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Issue 113 / April-May 2021

April-May 2021 issue of Bido Lito! magazine. Featuring: PIXEY, AYSTAR, SARA WOLFF, DIALECT, AMBER JAY, JANE WEAVER, TATE COLLECTIVE, DEAD PIGEON GALLERY, DAVID ZINK YI, SAM BATLEY, FURRY HUG, FELIX MUFTI-WRIGHT, STEALING SHEEP and much more.

April-May 2021 issue of Bido Lito! magazine. Featuring: PIXEY, AYSTAR, SARA WOLFF, DIALECT, AMBER JAY, JANE WEAVER, TATE COLLECTIVE, DEAD PIGEON GALLERY, DAVID ZINK YI, SAM BATLEY, FURRY HUG, FELIX MUFTI-WRIGHT, STEALING SHEEP and much more.

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THE FINAL<br />

SAY<br />

“When authority<br />

is built on the back<br />

of racism and<br />

misogyny, how can<br />

it keep us safe?”<br />

Music venues and nightclubs are essential arenas for communality and<br />

expression. While we await their reopening, Mary Olive questions the extent<br />

they offer refuge and safe space for women, transgender and non-binary people.<br />

[Trigger Warning] Mention of sexual abuse, assault,<br />

harassment<br />

I’ve written so many new openings for this piece<br />

over the past few weeks. Searching somewhere for<br />

words. It’s been deeper than writer’s block. It’s an<br />

exhaustion I feel deep to my bones.<br />

To be honest, I don’t want to have to keep writing<br />

about these issues. But then, I see the pain of my sisters<br />

and non-binary siblings and I find myself writing even<br />

more. It hurts me because I have lived it too.<br />

A few years ago, I was sexually assaulted. And<br />

afterwards, I cloaked myself in shame. The hurt sank so<br />

deep into my being I found it hard to trust the world. Since<br />

then, I found my voice as a writer and I promised to be a<br />

protector. A one-woman army. I swore I would make it<br />

mean something. To push that fire in my belly to fuel some<br />

change, somehow, somewhere. And so, here we are.<br />

I am telling you this because I need you to know I<br />

understand this pain. Having been groped, grabbed, cat<br />

called and rated out of ten since my school days I need a<br />

moment to push back. If this makes you uncomfortable<br />

you need to keep reading.<br />

To all the beautiful women, transgender and nonbinary<br />

people reading this, I see you. Especially the<br />

women of colour who are still to this day alarmingly<br />

vulnerable. You have always been worth the world and<br />

more and you should not have to fight for your peace. I<br />

am tired too.<br />

To the men reading, I am talking to you directly now.<br />

Pay attention.<br />

The fact is our city is not a safe place for everyone.<br />

One of the most dangerous places for anyone who is not<br />

a man is a nightclub or music venue. I cannot tell you the<br />

amount of times I have experienced sexual harassment<br />

from men in these spaces. It happens in every single<br />

music venue in Liverpool. It happens everywhere.<br />

It will always hurt to watch some promoters spend<br />

all of their time, money and energy into creating their<br />

idea of an ideal event, but actively chose to ignore the<br />

safety of their crowd. It is not good enough. It has never<br />

been good enough.<br />

Liverpool can be a very ugly place sometimes. A “city<br />

of music” which, instead of protecting its women, will<br />

name an airport after a man who beat them up.<br />

If you are waiting for a wake-up call, this is it.<br />

So how do we grow through this? A starting point is<br />

increasing the visibility of women, transgender and nonbinary<br />

people at music events, including all job roles and<br />

the people in the crowd. I always feel more relaxed when<br />

the space I am entering is not male dominated. It’s like a<br />

bloody breath of fresh air.<br />

People who are not male want to feel thought of and<br />

recognised when entering music events. We want to feel<br />

like the space accommodates us rather than having to<br />

accommodate the (often hyper masculine) space. Visible<br />

cues to tell the crowd what the promoter’s/event’s values<br />

are is a really simple way of making people feel safe.<br />

I would love to see femineity and gender nonconformity<br />

celebrated more at music events; for people<br />

to empower one another and for spaces to feel safe<br />

for exploration of gender expression and sexuality.<br />

There are, of course, places that do this (usually ran by<br />

the LGBTQ+ community or women) and I’d love to see<br />

that energy spill out into everything. <strong>May</strong>be I’m just an<br />

optimist, but I still hold hope for that utopia.<br />

For now, we must acknowledge that we do have<br />

a problem with safety at music events. This has to be<br />

addressed and properly confronted by everyone if we<br />

want to move past it.<br />

The first place I go to for comfort when I feel unsafe<br />

at an event is the bathroom.<br />

Here, I find myself surrounded by my sisters and<br />

non-binary siblings who understand. Here, we kiss each<br />

other’s faces, swap lipstick and have a cry if we need to.<br />

And then, once we’ve caught our breath, we head<br />

back out into the arena.<br />

This is because bouncers do not make me feel safe.<br />

I have experienced more harassment than reassurance<br />

from male security guards to feel comforted by their<br />

presence.<br />

We need to see specific staff training for how to<br />

handle sexual harassment. There has to be a complete<br />

zero tolerance policy for this.<br />

GOOD NIGHT OUT is a brilliant organisation offering<br />

workshops and training of this kind. Some venues in<br />

Liverpool have already started working with them and I<br />

urge more promoters, venues owners and music industry<br />

professionals to follow.<br />

The prospect of undercover police circling the<br />

dancefloor does not fill me with hope for when events<br />

do return. It feels like the government are pouring petrol<br />

onto a forest fire.<br />

Police officers have been heavily criticised for<br />

abusing power countless times just this past year, from<br />

racial profiling to sexual violence. Understandably, their<br />

presence does not always make people feel protected.<br />

Our institution is run by people with the exact same<br />

mindset as the people who abuse us in nightclubs. When<br />

authority is built on the back of racism and misogyny,<br />

how can it keep us safe? While the system still protects<br />

the lives of abusers more than the lives of those abused<br />

it cannot serve its people.<br />

Instead, we need to see empowerment at the roots<br />

of our communities. We need to rebuild what we have<br />

made. Education is the real to key to all of this.<br />

I can’t put everything into one piece, it is too big a<br />

conversation. But I will say this. You, now in this very<br />

moment can bring about change. You have the power to<br />

grow and help others to heal as you work to amplify the<br />

voices around you.<br />

It’s the jokes your mates make which you let slide.<br />

It’s the porn you watch. It’s the people you surround<br />

yourself with. It’s the choices you make. The moments<br />

you speak, and the moments you fall silent. It’s what<br />

you chose to see, and what you chose to ignore. It’s an<br />

overwhelmingly complex issue rooted in generations of<br />

pain and confusion, but it all ends with you.<br />

You may not feel like you can take on the world. But<br />

you will impact the lives around you. Whether you like<br />

it or not, we are all connected to one another and how<br />

we act has a direct impact on the people around us. Not<br />

acting is just as harmful as abusing.<br />

No, it is not all men. But in a room full of five silent<br />

men, and one abusive, I am still torn to pieces.<br />

So, let this be the moment of change. Have those<br />

difficult conversations. Educate yourself. Listen to others<br />

when they speak.<br />

Open your heart to the world around you. And<br />

maybe one day, we can all dance together in peace.<br />

Words: Mary Olive / @maryolivepoet (she/her)<br />

Illustration: Ruby Tompkins<br />

@goodnightoutcampaign<br />

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