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BOOMER GALLERY MAGAZINE | FIRST EDITION | THE NEW ARTIST

In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art. In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence. The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers. In our first edition we have the honour of presenting 185 artists from all around the world. Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it. Boomer Gallery

In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art.

In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence.

The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers.

In our first edition we have the honour of presenting 185 artists from all around the world.

Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it.


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(#1) B oomer Magazine

Sarah Waters

@sarahwatersartist

As a felt artist for almost thirty years, Sarah understands the

importance, especially in these fragile and uncertain times, for

the need to highlight the history, sustainability and renewable

resources of wool and to be able to educate and show this to a

wider audience.

Sheep, wool and farming are in her blood and her current practice

of felt artwork reflects her desire to connect with the land.

For the past several years Sarah has been looking at the history

of our rural land by drawing and researching standing stones,

the ancient markers of the countryside. This culminated in

2017 in her exhibition ‘Stone’ that toured across the UK and

Canada (World Festival of Threads Solo Show), including as

part of the Richard Demarco Archive’s ‘Homage to Joseph

Beuys’, a two-person exhibition in the Demarco Wing of Summerhall

Art Centre, Edinburgh, in 2018 and in Dunoon Burgh

Hall in 2019.

Sarah is currently working on a series on pieces looking at

the earth and strata on the land, for a solo exhibition entitled

Above:Below to be shown at Farfield Mill, Cumbria in 2022.

Cell Work

Size: 55 x 57 x 5 cm

Monolith lll

Size: 132 x 65cm x 2 cm

Medium : Felt

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Medium: Felt

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