Issue 113 / April-May 2021
April-May 2021 issue of Bido Lito! magazine. Featuring: PIXEY, AYSTAR, SARA WOLFF, DIALECT, AMBER JAY, JANE WEAVER, TATE COLLECTIVE, DEAD PIGEON GALLERY, DAVID ZINK YI, SAM BATLEY, FURRY HUG, FELIX MUFTI-WRIGHT, STEALING SHEEP and much more.
April-May 2021 issue of Bido Lito! magazine. Featuring: PIXEY, AYSTAR, SARA WOLFF, DIALECT, AMBER JAY, JANE WEAVER, TATE COLLECTIVE, DEAD PIGEON GALLERY, DAVID ZINK YI, SAM BATLEY, FURRY HUG, FELIX MUFTI-WRIGHT, STEALING SHEEP and much more.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE FINAL<br />
SAY<br />
“When authority<br />
is built on the back<br />
of racism and<br />
misogyny, how can<br />
it keep us safe?”<br />
Music venues and nightclubs are essential arenas for communality and<br />
expression. While we await their reopening, Mary Olive questions the extent<br />
they offer refuge and safe space for women, transgender and non-binary people.<br />
[Trigger Warning] Mention of sexual abuse, assault,<br />
harassment<br />
I’ve written so many new openings for this piece<br />
over the past few weeks. Searching somewhere for<br />
words. It’s been deeper than writer’s block. It’s an<br />
exhaustion I feel deep to my bones.<br />
To be honest, I don’t want to have to keep writing<br />
about these issues. But then, I see the pain of my sisters<br />
and non-binary siblings and I find myself writing even<br />
more. It hurts me because I have lived it too.<br />
A few years ago, I was sexually assaulted. And<br />
afterwards, I cloaked myself in shame. The hurt sank so<br />
deep into my being I found it hard to trust the world. Since<br />
then, I found my voice as a writer and I promised to be a<br />
protector. A one-woman army. I swore I would make it<br />
mean something. To push that fire in my belly to fuel some<br />
change, somehow, somewhere. And so, here we are.<br />
I am telling you this because I need you to know I<br />
understand this pain. Having been groped, grabbed, cat<br />
called and rated out of ten since my school days I need a<br />
moment to push back. If this makes you uncomfortable<br />
you need to keep reading.<br />
To all the beautiful women, transgender and nonbinary<br />
people reading this, I see you. Especially the<br />
women of colour who are still to this day alarmingly<br />
vulnerable. You have always been worth the world and<br />
more and you should not have to fight for your peace. I<br />
am tired too.<br />
To the men reading, I am talking to you directly now.<br />
Pay attention.<br />
The fact is our city is not a safe place for everyone.<br />
One of the most dangerous places for anyone who is not<br />
a man is a nightclub or music venue. I cannot tell you the<br />
amount of times I have experienced sexual harassment<br />
from men in these spaces. It happens in every single<br />
music venue in Liverpool. It happens everywhere.<br />
It will always hurt to watch some promoters spend<br />
all of their time, money and energy into creating their<br />
idea of an ideal event, but actively chose to ignore the<br />
safety of their crowd. It is not good enough. It has never<br />
been good enough.<br />
Liverpool can be a very ugly place sometimes. A “city<br />
of music” which, instead of protecting its women, will<br />
name an airport after a man who beat them up.<br />
If you are waiting for a wake-up call, this is it.<br />
So how do we grow through this? A starting point is<br />
increasing the visibility of women, transgender and nonbinary<br />
people at music events, including all job roles and<br />
the people in the crowd. I always feel more relaxed when<br />
the space I am entering is not male dominated. It’s like a<br />
bloody breath of fresh air.<br />
People who are not male want to feel thought of and<br />
recognised when entering music events. We want to feel<br />
like the space accommodates us rather than having to<br />
accommodate the (often hyper masculine) space. Visible<br />
cues to tell the crowd what the promoter’s/event’s values<br />
are is a really simple way of making people feel safe.<br />
I would love to see femineity and gender nonconformity<br />
celebrated more at music events; for people<br />
to empower one another and for spaces to feel safe<br />
for exploration of gender expression and sexuality.<br />
There are, of course, places that do this (usually ran by<br />
the LGBTQ+ community or women) and I’d love to see<br />
that energy spill out into everything. <strong>May</strong>be I’m just an<br />
optimist, but I still hold hope for that utopia.<br />
For now, we must acknowledge that we do have<br />
a problem with safety at music events. This has to be<br />
addressed and properly confronted by everyone if we<br />
want to move past it.<br />
The first place I go to for comfort when I feel unsafe<br />
at an event is the bathroom.<br />
Here, I find myself surrounded by my sisters and<br />
non-binary siblings who understand. Here, we kiss each<br />
other’s faces, swap lipstick and have a cry if we need to.<br />
And then, once we’ve caught our breath, we head<br />
back out into the arena.<br />
This is because bouncers do not make me feel safe.<br />
I have experienced more harassment than reassurance<br />
from male security guards to feel comforted by their<br />
presence.<br />
We need to see specific staff training for how to<br />
handle sexual harassment. There has to be a complete<br />
zero tolerance policy for this.<br />
GOOD NIGHT OUT is a brilliant organisation offering<br />
workshops and training of this kind. Some venues in<br />
Liverpool have already started working with them and I<br />
urge more promoters, venues owners and music industry<br />
professionals to follow.<br />
The prospect of undercover police circling the<br />
dancefloor does not fill me with hope for when events<br />
do return. It feels like the government are pouring petrol<br />
onto a forest fire.<br />
Police officers have been heavily criticised for<br />
abusing power countless times just this past year, from<br />
racial profiling to sexual violence. Understandably, their<br />
presence does not always make people feel protected.<br />
Our institution is run by people with the exact same<br />
mindset as the people who abuse us in nightclubs. When<br />
authority is built on the back of racism and misogyny,<br />
how can it keep us safe? While the system still protects<br />
the lives of abusers more than the lives of those abused<br />
it cannot serve its people.<br />
Instead, we need to see empowerment at the roots<br />
of our communities. We need to rebuild what we have<br />
made. Education is the real to key to all of this.<br />
I can’t put everything into one piece, it is too big a<br />
conversation. But I will say this. You, now in this very<br />
moment can bring about change. You have the power to<br />
grow and help others to heal as you work to amplify the<br />
voices around you.<br />
It’s the jokes your mates make which you let slide.<br />
It’s the porn you watch. It’s the people you surround<br />
yourself with. It’s the choices you make. The moments<br />
you speak, and the moments you fall silent. It’s what<br />
you chose to see, and what you chose to ignore. It’s an<br />
overwhelmingly complex issue rooted in generations of<br />
pain and confusion, but it all ends with you.<br />
You may not feel like you can take on the world. But<br />
you will impact the lives around you. Whether you like<br />
it or not, we are all connected to one another and how<br />
we act has a direct impact on the people around us. Not<br />
acting is just as harmful as abusing.<br />
No, it is not all men. But in a room full of five silent<br />
men, and one abusive, I am still torn to pieces.<br />
So, let this be the moment of change. Have those<br />
difficult conversations. Educate yourself. Listen to others<br />
when they speak.<br />
Open your heart to the world around you. And<br />
maybe one day, we can all dance together in peace.<br />
Words: Mary Olive / @maryolivepoet (she/her)<br />
Illustration: Ruby Tompkins<br />
@goodnightoutcampaign<br />
55