BOOMER GALLERY MAGAZINE | FIRST EDITION | THE NEW ARTIST
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art. In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence. The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers. In our first edition we have the honour of presenting 185 artists from all around the world. Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it. Boomer Gallery
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art.
In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence.
The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers.
In our first edition we have the honour of presenting 185 artists from all around the world.
Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it.
Boomer Gallery
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Nick Lawrence
Nick Lawrence studied fine art at Winchester School of Art;
specialising in sculpture, printmaking and painting. Nick’s painting
series “What’s That Noise?” seeks to portray the blurred
lines between our physical and digital memories, and the
fragmentary nature of identity and information in the contemporary
world. In a reflection of the way this data is chopped
and changed the paintings themselves have been cut up and
collaged back together, producing a new result each time the
process is repeated. This process draws parallels between the
way human mind interacts with and constructs its own memories
with scraps of sound, smell and sight, and the ever increasing
lack of clarity surrounding how information is compiled and
presented as fact in the digital age.
@concreteandcadmium
What’s that noise 1
Size: 32 x 36 cm
What’s that noise 2
Size: 19 x 56 cm
Medium : oil, sand, cement, mdf
Medium: oil, sand, cement, aluminium leaf, mdf
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