BOOMER GALLERY MAGAZINE | FIRST EDITION | THE NEW ARTIST
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art. In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence. The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers. In our first edition we have the honour of presenting 185 artists from all around the world. Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it. Boomer Gallery
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art.
In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence.
The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers.
In our first edition we have the honour of presenting 185 artists from all around the world.
Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it.
Boomer Gallery
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(#1) B oomer Magazine
Sarah Waters
@sarahwatersartist
As a felt artist for almost thirty years, Sarah understands the
importance, especially in these fragile and uncertain times, for
the need to highlight the history, sustainability and renewable
resources of wool and to be able to educate and show this to a
wider audience.
Sheep, wool and farming are in her blood and her current practice
of felt artwork reflects her desire to connect with the land.
For the past several years Sarah has been looking at the history
of our rural land by drawing and researching standing stones,
the ancient markers of the countryside. This culminated in
2017 in her exhibition ‘Stone’ that toured across the UK and
Canada (World Festival of Threads Solo Show), including as
part of the Richard Demarco Archive’s ‘Homage to Joseph
Beuys’, a two-person exhibition in the Demarco Wing of Summerhall
Art Centre, Edinburgh, in 2018 and in Dunoon Burgh
Hall in 2019.
Sarah is currently working on a series on pieces looking at
the earth and strata on the land, for a solo exhibition entitled
Above:Below to be shown at Farfield Mill, Cumbria in 2022.
Cell Work
Size: 55 x 57 x 5 cm
Monolith lll
Size: 132 x 65cm x 2 cm
Medium : Felt
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Medium: Felt