BOOMER GALLERY MAGAZINE | FIRST EDITION | THE NEW ARTIST
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art. In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence. The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers. In our first edition we have the honour of presenting 185 artists from all around the world. Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it. Boomer Gallery
In the last hundred years humankind has seen unprecedented innovations and changes- from skyscrapers to moon landing to social media to human rights to Art.
In this very moment in our society everything moves really fast, time doesn’t seem sufficient anymore, artists seem to find their path much harder, the ongoing changes create a need for a continuous state of Transcendence.
The aim of this publication is to find out what’s the trend in contemporary art and to create a dialogue between the artists and the viewers.
In our first edition we have the honour of presenting 185 artists from all around the world.
Their works and biographies are truly amazing and inspiring and we really hope you will enjoy reading it.
Boomer Gallery
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Selin AYDINOL
Selin Aydinol (1994) moved from Istanbul to Belgium in 2016.
She received her masters in painting from Royal Academy of
Antwerp in 2019. She lives and works in Antwerp. Her first
group exhibition was “Omg Is Pink The New Black?” (2019,
Feb) curated by Spank Moons. Followed by the “To Be Antwerp”
exhibition at Geukens en De Vil Gallery (2019, Nov).
Most recently, “Zonder Kunstenaars Geen Kunst” at Muhka,
Nick Lodgers (2020, Feb), a group show which included
Chantal Akerman, Fred Bervoets, Leo Copers, Ria Pacquée and
more. Her process starts with a drawing. Selin sections this
drawing into even pieces which creates unique compositions
for each painting. She then treats them as a new territory to
integrate into. Not by manipulating the composition, but by applying
colours and textures. Selin wants to take the image and
rediscover it section by section, exposing the already existing
values that were not visible at first sight. She values the impact
that basic shapes and textures can have. She mostly cares
about the image being beautiful, without trying to define it.
@artist_selinaydinol
Five
Size: 30x40cm
nine
Size: 30x40cm
Medium : acrylic and lacquer on panel
Medium: acrylic and lacquer on panel
12
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