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Angelus News | April 9, 2021 Vol 6 No 7

Nineteenth-century sculptor Philippe Lemaire’s relief sculpture of the risen Christ on the exterior of St. Isaac’s Cathedral in St. Petersburg, Russia. For this year’s special Easter issue, on Page 10 Kathryn Lopez offers a meditation on where Easter finds Catholics after a long year of fear. On Page 26, Greg Erlandson reflects on the recent shootings in Georgia and the scandal of God’s forgiveness for the worst of sinners. And on Page 28, Angelus talks to Catholic filmmaker Roma Downey about her perfectly timed new film, “Resurrection.”

Nineteenth-century sculptor Philippe Lemaire’s relief
sculpture of the risen Christ on the exterior of St. Isaac’s
Cathedral in St. Petersburg, Russia. For this year’s special
Easter issue, on Page 10 Kathryn Lopez offers a meditation on where Easter finds Catholics after a long year of fear. On Page 26, Greg Erlandson reflects on the recent shootings in Georgia and the scandal of God’s forgiveness for the worst of sinners. And on Page 28, Angelus talks to Catholic filmmaker Roma Downey about her perfectly timed new film, “Resurrection.”

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The other novelty in the film structure is how it creates<br />

much drama and tension –– you could say it plays like a<br />

thriller –– by opposing the apostles to two other groups, the<br />

Jews and the Romans. Neither of these groups is really able<br />

to accept Jesus.<br />

I think the movie does a great job of showing the “scandal”<br />

of the cross, how, as St. Paul says, “we preach Christ<br />

crucified, a stumbling block to Jews and folly to Gentiles.”<br />

If you will allow me a more personal question, what<br />

has the cross meant for you as a Christian woman? And in<br />

what way have you experienced the Resurrection?<br />

The cross has been present in my life from the beginning.<br />

When I was very young, my mother died unexpectedly of a<br />

heart attack, without any warning. She had been the light,<br />

the music, and the laughter in our family. When she passed<br />

it was as if the light had been turned out and the music had<br />

been turned off.<br />

I don’t believe I had any help other than going to Mass and<br />

looking at the cross. In front of that cross I understood a little<br />

bit of the suffering of Jesus, but it was the promise of the<br />

Resurrection that gave me back my joy, the realization that I<br />

may live my whole life without my mother, but that one day<br />

I would be back with her. This is the promise: He rose to let<br />

us know that we can count on that, that we do not have to be<br />

afraid. To receive this promise has been the greatest blessing<br />

in my life.<br />

In a 2009 address to the Roman Curia, Pope Benedict<br />

XVI famously encouraged the Church to open a sort of<br />

“Court of the Gentiles,” a space to dialogue with those<br />

who may not believe. Can art, particularly film, be a space<br />

for encounter? And can a movie like “Resurrection” speak<br />

to the nonbeliever?<br />

I certainly hope so. There is a quote by the Persian poet<br />

Rumi: “Out beyond ideas of wrongdoing and rightdoing,<br />

there is a field. I’ll meet you there.” I learned from him the<br />

idea of meeting beyond the place where we disagree. There<br />

has to be room for dialogue and connection. And it is not<br />

that we are more divided now than we used to be, but we<br />

have lost the grace to be able to disagree.<br />

As far as “Resurrection” speaking to the nonbeliever, I can<br />

tell you about my experience with “The Bible,” a series we<br />

ran on the History Channel a few years ago. Many of our<br />

friends in Hollywood told us not to make it, that no one<br />

would watch it. So we were delighted when over a hundred<br />

million people watched it in the U.S. alone. And so many<br />

priests and pastors have come to share with us that many<br />

people have returned to the Church because of the series.<br />

Even people who did not know God came to know God.<br />

How do you see your role as a Catholic woman in the<br />

entertainment industry, an environment that is often<br />

described as hostile to Catholics?<br />

Roma Downey and Mark Burnett are the<br />

married filmmaker duo behind “Resurrection.”<br />

| METRO GOLDWYN MAYER<br />

As we show in “Resurrection,” the great mission Jesus has<br />

entrusted to his Church after the Pentecost is announcing<br />

the gospel, and everyone answers their call to this mission<br />

differently.<br />

I have the privilege that I can combine what I believe with<br />

what I do, and I have done it throughout my career, from<br />

my days in “Touched by an Angel,” which at the height of<br />

its success had over 25 million people tuning in every week,<br />

hearing there is a God, that he loves you, and he wants to be<br />

a part of your life.<br />

And if you look at the movies I have produced and the work<br />

I have created, you can see that this message is embedded<br />

in all of them. Film and TV cannot provide a full answer to<br />

one’s search for God, but they work as a visual way to remind<br />

people that God loves them, is something that can begin to<br />

open up hearts. Our lives are very busy and full of distractions;<br />

we hardly ever have time to reflect. Films can help us<br />

stop and create a time for us when we can hear this voice.<br />

Hollywood is often described as a place that is hostile to<br />

Catholics, but I have to tell you that my experience has been<br />

different. Perhaps it is because I have been here and have<br />

been an outspoken believer for so long, but people have<br />

always been very respectful. I don’t feel I ever really had any<br />

pushback. Somehow, I feel that God has come ahead of me<br />

and made the path straight and prepared the way.<br />

Stefano Rebeggiani is an associate professor of classics at the<br />

University of Southern California.<br />

<strong>April</strong> 9, <strong>2021</strong> • ANGELUS • 29

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