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Panels & Furniture Asia March/April 2020

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

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MICA (P) No: 079/05/2019 • ISSN: 0219-5704 • KDN: PPS 1453/11/2012(022879) • www.panelsfurnitureasia.com • MARCH/APRIL <strong>2020</strong>


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VISIT US AT<br />

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5 th Edition<br />

ASIA’S SPECIALISED<br />

WOOD MATERIALS<br />

WOOD PRODUCTS<br />

TRADE SHOW<br />

by <strong>Panels</strong> & <strong>Furniture</strong> Group of wood magazineswww.sylvawoodexpo.com<br />

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Contents<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong> • Issue 2 • <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

6 | EDITOR’S NOTE<br />

8 | NEWS<br />

MARKET REPORT<br />

18 | Phase 1 of the China-U.S. trade agreement<br />

20 | A brief review of the global woodworking machinery industry<br />

IN PERSON<br />

22 | The next step for Japan's wood product exports<br />

PANELS MANUFACTURING<br />

28 | Tightening the grip on Formaldehyde Emissions<br />

FLOORING<br />

32 | Parklex’s Hy Tek, High-scoring Flooring<br />

MATERIALS<br />

36 | Douglas Fir arrives at Lorient Station<br />

38 | Gabon: The land full of opportunities<br />

16<br />

22


32<br />

47<br />

STRUCTURAL ELEMENTS<br />

Kajstaden, the Tall Timber Building | 43<br />

DESIGN<br />

A touch of wood in Changi Jewel | 47<br />

Toca Madera finalists exhibit at Madrid Design Festival <strong>2020</strong> | 49<br />

SHOW PREVIEW<br />

Xylexpo promises to be a rewarding show for all | 54<br />

Fifth time’s the charm | 57<br />

Hanoi Wood: An important first step forward | 59<br />

COLUMNISTS<br />

Wood Clinic: Dealing with chair joints loosening/ How to produce<br />

ellipse-shaped cutting template and related sawing issues | 60<br />

MMMA Newsletter: China, what next? | 64<br />

CALENDAR OF EVENTS | 66<br />

ADVERTISER’S LIST | 67<br />

38


FROM THE EDITOR<br />

PANELS & FURNITURE ASIA<br />

Standing<br />

strong in<br />

time of<br />

coronavirus<br />

PABLO SINGAPORE<br />

Publisher<br />

Associate Publisher<br />

Senior Editor<br />

Editor<br />

William Pang<br />

williampang@pabloasia.com<br />

Pamela Buckley<br />

pamela@pabloasia.com<br />

Pang Yanrong<br />

yanrong@pabloasia.com<br />

Szeto Hiu Yan<br />

hiuyan@pabloasia.com<br />

HIU YAN | Editor<br />

Since January this year, the<br />

COVID-19 coronavirus has spread<br />

rapidly across the globe. The only<br />

certainty right now seems to be that<br />

the virus will continue to be around for<br />

some time.<br />

As of early <strong>March</strong>, the virus is spreading across Europe and the U.S. The<br />

silver lining is that, it now appears to be under control in China. Factories<br />

and companies are slowly resuming operation as infected cases dwindled.<br />

In the report on the global woodworking machinery industry, Dario<br />

Corbetta, Director of Acimall, shared trade statistics as well as his views on<br />

the performance of the global woodworking machinery market in 2018 -<br />

2019 at the Xylexpo international press conference held in mid-February,<br />

when China was at its peak of the outbreak. Despite the epidemic, he<br />

remains optimistic that the Chinese market will see some recovery in the<br />

second half of <strong>2020</strong>. (pg.20)<br />

Business Development Manager<br />

Graphic Designer<br />

Circulation Manager<br />

PABLO BEIJING<br />

General Manager<br />

PABLO SHANGHAI<br />

Editor<br />

YanJun Pang<br />

yanjun@pabloasia.com<br />

Edwin De Souza<br />

edwin@pabloasia.com<br />

Shu Ai Ling<br />

circulation@pabloasia.com<br />

Ellen Gao<br />

pablobeijing@163.com<br />

Sharon Wu<br />

pabloshanghai@163.net<br />

The trade dispute between China and the U.S. is also deescalating, as<br />

tariffs on most U.S. hardwoods products were lifted. Now that the pathway<br />

is finally open again for a more normal, consistent market climate for U.S.<br />

and Chinese hardwood trading partners, Judd Johnson, managing editor<br />

of Hardwood Market Report suggested that there are still some challenges<br />

that may hold back businesses (Pg. 18).<br />

On a lighter note, Michael Buckley, a renowned figure in the hardwood<br />

industry worldwide, was picked to be the 2019 recipient of “The Guy in<br />

the Glass” by Hardwood Market Report. It is a well-deserved recognition<br />

applauded by many in the industry. (pg. 16)<br />

While we will continue to face further uncertainties in the next few months,<br />

I believe both businesses and individuals alike are doing our best to protect<br />

each other and exercise personal responsibilities – take precaution where<br />

we can and wash our hands diligently, as our governments fight their<br />

hardest against the epidemic.<br />

HEAD OFFICE<br />

PABLO PUBLISHING PTE LTD<br />

3 Ang Mo Kio Street 62 #01-23<br />

Link@AMK Singapore 569139<br />

Tel : +65 6266 5512<br />

Email: info@pabloasia.com<br />

www.panelsfurnitureasia.com<br />

Company Registration No: 200001473N<br />

Singapore MICA (P) No: 079/05/2019<br />

REGIONAL OFFICES (CHINA)<br />

PABLO BEIJING<br />

Tel : +86 10 6509 7728<br />

Email: pablobeijing@163.com<br />

PABLO SHANGHAI<br />

Tel : +86 21 5238 9737 / 36<br />

Email: pabloshanghai@163.net<br />

All rights reserved. Views of writers do not necessarily reflect the views of the Publisher. No part of this publication<br />

may be reproduced in any form or by any means, without prior permission in writing from the Publisher and copyright<br />

owner. Whilst every care is taken to ensure accuracy of the information in this publication, the Publisher accepts no<br />

liability for damages caused by misinterpretation of information, expressed or implied, within the pages of the magazine.<br />

All advertisements are accepted on the understanding that the Advertiser is authorised to publish the contents of the<br />

advertisements, and in this respect, the Advertiser shall indemnify the Publisher against all claims or suits for libel,<br />

violation of right of privacy and copyright infringements. <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> is a controlled-circulation magazine with<br />

two issues a year. It is mailed free-of-charge to readers who meet a set of criteria. Paid subscription is available to<br />

those who do not fit our terms of control. Please refer to subscription form provided in the publication for more details.<br />

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<strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

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Malaysian MDF Manufacturers Association


8 | NEWS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

VIETNAM’S WOOD AND WOOD PRODUCT EXPORTS<br />

ACHIEVED 19.5 PER CENT GROWTH IN 2019<br />

ACCORDING to Vietnam’s customs, the<br />

total value of wood* and wood product<br />

exports in 2019 from 2392 enterprises<br />

(Vietnamese-owned and FDI enterprises)<br />

amounted to US$10.65 billion, or<br />

19.5 per cent higher when compared to<br />

2018, reported ITTO.<br />

Of the total, wood product exports<br />

accounted for US$7.783 billion<br />

(+ 23.5 per cent compared to 2018) and<br />

contributed a 74 per cent share of the total<br />

value of wood and wood product exports.<br />

With the current trend, wood and wood<br />

product exports are expected to grow at<br />

between 17 – 20 per cent in <strong>2020</strong>.<br />

WOOD AND WOOD PRODUCT<br />

EXPORTS BY FDI ENTERPRISES<br />

In 2019, the value of wood and wood<br />

products exported by 612 FDI enterprises<br />

amounted to US$4.71 billion, or<br />

42 per cent of total value of wood and<br />

wood product exports from Vietnam (+<br />

20 per cent compared to 2018). Wood<br />

product exports by FDI enterprises were<br />

reported at US$4.34 billion or over 90 per<br />

cent of the total value of wood and wood<br />

product exports by FDI enterprises.<br />

EXPORT DESTINATIONS<br />

In 2019, the U.S. continued as the top<br />

market for Vietnam’s wood and wood<br />

product exports at US$5.33 billion, a<br />

share of around 50 per cent of all wood<br />

and wood product exports and which<br />

had grown by 37 per cent in 2019,<br />

compared to 2018. Japan was the second<br />

largest market accounting for 12 per cent<br />

of 2019 exports, followed by China<br />

(11 per cent) and South Korea<br />

(7 per cent). In contrast to the growth<br />

in the markets mentioned above, there<br />

were declines in exports to South Korea,<br />

Australia and Malaysia.<br />

WOOD AND WOOD PRODUCT<br />

IMPORTS<br />

Wood and wood product imports by<br />

Vietnamese-owned and FDI enterprises<br />

in 2019 were valued at US$2.54 billion<br />

(+ 10 per cent compared to 2018).<br />

In 2019, the value of wood and wood<br />

products imported by FDI enterprises was<br />

reported at US$775 million, equivalent<br />

to 31 per cent of total wood and wood<br />

product imports and 16 per cent up<br />

on 2018). In 2019, China continued<br />

as the leading wood and wood product<br />

supplier to Vietnam with shipments worthed<br />

US$656 million (equivalent to 26 per cent<br />

of all wood and wood product imports<br />

into Vietnam in 2019), followed by the<br />

U.S. at 13 per cent. P<br />

(*Wood defined as HS4401 – 4418. Wood<br />

Products defined as HS9401 – 9421).<br />

CHINA’S NEW FOREIGN INVESTMENT LAW TAKES EFFECT<br />

CHINA’S updated Foreign Investment<br />

Law took effect on 1 Janauary <strong>2020</strong>. This<br />

is a comprehensive and fundamental set<br />

of legal standards for foreign investment<br />

activities with unified provisions for<br />

the entry, promotion, protection and<br />

management of foreign investment.<br />

The new law has replaced the Law of<br />

the People's Republic of China on Sino-<br />

Foreign Equity Joint Ventures, the Law of<br />

the People's Republic of China on Wholly<br />

Foreign-owned Enterprises and the Law<br />

of the People's Republic of China on Sino-<br />

Foreign Contractual Joint Ventures passed<br />

between 1979 and 1990. The changes<br />

were made as the previous laws could<br />

not address the emerging challenges in<br />

foreign investment, including intellectual<br />

property rights.<br />

The new law provides foreign investors<br />

with more rights and more convenient<br />

registration procedures. Most Chinese<br />

cities have rolled out favourable policies<br />

to attract foreign investment such as<br />

offering low cost or even free space for<br />

manufacturing, low taxes for the first<br />

year, and/or incentives to attract foreign<br />

technology transfer.<br />

Analysts expect foreign investment in<br />

wood product manufacturing and trade<br />

will increase as a result of these changes<br />

to the law. P<br />

VIETNAMESE WOOD FIRMS URGED TO SEEK ALTERNATIVE<br />

MATERIALS SUPPLIERS IN THE FACE OF CORONAVIRUS<br />

LOCAL wood processing enterprises<br />

need to widen supply chains with a focus<br />

on seeking suppliers from domestic and<br />

overseas markets to ease disruptions from<br />

China due to the coronavirus (COVID-19)<br />

outbreak, experts said.<br />

According to Vietnam News, Do Xuan<br />

Lap, chairman of the Vietnam Timber<br />

and Forest Product Association (VTFPA)<br />

said that this year may be a bumpy one<br />

for the wood processing industry as the<br />

fast-spreading virus outbreak have been<br />

impacting trade between Vietnam and<br />

China, as well as Vietnam’s exports to<br />

other countries.<br />

The wood product industry is affected<br />

since certain materials are supplied from<br />

China. Lap said in terms of cost prices of<br />

producing wood products, wood materials<br />

account for only 35 per cent, while other<br />

costs come from auxiliary materials such as<br />

paint products, which are usually made in<br />

China even if the brands are from the U.S.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 9<br />

To Xuan Phuc, an expert from Forest Trends,<br />

also agreed. “China is an important source of<br />

auxiliary materials for Vietnam’s wood industry<br />

with items such as straps, accessories, sliders,<br />

hinges, paints and chemicals. Businesses also<br />

need to find alternative sources of supplies,<br />

especially when the materials imported from<br />

the previous period are only enough for two to<br />

three months of production,” Phúc said.<br />

worth of wood planks last year.<br />

EXPANDING EXPORT OPPORTUNITIES<br />

Vu Hai Bang, chairman of Woodsland Joint<br />

Stock Company, said the epidemic will have<br />

a major impact on wood companies in the<br />

early stages but with the dynamic and quick<br />

solutions, they will overcome difficulties.<br />

He also called for enterprises to search for<br />

domestic suppliers.<br />

“There are opportunities to expand exports<br />

for the timber industry, mainly to the U.S.<br />

market, but the risks of trade and investment<br />

fraud in the timber industry still go hand<br />

in hand with these opportunities,” Bang<br />

said. P<br />

Lap urged local enterprises to seek out<br />

alternative raw material suppliers in Vietnam<br />

and other countries as soon as possible.<br />

MORE COLLABORATIONS BETWEEN<br />

ENTERPRISES NEEDED<br />

“Domestic enterprises also need to connect<br />

with each other so that their products can join<br />

the supply chains of export products. When<br />

they collaborate to produce products that<br />

meet the importers’ demand, they can quickly<br />

join the global supply chain,” he told a seminar<br />

on prospects for Vietnam’s timber industry in<br />

<strong>2020</strong> in Hanoi.<br />

However, Lap stated that as of now, the links<br />

in the value chain of the timber industry –<br />

whether vertically or horizontally – are very<br />

limited. The newly-formed links are small in<br />

scale and mainly limited to links between the<br />

forestry plantation households and some wood<br />

processing companies such as Scancia Pacific,<br />

Woodsland and Nam Dịnh Forest Products Joint<br />

Stock Company.<br />

Foreign direct investment (FDI) still plays an<br />

important role in exports with half of Vietnam’s<br />

wood export value coming from this sector.<br />

The links between the FDI sector and domestic<br />

companies are almost non-existent, Lap said.<br />

SLOWDOWN IN CHINESE DEMAND OF<br />

WOOD MATERIALS<br />

The coronavirus has also slowed down China’s<br />

demand for wood materials. Phuc said COVID-19<br />

has driven down demand from Chinese paper<br />

and pulp companies. At the same time, halts of<br />

some ports in China and stringent inspection<br />

of loading goods activities by ships have also<br />

hampered Vietnam’s exports to this country.<br />

Wood chips are Vietnam’s main export products<br />

to China with a turnover of more than US$972<br />

million in 2019, or 79.2 per cent of total<br />

export turnover of wood and timber products.<br />

Meanwhile, Vietnam imported $400 million


10 | NEWS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

EUROPE BEATS CANADA TO BE CHINA’S SECOND<br />

LARGEST SOFTWOOD LUMBER SUPPLIER<br />

WOODSTAT, a market analyst<br />

company, reports that China imported<br />

approximately 1.88 million m³ of<br />

softwood lumber in December 2019 (-5<br />

per cent compared to 2018), according<br />

to figures from the Chinese Customs.<br />

China's import totalled 27.1 million m³<br />

during 2019 (+11 per cent compared<br />

to 2018). Since China began importing<br />

softwood lumber in smaller volumes<br />

10 years ago, Russia and Canada have<br />

completely dominated as suppliers.<br />

Limited volumes have been imported<br />

from the U.S., Europe, Chile and New<br />

Zealand.<br />

China imported approximately 3.39<br />

million m³ of softwood lumber from<br />

Russia during 4Q 2019 (-9 per cent<br />

compared to 4Q 2018), 1.14 million<br />

m³ from main European countries (+90<br />

per cent) and 761,000 m³ from Canada<br />

(-33 per cent).<br />

The rapid increase in import from Europe<br />

is directly reflected in the increase in<br />

Europe's market share. The market share<br />

for Europe reached in 4Q 2019 a new<br />

record high at 20 per cent, doubled from<br />

10 per cent in 4Q 2018. The Russian<br />

market share in the Chinese market sees<br />

a slight drop, reaching 58 per cent in<br />

4Q 2019 (4Q 2018: 63 per cent). The<br />

market share for Canada decreased<br />

during the same period from 19 per cent to<br />

13 per cent. P<br />

INDIAN STATE OF GUJARAT TO BUILD MORE<br />

PARTICLEBOARD PLANTS IN <strong>2020</strong><br />

DUE to a perceived increase in availability<br />

of raw wood materials from local<br />

sawmills, the Indian state of Gujarat is<br />

expected to build more particleboard<br />

plants this year. Gujarat is a pioneer in<br />

particleboard manufacturing and holds<br />

major market share in the country,<br />

reported Ply Reporter.<br />

There are currently more than two<br />

dozen lines producing particleboard at<br />

a production capacity of more than<br />

3500 m 3 per day in the region. Most of<br />

the plants have machinery that produces<br />

4 feet sized boards, with several<br />

producing six feet boards.<br />

There is news of two upcoming<br />

particleboard plants in Morbi and Rajkot,<br />

which will begin production in the next<br />

few months.<br />

However, raw materials may yet be<br />

sufficient to bolster the increasing<br />

number of sawmills, as thought to be.<br />

Gandhidham, India’s biggest saw mill<br />

cluster, has around 3000 sawmills<br />

producing sawn timber waste and is an<br />

important source of raw materials for<br />

local particleboard manufacturers. Most<br />

of these sawmills process pinewood<br />

where sizing and kerf waste are sold to<br />

the manufacturers. Additionally, sawmills<br />

in the Saurashtra region have begun to<br />

receive a stable quantity of local Neelgiri<br />

wood. However, the increase in supply<br />

of raw material may not be able to<br />

catch up with the surging demand from<br />

particleboard manufacturers.<br />

Particleboard manufacturers are also<br />

facing more challenges with the fastgrowing<br />

supply of particleboards which<br />

may not be absorbed as quickly by<br />

the local market, resulting in falling<br />

particleboard prices in the past two<br />

years.<br />

Mr. Kanti Patel, Director of Realtouch<br />

Particle Board said that the units located<br />

in Morbi and Saurasthtra area are<br />

procuring adequate quantity of local<br />

timber but it is not consistent throughout<br />

the year. “We can hardly find sufficient<br />

timber for running plants on 100 per cent<br />

capacity with present installed capacity<br />

mainly because of raw material issues. It<br />

is anticipated that, if local wood supply<br />

improves, a few more plants may spring<br />

up in this area although there is already<br />

a price war among existing ones. The<br />

prices of finished particleboards have<br />

bottomed in the last two years and if more<br />

plants open, prices would begin to go into<br />

minus,” he added.<br />

As surveyed by Ply Reporter, the<br />

Gujarat-based particleboard plants are<br />

utilising, on average, 60 percent of their<br />

capacity lately. These plants mainly<br />

depend on Gujarat, Maharashtra, North<br />

India, Central and Eastern markets<br />

that sell through retail counters. With<br />

around 25 plants in this region alone,<br />

it can be considered as a large hub for<br />

particleboard manufacturing in India. P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 11<br />

TIMBETER CLOSES $1 MILLION SEED ROUND TO FUEL<br />

EXPANSION IN SOUTHEAST ASIA AND LATIN AMERICA<br />

ESTONIAN COMPANY TIMBETER, whose<br />

solutions help the forestry sector<br />

adopt digital technology to optimise<br />

transparency and efficiency in forestry<br />

management, has raised $1 million in<br />

its seed round. The seed round was led<br />

by TMT Investments, a venture investing<br />

company listed on the London Stock<br />

Exchange.<br />

The Tallinn-based company developed a<br />

smartphone application that measures<br />

timber quickly and accurately, which is<br />

now a full-fledged logistics and reporting<br />

platform. This helps companies to<br />

speed up forestry operations, increase<br />

employee safety and save resources.<br />

Timbeter makes processes more<br />

transparent, enables better control<br />

and data-driven planning of logistics<br />

and production, thus contributing to<br />

sustainable forest management.<br />

Timbeter has also built the world’s<br />

largest database of photometric<br />

measurements of roundwood, allowing<br />

for live online tracking of timber assets<br />

down to individual shipments and piles<br />

throughout the forestry value chain.<br />

Anna-Greta Tsahkna, CEO of Timbeter,<br />

explained that the new financing round<br />

will help Timbeter expand its sales<br />

activities in the target markets, and<br />

also to develop the bridge between<br />

companies and governmental<br />

organisations, by reducing the sectors<br />

administrative burden in insurance, tax<br />

and regulatory reporting. “By facilitating<br />

smooth digital data exchange between<br />

the government and companies, it is<br />

easier to ensure sustainable forest<br />

management and fight illegal logging,”<br />

the CEO of Timbeter said.<br />

Timbeter is a global industrial timber<br />

measurement, logistics and reporting<br />

platform. P


12 | NEWS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

DIEFFENBACHER INVESTS IN INTERNET START-UP APPBYYOU<br />

DIEFFENBACHER has purchased a<br />

financial stake in APPbyYOU GmbH,<br />

the company that developed the<br />

MyMessenger ticket and messaging app, a<br />

key component of the MyDIEFFENBACHER<br />

digital service platform. DIEFFENBACHER<br />

introduced the MyMessenger app at last<br />

year’s Ligna in Hannover.<br />

In mid-2018, DIEFFENBACHER met<br />

APPbyYOU while searching for a partner<br />

to develop an innovative ticket system.<br />

DIEFFENBACHER wanted a single tool<br />

that combined the core functions of a<br />

ticket system with complete supporting<br />

communications. APPbyYOU won over<br />

DIEFFENBACHER with its innovative<br />

approach, flexible and agile team and app<br />

building blocks.<br />

The result of the cooperation is<br />

DIEFFENBACHER’s MyMessenger, the<br />

perfect combination of ticket system and<br />

messaging application for smartphones,<br />

tablets and desktops. Service cases can<br />

be quickly processed and documented,<br />

with users communicating with each other<br />

in the same app. Pictures, videos and<br />

documents can be exchanged to facilitate<br />

documentation and understanding.<br />

Another advantage: Users write in their<br />

native language; the app takes care of<br />

the translation.<br />

The proof of concept for MyMessenger<br />

was completed at the beginning of 2019.<br />

A DIEFFENBACHER customer tested<br />

the new app and contributed to its<br />

development. Customer feedback to the<br />

app’s introduction at the Ligna in May was<br />

consistently positive. “By the end of the<br />

year, MyMessenger was already in daily<br />

use by eight customers in wood-based<br />

panel and composites plants, and interest<br />

is still growing," said Peter Martin, who<br />

leads DIEFFENBACHER Customer Service<br />

globally.<br />

APPbyYOU specialises in intelligent<br />

digitalisation solutions for medium-sized<br />

businesses. Thomas Teufel and Willi<br />

Pasternak founded the company in May<br />

2012 in Balgheim, Baden-Württemberg,<br />

Germany. The mission of the company,<br />

which now has 12 employees, is to<br />

provide companies with a customisable<br />

messenger they can run in their own<br />

cloud. With the acquisition of shares,<br />

DIEFFENBACHER deepens its partnership<br />

with APPbyYOU. The two companies are<br />

currently developing additional smart<br />

solutions for the digital factory. P<br />

DIEFFENBACHER OPENS SPARE PARTS WAREHOUSE IN BANGKOK<br />

DIEFFENBACHER has strengthened its<br />

ability to serve customers in Thailand<br />

with the opening of a new spare<br />

parts warehouse near Suvarnabhumi<br />

International Airport in Bangkok. The<br />

warehouse will help satisfy increased<br />

demand resulting from five new<br />

DIEFFENBACHER plants commissioned in<br />

Thailand since <strong>March</strong> 2017. An additional<br />

plant is scheduled to start up this year.<br />

The new warehouse is supervised by<br />

DIEFFENBACHER personnel at the<br />

company’s site in Kuala Lumpur, Malaysia.<br />

At the Bangkok warehouse, two Thaispeaking<br />

service technicians support<br />

clear communication<br />

with customers and<br />

fast response times.<br />

Another advantage<br />

of the new location:<br />

Framework agreements<br />

for customer-specific<br />

storage and other<br />

services are now<br />

possible. Furthermore,<br />

parts can be invoiced in<br />

Baht, the Thai currency.<br />

With the new spare<br />

parts warehouse,<br />

DIEFFENBACHER also offers express<br />

delivery service in Thailand. To minimise<br />

customer downtime, a selection of<br />

failure-critical and common spare parts<br />

is always available. If ordered before<br />

10 a.m., these “express” parts are<br />

shipped the same day. This provides<br />

Thai customers with the best possible<br />

support.<br />

Additional services at the new site in<br />

Bangkok include individual spare parts<br />

packages, issuing of all necessary export<br />

and import documents, and inventory<br />

management services such as on-site<br />

inspection of spare parts inventory,<br />

status and outflow checks and advice<br />

on optimal stocking. Plant inspections<br />

and process optimisation complete the<br />

service offer. P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 13<br />

JIANGSU BAOLONG SUCCESSFULLY INSTALLS FIRST<br />

OSB DEBARKING LINE IN THAILAND<br />

JIANGSU BAOLONG has installed a<br />

debarking and material preparation<br />

line for OSB production for Thailandbased<br />

VANACHAI Group. Installation<br />

and testing were completed in January<br />

this year.<br />

VANACHAI Group is one of <strong>Asia</strong>’s<br />

leading producers of particleboard and<br />

medium-density fibreboard. It is now<br />

building Thailand’s first continuous OSB<br />

production line, with Jiangsu Baolong<br />

involved in the custom-design and<br />

production of the debarking line. The<br />

star feature of this line is the Roller<br />

Debarker machine that is 21-metre long<br />

with a diameter of four metres as well as<br />

the automated feeder installed between<br />

debarker and the flaker machine. P<br />

CHINA TO REMOVE TARIFFS ON U.S. HARDWOODS<br />

BASED on reports from the Agricultural<br />

Specialist at the U.S. Embassy in Beijing<br />

as well as the Chinese Ministry of Finance,<br />

the Chinese government is removing<br />

U.S. hardwood lumber import tariffs<br />

starting on 28 February <strong>2020</strong> for one<br />

year, NHLA announced in its newsletter<br />

to its member.<br />

A product list that was released by<br />

China’s State Council Tariff Commission<br />

confirmed that several U.S. hardwood<br />

product HS codes are on this list, such<br />

as oak lumber and logs, cherry and ash<br />

lumber, and “other” hardwood lumber<br />

and logs<br />

Chinese companies will be able to “apply<br />

for refunds of collected duties within six<br />

months from Feb 21.” P


14 | NEWS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

DOUBLEHELIX, BLUENUMBER AND SOURCEMAP LAUNCH<br />

TIMBER TRACEABILITY PLATFORM<br />

COMBINING traceability, verification,<br />

and visualisation, the timber traceability<br />

platform being introduced by DoubleHelix<br />

in partnership with Sourcemap and<br />

Bluenumber makes critical supply<br />

chain information available to different<br />

stakeholders:<br />

• Compliance and procurement officers<br />

can organise huge volumes of supply<br />

chain data and due diligence evidence.<br />

• Company leaders can quickly understand<br />

supply chain risk.<br />

• ESG investors or regulatory authorities<br />

can evaluate sustainability metrics.<br />

• Consumers can explore where their wood<br />

products come from.<br />

DoubleHelix, Bluenumber and Sourcemap<br />

have a common objective to help leaders in<br />

the industry be confident in the products<br />

they bring to market. This is achieved<br />

through better visibility, understanding,<br />

and control of their supply chain practices.<br />

The new Timber Traceability Platform<br />

enables a full suite of services including<br />

traceability, verification, and presentation<br />

in a stunning database visualisation.<br />

DoubleHelix provides supply chain<br />

discovery, risk assessment, mitigation,<br />

and verification services to buyers of<br />

wood products. On-the-ground experts<br />

check supply chain practices, supported<br />

by a suite of scientific tools such as DNA<br />

and isotope testing to independently<br />

verify data. Bluenumber brings technical<br />

expertise to digitise, analyse and ensure<br />

confidentiality of supply chain data<br />

through blockchain, machine learning, and<br />

other emerging technologies. Sourcemap<br />

provides the platform to present, visualise<br />

and communicate complex supply chain<br />

data in a simple, accessible and attractive<br />

format.<br />

Darren Thomas, Chief Executive Officer<br />

of DoubleHelix shares, “This partnership<br />

helps our customers to not only manage<br />

and analyse huge amounts of supply chain<br />

data but also respond to growing calls<br />

from consumers, investors and regulators<br />

to demonstrate better knowledge and<br />

control of their global supply chains. It<br />

provides our customers with access to the<br />

latest technologies, safe in the knowledge<br />

that they are tailored to the needs of the<br />

industry. We hope that, as more and more<br />

people start to appreciate where their<br />

wood products come from, we kick-start a<br />

virtuous cycle that drives up the demand<br />

for responsibly sourced wood products,<br />

and increases the value of the forests that<br />

produce them.” P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 15<br />

WOOD TECHNOLOGY CO. (WOTECH) ORDERS MDF PLANT THAT USES<br />

RICE STRAW AS RAW MATERIAL FROM SIEMPELKAMP<br />

IN December 2019, Wood Technology<br />

Co. (WOTECH) from Egypt achieved a<br />

“green” milestone with Siempelkamp.<br />

Representatives from both companies<br />

signed the contract for a MDF plant with<br />

an annual production capacity of 205,000<br />

m³ that will process rice straw as the raw<br />

material.<br />

With this plant, WOTECH seeks to achieve<br />

environmental protection and resource<br />

efficiency with the value-added use<br />

of rice straw that would otherwise be<br />

burnt as a waste product. The concept<br />

is also attractive for countries such<br />

as Egypt, which do not have sufficient<br />

wood resources for industrial use.<br />

WOTECH is the second customer after<br />

CalAg, LLC, California, to work with<br />

Siempelkamp on a MDF plant that uses<br />

rice straw.<br />

In the area of production - e.g. spreading<br />

machines, forming and press line - the<br />

production process is comparable to<br />

that of MDF production. The straw<br />

preparation, however, requires specific<br />

adjustments which Siempelkamp<br />

has developed and reached market<br />

maturity. "Among other things, the<br />

preparation, handling and processing<br />

of the rice straw were newly developed<br />

in the production process," explained<br />

Jochen Dauter, Sales Director<br />

Siempelkamp.<br />

Contract signing in December 2019 in Cairo. Chem. Azza<br />

Aabd Alaty Serry, Chairman of WOTECH (centre), Jürgen<br />

Philipps, Managing Director of Siempelkamp Maschinen- und<br />

Anlagenbau GmbH (left) and Jochen Dauter, Sales Director<br />

Siempelkampa<br />

The contract value of the new project marks the thirdlargest<br />

single order ever placed with Siempelkamp.<br />

WOTECH, which was founded by companies from<br />

the Egyptian oil and gas industry, is also part of the<br />

country's Ministry of Petroleum and had received<br />

positive feedback from the country. P


16 | NEWS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

MICHAEL BUCKLEY SELECTED AS “THE GUY IN THE<br />

GLASS” FOR 2019 BY HARDWOOD MARKET REPORT<br />

MICHAEL BUCKLEY, a well-respected<br />

and accomplished figure in the global<br />

woodworking industry, has been selected<br />

to be The Guy in the Glass for 2019 in<br />

recognition of his achievements and<br />

contributions to the American hardwood<br />

industry. Buckley, who is from the UK, is<br />

the first non-North American to receive<br />

this title.<br />

Launched by Hardwood Market Report<br />

(HMR)’s owner Abe Lemsky in 1960,<br />

The Guy in the Glass is the equivalent<br />

of a “Who’s Who” of people in the<br />

hardwood industry distinguished by<br />

their personal character, commitment<br />

and achievements. According to HMR,<br />

its office hallway is lined with framed<br />

pictures of the honourees. Buckley is the<br />

60 th recipient.<br />

On selecting Buckley, Judd Johnson,<br />

managing editor of HMR said, “Michael<br />

deserves gratitude from anyone who<br />

derives their livelihood from U.S.<br />

hardwoods. We all are beneficiaries of his<br />

efforts that helped build U.S. hardwood<br />

export markets from a small percent of<br />

total grade lumber markets (16 per cent<br />

in 1999) to more than half of all grade<br />

lumber markets (2017).”<br />

Buckley is a renowned expert on<br />

the uses and market applications of<br />

hardwood species and products. Working<br />

internationally, he is an authority in<br />

the areas of hardwood market analysis<br />

and promotion, sustained yield forest<br />

management of hardwood industries<br />

in Europe, <strong>Asia</strong> and the USA, as well as<br />

tropical forest products.<br />

Michael Buckley, the first non-American recipient of “The Guy in the Glass”<br />

A GREAT LOVE FOR HARDWOOD<br />

AND THE HARDWOOD INDUSTRY<br />

His long list of accomplishments includes<br />

being the former European Director<br />

of the American Hardwood Export<br />

Council (AHEC) for 12 years. He has<br />

taken on major projects on behalf of<br />

national governments as his international<br />

consultancy assignments, as well as<br />

being accredited as an adviser to the<br />

Timber Committee of the UN/ECE in<br />

Geneva and was a member of the UN/ECE<br />

Team of Specialists on Forest Products<br />

Markets and Marketing for many years.<br />

In recent years, Buckley took a keen<br />

interest in designing with timber, working<br />

with leading furniture designers and<br />

many architects. In 2003, on behalf<br />

of sponsors, he launched the annual<br />

Wood Awards, now the leading UK<br />

award scheme for wood in architecture<br />

and furniture. He was Chairman of the<br />

Judging Panel of the Wood Awards<br />

and was also involved with several<br />

national furniture design schemes around<br />

the world, particularly in Southeast<br />

<strong>Asia</strong>. He worked on the International<br />

<strong>Furniture</strong> Design Advisory Committee<br />

of the Singapore <strong>Furniture</strong> Industries<br />

Council (SFIC) and was an advisor to its<br />

Environmental Committee.<br />

On receiving this title, Buckley expressed<br />

his appreciation and his continuing<br />

intention to promote wood as the only<br />

sustainable and low carbon impact<br />

material available to man. “We have<br />

come a long way in understanding the<br />

importance of wood from natural forests<br />

and plantations,” he says “but there is<br />

still the job of passing this understanding<br />

to professionals and consumers. I have<br />

played a small role in this over the<br />

last 52 years, while enjoying meeting<br />

the hundreds of people that I have<br />

cooperated with internationally who work<br />

in wood.” P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> NEWS | 17<br />

Trust America’s Hardwoods Company.<br />

KEEP PIONEERING<br />

northwesthardwoods.com<br />

Trust the on-grade quality of Northwest Hardwoods, America’s largest and only<br />

coast-to-coast hardwood lumber producer. Our inspection and grading ensures that<br />

our lumber quality and appearance are both exceptional and consistent. That’s why<br />

our customers rank us above other brands – we always live up to our responsibility.


18 | MARKET REPORT<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

PHASE 1<br />

OF THE CHINA-U.S.<br />

TRADE AGREEMENT<br />

By: Judd Johnson Managing Editor, Hardwood Market Report<br />

A Necessary First Step but More Work Lies Ahead for Hardwoods<br />

There are those who blame the<br />

trade war for all of the problems<br />

facing U.S. hardwood lumber<br />

business with China. Whether or not<br />

they actually believe the trade war is the<br />

only problem is another issue. If so, they<br />

are compelled to believe Phase 1 of the<br />

China-U.S. trade agreement will resolve<br />

the situation.<br />

After all, the reduced sales prices for<br />

U.S. hardwood lumber have more than<br />

compensated for the tariff amounts,<br />

so the monetary concerns about tariffs<br />

should not be a factor to Chinese buyers.<br />

And now that the two governments have<br />

formally agreed to move forward with<br />

this new accord, the pathway is open<br />

for a more normal, consistent market<br />

climate for U.S. and Chinese hardwood<br />

trading partners. Looking at market<br />

circumstances from this perspective,<br />

there is nothing holding business back.<br />

Except there is.<br />

There is no argument that Phase 1 of a<br />

China-U.S. trade agreement is paramount<br />

for market stability. Among highlights of<br />

the agreement, the U.S. will relax some<br />

of the tariffs on imported Chinese goods,<br />

and China will increase purchases of<br />

U.S. goods and services within the<br />

next two years by US$200B over 2017<br />

levels.<br />

U.S. hardwoods are included in the<br />

list of goods negotiated by Beijing and<br />

Washington. The trouble is, Phase 1<br />

did not remove Chinese tariffs that<br />

are suppressing sales prices of U.S.<br />

hardwoods entering China. There<br />

continues to be financial stress on U.S.<br />

suppliers.<br />

Apart from the tariffs and trade<br />

agreement, there are other challenges<br />

that must be worked through before U.S.<br />

hardwood business in China begins to<br />

rebound and strengthen. Most important<br />

is the economy. Just as in every other<br />

market, China’s economic vibrancy is<br />

necessary to stimulate consumer activity.<br />

Second to the economy is competition.<br />

U.S. hardwood companies compete<br />

among themselves for sales into China<br />

and elsewhere in the world, just as they<br />

compete against hardwood sources<br />

located in other countries. This is the kind<br />

of competition every company in every<br />

type of business should expect.<br />

Fashion is another form of competition<br />

among high-valued appearance woods.<br />

Painted surfaces are currently popular<br />

with consumers for many interior


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> MARKET REPORT | 19<br />

fittings and furnishings traditionally<br />

manufactured with hardwoods. This is<br />

why the cabinet industry has increased<br />

use of American Tulipwood in place of<br />

Red Oak and Hard Maple, for example.<br />

It is also why American Tulipwood,<br />

Red Oak, Hard Maple, and all other<br />

species from all other sources are<br />

at risk of losing market share<br />

to engineered wood products,<br />

such as plywood and MDF.<br />

Once painted, the appearance<br />

characteristics of hardwood<br />

species are not important to<br />

the overall appearance of the<br />

manufactured product.<br />

goods to customers by chasing after the<br />

lowest possible price. It has abandoned<br />

the concept of selling value.<br />

Importantly, this is not just a China<br />

wood products market problem or a<br />

U.S. wood products market problem.<br />

Your challenge as a hardwood producer,<br />

distributor, or manufacturer of hardwood<br />

goods is that value is exactly what you<br />

have to sell. Consumers need to know<br />

the environmental, economic, and social<br />

benefits of U.S. hardwoods outperform<br />

those from every other material. They<br />

need to be reminded that value endures,<br />

while the memory of an inferior product<br />

lasts far longer than the memory of its<br />

low price. P<br />

Then there is competition<br />

from non-wood materials.<br />

Some of these materials used<br />

in manufacturing consumer<br />

products have displaced wood.<br />

Many are painted or colored and<br />

have no resemblance to wood<br />

whatsoever.<br />

Yet, there is strong consumer<br />

interest in products that look like<br />

wood but are made from other<br />

types of materials. Ceramic and<br />

porcelain tile has taken market<br />

share from wood, especially<br />

in the floor covering segment.<br />

Luxury vinyl tile (LVT, which is<br />

manufactured from poly vinyl<br />

chloride, or PVC) has elevated<br />

competition against wood to an<br />

even higher level. The LVT product<br />

group touts its “waterproof”<br />

attributes with the look of wood<br />

to consumers, but it sells the<br />

construction trade on its cheap<br />

prices.<br />

Alternative materials put the<br />

marketplace for solid wood at<br />

risk – regardless if it is U.S.<br />

hardwoods or wood from other<br />

sources. The world is selling


20 | MARKET REPORT<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

A BRIEF REVIEW OF THE GLOBAL<br />

WOODWORKING MACHINERY INDUSTRY<br />

In the past two years, the global woodworking machinery industry has been slowing down gradually since<br />

hitting a peak several years ago. Though China’s economy has been softening, with the sudden onslaught<br />

of the corona virus serving as a double whammy, its influence on the global industry is still formidable.<br />

Dario Corbetta, Director of Acimall,<br />

shared trade figures as well as his<br />

views on the performance of the<br />

global woodworking machinery market<br />

in 2019 at the Xylexpo international<br />

press conference held on 18 th February<br />

in Milan, Italy.<br />

In 2018, Germany continues to be the<br />

top producer of woodworking machinery<br />

in Europe, or 49.2 per cent of total<br />

production value in Europe. Italy came<br />

in second at 37.0 per cent. Both are the<br />

current leaders in Europe (Table 1).<br />

CHINA’S INFLUENCE ON THE<br />

GLOBAL MARKET<br />

Corbetta also highlighted the<br />

performance of the Chinese market in<br />

2018 and the first 10 months of 2019.<br />

“The topic that is currently impacting<br />

global economy comes from China,<br />

and all business activities, including<br />

manufacturer behind Germany and Italy,”<br />

said Corbetta.<br />

Even as China’s economy softened and<br />

its import of woodworking machinery<br />

saw quite a drastic decline in the first<br />

10 months of 2019, Corbetta remarked<br />

that China’s market growth is still “not<br />

Table 1: Woodworking technology - European production in 2018<br />

ITALY’S PERFORMANCE IN THE<br />

WOODWORKING MACHINERY<br />

INDUSTRY<br />

Looking specifically at the wood<br />

technology industry, Corbetta stressed<br />

that the core businesses of Italian<br />

industry are the secondary processing<br />

of panels and finishing technology.<br />

“Our skills in transforming resources<br />

we do not own is the best expression of<br />

the ingenuity of Italian entrepreneurs,<br />

together with taste and surface quality:<br />

it’s not mere chance that we are the<br />

country of beauty, quality, style and<br />

design, envied by the entire world for our<br />

leadership in these domains.”<br />

Source: Eumabois<br />

Woodworking machinery exports in 2018 - Top 6 manufacturers (million<br />

euro)<br />

The latest figures available for Italy are<br />

preliminary balance figures for 2019,<br />

with the Italian woodworking machinery<br />

industry achieving a production value of<br />

2.5 billion euro, 6 per cent less than the<br />

previous year. Export value decreased<br />

by 3 per cent to achieve a total value of<br />

1.56 billion euro.<br />

Also, import value decreased by 13 per<br />

cent (225 million euro) and the domestic<br />

market trend is slowing down (690 million<br />

euro, 13 per cent less than in 2018).<br />

Source: intracen.org<br />

exhibitions, are looking with strong<br />

concern to what is happening in the Far<br />

East and its potential consequences.<br />

China plays a leading role in woodworking<br />

machinery, it’s the world’s third-largest<br />

so bad” on absolute terms. There is hope<br />

that China’s production will see a good<br />

enough bounce back in the third quarter<br />

of <strong>2020</strong>.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> ENVIRONMENT REPORT | 21<br />

Woodworking machinery: Chinese export 2018 - top 10 markets<br />

Woodworking machinery: Chinese import 2018 - top<br />

manufacturers<br />

Source: intracen.org<br />

Woodworking machinery: Chinese import 2019 (Jan to Oct) -<br />

top manufacturers<br />

Source: intracen.org<br />

As of early <strong>March</strong>, the coronavirus situation in China has<br />

improved significantly, with the outbreak coming under control;<br />

factories and companies are also ready to resume production<br />

progressively. P<br />

Source: intracen.org


22 | IN PERSON<br />

The next step<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

for Japan's<br />

Wood Product<br />

Export s<br />

After decades of dependency on its local<br />

market, Japan’s wood products industry<br />

is facing a culmination of challenges<br />

that sees wood products manufacturers<br />

venturing into the overseas markets.<br />

By Szeto Hiu Yan<br />

River side project in Tokyo uses<br />

S-tech wood for outdoor decking<br />

THE NEED TO EXPORT<br />

The Japan Wood-Products Export<br />

Association was only formed in 2004<br />

against a backdrop where Japan’s mature<br />

forests have reached harvesting age but<br />

timber self-sufficiency rate has fallen<br />

to 18 per cent due to the availability of<br />

cheaper imported wood. “On the other<br />

hand, the beneficial role of forests and<br />

wood in mitigating global warming has<br />

come to the forefront worldwide. Efforts<br />

to use Japanese forests in circulation<br />

was kickstarted once again, partly with<br />

the intention of contributing to exports.<br />

That was how the Japan Wood-Products<br />

Export Association came about, in<br />

cooperation with the industry and the<br />

wood community,” said Inoue Mikihiro,<br />

Secretary General of Japan Wood-<br />

Products Export Association.<br />

The association currently has<br />

89 wood companies and wood industry<br />

associations as members, as well as 150<br />

members from the local governments.<br />

JAPAN’S WOOD PRODUCT<br />

EXPORTS IN RECENT YEARS<br />

Japan’s most highly demanded wood<br />

product export remains to be logs.<br />

Faced with a shrinking population and<br />

contracting domestic demand, its wood<br />

products industry has turned to the<br />

overseas market to sustain growth.<br />

“ While our main exported wood products<br />

are still logs, we do have many processed<br />

wood products that are of high quality<br />

and durability. By exhibiting at trade<br />

shows, we hope to introduce them to the<br />

overseas market,” shared Mikihiro.<br />

In recent years, the main destination for<br />

Japan’s wood product exports is China,<br />

where they enjoy a high demand. Other<br />

export markets include South Korea,<br />

the Philippines and Taiwan. In 2018,<br />

the association investigated the export<br />

potential of Japanese timber products<br />

to Singapore and found that there is<br />

potential, but they have to first promote<br />

Japan’s wood products as few Japanese<br />

wood product brands are known here.<br />

This was why the association brought<br />

along members to promote their products<br />

at the BEX <strong>Asia</strong> exhibition last year.<br />

In Japan, the forestry and timber<br />

industries are recognised as growth<br />

industries. The government is already<br />

working on strengthening the supply<br />

chain management from logging,<br />

processing to distribution to end-users.<br />

CHALLENGES<br />

While Japan’s forestry and wood products<br />

industries are seeking to expand, they<br />

have to first cross several hurdles.<br />

One challenge is the lack of infrastructure<br />

to support the forestry industry that is<br />

seeking to expand. “Our forests grow at<br />

8 million cubic metres per year, almost<br />

equal to our demand for wood. However,<br />

only 30 million m 3 is being utilised. There<br />

are still limits in reaching the ideal state


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> IN PERSON | 23<br />

in forest activities due to insufficient<br />

maintenance of forest roads and the<br />

lack of forest management resulting in<br />

forests not being harvested because it<br />

is not profitable to do so,” said Mikihiro.<br />

“Cheap wood products from Canada, the<br />

U.S. and other countries are plentiful<br />

and available, some areas in Japan find<br />

it more advantageous to import instead,”<br />

he added.<br />

There is also the problem of forest<br />

ownership. Many forestlands were<br />

purchased by some Japanese a long<br />

time ago and passed down to their next<br />

generations. However, there is no proper<br />

documentation of the exact locations of<br />

the lands by both the government and<br />

the landowners, so nobody knows which<br />

piece of land belongs to who. This adds<br />

to the difficulty of managing Japan’s<br />

forestlands, said Mikihiro.<br />

Furthermore, the lack of marketing<br />

of Japanese wood products overseas<br />

may be the main reason why the many<br />

innovative Japanese wood products<br />

are yet ot be known by the overseas<br />

audience.<br />

“Japan has been developing wood<br />

processing technology for a long time and<br />

we would like to introduce products that<br />

are durable, antiseptic and anti-termites,<br />

such as Thermo-wood and S-tech wood.<br />

I would also like to introduce Japanese<br />

toys made of Japanese cypress, said to<br />

be good for health.”<br />

With the support of the Japanese<br />

government, the timber self-sufficiency<br />

rate has returned to 36 per cent, from 18<br />

per cent in 2002. It now aims to reach 50<br />

per cent by 2025. In the domestic market,<br />

the plywood industry is also seeing tree<br />

species conversion from tropical wood<br />

like Lauan or Meranti to using domestic<br />

conifers such as Japanese Cedar.<br />

PLANS FOR THE FUTURE<br />

“In addition to promoting domestic use,<br />

we would like to actively respond to<br />

overseas demand. For this reason, we<br />

will distribute information on Japanese<br />

wood overseas by providing information<br />

such as export potential surveys, plant<br />

quarantine related to wood trade, legality<br />

certification of the wood, exhibiting<br />

Japanese wood products at exhibitions as<br />

well as organising seminars to increase<br />

exports of Japanese timber products, ”<br />

concluded Mikihiro.<br />

S-tech's wood panels used in Toyomi Elementary School in Tokyo. Emachu Mokuzai Co., Ltd, producer of S-tech wood, is one of the wood product<br />

company that Japan Wood-Products Export Association hopes to introduce to the international market through participating in exhibitions


24 | IN PERSON<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

CASE STUDY: NITROGEN HEAT TREATED S-WOOD FROM JAPAN<br />

When it comes to thermally modified wood, there are several preferred heat treatment transfer<br />

media such as nitrogen, oil, steam and vacuum as they do not use chemicals in the process.<br />

S-Tech wood from Japan, manufactured by Emachu Mokuzai Co., Ltd., is probably one of only<br />

two companies in Japan to produce nitrogen heat treated wood. The two companies partner<br />

up with each other to share resources and own five plants in Aichi between them. Emachu’s<br />

annual production capacity is an estimated 2000 cubic metres.<br />

To execute the S-Tech treatment, wood is<br />

placed in a pressure-resistant container<br />

which is filled with nitrogen. The container<br />

is then heated above 200°C for several<br />

hours under controlled pressure.<br />

The treatment decomposes perishable<br />

components of wood with nitrogen at<br />

high heat, stabilising the shape of<br />

the material and reduces its weight,<br />

drastically improving its durability<br />

compared to conventional wood. It<br />

boasts a durability record exceeding 20<br />

years, even when used in promenades<br />

with heavy foot-traffic.<br />

PROPERTIES OF S-TECH<br />

TREATED WOOD<br />

Sterilised wood that is anti-termite<br />

During the drying process, nutrients and<br />

moisture of wood is reduced to a level as<br />

low as three to seven per cent, making it<br />

unattractive to fungi and termites, thus<br />

imbuing S-Tech wood with anti-termite<br />

property. No harmful substance is used,<br />

ensuring the safety of the material.<br />

Excellent water resistance and stability<br />

In the process of reducing moisture<br />

content from the wood material, the<br />

cellular structure of the wood becomes<br />

porous. This increases the material’s<br />

insulation effect and lowers radiation<br />

heat transfer, making S-Tech wood a<br />

suitable material for exterior applications<br />

such as decking, louvers, fences and<br />

outer walls.<br />

Modification of the material’s<br />

hermicellulose structure keeps<br />

moisture such as dew condensation at<br />

bay, resulting in less shrinkage and<br />

warps. The material also has high<br />

dimensional stability as well as heat<br />

retention performance on heated<br />

floors.<br />

Miura Corporation Head Office in Tokyo


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> IN PERSON | 25


26 | IN PERSON<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Photo 1: Exterior of Kashiyama-Daikanyama in Tokyo, a<br />

commercial complex for a clothing company<br />

Photo 2 & 3: Minato Park Shibaura, the biggest public complex<br />

facility in Tokyo, uses S-Tech wood for its louvers and walls<br />

3<br />

1<br />

2<br />

High permeability of oil paints<br />

Additionally, S-Tech treated wood has<br />

a permeability of oil paints of about<br />

1.5 to two times that of ordinary dried<br />

wood, applied wood-protective paints<br />

can be sustained for a long time.<br />

No resins or stains<br />

The S-Tech treatment removes resins,<br />

ensuring that there will be no resins residue<br />

on the wood after construction, nor will<br />

brown water leach out after rain soak.<br />

While the colour of S-Tech treated wood<br />

will gradually change over time due<br />

to exposure to sunlight and water, the<br />

colour change is generally acceptable<br />

to the Japanese.<br />

the treatment can be used for any kind<br />

of wood.<br />

interested parties to test the wood in<br />

Singapore’s climate.<br />

“Japanese people see the gradual colour<br />

change in wood as a natural part of life,<br />

they see beauty in it and can appreciate<br />

such colour tones,” said Shinji Maeno,<br />

general manager of Emachu’s Eco-Life<br />

Department.<br />

S-Tech treatment can be used for any<br />

wood<br />

At Emachu, the S-Tech treatment is used<br />

on Japanese cedar, Japanese cypress<br />

and white ash from North America, but<br />

S-Tech wood is mostly sold and used in<br />

domestic projects but S-Tech wood has<br />

successfully been used in two recent<br />

projects in Taiwan, said Maeno. By<br />

introducing S-Tech wood to Singapore<br />

and regional visitors at BEX <strong>Asia</strong>, Maeno<br />

is hoping to venture into the Southeast<br />

<strong>Asia</strong>n market.<br />

As for S-Tech wood’s performance in<br />

humid weather, Maeno is still uncertain<br />

but he has already roped in the help of<br />

“There were a few visitors who took<br />

samples back to test and see what the<br />

weather here will do to S-Tech wood, so<br />

we still can’t say for sure. My objective of<br />

participating in this show as an exhibitor<br />

is to give S-Tech wood some exposure as<br />

well as to see how people respond to it,”<br />

said Maeno. P<br />

All images are credited to Emach Mokuzai.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> IN PERSON | 27<br />

BIFA WOOD<br />

VIETNAM <strong>2020</strong><br />

www.bifawoodvietnam.com<br />

27-30 October <strong>2020</strong><br />

Venue:<br />

Binh Duong Convention &<br />

Exhibition Centre (open ground)<br />

Duong Hung Vuong, Phu Hoa ward,<br />

Thu Dau Mot city, Binh Duong province,<br />

Vietnam<br />

Google Map<br />

QR code<br />

Exhibition Site<br />

WOOD &<br />

WOODWORKING<br />

MACHINERY<br />

EXHIBITION<br />

Enquiries For International Exhibitors<br />

Pablo Publishing Pte Ltd<br />

3 Ang Mo Kio Street 62 #01-23 Link@AMK<br />

Singapore 569139<br />

Tel: (65) 6266 5512<br />

Email: williampang@pabloasia.com<br />

info@pabloasia.com<br />

Enquiries For Vietnamese Exhibitors:<br />

BIFA JSC.CO Floor 11, Becamex Tower, 230 Binh Duong<br />

Boulevard, Phu Hoa Ward, Thu Dau Mot City, Binh Duong,<br />

Viet Nam.<br />

Tel : (84) 965 064 993<br />

Email: phuong.dl@bifajsc.com<br />

WeChat<br />

Jointly organised by<br />

BINH DUONG FURNITURE ASSOCIATION (BIFA)<br />

PANELS & FURNITURE Group<br />

BINH DUONG FURNITURE ASSOCIATION


28 | PANELS MANUFACTURING<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

TIGHTENING THE GRIP ON<br />

FORMALDEHYDE EMISSIONS<br />

By Szeto Hiu Yan<br />

With Malaysia preparing to introduce regulations on formaldehyde emission in woodbased<br />

boards, the measurement and control of this chemical may be of growing interest<br />

for manufacturers in this region.<br />

In Malaysia, the government<br />

has recommended last year for<br />

formaldehyde emission to be set at<br />

a limit of ≤ 1.5 mg/L (F**/E1 class) on<br />

imported and locally produced woodbased<br />

panels products.<br />

Even in Southeast <strong>Asia</strong>n countries<br />

where formaldehyde emission levels<br />

are not regulated, formaldehyde<br />

emission standard is something that<br />

manufacturers are familiar with as many<br />

export-oriented producers have to<br />

adhere to the standards set by importing<br />

countries.<br />

In Vietnam, for example, its main woodbased<br />

panel furniture and composite<br />

materials markets are the U.S. (40<br />

per cent), the EU (20 per cent), India,<br />

South Korea and Japan in 2018. Of<br />

these countries, the U.S., EU and Japan<br />

have different formaldehyde emission<br />

standards to be met, and these standards<br />

are continuously revised over time.<br />

THE EFFECTS OF FORMALDEHYDE<br />

EMISSIONS<br />

As the wood products industry grows<br />

rapidly in Southeast <strong>Asia</strong>, the use of<br />

formaldehyde-based resins continues to<br />

be extensive in the production of woodbased<br />

panels such as particleboard,<br />

medium-density fibreboards, plywood<br />

and oriented strand board.<br />

According to a paper released in 2018<br />

by the Organisation for Economic Cooperation<br />

and Development (OECD)<br />

that studied the economic valuation in<br />

formaldehyde regulation, <strong>Asia</strong> accounts<br />

for almost half (48 per cent) of global<br />

formaldehyde production, followed by<br />

Europe (23 per cent) and North America<br />

(17 per cent) in 2013. <strong>Asia</strong> is also<br />

the largest consumer (47 per cent) of<br />

The GA300 Lab Formaldehyde Tester


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> PANELS MANUFACTURING | 29


30 | PANELS MANUFACTURING<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

The test chambers<br />

formaldehyde. This could mean that<br />

<strong>Asia</strong>n consumers may be at a higher risk<br />

of being exposed to formaldehyde than in<br />

countries where formaldehyde emissions<br />

levels are regulated, such as in the<br />

U.S., EU, Japan and China.<br />

Formaldehyde exposure can be harmful to<br />

human health; not only is it a carcinogen<br />

but it can impact on female fertility, and<br />

cause respiratory conditions as well as<br />

a range of less severe, acute conditions<br />

such as skin and eye irritations.<br />

As consumers are also becoming<br />

more health-conscious, there may be<br />

increasing demand for wood products<br />

that are better for health. The need<br />

for wood-based panel manufacturers<br />

to better meet formaldehyde emission<br />

standards may eventually be as inevitable<br />

as is necessary.<br />

ACCURATELY MEASURING<br />

FORMALDEHYDE LEVELS<br />

IMAL PAL produces the most widely used<br />

unit for such measurements, specifically<br />

the GA300, which utilises a rapid and<br />

accurate method using gas for testing<br />

formaldehyde level and is accepted by<br />

CARB from North America.<br />

The perforator method, known as the<br />

traditional method, will soon be phased<br />

out as it requires a highly toxic and very<br />

expensive chemical component for the<br />

test. The gas analysis method complies<br />

with the 717 standard requirements<br />

and water is used in place of chemical<br />

components.<br />

TESTING PROCESS USING THE<br />

GA300<br />

The GA300 apparatus for the gas analysis<br />

test permits a rapid calculation of the<br />

amount of formaldehyde released by<br />

wood-based panels. Testing is conducted<br />

to meet EN ISO 12460-3 standard<br />

requirements.<br />

The sample, which has been suitably<br />

prepared for testing, is placed inside<br />

an airtight chamber at a controlled<br />

temperature, pressure and air flow. The<br />

formaldehyde released by the sample is<br />

collected in the controlled flow of hot<br />

air that travels through the chamber.<br />

The air containing the formaldehyde is<br />

passed through wash bottles at outfeed<br />

where the formaldehyde recombines with<br />

the water. The amount of formaldehyde<br />

contained in the water is measured using<br />

the photometric method. The result is<br />

given in milligrams of formaldehyde per<br />

square metre of board surface in one<br />

hour (mg/m 2 h).<br />

SHORTENING TESTING TIME<br />

The GA300 gas analyser rapidly provides<br />

details on the amount of formaldehyde<br />

released by the boards produced<br />

to enable timely corrections to the<br />

production parameters. A full test using<br />

only one chamber takes approximately<br />

four hours. For faster results, using a twochamber<br />

lab tester will yield results in half<br />

the time, while a four-chamber tester will<br />

produce results every hour.<br />

OTHER ADVANTAGES<br />

• Possibility of controlling two or even<br />

four test chambers with one device<br />

• Each chamber is able to control<br />

temperature and air flow regulation<br />

independently<br />

• Test data may be printed and recorded<br />

after the analysis<br />

• The gas collection times and temperature<br />

regulation may be configured should<br />

any changes be introduced to standard,<br />

or for experimenting purposes<br />

• Besides processing the data for each<br />

analysis, the central processor is able<br />

to supply the calibration value of the<br />

spectrophotometer<br />

• Can be tested on particleboard, oriented<br />

strand board and medium-density<br />

fibreboard. P<br />

All images are credited to IMAL PAL.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> PANELS MANUFACTURING | 31


32 | FLOORING<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Parklex’s Hy Tek,<br />

High-scoring Flooring<br />

By Szeto Hiu Yan<br />

From Frank Gehry’s Guggenheim Museum Bilbao in Spain;<br />

Alliance 1892 - Cognac Museum and Cellar in Russia; Cocoon<br />

Community Centre in China to Teega Residences in Johor<br />

Bahru, Malaysia, the usage of Parklex’s interior and exterior<br />

cladding and flooring panels can be found in many projects<br />

worldwide.<br />

Hailed from Spain, Parklex has been providing interior and<br />

exterior cladding solutions for more than 40 years. With<br />

EWINS, a Singapore-based company, being its regional<br />

distributor, Parklex has been present in <strong>Asia</strong> for a decade.<br />

WIA speaks to EWINS’ Executive Director, Mark Yong, to<br />

better understand Parklex’s performance in <strong>Asia</strong> as well as<br />

the upcoming flooring trends.<br />

When it comes to flooring, Parklex’s two ranges of flooring products<br />

— Hy Tek natural timber-surfaced floors for interiors and Block Tek<br />

outdoor decking are well-known for their refined appearances, and<br />

ultra-low maintenance due to their hard-wearing durability and the ease of<br />

installation.<br />

Parklex’s Hy Tek flooring has been in use at Frank Gehry’s<br />

Guggenheim Museum Bilbao since its opening in 1997


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> FLOORING | 33<br />

HY TEK<br />

The Hy Tek range is a zero-maintenance<br />

engineered wood flooring for interiors<br />

that is designed to withstand high foot<br />

traffic areas in residential or commercial<br />

spaces. It is available in more than<br />

30 different wood species and two types<br />

of surface finish.<br />

The natural wood surface of the Hy Tek<br />

floors is also scratch and stain resistant<br />

due to the use of proprietary resin-based<br />

technology, as well as the Bakelite layer<br />

underneath the natural wood veneer<br />

ensure protection to the floor.<br />

Parklex could supply Hy Tek with two<br />

different anti-slip levels according to<br />

performance requirements, together<br />

with the high anti-damp properties of<br />

the product, allowing Hy Tek floors to be<br />

installed in areas where there is frequent<br />

contact with water.<br />

WET INTERNAL AND DRY<br />

INTERNAL, AND ACOUSTIC —<br />

WALL AND CEILING FINISHES<br />

FOR INTERIORS<br />

Parklex’s Wet Internal, Dry Internal and<br />

Acoustic range of finishes are available in<br />

the same colour selections, but treated<br />

according to their application. Architects<br />

and designers are now able to keep the<br />

same colours and finishes throughout<br />

the interior.<br />

Hy Tek floor in Country Oak Bamboo Woodskin Matt 188/290/107 mm bevelled<br />

Wet Internal is a natural wood cladding<br />

that is highly resistant to moisture due to<br />

a layer of moisture-resistant overlay on<br />

the natural timber sheets on both sides.<br />

It is suitable for bathrooms, gyms, saunas,<br />

swimming pools and porches.<br />

Due to its hardness, Dry Internal is<br />

the ideal natural wood cladding for<br />

interior walls and ceilings in high traffic<br />

areas. Dry Internal reports the best<br />

possible results for organic materials in<br />

accordance with European regulation<br />

EN 13.501 for reaction to fire.<br />

Acoustic is an acoustic panel solution. It<br />

can be applied to interior walls and ceilings<br />

that require a specific level of sound<br />

absorption, such as conference rooms,<br />

auditoriums, classrooms and theatres.<br />

The main halls of the Guggenheim Museum<br />

in Bilbao have been fitted with Hy Tek since<br />

its opening in 1997.<br />

BLOCK TEK<br />

Block Tek is a high-density composite<br />

floor for exteriors. It is strong, hardwearing<br />

and highly resistant to<br />

atmospheric changes in moisture and<br />

temperature.<br />

Block Tek is also slip resistant and has a<br />

rating of Class 3, which is the highest slip<br />

resistance rating according to the UNE-<br />

ENV 12633 standard.<br />

Block Tek flooring was recently installed<br />

at the Manila Polo Club in Manila,<br />

the Philippines, and is also used in<br />

One Altitude in Singapore.<br />

PARKLEX IN ASIA<br />

<strong>Asia</strong> has been one of Parklex’s fastest<br />

growing regions, with China, the Philippines<br />

and Singapore doing particularly well,<br />

said Yong. Given the strong performance,<br />

EWINS is now starting to market<br />

Parklex in Japan.<br />

“Parklex’s natural timber façade panels<br />

are currently the most popular product<br />

amongst its range, but Block Tek and<br />

Hy Tek are fast gaining importance,” Yong<br />

shared.


34 | FLOORING<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Hy Tek / Wood: Country Oak Woodskin<br />

A REVIEW OF 2019 FLOOR<br />

TRENDS<br />

Yong observed three main flooring trends<br />

in <strong>Asia</strong> last year:<br />

Natural surface materials are now<br />

preferred<br />

“Natural surface materials are now<br />

preferred over synthetic and repetitive<br />

materials for both residential and<br />

commercial projects, wherever possible.<br />

With advances in material science,<br />

some natural materials that were not<br />

recommended for application in high<br />

humidity or high UV-exposure areas can<br />

now be used.”<br />

panels, the natural beauty of the wood’s<br />

grains and tones can truly be appreciated.”<br />

YONG PREDICTS UPCOMING<br />

FLOORING TRENDS IN <strong>2020</strong>:<br />

Lighter wood continues to be the<br />

favoured choice<br />

“We see that lighter wood tones are<br />

gaining in popularity and this will continue.<br />

Darker woods were favoured in the past<br />

but we are starting to see a shift towards<br />

lighter toned woods, such as maple, ash,<br />

and oaks.”<br />

Herringbone OUT, Clean lines IN<br />

“The herringbone layout pattern seemed<br />

to be trending two or three years back, but<br />

this trend seems to be abating as quickly<br />

as it came, perhaps because cleaner lines<br />

are favoured now.”<br />

ENGINEERED WOOD FLOORING<br />

VS SOLID WOOD FLOORING<br />

While engineered wood flooring are<br />

sometimes seen as inferior to solid<br />

hardwood flooring in terms of the look<br />

and feel, Yong emphasised that Parklex’s<br />

flooring panels are premium engineered<br />

flooring with surfaces made of natural<br />

timber. It also offers advantages that<br />

hardwood flooring cannot offer.<br />

“The ‘engineering’ allows the floor to be<br />

used in difficult indoor conditions with a<br />

high risk of wear and tear, but without any<br />

compromise on the natural appearance<br />

of timber. This means that throughout<br />

the lifespan of a well-engineered wood<br />

flooring product, there can be little to no<br />

maintenance required.<br />

This is especially important for commercial<br />

or hospitality projects where down-time<br />

for replacement or repairs can prove to<br />

be very costly. All of Parklex’s products<br />

are engineered to be of zero to extremely<br />

low maintenance,” explained Yong. | WIA<br />

All images are credited to Parklex.<br />

Lighter wood for indoor flooring<br />

“We are starting to see a shift in preferences<br />

for use of lighter woods for indoor flooring<br />

for residential projects; to bring interiors<br />

a lighter, airier, and more spacious feel,<br />

without compromising on warmth."<br />

Wider flooring panels<br />

“Architects and interior designers are<br />

frequently hampered by the limited widths<br />

of flooring materials available on the<br />

market. Many floor panels do not go beyond<br />

widths of 150 or 200mm. They are excited<br />

when wider flooring panels are available,<br />

and they are also able to mix flooring strip<br />

widths in the same project. With wider<br />

It is even possible to combine boards of different widths


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> FLOORING | 35


36 | MATERIALS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

ALL ABOARD LORIENT<br />

TRAIN STATION<br />

After two years of construction,<br />

the face of the new Lorient Train<br />

Station, or also known as Gare de<br />

Lorient, in Brittany, France, was<br />

revealed. Opened in May last year,<br />

the station’s airy, open form draws<br />

inspiration from the hull of a boat.<br />

DOUGLAS FIR ARRIVES AT<br />

LORIENT STATION<br />

At 115 metres long, Lorient Train Station is<br />

a showcase for Douglas fir glue-laminated<br />

timber. Designed by AREP, the multi-sector<br />

subsidiary of SNCF Gares et Connexions,<br />

the project is located strategically in the<br />

heart of Lorient.<br />

The old station, built in 1960, had its<br />

back to its surroundings, but the newly<br />

design train station has a welcoming<br />

structure to Brittany's third largest city.<br />

After a passageway was installed over<br />

the tracks in September 2016, a decision<br />

was made to create a new “passenger<br />

space”, protected by an immense wooden<br />

hall — a long, rounded shape inspired by<br />

a boat hull, which is a nod to the area's<br />

maritime history.<br />

EXTRAORDINARY GLULAM<br />

STRUCTURES<br />

The idea for the station's structure was an<br />

original one: huge arches made of Douglas<br />

fir glue-laminated timber. Three rounds<br />

of gluing and lamination were needed to<br />

build these unique elements so as to reach<br />

their above-average thickness (more than<br />

60cm). The posts and cross-pieces were<br />

then joined together, giving an impression<br />

Three rounds of gluing and lamination were needed to build these unique elements in order<br />

to reach their above-average thickness (more than 60cm)<br />

of waves when seen together in a row. The<br />

arches continued on the exterior, losing a<br />

post on a side to showcase a boomerangshaped,<br />

cantilevering 20 metres out to<br />

provide shelter for the entrance area, and<br />

to create a large and welcoming space.<br />

The 57 metres long and seven metres wide<br />

passageway that crosses the tracks was<br />

built with a lattice beam system, with struts<br />

and posts also made of Douglas fir gluelaminated<br />

timber and diagonals, metal ties.<br />

The passageway is also made of double<br />

Vierendeel trusses built using the same<br />

material. It leads directly to the station's<br />

main hall, creating an urban connection<br />

between the city centre and the Kerentrech<br />

neighbourhood to the north.<br />

700M 3 OF DOUGLAS FIR USED<br />

Douglas fir was chosen as the predominant<br />

material for its environmental qualities, durability,<br />

and the warm atmosphere that it creates. The<br />

material produces an elegant and delicate frame,<br />

which exhibits an impressive yet welcoming<br />

and reassuring public space that expresses<br />

hospitality, exchange, and intermodality.<br />

This project was also an opportunity to create<br />

a new neighbourhood on the west side of the<br />

entrance area, which may house up to 100,000m 2<br />

of new construction: 32,000m 2 of offices,<br />

28,000m 2 of shops, and 42,000m 2 of housing. P<br />

All photos are credited to Didier Boy de la Tour<br />

and France Douglas, AREP.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> MATERIALS | 37


38 | MATERIALS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

The entrance of the Gabon Special Economic Zone<br />

GABON: THE<br />

LAND FULL OF<br />

OPPORTUNITIES<br />

Gabon is a picturesque country with rich natural resources in West Central Africa. A privileged<br />

geographical location on the edge of the Congo Basin and bordered by the Atlantic Ocean on the<br />

west, it shares the Northern Boundary with Cameroon, Equatorial Guinea as well as the Eastern<br />

and Southern boundary with Republic of Congo.<br />

On August 17, 1960 Gabon declared<br />

itself an independent nation<br />

following centuries of foreign<br />

intrusion and colonial conflicts. Since<br />

independence from French rule, Gabon<br />

has developed a relatively stable political<br />

and social environment. Fast-forward to<br />

the present day, and Gabon is emerging<br />

as something of a regional flagbearer for<br />

foreign investment. With the continent<br />

increasingly opening up to international<br />

enterprise, the Central African nation is<br />

proving itself as an enticing place to do<br />

business. This is backed up by figures<br />

of inward FDI, which show that foreign<br />

direct investment in 2017 neared $1.5<br />

billion, up significantly from the $1.24<br />

billion seen in 2016 and $990 million a<br />

year earlier.<br />

With astonishing resources: Oil,<br />

Manganese (second largest producer<br />

in the world for high grade), tropical<br />

forest with more than 400 identified<br />

species and some major infrastructures,<br />

Gabon is the new face of the progressive<br />

and prosperous Africa. With a strategic<br />

location at the heart of Africa, Gabon<br />

offers an ideal gateway for entry to a<br />

regional market of 250 million consumers.<br />

This is why several multinationals and<br />

visionary SMEs have been attracted by its<br />

great assets and have decided to establish<br />

their business here.<br />

GABON FOREST … HOME OF<br />

OKOUMÉ<br />

Boasting the second highest forestry<br />

potential in Africa, Gabon's forests cover<br />

22.8 million hectares, i.e. 88 per cent of<br />

the country’s land surface. The tropical<br />

forest offers enormous possibilities<br />

with a logging potential of 18 million<br />

hectares with more than 400 species<br />

including Okoumé, Okan, Padouk, Tali,<br />

Kevazingo. Until 2010 i.e. before ban on<br />

export of raw logs, Gabon was the largest<br />

exporter of raw wood in the region, and<br />

its sales represent 20 per cent of Africa’s<br />

raw wood exports. Gabon’s reserves<br />

of harvestable timber includes<br />

130 million m 3 of Okoumé, 25-35 million<br />

m 3 of Ozigo, 20-30 million m 3 of Ilomba,<br />

15-25 million m 3 of Azobé and 10-20<br />

million m 3 of Padouk. Other woods are<br />

Dibetou (Tigerwood or African Walnut),<br />

Movingui, Kevazingo and Zingana<br />

(Zebrano or Zebrawood).


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> MATERIALS | 39<br />

Over the past ten years, Gabon has gone<br />

through a profound process of reform<br />

affecting the forest and environment.<br />

A new forest law has come into force<br />

that emphasises Sustainable Forest<br />

Management (SFM) as the overall<br />

approach in the forestry. Forestry is, and<br />

will remain, one of the pillars of Gabon's<br />

economic and social development. The<br />

private sector has become a major driver<br />

of industrial forest development and the<br />

export of forest products. Gabon has<br />

a low deforestation rate, forests rich<br />

in valuable timber species and among<br />

the best prospects for a healthy and<br />

sustainable forest industry. The timber<br />

industry is already the largest private<br />

sector employer, employing 28 per cent<br />

of the working population, and represents<br />

an extremely significant growth potential.<br />

OKOUMÉ … THE PINK GOLD FROM<br />

GABON<br />

Commercial forest harvesting in Gabon<br />

began as early as 1892, but only in 1913<br />

was Okoumé, Gabon’s most valuable<br />

wood, introduced to the international<br />

market. Gabon supplies 90 per cent of the<br />

world’s Okoumé, known worldwide for the<br />

production of plywood.<br />

Aucoumea klaineana (Angouma, Gaboon,<br />

Gabonese<br />

Republic is aiming to<br />

turn Gabon into a world<br />

leader in certified<br />

tropical timber<br />

production through<br />

an industrial strategy<br />

aimed at sustainably<br />

managing timber<br />

stocks and by promoting<br />

secondary and tertiary<br />

processing.<br />

or Okoumé) is a tree in the family<br />

Burseraceae, found in equatorial West<br />

Africa in Gabon, the Republic of the Congo,<br />

and Rio Muni.<br />

Okoumé is a medium-sized hardwood<br />

tree growing to 30-40 m tall with a trunk<br />

diameter in the range of 1 to 2.5 m. Its<br />

attractive appearance means that it is<br />

often used decoratively as the top surface<br />

veneer in panelling and furniture or, in<br />

solid form in luxury items such as boxes<br />

for cigars or other high value items (e.g.<br />

audio equipment).<br />

PHYSICAL AND MECHANICAL<br />

PROPERTIES<br />

Widely recognised as one of the world’s<br />

best materials for rotary cut veneers,<br />

Okoumé timber is easy to work with<br />

and is as suitable for the manufacturing<br />

of furniture as for interior joinery.<br />

Moreover, it is a species of a very even<br />

colour, good bonding performances<br />

and good compatibility with finished<br />

products.<br />

ADVANTAGES OF OKOUMÉ<br />

• Uniform and single species<br />

• Uniform colour and density<br />

• Easy workability – no coarse grains<br />

• Durable and resistant to dry wood borers<br />

so does not require any preservative<br />

treatment against dry wood borer<br />

attack.<br />

• Suitable for staining and polishing<br />

without much variations across the grain<br />

and so better finish.<br />

• Reliable and sustainable production with<br />

assured availability in quality and<br />

quantity.<br />

• Sawn timber without much timber<br />

Okoumé sawn wood


40 | MATERIALS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

The Gabon Special Economic Zone is one of the largest industrial park in Sub-Saharan Africa<br />

defects and therefore less wastage in<br />

end usage.<br />

GABON SPECIAL ECONOMIC<br />

ZONE (GSEZ): THE BIGGEST<br />

WOODWORKING HUB IN AFRICA<br />

In the last decade, African countries<br />

have promoted the idea of processing of<br />

natural resources within their countries<br />

so as to generate employment and<br />

give boost to their economy. With the<br />

same ideology, Gabonese Republic<br />

also banned exports of raw timber<br />

in 2010. Subsequently, Gabonese<br />

Republic has embarked on a journey<br />

to provide amenable ecosystem and<br />

infrastructure to facilitate the secondary<br />

and tertiary processing of timber and<br />

other natural resources within Gabon.<br />

Witnessing a favourable investment<br />

climate, Olam International Limited in<br />

partnership with the Gabonese Republic<br />

decided to develop the Special Economic<br />

Zone in 2010. The Special Economic Zone<br />

spreads over 1126 ha at Nkok (20 km from<br />

the capital city of Libreville) and is the<br />

outcome of a shared vision of Gabonese<br />

Republic and Olam to effectively master<br />

the transition toward industrialisation of<br />

Gabon. It is one of the largest industrial<br />

park in Sub-Saharan Africa aimed at<br />

promoting sustainable production and<br />

processing timber and various other<br />

resources in the country.<br />

INCENTIVES TO INVESTORS<br />

Investors in GSEZ enjoys following fiscal<br />

incentives on their industrial investments:<br />

• No Income tax for first 10 years and a<br />

preferential rate of 10 per cent over the<br />

next 5 years<br />

• No Customs Duty on the import of<br />

equipment and machinery for the<br />

industry<br />

• No VAT<br />

• No Property Tax<br />

• 100 per cent foreign ownership<br />

permitted<br />

• 100 per cent exemption from capital<br />

gains tax<br />

• Other relaxations and waivers:<br />

¤ 50 per cent on Electricity/Power Tariff<br />

¤ Relaxed Labour laws & flexibility in<br />

employing expatriates<br />

A worker at a wood veneer factory in Gabon<br />

In 2018, Gabon<br />

became the biggest<br />

producer of tropical<br />

veneer in Africa and the<br />

2nd largest exporter of<br />

tropical veneer, mainly<br />

because of veneer<br />

plants established in<br />

Gabon SEZ.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> MATERIALS | 41


42 | MATERIALS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

¤ Reduced Export Duty for products<br />

manufactured in SEZ<br />

¤ 100 per cent repatriation of profits<br />

¤ Up to 25 per cent DTA sales permitted<br />

without any tax implications<br />

SINGLE WINDOW CLEARANCE - A<br />

DIFFERENTIATOR<br />

GSEZ facilitates to obtain all necessary<br />

regulatory and statutory clearances<br />

required for setting up an industry in the<br />

SEZ from various government departments<br />

by way of Single Window Clearance<br />

Facility; simplifying the process in granting<br />

speedy approvals to all units. To ensure<br />

that the investors do not have to run<br />

from one office to another, all concerned<br />

22 departments / agencies from which<br />

approvals are required, are housed in a<br />

special building within the SEZ.<br />

GABON SEZ, AS OF TODAY<br />

SEZ at Nkok currently has 166 customers<br />

and the expected foreign direct investment<br />

is more than USD$ 1.7 billion. The<br />

investors who have invested so far are<br />

from 17 nationalities; out of which, more<br />

than 70 are from <strong>Asia</strong>n countries like<br />

China, India, Malaysia, Singapore and<br />

UAE. The industries making SEZ their<br />

base are mainly industries into wood<br />

transformation (sawmill, veneer and<br />

plywood), ferro-alloys, construction<br />

materials, pharmaceutical, food<br />

processing, telecom equipment, waste<br />

and metal recycling and warehousing<br />

etc. To date, 72 companies are already under<br />

production and another 33 companies<br />

are in different stages of construction.<br />

Africa is openingup<br />

to investments<br />

and Gabon, one of<br />

the most politically<br />

and economically<br />

stable country in the<br />

continent, has clearly<br />

taken the lead in<br />

attracting investors<br />

by doling out number<br />

of fiscal and non-fiscal<br />

incentives.<br />

Since year 2016, many veneer<br />

manufacturing companies established<br />

their veneer plants in Gabon SEZ and in<br />

2018, Gabon became the biggest tropical<br />

veneer producer in Africa and the second<br />

largest exporter of tropical veneer in the<br />

world. With a jump of more than 75 per<br />

cent y-o-y growth, around 292,000 cubic<br />

metres of veneer was exported from<br />

Gabon SEZ itself in 2019. Gabon SEZ is<br />

already a veneer manufacturing hub and<br />

now plywood manufacturing has also<br />

started picking up in Gabon SEZ.<br />

The past year also saw a lot of traction<br />

for plywood production. Three plywood<br />

plants with a cumulative production<br />

capacity of 100,000 cubic metres came<br />

into production in 2019 and construction<br />

of another five plywood plants started in<br />

2019. The plywood export from Gabon<br />

SEZ itself is expected to cross 150,000<br />

cubic metres in <strong>2020</strong>.<br />

Gabon Special Economic Zone has<br />

emerged as the West Central Africa’s<br />

manufacturing hub and entrepreneurs<br />

from across the globe are welcome to<br />

benefit from the business opportunities<br />

unlocked by Gabon SEZ. P<br />

For business, investment and trade<br />

enquiries, please get in touch with team<br />

of GSEZ at gsez@olamnet.com or at<br />

+24102001086.<br />

All images are credited to Gabon Special<br />

Economic Zone SA.<br />

Gabon supplies<br />

90 per cent of the<br />

world’s Okoumé,<br />

known in Europe<br />

and America for the<br />

production of veneer<br />

and plywood. Its<br />

demand is also picking<br />

up in <strong>Asia</strong><br />

The Single Window Clearance Facility


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> STRUCTURAL ELEMENTS | 43<br />

Kajstaden,<br />

the tall<br />

timber building<br />

The Tall Timber Building residence<br />

has become Sweden's tallest solid<br />

wooden building in the new district<br />

of Kajstaden at Lake Mälaren in<br />

Västerås. All parts of the building<br />

consist of cross-laminated wood,<br />

which includes the walls, joists<br />

and balconies as well as the lift and<br />

stairwell shafts.<br />

The Kajstaden project<br />

(Image credit: Nikolaj Jakobsen)


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> STRUCTURAL ELEMENTS | 45<br />

unnecessary materials in the walls. The<br />

low weight of the material means fewer<br />

deliveries to the construction site and a<br />

more efficient, safer and quieter working<br />

environment during construction.<br />

It took an average of three days per floor<br />

for three craftsmen to raise the frame.<br />

Mechanical joints with screws have been<br />

used, which means that the building can<br />

be taken apart so that the materials can be<br />

recycled. The total carbon dioxide saving<br />

is estimated to be 550 tonnes of CO 2 when<br />

using solid wood instead of concrete.<br />

RESIDENTIAL NEIGHBOURHOOD<br />

NEAR THE WATER<br />

Kajstaden is a central residential<br />

neighbourhood near the water in the<br />

Öster Mälarstrand area of Västerås. The<br />

new neighbourhood is designed as a city<br />

block and is a natural extension of the<br />

Västerås city centre.<br />

(Image credit: Nikolaj Jakobsen)


44 | STRUCTURAL ELEMENTS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

(Image credit: Nikolaj Jakobsen)<br />

Kajstaden - Tall Timber Building is an<br />

important landmark for sustainable<br />

construction and a reference<br />

project that shows that conversion<br />

to climate conscious architecture is<br />

possible. Through spearheading research<br />

projects and several active wood projects,<br />

C.F. Møller Architects has focused on<br />

innovation as well as developing and<br />

implementing multi-storey buildings with<br />

solid wood frames.<br />

In Kajstaden, the architects prioritised<br />

industrial timber techniques for the<br />

building material to influence and take<br />

responsibility for the impact of the<br />

construction industry on the environment<br />

and climate change. A crucial advantage<br />

of wood, unlike other building materials,<br />

is that the production chain for the<br />

material produces a limited amount of<br />

carbon dioxide emissions. Instead, it is<br />

part of a closed cycle, where carbon is<br />

retained in the frame of the building.<br />

.<br />

THE BUILDING PROCESS<br />

The Kajstaden - Tall Timber Building is<br />

nine floors high with an elevated ground<br />

floor and a top floor with a double height<br />

ceiling. The high precision technology<br />

involved in CNC-milled solid timber with<br />

glulam elements results in air-tight and<br />

energy-efficient houses without other<br />

(Image credit: Nikolaj Jakobsen)


46 | STRUCTURAL ELEMENTS<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

(Image credit: C.F. Moller Architects)<br />

The neighbourhood has a generous view<br />

of Lake Mälaren and is located directly<br />

adjacent to the square and the quayside<br />

promenade. The concept includes an<br />

electric boat sharing scheme and a<br />

special chilled room in the lobby for food<br />

deliveries from MatHem.<br />

The housing being constructed is<br />

comprised of 99 flats with the first stage<br />

estimated to be completed by the spring<br />

of 2018. In its entirety, the local plan for<br />

Öster Mälarstrand contains about 700<br />

flats with marinas for recreational boats,<br />

which will be connected and integrated<br />

with new residential developments.<br />

The apartment building was inaugurated,<br />

and tenants moved in during February<br />

2019. P<br />

Construction Principle CLT<br />

1) CLT PANELS<br />

2) INSULATION<br />

3) GYPSYM BOARDS<br />

4) WATER PROOFING<br />

(Image credit: C.F. Moller Architects)<br />

5) SEDUM<br />

6) WOOD PANELS<br />

7) FLOORING<br />

Client: Slättö Förvaltning<br />

Size: 7,500 m²<br />

Address: Västerås, Sweden<br />

Year: 2016-2019<br />

Architect: C.F. Møller Architects<br />

Landscape: C.F. Møller Architects<br />

Contractor: Martinsons and Consto<br />

Engineer: Bjerking<br />

(Image credit: C.F. Moller Architects)


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 47<br />

A touch of<br />

wood in<br />

Changi Jewel<br />

The stylish and functional wooden seats designed by Nathan Yong<br />

How Singapore’s godfather of furniture design married function and form at Changi’s Jewel<br />

Around the world, if you ask anyone who knows design to<br />

name a Singaporean furniture designer, Nathan Yong will<br />

be first to mind. The multi-award winning creator, whose<br />

designs have been exhibited around the world and adopted<br />

by legendary brands including Ligne Roset, not only runs the<br />

Industrial Design Course at Lasalle College of the Arts but is<br />

also co-founder of new creative space Grafunkt in Singapore’s<br />

Funan mall. Therefore, it seems only right that he was invited to<br />

design the public seating for Singapore’s landmark experiential<br />

retail destination – Jewel at Changi.<br />

Since it opened in 2019, the complex designed by Moshe Safdie<br />

has drawn global attention as a destination in itself for travellers<br />

passing through Changi airport as much as for the enjoyment<br />

of Singaporeans looking for a day of entertainment. Premium<br />

retail and dining combines with an extraordinary indoor garden,<br />

the highlight of which is a 40-metre high rain vortex. This indoor<br />

waterfall is a cascade of harvested rainwater that streams<br />

spectacularly from the glass-domed roof down seven floors. Its<br />

surrounding is a forest valley of lush trees and palms and above<br />

this, two walkways. The effect is a fascinating juxtaposition of the<br />

mental escape provided by nature with the buzz and dynamism<br />

of a high-end mall.<br />

Changi Jewel, designed by renowned architect Moshe Safdie<br />

(Image credit: Szeto Hiu Yan)


48 | DESIGN<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

INSPIRATIONS FOR DESIGN<br />

When asked to design for this space,<br />

Nathan Yong’s take was to provide a<br />

cool and calm balance to this energetic<br />

environment. His aim was to create a<br />

space where visitors could sit, absorb<br />

and reflect. Drawing on his favourite Flow<br />

bench, the seating he has designed is<br />

stripped of superfluous details. Narrow<br />

strips of American white oak form soft<br />

curves that are soothing to the eye and<br />

the shaped white oak seats look invitingly<br />

comfortable.<br />

This is where Yong shows his real skill as<br />

an industrial designer and artist. Seating<br />

in one of Singapore’s busiest public<br />

spaces needs to be durable to withstand<br />

the high amount of usage. American<br />

white oak is widely used for its strength<br />

and stability and these timber strips are<br />

1cm apart and supported by a metal<br />

frame. Furthermore, the fabulous glass<br />

dome roof in Jewel created a need for<br />

an alternative air-conditioning solution.<br />

Yong’s benches conceal underground<br />

aircon units. The seating structure can<br />

be quickly and easily dismantled to allow<br />

service access and cleaning. LED lights<br />

illuminate the seating at night when<br />

visitors are treated to a lightshow in the<br />

canopy.<br />

The design, like its creator, is a cool and<br />

understated exterior hiding an innovative<br />

and highly intelligent core.<br />

(All images are credited to AHEC unless<br />

otherwise stated.)


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 49<br />

Toca Madera<br />

finalists exhibit at<br />

Madrid Design Festival <strong>2020</strong><br />

THE EIGHT FINAL PIECES<br />

OF THE TOCA MADERA<br />

COMPETITION, ORGANISED BY<br />

AHEC AND INDUSTRIAL DESIGN<br />

ENGINEERING ASSOCIATION<br />

(AIDI) FOR YOUNG DESIGNERS IN<br />

SPAIN, ARE NOW ON DISPLAY AT<br />

THE FERNÁN GÓMEZ CULTURAL<br />

CENTRE OF THE VILLA (PLAZA DE<br />

COLÓN, 4) UNTIL 29 TH FEBRUARY,<br />

AS PART OF MADRID DESIGN<br />

FESTIVAL <strong>2020</strong>. THE DESIGNERS<br />

WERE CHALLENGED TO CREATE<br />

“INFINITE OBJECTS”, OBJECTS TO<br />

STAND THE TEST OF TIME, IN ONE<br />

SINGLE MATERIAL – AMERICAN<br />

RED OAK.<br />

and 29 th February, the eight final pieces<br />

from the competition are exhibited at<br />

the Fernán Gómez Cultural Centre of the<br />

Villa. A committee of renowned national<br />

and international designers, including<br />

Izaskun Chinchilla and Sebastian Cox,<br />

were to choose the three winners at the<br />

final gala on 15 th February.<br />

10 young Spanish designers participated<br />

in the competition and were tasked to<br />

create long-lasting objects in American<br />

red oak. "We are creating objects that last<br />

longer, use less energy, barely generate<br />

waste and with a carbon footprint that is<br />

beneficial to the environment," explains<br />

Carlos Kasner, head of AHEC in Spain.<br />

Participants include Andrés Mariño,<br />

Fernando Hernández, Irena<br />

Ventsislavova, Jaume Molina, María<br />

Risueño, María Soriano and Sergio<br />

Rodríguez and the mORR_design<br />

collective (Celia Martínez, Daniel Romero<br />

and María Ruíz de Elvira). The importer<br />

and distributor AE Maderas donated<br />

the American red oak needed for the<br />

manufacturing of the eight final designs.<br />

During December and January, the<br />

designers had the opportunity to watch<br />

and partake in the manufacturing of<br />

their pieces at the La Navarra workshop<br />

(Torrejón de Ardoz).<br />

In a global context of awareness about<br />

climate change, the Toca Madera contest<br />

in sustainable design is one of the great<br />

milestones of the third edition of Madrid<br />

Design Festival. Between 29 th January<br />

“Tired of today’s throw-away culture, we<br />

are re-designing products for eternity,”<br />

says Cecilia Zavala, Coordinator of AIDI.<br />

The infinite objects aim to inspire and<br />

claim the value of sustainable design as<br />

a "social transformer".


50 | DESIGN<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

THE ‘TABURETE BARLOVENTO’<br />

STOOL,<br />

by Andrés Mariño<br />

Object: Stool<br />

The infinite objects combine durability with sustainability,<br />

ergonomics and efficiency - they adapt, change and last. The<br />

‘Taburete Barlovento’ stool (Andrés Mariño) uses a bending<br />

technique traditionally used for building ships, in order to obtain<br />

a more efficient, aerodynamic shape – strong, but light. The stool<br />

also uses the grain of the wood in a way that minimises waste.<br />

‘Bailarinas’ by Sergio Rodríguez<br />

Object: Console table<br />

The console table ‘Bailarinas’ (Sergio Rodríguez) incorporates<br />

spinning tops that are meant to remind us of things we tend<br />

to forget, like our keys or wallet. ‘Dew’ (María Soriano), is an<br />

atomized structure that adapts to any space and any domestic<br />

use: bedside table, dressing table, coat rack…<br />

‘DEW’<br />

by María Soriano


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 51<br />

‘ROJO FUROSHIKI’<br />

by María Risueño<br />

Object: Handbag<br />

According to geometric laws, the cube is the<br />

only way that allows for infinite growth. This<br />

is explored with the handbag ‘Rojo Furoshiki’<br />

(María Risueño) made from a structure of<br />

intertwined wooden cubes, joined by ropes.<br />

‘CRADLE TO CRADLE’<br />

by mORR_design<br />

Object: Cradle, chairs<br />

‘Cradle to Cradle’ (mORR_design) transforms the cradle into<br />

two chairs that its occupants can use when they grow up.<br />

‘COOPLAY’<br />

by Irena Ventsislavova<br />

Object: Children’s free play table<br />

Conceived as a tool for educators and parents, the children's<br />

table of free play ‘Cooplay’ (Irena Ventsislavova) breaks the<br />

economic and spatial barriers of urban playgrounds. Through<br />

imagination, children can explore six figurative worlds.


52 | DESIGN<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

‘SAN’<br />

by Fernando Hernández<br />

Object: A box with scales and<br />

a mortar<br />

‘San’ (Fernando Hernández), a box with scales and a mortar,<br />

is an object meant for the preservation of manual coffee<br />

making, inspired by Ethiopian architecture.<br />

‘REINTERPRETAR LO INFINITO’<br />

by Jaume Molina<br />

Object: Chair<br />

‘Reinterpretar lo infinito’ (Jaume Molina) enhances the<br />

functionality of the chair that we all remember from our<br />

childhood.<br />

The first phase of the competition shortlisted 40 designers under<br />

35 at the beginning of 2019. Before developing their projects,<br />

they all got to partake in a training session of the application<br />

of American hardwood species in sustainable design in July.<br />

After a first selection of 12 candidates in September, each was<br />

assigned a well-known designer to supervise their project and<br />

stimulate their level of development and quality. National and<br />

international designers such as Izaskun Chinchilla, Antonio<br />

Serrano and Sebastian Cox took part in the project. After a<br />

second selection, eight finalists were chosen, whose designs<br />

are on display at the Fernán Gómez Cultural Center of the Villa<br />

until 29 th February.<br />

(All images are credited to AHEC.)


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> DESIGN | 53<br />

MICA (P) No: 079/05/2019 • ISSN: 0219-5704 • KDN: PPS 1453/11/2012(022879) • www.panelsfurnitureasia.com • MARCH/APRIL <strong>2020</strong><br />

ImalPal ad_FC_PFA <strong>March</strong><strong>April</strong> <strong>2020</strong>.indd 1<br />

17/3/20 2:13 PM


54 | SHOW PREVIEW<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Xylexpo <strong>2020</strong><br />

promises<br />

to be a<br />

rewarding<br />

show for all<br />

The international press conference<br />

was held on the 31 st floor of the<br />

Pirelli skyscraper designed by<br />

the world-famous architect and<br />

designer Giò Ponti


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 55<br />

On February 18, Milan hosted the<br />

traditional international press<br />

conference introducing next<br />

Xylexpo, the biennial international<br />

exhibition of woodworking technology<br />

and furniture industry supplies to be<br />

held from 26 to 29 May <strong>2020</strong> at the<br />

FieraMilano-Rho expo centre.<br />

The location was the Enzo Jannacci<br />

Auditorium, on the 31 st floor of the<br />

Pirelli skyscraper designed by the worldfamous<br />

architect and designer Giò Ponti,<br />

to celebrate the 40th anniversary of his<br />

death on September 16, 1979 and the 60 th<br />

anniversary of the tower inauguration.<br />

The agenda opened with an interesting<br />

roundtable discussion involving Paolo<br />

Borgio of Fiera Milano, Massimo<br />

Goldoni, president of Comitato Fiere<br />

Industria at Confindustria, and Luigi De<br />

Vito, vice president of Eumabois, the<br />

European federation of Acimall’s “peer”<br />

associations.<br />

The three speakers offered different<br />

points of view on the exhibition and had<br />

an open and meaningful conversation<br />

about the role of an exhibition in an<br />

increasingly digital economic and social<br />

context. The outcome was a strong<br />

endorsement to the value of high-quality<br />

exhibitions which offer the opportunity<br />

– in a world that offers more and more<br />

digital opportunities – to meet, look into<br />

each other's eyes and shake hands.<br />

Lorenzo Primultini, president of Acimall<br />

and Xylexpo, was the next to speak.<br />

He gave an analysis of the factors of<br />

uncertainty that are characterising<br />

this period – Brexit, Corona Virus and<br />

increasing international conflicts –<br />

and possible short and medium term<br />

effects.<br />

WHAT TO EXPECT FOR XYLEXPO<br />

<strong>2020</strong>?<br />

Primultini stated that “…Xylexpo<br />

is organised by Acimall, a no-profit<br />

industrial association whose mission is<br />

to support the industry, create business<br />

opportunities for Italian companies and<br />

for organizations from all over the world,<br />

coming here to face the challenge of the<br />

demanding but rewarding Italian market”.<br />

He added: “What do we expect? A<br />

successful edition, for sure, that will<br />

reflect the market situation as usual. The<br />

2018 edition closed with 37 thousand<br />

visits by 17,781 industry operators,<br />

2.1 percent more than in 2016. Among<br />

them, 5,032 international visitors,<br />

28.3 percent of total attendance. This<br />

year we expect to achieve the following<br />

figures: until January 30, <strong>2020</strong>, 330<br />

companies have registered at Xylexpo,<br />

with a 30 percent share of international<br />

companies, covering a total net surface<br />

of 29,000 m 3 . This year, Xylexpo will<br />

occupy three halls, so as to ensure<br />

regular visitor flows to all exhibitors, as<br />

far as possible. More generally, I can<br />

anticipate that we will keep the same<br />

layout of recent editions, placing one<br />

or more big players in each hall: Biesse<br />

Group and Ima Schelling Group in<br />

hall 1, Scm Group and Weinig Group in<br />

hall 2, Homag Group, Felder Group, Cefla<br />

and Giardina Finishing Group in hall 3,<br />

just to mention a few.”<br />

Primultini then confirmed access<br />

conditions for visitors (a ticket will cost<br />

15 euro, but free access will be granted<br />

to operators who pre-register on www.<br />

xylexpo.com), and reminded that the<br />

exhibition in May will host the fourth<br />

edition of “Xylexpo Awards”, this year<br />

with three categories: “Wood and Panel<br />

Processing” (including tools), “Finishing<br />

and Coating” (equipment and materials)<br />

and for the first time “IoT and industrial<br />

process management”.<br />

Dario Corbetta speaking to the press. Massimo Goldoni (from left) and Luigi De Vito had earlier debated the role of an exhibition in an increasingly<br />

digital economic and social context


56 | SHOW PREVIEW<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

He also thanked all participants and<br />

sponsors (Aimsad, Bacci, Biesse, Big on<br />

Dry, Dalso, Fimal, Giardina Group, Greda,<br />

Homag, Incomac, Leuco, Metal World,<br />

Salvamac, Scm Group, Vitap and Weinig).<br />

THREE CONFERENCES BY CATAS<br />

Andrea Giavon, director of Catas, the<br />

most important European laboratory for<br />

wood-furniture testing and certification.<br />

shared that Xylexpo has a strong<br />

partnership with Catas to organise<br />

important meetings and initiatives on the<br />

critical topic of education and training.<br />

Giavon shared that “… spreading<br />

knowledge has always been a mission<br />

pursued by Catas with great attention<br />

and commitment, and such activity will<br />

be further strengthened in <strong>2020</strong> through<br />

the collaboration with Xylexpo.”<br />

Giavon introduced three conferences that<br />

will be the core of this agenda:<br />

• On Wednesday, May 27, the Xylexpo<br />

Arena will host the second edition of<br />

the technical seminar “Next Wood -<br />

Designing future surfaces together” –<br />

organised by Catas, Poliefun-Politecnico<br />

di Milano, Anver and Acimall – dedicated<br />

to the “response of coating and plant<br />

manufacturers to the increasingly tough<br />

challenge of coating materials”.<br />

• On Thursday, May 28, Xylexpo will<br />

sponsor the event “Adhesives in the<br />

furniture industry and current product<br />

and process developments”, created<br />

by Catas and Federchimica. Topics<br />

will include the application of veneer<br />

in compliance with new German<br />

formaldehyde regulations, the use of<br />

hotmelt glues for the application of<br />

glossy coatings, the use of polyurethane<br />

glues with low free isocyanate content,<br />

and new water-resistant vinyl glues.<br />

• On Friday, May 29, the discussion<br />

will focus on VOCs, volatile organic<br />

compounds, a source of indoor pollution,<br />

starting from the stricter and stricter<br />

regulations on formaldehyde emissions<br />

that, unfortunately, are not shared<br />

and coordinated on a global scale,<br />

forcing producers and processors to very<br />

complicated management practices.<br />

GLOBAL ECONOMY’S IMPACT ON<br />

XYLEXPO <strong>2020</strong><br />

The next on stage was Dario Corbetta,<br />

Acimall director, who added some<br />

remarks about the decision to set up the<br />

<strong>2020</strong> edition in three halls, “…a decision<br />

driven by the economic uncertainty that<br />

has been characterising the final months<br />

of 2019 and the beginning of <strong>2020</strong>. Many<br />

actors and players showed a pessimistic<br />

vision that has not been confirmed by<br />

facts, so that the largest majority of<br />

exhibitors has actually maintained the<br />

same area as in past editions. But still, we<br />

had to work to squeeze all requests into<br />

more constrained space, covering only<br />

three halls, and even narrowing down the<br />

aisles to the limits prescribed by safety<br />

regulations”.<br />

POSSIBLE IMPACT OF<br />

CORONAVIRUS<br />

Corbetta then dealt with an awaited topic,<br />

namely the potential impact of “Chinese<br />

epidemics” on global economy. "China<br />

plays a leading role in woodworking<br />

machinery – Corbetta said – it's the<br />

world’s third-largest manufacturer<br />

behind Germany and Italy. As to trade<br />

relations, Italy and Europe are more<br />

focused on domestic and continental<br />

business, plus the fact that the first<br />

destination market is the United States.<br />

Don’t forget that Xylexpo is basically a<br />

Euro-centric exhibition (70 percent of<br />

international visitors come from Europe),<br />

so we don’t expect significant effects<br />

from the “Corona Virus”; also because<br />

the exhibition is planned in three months<br />

from now and, if the situation has not<br />

been solved or the general alarm has not<br />

vanished until then, we will have much<br />

more serious things to worry about…"<br />

The Acimall and exhibition director’s<br />

speech closed with an analysis of visitor<br />

flows in the past two editions (+2.1<br />

percent in 2018), a trend that is expected<br />

to be confirmed this year, in a global<br />

economic scenario marked by serious<br />

political instability. For a more detailed<br />

report, please see page 20. P<br />

All images are credited to Xylexpo.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 57<br />

(Postponed: In view of<br />

the coronavirus situation,<br />

Sylvawood has been<br />

rescheduled to<br />

29 th Jun to 1 st July 2021)<br />

Fifth time’s<br />

the charm<br />

Sylva Wood returns, with<br />

its fifth edition bringing<br />

industry peers together in<br />

sourcing for wood materials.<br />

To be held in Shanghai, the fifth edition of Sylva Wood seeks to once again bring<br />

the global timber network together, to trade and secure new avenues of growth<br />

in one of the world’s most exciting markets for wood.<br />

Visitors ranging from furniture and flooring manufacturers, to agents and wood traders<br />

will be present at the trade show. They will have the opportunity to meet with leading<br />

wood associations and professional<br />

buyers from various sectors including<br />

flooring, furniture, doors and windows,<br />

and interior furnishing.<br />

Exhibitor profiles range from hardwoods,<br />

softwoods, engineered wood, wood<br />

products, veneers, and other wood<br />

components.<br />

These exhibitors will also reap the<br />

benefits of connecting with designers<br />

and architects present at the expo, which<br />

will give them the chance to understand<br />

the development of engineered wood<br />

structures in <strong>Asia</strong>, and learn how best to<br />

penetrate the wood market in China.<br />

Sylva Wood will run from 29 th June to<br />

1 st July, and the three-day expo is expected<br />

to host a full programme of keynote<br />

speakers, who will facilitate targeted<br />

discussions revolving around market<br />

movements and how innovation can be<br />

harnessed for an increasingly competitive<br />

and challenging landscape.<br />

The previous edition of the show hosted<br />

discussions such as “The relationship<br />

between supply and demand in the<br />

Chinese timber market” and “Industry<br />

Sylva Wood <strong>2020</strong> will run from 29 th June to 1 st July


58 | SHOW PREVIEW<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

1<br />

4.0 in the customised furniture industry”.<br />

It also included a FUN Hardwood Lifestyle<br />

Design Competition, where designers<br />

were encouraged to send in their design<br />

prototypes.<br />

Past exhibitors have had nothing but<br />

glowing praise to speak of the show.<br />

For example, Xu Fang, director of the<br />

American Softwoods China Office, said,<br />

“I am glad to see that quality and scale<br />

wise, the show is growing. Every year, we<br />

have more and more quality audiences.<br />

While there are quite a few shows in China<br />

related to wood, most of the shows are<br />

furniture and machinery focused, with a<br />

portion for wood materials – whereas this<br />

show is raw materials and wood focused,<br />

as well as finished material focused.”<br />

Agreeing with him was Noah Li, director<br />

(China) of the Quebec Wood Export<br />

Bureau. “Compared to other woodrelated<br />

shows in China,” he said, “Sylva<br />

Wood places more emphasis on wood<br />

materials. There are a lot of mixed<br />

2<br />

1) The three-day expo is expected to host a full programme of keynote speakers, who will<br />

facilitate targeted discussions revolving around market movements and how<br />

innovation can be harnessed for an increasingly competitive and challenging landscape<br />

2) The Russian Pavilion was the largest at Sylva Wood 2018<br />

visitors, and what I like about this show<br />

is that the visitors all come with the same<br />

intention – to buy wood materials.”<br />

Sylva Wood is organised by China<br />

Timber and Wood Products Distribution<br />

Association, Shanghai Timber Trade<br />

Associaiton and Shanghai Pablo<br />

Exhibition, and endorsed by the following<br />

wood associations: French Timber, the<br />

American Hardwood Export Council,<br />

American Softwoods, the Softwood<br />

Export Council, Canada Wood, the Thai<br />

Timber Association, the Malaysian Timber<br />

Council, and the National Hardwood<br />

Lumber Association. P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> SHOW PREVIEW | 59<br />

n<br />

o<br />

i<br />

W<br />

o<br />

a<br />

o<br />

H<br />

d<br />

AN IMPORTANT FIRST STEP FORWARD<br />

Held in Hanoi, Vietnam, the inaugural edition of Hanoi Wood is expected to act as a<br />

site of convergence for industry players, experts, buyers and visitors. Held from 20 th to 22 nd January<br />

2021 , Hanoi Wood 2021 is jointly organised by BIFA, VIFORES, and the <strong>Panels</strong> & <strong>Furniture</strong> Group of<br />

wood magazines – all respected pillars of the timber and woodworking sector.<br />

The decision to hold a wood<br />

exhibition in Hanoi comes at an<br />

opportune time, with the local<br />

wood industry welcoming more local<br />

small-and-medium enterprises (SMEs)<br />

and foreign direct investments (FDIs)<br />

that have built their new facilities in<br />

Hanoi.<br />

These factories are manufacturing<br />

more export-oriented wood products<br />

and specialising in one type of wood<br />

products such as plywood, mediumdensity<br />

fibreboards and block boards.<br />

On top of this, Hanoi is known as the fifthlargest<br />

wood product exporting province<br />

in Vietnam, following Binh Duong, Dong<br />

Nai, Ho Chi Minh city and Binh Dinh. In<br />

2018, wood exports from Hanoi were<br />

valued at US$400 million.<br />

Vietnam’s domestic market should not<br />

be overlooked, either: in 2019, the<br />

Vietnamese population was expected to<br />

spend US$2 billion on locally-produced<br />

wood products, the equivalent of one-fifth<br />

of Vietnam’s wood products export.<br />

The Vietnamese government is also<br />

heavily invested in encouraging overseas<br />

companies to expand and set up new<br />

factories in Northern Vietnam, offering<br />

incentives such as tax exemptions and<br />

lower land rental charges to woo local<br />

and overseas woodworking companies<br />

alike.<br />

In an example of this, Swedish furniture<br />

giant IKEA announced early last year<br />

plans to invest US$450 million in building<br />

a retail centre network and warehouse in<br />

Hanoi.<br />

VIETNAM IN THE WOOD<br />

INDUSTRY<br />

Vietnam also presents itself as a trove of<br />

raw materials, with three million hectares<br />

of acacia plantations and one million<br />

hectares of rubber wood plantations<br />

– mostly located in Central and North<br />

Vietnam.<br />

Compared to South Vietnam, manpower<br />

is more easily available in the North, with<br />

well-developed infrastructure such as<br />

roads and transportation.<br />

Vietnam also has the advantage of a<br />

young population, with 70 per cent of<br />

its population of 97 million people under<br />

35 years old, and 13 per cent belonging<br />

to a middle class that is expected to<br />

increase to 26 per cent by 2026.<br />

Hanoi Wood <strong>2020</strong> will mark the coming<br />

together of the industry’s movers and<br />

shakers, from top exhibitors to buyers.<br />

Visitors will have the chance to network<br />

with industry peers and experts ranging<br />

across the various sectors of the wood<br />

and woodworking industry. In doing so,<br />

they will gain insight on how best to<br />

penetrate the Vietnamese wood market.<br />

Participants will also be able to bear<br />

witness to the latest in industry<br />

innovations, and gain valuable insight<br />

from technology experts and key<br />

decision-makers.<br />

Hanoi Wood <strong>2020</strong> will be held from<br />

20 th to 22 nd January 2021 at the<br />

International Centre of Exhibition (I.C.E.)<br />

in Hanoi, Vietnam. P


60 | WOOD CLINIC<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Dear Mr. Shen,<br />

I am a reader of <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong>. Thank you for your reference comments in the last issue<br />

that solved my problem in manufacturing arced chairbacks.<br />

My small carpenter’s shop is currently making cupboards and kitchen cabinets. However, the<br />

joints of our dining chair products loosened after a period of use. Moreover, we plan to produce<br />

round coffee tables in the near future and would like to consult you on the method for drawing<br />

ellipse patterns; furthermore, our workers often run into faults that break the band saw during<br />

the cutting of elliptical or curved workpieces and hope that you could give us guidance on how to<br />

prevent this from happening during the cutting of elliptical or curved parts.<br />

Mr Shim (Shen Yuxin)<br />

Yours sincerely,<br />

Mr. Huang<br />

Dealing with chair joints loosening/<br />

How to produce ellipse-shaped cutting<br />

template and related sawing issues<br />

(I) Potential causes and suggestions to solve the problems of<br />

the loosened joints in dining chairs:<br />

1. Wood moisture content: The moisture content of wood dining<br />

chair is generally in the range of 16 to 18 per cent. When dining<br />

chairs are used in air-conditioned restaurants where the relative<br />

humidity is 9 to 10 per cent, they would lose the moisture in the<br />

wood until it reaches 9 to 10 per cent. During this period, the wood<br />

joints of the dining chairs would shrink and become loosened. It<br />

is advised that the moisture content of incoming timber should<br />

be checked and maintained at 9 to 10 per cent and the ambient<br />

temperature of warehouses for timber or semi-finished products<br />

should be kept constant within 45°C to 50°C and the speed<br />

of circulating air should be maintained in the range of 0.5 to<br />

1 metre per second (m/s).<br />

2. Unstable quality of wood dowel pins: Wood dowel pins of<br />

unstable quality would impair the durability of dining chairs. When<br />

producing wood dowel pins in-house, it is recommended that the<br />

moisture content of timber should be controlled in the range of 9<br />

to 10 per cent; the timber should be of regular texture and free<br />

of fluff and have a density ≥0.6. The wood dowel pins should<br />

have no skip-in-planing and their diameter tolerance should be<br />

controlled at below 0.1mm. Moreover, the wood dowel pins should<br />

be properly chamfered at both ends.<br />

3. Unstable quality of wood dowel pin holes: The assembly<br />

joints of dining chairs would be less fitting and less durable if the<br />

wood dowel pin holes suffer from excessive diameter tolerance<br />

and/or inaccurate angle. The diameter tolerance of wood dowel<br />

pin holes should be controlled at less than 0.1mm and the<br />

diameter, angle, and depth of wood dowel pin holes should be<br />

checked from time to time with simple fixtures.<br />

4. Imprecision of angle blocks: Imprecise angle of angle blocks<br />

could give rise to a gap between angle blocks and staves. In<br />

such cases, the joints would fail to achieve the desired joining<br />

strength even if the screws on angle blocks have been tightened.<br />

It is advised that during the manufacturing of angle blocks, trial<br />

assembling should be carried out in order to confirm that the<br />

angle blocks and the staves fit properly.<br />

5. Non-standardised adhesive application: Insufficient and/or<br />

uneven application of adhesive in wood dowel pin holes would<br />

lead to non-conforming adhesion. It is advised that workers<br />

are trained and asked to check that the adhesive has been<br />

applied correctly in the wood dowel pin holes. Dual-component<br />

epoxy can provide better adhesion when used during<br />

assembly.<br />

6. Non-standardised assembly: Prolonged assembly would give<br />

rise to dried-up adhesive film and subsequent poor adhesion.<br />

It is advised that workers should receive training on relevant<br />

operations so that the assembly can be finished before the<br />

adhesive dries up during the assembling process.


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> WOOD CLINIC | 61<br />

(II) Ellipse is a regular curve pattern that has a major axis and<br />

a minor axis. Below is a reference method for drawing ellipse<br />

patterns:<br />

7. A simple method for drawing ellipse patterns<br />

• Draw a line segment AB as the major axis and a line segment<br />

CD as the minor axis (approximately 2/3 x AB), the line<br />

segment AB and line segment CD intersect perpendicularly<br />

at their midpoints (as shown in Figure 1).<br />

• Adjust the compass such that the distance between its legs<br />

is half of the length of the major axis (AB/2).<br />

• With point C as the centre, draw a circular arc that intersects<br />

with AB at points X and Y.<br />

• Insert a pin at points X, Y and C respectively, and wind a string<br />

around the three points to form a triangle (as shown in Figure 1).<br />

• Pull out the pin at point C and replace it with the tip of a<br />

pencil.<br />

• Pull the pencil outwards with sufficient force so that the<br />

string remains taut and move the pencil in clockwise (or<br />

counterclockwise) direction to draw an ellipse (as shown in<br />

Figure 2).<br />

8. A method for drawing ellipse patterns with a simple selfmade<br />

template<br />

• Cut a 25mm thick plywood into a square of 200mm x 200mm,<br />

cut two 25mm wide dovetail grooves 15mm deep along the<br />

(vertical and horizontal) median lines of the square, make<br />

sure the dovetail grooves are free of fluffs (as shown in Figure 3).<br />

• Make two trapezoid wood pegs (25mm wide × 15mm thick<br />

× 75mm long) out of hardwood and polish them with abrasive<br />

paper until they are smooth, make sure these wood pegs can<br />

move smoothly after being fitted into the dovetail grooves.<br />

• Make a drawing rod (20mm thick × 35mm wide × 900 mm<br />

long) out of hard wood.<br />

• Drill screw holes in the central part of the two trapezoid wood<br />

pegs, fit the two trapezoid wood pegs to positions near one<br />

end of the drawing rod, drill screw holes (B, C) on the drawing<br />

rod (as shown in Figure 3). Mount the drawing rod to the two<br />

trapezoid wood pegs and push the drawing rod, make sure the<br />

two trapezoid wood pegs can move upward/downward<br />

smoothly inside the dovetail grooves.<br />

• Drill a pencil hole (A) in the other end of the drawing rod and<br />

a screw hole for securing a pencil in the hole, mount the<br />

pencil and secure it with a screw.<br />

• When the pencil is securely mounted, apply double-faced<br />

adhesive tapes on the back of the template for securing the<br />

template in place, move the drawing rod to draw an ellipse.<br />

• The distance between hole A (hole for pencil) and hole B<br />

(screw hole) determines the major axis of the ellipse.<br />

• The distance between hole A (hole for pencil) and hole C<br />

(screw hole) determines the minor axis of the ellipse.<br />

• Make another template, the length of the drawing rod and<br />

the distance between AB and AC are to be estimated based<br />

on desired ellipse’s major axis and minor axis.<br />

• When the pencil on the drawing rod is replaced with a glass<br />

cutter, the template can be used to cut a piece of glass into<br />

elliptical shape (as shown in Figure 3).<br />

• The pencil on the drawing rod can also be replaced with a<br />

cutter for cutting materials into elliptical shape directly.<br />

(III) Potential causes and recommended solutions for frequent<br />

faults and blade fracture of the band saw when cutting circular<br />

or curved shaped pieces:<br />

9. Unstable quality of saw blade<br />

• Saw blade with unstable welding quality: Saw blades are<br />

susceptible to fracture when their welded part is not polished<br />

to flush, or there is a gap between the weld joints, or their<br />

welding seam is not straight. It is advised that the substitute<br />

saw blade should be examined for the quality of its welded<br />

part prior to use.<br />

• Improperly set saw line of the saw blade: When the saw teeth<br />

of a saw blade are not symmetrically aligned(at a lateral<br />

distance of 0.3 mm across adjacent teeth) or the saw teeth<br />

are worn out on one side, the saw blade may be fractured<br />

as a result of frictional heating arising from the oblique saw<br />

line and prolonged operation of the saw blade under lateral<br />

pressure. It is advised that newly mounted saw blade should<br />

be used for a trial straight cutting in order to make sure the<br />

saw line is not oblique towards one side.<br />

Figure 1. Schematic diagram of the simple method for drawing ellipse<br />

Figure 2. Schematic diagram of the method for drawing ellipse<br />

patterns with a simple self-made template


62 | WOOD CLINIC<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Figure 3. Schematic<br />

diagram of the method<br />

for drawing ellipse<br />

patterns with a simple<br />

self-made template<br />

10. Damaged wheel tyre: The 6mm thick wheel tyre surrounding<br />

the rim of the saw wheel may be worn out after prolonged<br />

service and the rugged rim surface of the wheel may damage<br />

the saw blade. In such cases, the wheel tyre has to be replaced.<br />

11. When mounting the saw blade, various important parts have<br />

to be checked and adjusted (as shown in Figure 4) to make<br />

sure none of the following had happened:<br />

• The use of non-standardised saw blade: Band saws for<br />

woodworking should use saw blades of 1/8" to 1.5". Narrow<br />

saw blades with fine saw teeth are suitable for cutting curves<br />

of sharp turns, wide saw blades are suitable for cutting thick<br />

panels or shapes with major arc. The most common saw blade<br />

for cutting arcs in carpenter’s shop is 1/2" - 3/4" wide and<br />

has 6 teeth per inch.<br />

• Improper position setting of upper/lower guide pin: The saw<br />

blade is susceptible to fracture as a result of frictional heating<br />

when the upper and lower guide pins of the saw blade are not<br />

properly aligned. In such cases, the band saw has to be<br />

stopped for a correction.<br />

• Non-standardised setting of the gap between upper/lower<br />

guide pin and saw blade: When there is no gap between upper/<br />

lower guide pin and saw blade, the saw blade is susceptible to<br />

fracture as a result of the frictional heating between the saw<br />

blade and the guide pin. The setting should be such that the<br />

gap between the upper/lower guide pin and the saw blade<br />

has the same height as the thickness of a piece of paper<br />

(0.1mm-0.15mm).<br />

• Improper setting of upper saw wheel: When the upper saw<br />

wheel tilts too much, the saw blade is susceptible to fracture<br />

as a result of the frictional heating between the saw blade and<br />

the top ball bearing thrust wheel. The upper saw wheel should<br />

be checked and adjusted as appropriate so that the gap<br />

between the saw blade at rest and the top ball bearing thrust<br />

wheel is 0.4mm.<br />

Improper setting of saw blade tension: When mounting the<br />

saw blade, if the setting of saw blade tension is inadequate,<br />

then oblique saw line or jamming of saw blade may occur<br />

during the cutting of wood. If the saw blade tension is set too<br />

tight, the saw blade is susceptible to fracture. It is advised that<br />

Figure 4. Schematic<br />

diagram of the parts<br />

to be checked and<br />

adjusted during the daily<br />

replacement of saw blade<br />

for band saw<br />

the operator pushes the saw blade after the saw blade tension<br />

is set to make sure the saw blade can still be moved between<br />

3mm to 6mm.<br />

12. Non-standardised operation by employee:<br />

• If during the cutting of a curve that has a sharp turn, the<br />

feeding speed is too fast and/or the pressure on the band<br />

saw is too high and/or the saw blade is too wide, the saw<br />

blade may be susceptible to damage or fracture. It is advised<br />

that the cutting should be done in segments using narrower<br />

saw blade or under the assistance of relief cuts and the<br />

operator should slow down the feeding speed in order to<br />

prevent saw blade damage or fracture.<br />

• Saw teeth is not sharp enough: The saw blade is susceptible<br />

to fracture when worn out or blunt saw teeth are used for<br />

cutting with excessive force. It is advised that the saw blade<br />

should be checked regularly for ensured sharpness of the saw<br />

teeth. When saw blade & saw teeth are stained with adhesive<br />

or resin, they should be cleaned with suitable oil.<br />

<br />

I hope the above suggestions and explanation will be helpful in<br />

solving your problems. P


<strong>March</strong> / <strong>April</strong> <strong>2020</strong>, Issue 2 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> WOOD CLINIC | 63


NEWSLETTER<br />

MARCH/APRIL <strong>2020</strong><br />

THE MALAYSIAN MDF MANUFACTURERS ASSOCIATION (MMMA)<br />

China, What<br />

next?<br />

By Peter Fitch MMMA Newsletter for PF <strong>Asia</strong> Mar/Apr <strong>2020</strong><br />

At the time of writing this<br />

article, China has been<br />

gripped by the Corona Virus<br />

Disease outbreak and the<br />

rest of the world, especially<br />

<strong>Asia</strong>, is closely monitoring<br />

the outbreak in anticipation of the<br />

situation being brought under control.<br />

This article was meant to follow on from<br />

my earlier theme on the general rise of<br />

commodity prices and the continued rise<br />

of China as an economic powerhouse and<br />

becoming a net consumer of goods. The<br />

hope was that Chinese imports would<br />

increase at a far greater rate than exports.<br />

The reality is that this narrative may<br />

need to be put on hold, hopefully only<br />

temporarily. Following the (COVID-19)<br />

outbreak, China has needed to increase<br />

bank liquidity to prop up the economy<br />

and could well allow its currency to<br />

weaken to boost the economy.<br />

In the short term, the outbreak will<br />

hurt domestic consumption, reduce<br />

demand, disrupt supply chains and<br />

weaken commodity prices. It could<br />

also trigger inflationary price increases<br />

in consumer goods.<br />

The Chinese economy will certainly slow<br />

drastically in the first quarter of this year.<br />

The Lunar New Year holidays were extended<br />

so factories and shops are resuming<br />

operations on average two to four weeks<br />

later than normal. Even after commercial<br />

operations resume, they are likely to be<br />

on a reduced scale. Many companies are<br />

encouraging their staff to work from home,<br />

for instance. It will take time for people to<br />

overcome their fear and return to normal<br />

working, spending and travel routines.<br />

Tourism, transport and retail sector<br />

activities have slowed dramatically all<br />

over urban China. For example, daily<br />

passenger traffic on China’s railways has<br />

plunged by more than 70% during the<br />

Lunar New Year compared with last year.<br />

With so much uncertainty, companies<br />

are cutting back on employment, with<br />

small and medium enterprises placing<br />

workers on unpaid leave, despite<br />

government instructions not to do so.<br />

China’s footprint in the global economy<br />

has expanded massively since the 2003<br />

SARS epidemic. Its share of world GDP<br />

today is around 16%, compared with<br />

only 4% in 2003, while it consumes<br />

more than 10% of total global exports.<br />

When China sneezes, the rest of the world<br />

will be shaken up a lot more than it was<br />

before.<br />

Malaysia, Vietnam, Indonesia and Thailand<br />

will be hurt. We will soon see export orders<br />

reported in purchasing manager surveys<br />

for this month registering sharp declines.<br />

The Chinese economy will bear the brunt<br />

of the shock but most of the damage<br />

will be limited to the first quarter of the<br />

year, assuming that China’s policymakers<br />

manage the economic consequences well<br />

and the virus does not mutate. The rest of<br />

<strong>Asia</strong> will bear some pain as a result, but<br />

the hit to growth will be manageable and<br />

the region should regain a healthy growth<br />

trajectory by the second half of <strong>2020</strong>.<br />

64


NEWSLETTER<br />

THE MALAYSIAN MDF MANUFACTURERS ASSOCIATION (MMMA)<br />

MARCH/APRIL <strong>2020</strong><br />

We may see that the United States uses this situation to<br />

further disrupt the supply chains from China. As a result, more<br />

companies may seek to relocate production outside of China<br />

because of fears, mistaken or otherwise, that China has a higher<br />

risk of epidemiological crises (on top of trade and geopolitical<br />

tensions with the U.S.).<br />

I conclude that China will suffer a short-term decline in growth,<br />

but at the end of the day, this will not reverse the long-term<br />

economic progress of China. We pray that fatalities caused by<br />

the Coronavirus remain minimal and hope to be able to present<br />

a much more positive picture about China and <strong>Asia</strong> in the next<br />

article.<br />

About the Author<br />

Peter Fitch is the founder of Segamat<br />

Panel Boards (Malaysia) and is<br />

currently chairman of the Malaysian<br />

MDF Manufacturers Association<br />

(MMMA) and executive committee<br />

member of the Malaysian Panel<br />

Manufacturers Association (MPMA).<br />

Prior to working in Malaysia he worked<br />

for Plantation Timber Products (China)<br />

and Takeuchi MDF (Malaysia). Peter<br />

has been based in <strong>Asia</strong> for more than<br />

25 years and in the wood panel<br />

business for more than 20 years.


<strong>March</strong><br />

66 |<br />

/ <strong>April</strong> <strong>2020</strong>, Issue 1<br />

ENVIRONMENT<br />

| <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

January / February <strong>2020</strong>, Issue 1 | <strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong><br />

Events Calendar<br />

MARCH<br />

16 MAR TO<br />

18 MAR<br />

(Postponed)<br />

Dubai Wood Show <strong>2020</strong><br />

Dubai, UAE<br />

APRIL<br />

01 APR TO<br />

03 APR<br />

64 th WORLD OF WOOD<br />

ANNUAL CONVENTION<br />

GEORGIA, USA<br />

28 APR TO<br />

MAY 03<br />

ARCHITECT EXPO <strong>2020</strong><br />

Bangkok, Thailand<br />

MAY<br />

17 MAY TO<br />

20 MAY<br />

QINGDAO INTERNATIONAL<br />

FURNITURE FAIR<br />

Qingdao, China<br />

26 MAY TO<br />

29 MAY<br />

Xylexpo <strong>2020</strong><br />

Milan, Italy<br />

25 MAY TO<br />

27 MAY<br />

GABON WOOD SHOW <strong>2020</strong><br />

Gabon, Central Africa<br />

JUNE/JULY<br />

16 JUL TO<br />

21 JUL<br />

(Postponed)<br />

SALONE DEL MOBILE. MILANO<br />

Milan, Italy<br />

AUGUST/SEPTEMBER<br />

31 AUG TO<br />

02 SEP<br />

Domotex <strong>Asia</strong> China Floor <strong>2020</strong><br />

Shanghai, China<br />

8 SEP TO<br />

12 SEP<br />

FMC CHINA <strong>2020</strong><br />

Shanghai, China<br />

07 SEP TO<br />

10 SEP<br />

CIFF Shanghai <strong>2020</strong><br />

Shanghai, China<br />

23 SEP TO<br />

26 SEP<br />

IFMAC & WOODMAC <strong>2020</strong><br />

Jakarta, Indonesia<br />

OCTOBER<br />

27 OCT TO<br />

30 OCT<br />

BIFA WOOD VIETNAM <strong>2020</strong><br />

Binh Duong, Vietnam<br />

JANUARY 2021<br />

20 JAN TO<br />

22 JAN<br />

HANOI WOOD 2021<br />

Hanoi, Vietnam


ADVERTISERS’<br />

INDEX<br />

<strong>March</strong> / <strong>April</strong> <strong>2020</strong> • Issue 2 • PANELS & FURNITURE ASIA<br />

COMPANY<br />

PAGE<br />

Acimall (Xylexpo <strong>2020</strong>) 14<br />

American Hardwood Export Council<br />

OBC<br />

Baillie Lumber 11<br />

Bei jing SUN-NOA Technology Development Co., Ltd 35<br />

BIFA Wood Vietnam <strong>2020</strong> 27<br />

Cabinet Vision South East <strong>Asia</strong> 13<br />

Dieffenbacher GmbH 3<br />

Dubai Woodshow <strong>2020</strong> 29<br />

Electronic Wood Systems GmbH 15<br />

Gabon Special Economic Zone GSEZ 31<br />

Gau Jing Machinery Co., Ltd 45<br />

Hanoi Wood <strong>2020</strong> 7<br />

Hoon Hsiang Industrial Co., Ltd 65<br />

IFMAC <strong>2020</strong> 37<br />

IMAL SRL<br />

FC & IFC<br />

IMEAS spa 21<br />

Jiangsu Baolong Electromechanical Mfg Co., Ltd 1<br />

Kuang Yung Machinery Co., Ltd 19<br />

Lesnaya Industriya Journal 41<br />

Northwest Hardwoods 17<br />

<strong>Panels</strong> & <strong>Furniture</strong> <strong>Asia</strong> 53<br />

Shanghai Wood-based Panel Machinery Co., Ltd 25<br />

Sichuan Hero Woodwork New Technology Co., Ltd 68<br />

Srling Internaonal Co., Ltd 9<br />

SylvaWood <strong>2020</strong> 2<br />

Technik Associates, Inc.<br />

IBC<br />

Tong Fong Cuers Co., Ltd 67<br />

Wood In Architecture 63<br />

Heavy Duty Helical Planer Cutter<br />

Heads with Changeable Knives<br />

Knife:<br />

14 x 14 x 2 x 30º<br />

14 x 14 x 2 x 37º<br />

Heavy Duty Helical Planer Cutter<br />

Heads with Changeable Knives<br />

Knife:<br />

30 x 12 x 1.5 x 35º<br />

Helical Planer Cutter Heads<br />

with Changeable Knives<br />

Knife:<br />

15 x 15 x 2.5 x 30º<br />

15 x 15 x 2.5 x 37º<br />

Adjustable Planer Cutter Heads<br />

with HSS or TCT Knives<br />

Safety Corrugate Cutter Heads<br />

with HSS Knives<br />

Spindle Shaper Planer Cutter<br />

Heads with Changeable Knives<br />

Knife:<br />

30 x 12 x 1.5 x 35º<br />

50 x 12 x 1.5 x 35º<br />

60 x 12 x 1.5 x 35º<br />

Changeable Knives<br />

-TCT<br />

Single/Double Surface Planers Helical Planer<br />

Cutter Heads with Changeable Knives<br />

Knife: 14 x 14 x 2.0 x 30º<br />

15 x 15 x 2.5 x 30º<br />

15 x 15 x 2.5 x 37º<br />

30 x 12 x 1.5 x 35º<br />

30 x 12 x 2.5 x 35º<br />

14.6 x 14.6 x 2.5 x 30º<br />

Scan to download eBook<br />

PFA <strong>March</strong>/<strong>April</strong> <strong>2020</strong>

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