at US$400 million.<br />
Vietnam’s domestic market should not<br />
be overlooked, either: in 2019, the<br />
Vietnamese population was expected to<br />
spend US$2 billion on locally-produced<br />
wood products, the equivalent of one-fifth<br />
of Vietnam’s wood products export.<br />
The Vietnamese government is also<br />
heavily invested in encouraging overseas<br />
companies to expand and set up new<br />
factories in Northern Vietnam, offering<br />
incentives such as tax exemptions and<br />
lower land rental charges to woo local<br />
and overseas woodworking companies<br />
alike.<br />
In an example of this, Swedish furniture<br />
giant IKEA announced early last year<br />
plans to invest US$450 million in building<br />
a retail centre network and warehouse in<br />
Hanoi.<br />
VIETNAM IN THE WOOD<br />
INDUSTRY<br />
Vietnam also presents itself as a trove of<br />
raw materials, with three million hectares<br />
of acacia plantations and one million<br />
hectares of rubber wood plantations<br />
– mostly located in Central and North<br />
Vietnam.<br />
Compared to South Vietnam, manpower<br />
is more easily available in the North, with<br />
well-developed infrastructure such as<br />
roads and transportation.<br />
Vietnam also has the advantage of a<br />
young population, with 70 per cent of<br />
its population of 97 million people under<br />
35 years old, and 13 per cent belonging<br />
to a middle class that is expected to<br />
increase to 26 per cent by 2026.<br />
Hanoi Wood <strong>2020</strong> will mark the coming<br />
together of the industry’s movers and<br />
shakers, from top exhibitors to buyers.<br />
Visitors will have the chance to network<br />
with industry peers and experts ranging<br />
across the various sectors of the wood<br />
and woodworking industry. In doing so,<br />
they will gain insight on how best to<br />
penetrate the Vietnamese wood market.<br />
Participants will also be able to bear<br />
witness to the latest in industry<br />
innovations, and gain valuable insight<br />
from technology experts and key<br />
decision-makers.<br />
Hanoi Wood <strong>2020</strong> will be held from<br />
20 th to 22 nd January 2021 at the<br />
International Centre of Exhibition (I.C.E.)<br />
in Hanoi, Vietnam. P
60 | WOOD CLINIC<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Dear Mr. Shen,<br />
I am a reader of <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong>. Thank you for your reference comments in the last issue<br />
that solved my problem in manufacturing arced chairbacks.<br />
My small carpenter’s shop is currently making cupboards and kitchen cabinets. However, the<br />
joints of our dining chair products loosened after a period of use. Moreover, we plan to produce<br />
round coffee tables in the near future and would like to consult you on the method for drawing<br />
ellipse patterns; furthermore, our workers often run into faults that break the band saw during<br />
the cutting of elliptical or curved workpieces and hope that you could give us guidance on how to<br />
prevent this from happening during the cutting of elliptical or curved parts.<br />
Mr Shim (Shen Yuxin)<br />
Yours sincerely,<br />
Mr. Huang<br />
Dealing with chair joints loosening/<br />
How to produce ellipse-shaped cutting<br />
template and related sawing issues<br />
(I) Potential causes and suggestions to solve the problems of<br />
the loosened joints in dining chairs:<br />
1. Wood moisture content: The moisture content of wood dining<br />
chair is generally in the range of 16 to 18 per cent. When dining<br />
chairs are used in air-conditioned restaurants where the relative<br />
humidity is 9 to 10 per cent, they would lose the moisture in the<br />
wood until it reaches 9 to 10 per cent. During this period, the wood<br />
joints of the dining chairs would shrink and become loosened. It<br />
is advised that the moisture content of incoming timber should<br />
be checked and maintained at 9 to 10 per cent and the ambient<br />
temperature of warehouses for timber or semi-finished products<br />
should be kept constant within 45°C to 50°C and the speed<br />
of circulating air should be maintained in the range of 0.5 to<br />
1 metre per second (m/s).<br />
2. Unstable quality of wood dowel pins: Wood dowel pins of<br />
unstable quality would impair the durability of dining chairs. When<br />
producing wood dowel pins in-house, it is recommended that the<br />
moisture content of timber should be controlled in the range of 9<br />
to 10 per cent; the timber should be of regular texture and free<br />
of fluff and have a density ≥0.6. The wood dowel pins should<br />
have no skip-in-planing and their diameter tolerance should be<br />
controlled at below 0.1mm. Moreover, the wood dowel pins should<br />
be properly chamfered at both ends.<br />
3. Unstable quality of wood dowel pin holes: The assembly<br />
joints of dining chairs would be less fitting and less durable if the<br />
wood dowel pin holes suffer from excessive diameter tolerance<br />
and/or inaccurate angle. The diameter tolerance of wood dowel<br />
pin holes should be controlled at less than 0.1mm and the<br />
diameter, angle, and depth of wood dowel pin holes should be<br />
checked from time to time with simple fixtures.<br />
4. Imprecision of angle blocks: Imprecise angle of angle blocks<br />
could give rise to a gap between angle blocks and staves. In<br />
such cases, the joints would fail to achieve the desired joining<br />
strength even if the screws on angle blocks have been tightened.<br />
It is advised that during the manufacturing of angle blocks, trial<br />
assembling should be carried out in order to confirm that the<br />
angle blocks and the staves fit properly.<br />
5. Non-standardised adhesive application: Insufficient and/or<br />
uneven application of adhesive in wood dowel pin holes would<br />
lead to non-conforming adhesion. It is advised that workers<br />
are trained and asked to check that the adhesive has been<br />
applied correctly in the wood dowel pin holes. Dual-component<br />
epoxy can provide better adhesion when used during<br />
assembly.<br />
6. Non-standardised assembly: Prolonged assembly would give<br />
rise to dried-up adhesive film and subsequent poor adhesion.<br />
It is advised that workers should receive training on relevant<br />
operations so that the assembly can be finished before the<br />
adhesive dries up during the assembling process.
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> WOOD CLINIC | 61<br />
(II) Ellipse is a regular curve pattern that has a major axis and<br />
a minor axis. Below is a reference method for drawing ellipse<br />
patterns:<br />
7. A simple method for drawing ellipse patterns<br />
• Draw a line segment AB as the major axis and a line segment<br />
CD as the minor axis (approximately 2/3 x AB), the line<br />
segment AB and line segment CD intersect perpendicularly<br />
at their midpoints (as shown in Figure 1).<br />
• Adjust the compass such that the distance between its legs<br />
is half of the length of the major axis (AB/2).<br />
• With point C as the centre, draw a circular arc that intersects<br />
with AB at points X and Y.<br />
• Insert a pin at points X, Y and C respectively, and wind a string<br />
around the three points to form a triangle (as shown in Figure 1).<br />
• Pull out the pin at point C and replace it with the tip of a<br />
pencil.<br />
• Pull the pencil outwards with sufficient force so that the<br />
string remains taut and move the pencil in clockwise (or<br />
counterclockwise) direction to draw an ellipse (as shown in<br />
Figure 2).<br />
8. A method for drawing ellipse patterns with a simple selfmade<br />
template<br />
• Cut a 25mm thick plywood into a square of 200mm x 200mm,<br />
cut two 25mm wide dovetail grooves 15mm deep along the<br />
(vertical and horizontal) median lines of the square, make<br />
sure the dovetail grooves are free of fluffs (as shown in Figure 3).<br />
• Make two trapezoid wood pegs (25mm wide × 15mm thick<br />
× 75mm long) out of hardwood and polish them with abrasive<br />
paper until they are smooth, make sure these wood pegs can<br />
move smoothly after being fitted into the dovetail grooves.<br />
• Make a drawing rod (20mm thick × 35mm wide × 900 mm<br />
long) out of hard wood.<br />
• Drill screw holes in the central part of the two trapezoid wood<br />
pegs, fit the two trapezoid wood pegs to positions near one<br />
end of the drawing rod, drill screw holes (B, C) on the drawing<br />
rod (as shown in Figure 3). Mount the drawing rod to the two<br />
trapezoid wood pegs and push the drawing rod, make sure the<br />
two trapezoid wood pegs can move upward/downward<br />
smoothly inside the dovetail grooves.<br />
• Drill a pencil hole (A) in the other end of the drawing rod and<br />
a screw hole for securing a pencil in the hole, mount the<br />
pencil and secure it with a screw.<br />
• When the pencil is securely mounted, apply double-faced<br />
adhesive tapes on the back of the template for securing the<br />
template in place, move the drawing rod to draw an ellipse.<br />
• The distance between hole A (hole for pencil) and hole B<br />
(screw hole) determines the major axis of the ellipse.<br />
• The distance between hole A (hole for pencil) and hole C<br />
(screw hole) determines the minor axis of the ellipse.<br />
• Make another template, the length of the drawing rod and<br />
the distance between AB and AC are to be estimated based<br />
on desired ellipse’s major axis and minor axis.<br />
• When the pencil on the drawing rod is replaced with a glass<br />
cutter, the template can be used to cut a piece of glass into<br />
elliptical shape (as shown in Figure 3).<br />
• The pencil on the drawing rod can also be replaced with a<br />
cutter for cutting materials into elliptical shape directly.<br />
(III) Potential causes and recommended solutions for frequent<br />
faults and blade fracture of the band saw when cutting circular<br />
or curved shaped pieces:<br />
9. Unstable quality of saw blade<br />
• Saw blade with unstable welding quality: Saw blades are<br />
susceptible to fracture when their welded part is not polished<br />
to flush, or there is a gap between the weld joints, or their<br />
welding seam is not straight. It is advised that the substitute<br />
saw blade should be examined for the quality of its welded<br />
part prior to use.<br />
• Improperly set saw line of the saw blade: When the saw teeth<br />
of a saw blade are not symmetrically aligned(at a lateral<br />
distance of 0.3 mm across adjacent teeth) or the saw teeth<br />
are worn out on one side, the saw blade may be fractured<br />
as a result of frictional heating arising from the oblique saw<br />
line and prolonged operation of the saw blade under lateral<br />
pressure. It is advised that newly mounted saw blade should<br />
be used for a trial straight cutting in order to make sure the<br />
saw line is not oblique towards one side.<br />
Figure 1. Schematic diagram of the simple method for drawing ellipse<br />
Figure 2. Schematic diagram of the method for drawing ellipse<br />
patterns with a simple self-made template
62 | WOOD CLINIC<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Figure 3. Schematic<br />
diagram of the method<br />
for drawing ellipse<br />
patterns with a simple<br />
self-made template<br />
10. Damaged wheel tyre: The 6mm thick wheel tyre surrounding<br />
the rim of the saw wheel may be worn out after prolonged<br />
service and the rugged rim surface of the wheel may damage<br />
the saw blade. In such cases, the wheel tyre has to be replaced.<br />
11. When mounting the saw blade, various important parts have<br />
to be checked and adjusted (as shown in Figure 4) to make<br />
sure none of the following had happened:<br />
• The use of non-standardised saw blade: Band saws for<br />
woodworking should use saw blades of 1/8" to 1.5". Narrow<br />
saw blades with fine saw teeth are suitable for cutting curves<br />
of sharp turns, wide saw blades are suitable for cutting thick<br />
panels or shapes with major arc. The most common saw blade<br />
for cutting arcs in carpenter’s shop is 1/2" - 3/4" wide and<br />
has 6 teeth per inch.<br />
• Improper position setting of upper/lower guide pin: The saw<br />
blade is susceptible to fracture as a result of frictional heating<br />
when the upper and lower guide pins of the saw blade are not<br />
properly aligned. In such cases, the band saw has to be<br />
stopped for a correction.<br />
• Non-standardised setting of the gap between upper/lower<br />
guide pin and saw blade: When there is no gap between upper/<br />
lower guide pin and saw blade, the saw blade is susceptible to<br />
fracture as a result of the frictional heating between the saw<br />
blade and the guide pin. The setting should be such that the<br />
gap between the upper/lower guide pin and the saw blade<br />
has the same height as the thickness of a piece of paper<br />
(0.1mm-0.15mm).<br />
• Improper setting of upper saw wheel: When the upper saw<br />
wheel tilts too much, the saw blade is susceptible to fracture<br />
as a result of the frictional heating between the saw blade and<br />
the top ball bearing thrust wheel. The upper saw wheel should<br />
be checked and adjusted as appropriate so that the gap<br />
between the saw blade at rest and the top ball bearing thrust<br />
wheel is 0.4mm.<br />
Improper setting of saw blade tension: When mounting the<br />
saw blade, if the setting of saw blade tension is inadequate,<br />
then oblique saw line or jamming of saw blade may occur<br />
during the cutting of wood. If the saw blade tension is set too<br />
tight, the saw blade is susceptible to fracture. It is advised that<br />
Figure 4. Schematic<br />
diagram of the parts<br />
to be checked and<br />
adjusted during the daily<br />
replacement of saw blade<br />
for band saw<br />
the operator pushes the saw blade after the saw blade tension<br />
is set to make sure the saw blade can still be moved between<br />
3mm to 6mm.<br />
12. Non-standardised operation by employee:<br />
• If during the cutting of a curve that has a sharp turn, the<br />
feeding speed is too fast and/or the pressure on the band<br />
saw is too high and/or the saw blade is too wide, the saw<br />
blade may be susceptible to damage or fracture. It is advised<br />
that the cutting should be done in segments using narrower<br />
saw blade or under the assistance of relief cuts and the<br />
operator should slow down the feeding speed in order to<br />
prevent saw blade damage or fracture.<br />
• Saw teeth is not sharp enough: The saw blade is susceptible<br />
to fracture when worn out or blunt saw teeth are used for<br />
cutting with excessive force. It is advised that the saw blade<br />
should be checked regularly for ensured sharpness of the saw<br />
teeth. When saw blade & saw teeth are stained with adhesive<br />
or resin, they should be cleaned with suitable oil.<br />
<br />
I hope the above suggestions and explanation will be helpful in<br />
solving your problems. P
<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> WOOD CLINIC | 63
NEWSLETTER<br />
MARCH/APRIL <strong>2020</strong><br />
THE MALAYSIAN MDF MANUFACTURERS ASSOCIATION (MMMA)<br />
China, What<br />
next?<br />
By Peter Fitch MMMA Newsletter for PF <strong>Asia</strong> Mar/Apr <strong>2020</strong><br />
At the time of writing this<br />
article, China has been<br />
gripped by the Corona Virus<br />
Disease outbreak and the<br />
rest of the world, especially<br />
<strong>Asia</strong>, is closely monitoring<br />
the outbreak in anticipation of the<br />
situation being brought under control.<br />
This article was meant to follow on from<br />
my earlier theme on the general rise of<br />
commodity prices and the continued rise<br />
of China as an economic powerhouse and<br />
becoming a net consumer of goods. The<br />
hope was that Chinese imports would<br />
increase at a far greater rate than exports.<br />
The reality is that this narrative may<br />
need to be put on hold, hopefully only<br />
temporarily. Following the (COVID-19)<br />
outbreak, China has needed to increase<br />
bank liquidity to prop up the economy<br />
and could well allow its currency to<br />
weaken to boost the economy.<br />
In the short term, the outbreak will<br />
hurt domestic consumption, reduce<br />
demand, disrupt supply chains and<br />
weaken commodity prices. It could<br />
also trigger inflationary price increases<br />
in consumer goods.<br />
The Chinese economy will certainly slow<br />
drastically in the first quarter of this year.<br />
The Lunar New Year holidays were extended<br />
so factories and shops are resuming<br />
operations on average two to four weeks<br />
later than normal. Even after commercial<br />
operations resume, they are likely to be<br />
on a reduced scale. Many companies are<br />
encouraging their staff to work from home,<br />
for instance. It will take time for people to<br />
overcome their fear and return to normal<br />
working, spending and travel routines.<br />
Tourism, transport and retail sector<br />
activities have slowed dramatically all<br />
over urban China. For example, daily<br />
passenger traffic on China’s railways has<br />
plunged by more than 70% during the<br />
Lunar New Year compared with last year.<br />
With so much uncertainty, companies<br />
are cutting back on employment, with<br />
small and medium enterprises placing<br />
workers on unpaid leave, despite<br />
government instructions not to do so.<br />
China’s footprint in the global economy<br />
has expanded massively since the 2003<br />
SARS epidemic. Its share of world GDP<br />
today is around 16%, compared with<br />
only 4% in 2003, while it consumes<br />
more than 10% of total global exports.<br />
When China sneezes, the rest of the world<br />
will be shaken up a lot more than it was<br />
before.<br />
Malaysia, Vietnam, Indonesia and Thailand<br />
will be hurt. We will soon see export orders<br />
reported in purchasing manager surveys<br />
for this month registering sharp declines.<br />
The Chinese economy will bear the brunt<br />
of the shock but most of the damage<br />
will be limited to the first quarter of the<br />
year, assuming that China’s policymakers<br />
manage the economic consequences well<br />
and the virus does not mutate. The rest of<br />
<strong>Asia</strong> will bear some pain as a result, but<br />
the hit to growth will be manageable and<br />
the region should regain a healthy growth<br />
trajectory by the second half of <strong>2020</strong>.<br />
64
NEWSLETTER<br />
THE MALAYSIAN MDF MANUFACTURERS ASSOCIATION (MMMA)<br />
MARCH/APRIL <strong>2020</strong><br />
We may see that the United States uses this situation to<br />
further disrupt the supply chains from China. As a result, more<br />
companies may seek to relocate production outside of China<br />
because of fears, mistaken or otherwise, that China has a higher<br />
risk of epidemiological crises (on top of trade and geopolitical<br />
tensions with the U.S.).<br />
I conclude that China will suffer a short-term decline in growth,<br />
but at the end of the day, this will not reverse the long-term<br />
economic progress of China. We pray that fatalities caused by<br />
the Coronavirus remain minimal and hope to be able to present<br />
a much more positive picture about China and <strong>Asia</strong> in the next<br />
article.<br />
About the Author<br />
Peter Fitch is the founder of Segamat<br />
Panel Boards (Malaysia) and is<br />
currently chairman of the Malaysian<br />
MDF Manufacturers Association<br />
(MMMA) and executive committee<br />
member of the Malaysian Panel<br />
Manufacturers Association (MPMA).<br />
Prior to working in Malaysia he worked<br />
for Plantation Timber Products (China)<br />
and Takeuchi MDF (Malaysia). Peter<br />
has been based in <strong>Asia</strong> for more than<br />
25 years and in the wood panel<br />
business for more than 20 years.
<strong>March</strong><br />
66 |<br />
/ <strong>April</strong> <strong>2020</strong>, Issue 1<br />
ENVIRONMENT<br />
| <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
January / February <strong>2020</strong>, Issue 1 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />
Events Calendar<br />
MARCH<br />
16 MAR TO<br />
18 MAR<br />
(Postponed)<br />
Dubai Wood Show <strong>2020</strong><br />
Dubai, UAE<br />
APRIL<br />
01 APR TO<br />
03 APR<br />
64 th WORLD OF WOOD<br />
ANNUAL CONVENTION<br />
GEORGIA, USA<br />
28 APR TO<br />
MAY 03<br />
ARCHITECT EXPO <strong>2020</strong><br />
Bangkok, Thailand<br />
MAY<br />
17 MAY TO<br />
20 MAY<br />
QINGDAO INTERNATIONAL<br />
FURNITURE FAIR<br />
Qingdao, China<br />
26 MAY TO<br />
29 MAY<br />
Xylexpo <strong>2020</strong><br />
Milan, Italy<br />
25 MAY TO<br />
27 MAY<br />
GABON WOOD SHOW <strong>2020</strong><br />
Gabon, Central Africa<br />
JUNE/JULY<br />
16 JUL TO<br />
21 JUL<br />
(Postponed)<br />
SALONE DEL MOBILE. MILANO<br />
Milan, Italy<br />
AUGUST/SEPTEMBER<br />
31 AUG TO<br />
02 SEP<br />
Domotex <strong>Asia</strong> China Floor <strong>2020</strong><br />
Shanghai, China<br />
8 SEP TO<br />
12 SEP<br />
FMC CHINA <strong>2020</strong><br />
Shanghai, China<br />
07 SEP TO<br />
10 SEP<br />
CIFF Shanghai <strong>2020</strong><br />
Shanghai, China<br />
23 SEP TO<br />
26 SEP<br />
IFMAC & WOODMAC <strong>2020</strong><br />
Jakarta, Indonesia<br />
OCTOBER<br />
27 OCT TO<br />
30 OCT<br />
BIFA WOOD VIETNAM <strong>2020</strong><br />
Binh Duong, Vietnam<br />
JANUARY 2021<br />
20 JAN TO<br />
22 JAN<br />
HANOI WOOD 2021<br />
Hanoi, Vietnam
ADVERTISERS’<br />
INDEX<br />
<strong>March</strong> / <strong>April</strong> <strong>2020</strong> • Issue 2 • PANELS & FURNITURE ASIA<br />
COMPANY<br />
PAGE<br />
Acimall (Xylexpo <strong>2020</strong>) 14<br />
American Hardwood Export Council<br />
OBC<br />
Baillie Lumber 11<br />
Bei jing SUN-NOA Technology Development Co., Ltd 35<br />
BIFA Wood Vietnam <strong>2020</strong> 27<br />
Cabinet Vision South East <strong>Asia</strong> 13<br />
Dieffenbacher GmbH 3<br />
Dubai Woodshow <strong>2020</strong> 29<br />
Electronic Wood Systems GmbH 15<br />
Gabon Special Economic Zone GSEZ 31<br />
Gau Jing Machinery Co., Ltd 45<br />
Hanoi Wood <strong>2020</strong> 7<br />
Hoon Hsiang Industrial Co., Ltd 65<br />
IFMAC <strong>2020</strong> 37<br />
IMAL SRL<br />
FC & IFC<br />
IMEAS spa 21<br />
Jiangsu Baolong Electromechanical Mfg Co., Ltd 1<br />
Kuang Yung Machinery Co., Ltd 19<br />
Lesnaya Industriya Journal 41<br />
Northwest Hardwoods 17<br />
<strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> 53<br />
Shanghai Wood-based Panel Machinery Co., Ltd 25<br />
Sichuan Hero Woodwork New Technology Co., Ltd 68<br />
Srling Internaonal Co., Ltd 9<br />
SylvaWood <strong>2020</strong> 2<br />
Technik Associates, Inc.<br />
IBC<br />
Tong Fong Cuers Co., Ltd 67<br />
Wood In Architecture 63<br />
Heavy Duty Helical Planer Cutter<br />
Heads with Changeable Knives<br />
Knife:<br />
14 x 14 x 2 x 30º<br />
14 x 14 x 2 x 37º<br />
Heavy Duty Helical Planer Cutter<br />
Heads with Changeable Knives<br />
Knife:<br />
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with Changeable Knives<br />
Knife:<br />
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15 x 15 x 2.5 x 37º<br />
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Safety Corrugate Cutter Heads<br />
with HSS Knives<br />
Spindle Shaper Planer Cutter<br />
Heads with Changeable Knives<br />
Knife:<br />
30 x 12 x 1.5 x 35º<br />
50 x 12 x 1.5 x 35º<br />
60 x 12 x 1.5 x 35º<br />
Changeable Knives<br />
-TCT<br />
Single/Double Surface Planers Helical Planer<br />
Cutter Heads with Changeable Knives<br />
Knife: 14 x 14 x 2.0 x 30º<br />
15 x 15 x 2.5 x 30º<br />
15 x 15 x 2.5 x 37º<br />
30 x 12 x 1.5 x 35º<br />
30 x 12 x 2.5 x 35º<br />
14.6 x 14.6 x 2.5 x 30º<br />
Scan to download eBook<br />
PFA <strong>March</strong>/<strong>April</strong> <strong>2020</strong>