the insider - Sony DADC
the insider - Sony DADC
the insider - Sony DADC
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Customer News 2009.2 www.sonydadc.com<br />
Engineering a greener future<br />
The <strong>Sony</strong> Corporation commits strongly to environmentally<br />
sustainable manufacturing and business operations<br />
Blu-ray Disc<br />
242% sales increase in 2009<br />
International Asset Sharing<br />
Simplifying Blu-ray distribution for both movie studios and regional distributors<br />
ARccOS<br />
360° content security for your video assets<br />
<strong>Sony</strong> <strong>DADC</strong>
©<strong>Sony</strong> Computer Entertainment Europe. “‰”, “PlayStation”, “PLAYSTATION”, “ ”, are trademarks or registered trademarks of <strong>Sony</strong> Computer Entertainment Inc. Trade marks are <strong>the</strong> property of<br />
<strong>the</strong>ir respective owners. All rights reserved. Vidzone is provided by Rants Limited. Broadband internet service required. Users are responsible for broadband access fees. Charges apply for some<br />
content. Users under 18 require parental consent. PlayStation®Network and PlayStation®Store subject to terms of use and not available in all countries and languages.
Welcome<br />
Welcome to <strong>the</strong> new issue of “<strong>the</strong> <strong>insider</strong>”, which is packed<br />
full of news from <strong>Sony</strong> <strong>DADC</strong> and our customers<br />
throughout Europe. We hope that you enjoy reading<br />
about our success stories so far this year.<br />
Without doubt, we live in challenging times. The worldwide<br />
economic downturn is posing challenges to all organisations,<br />
in every regional market.<br />
Our customers need strong partners: not just in terms<br />
of technical knowledge and infrastructure capabilities,<br />
but also with sound financial security which will enable<br />
<strong>the</strong>m to operate throughout <strong>the</strong> current difficult conditions.<br />
Above all else, this is what <strong>Sony</strong> <strong>DADC</strong> is – a strong partner,<br />
focused on helping to support your business. We<br />
are here today, we are succeeding and we are seeking to<br />
expand and refine our customer services from authoring<br />
to every stage of <strong>the</strong> supply chain. In physical media<br />
– and in online services, on a national, pan-European<br />
or global level.<br />
We are approaching <strong>the</strong> busiest time of <strong>the</strong> year in<br />
terms of <strong>the</strong> peak autumn sales period.<br />
Market research indicates that consumer demand remains<br />
strong in <strong>the</strong> home entertainment market, and<br />
especially in <strong>the</strong> home video sector. In particular, Bluray’s<br />
development as <strong>the</strong> next generation High Definition<br />
successor to DVD continues at pace. As you will read<br />
later in this newsletter, BD movie sales continue to grow<br />
rapidly in Europe, fuelled by a broad and fast growing<br />
catalogue of movie titles, combined with significant decreases<br />
in player prices.<br />
Some Blu-ray new release movie titles have broken<br />
through <strong>the</strong> 30% share level and this is ano<strong>the</strong>r strong<br />
indicator that <strong>the</strong> format is close to entering <strong>the</strong> consumer<br />
mainstream.<br />
We have <strong>the</strong> production capacity and <strong>the</strong> creative capabilities<br />
to enable our customers to exploit this exciting<br />
new home entertainment platform. Fur<strong>the</strong>rmore, our<br />
investment in supply chain services means that we offer<br />
a true one-stop-shop solution to any content publisher<br />
or distributor looking to establish a strong market presence<br />
in Blu-ray.<br />
When market conditions are difficult it is entirely understandable<br />
when companies become more conservative<br />
in <strong>the</strong>ir outlook and more averse to risk. However, we<br />
live in an evolving technological landscape and people’s<br />
media consumption patterns are changing quite rapidly.<br />
We see it as a priority to keep abreast of <strong>the</strong>se new<br />
developments.<br />
In particular, consumers are looking for increased mobility.<br />
Digital Copy is one example of how new technology<br />
can enhance our ability to watch our favourite movies<br />
and TV programmes on <strong>the</strong> move.<br />
At <strong>Sony</strong> <strong>DADC</strong>, we continue to invest in <strong>the</strong> future of<br />
<strong>the</strong> home entertainment industry. Investing to make<br />
sure that we continue to provide best in class service<br />
and support to our customers.<br />
Dieter Daum<br />
President <strong>Sony</strong> Disc and Digital Solutions<br />
Table of contents<br />
04 Blu-ray Disc in Europe<br />
"<strong>the</strong> <strong>insider</strong>" talks to Ulrik Rasch and Tore Skarelid<br />
05 Blu-ray Authoring<br />
BD authoring at <strong>Sony</strong> <strong>DADC</strong> –<br />
capacity. creativity. capability.<br />
05 Blu-ray Authoring<br />
Interview with Sigi Obermayr, Vice President Sales<br />
at <strong>Sony</strong> <strong>DADC</strong> UK<br />
06 Blu-ray Sales<br />
Blu-ray market report: 242% sales increase in 2009<br />
06 Blu-ray Distribution<br />
<strong>Sony</strong> <strong>DADC</strong> rationalises Blu-ray distribution for<br />
both movie studios and regional distributors<br />
07 Digital Copy<br />
New report identifies 42M Euro market in UK<br />
07 eBridge<br />
<strong>Sony</strong> <strong>DADC</strong> creates eBridge to green energy<br />
08 Distribution Services<br />
European news<br />
10 Packaging Solutions<br />
Special Packaging Sourcing from China<br />
11 Video<br />
ARccOS – 360° content security for your video assets<br />
12 Software + Games<br />
Boost software and games sales with SecuROM<br />
13 Digital Content Services<br />
Digital deliveries to <strong>Sony</strong> Ericsson’s PlayNow Arena:<br />
millions of tracks<br />
13 eBridge Audio<br />
Pearl Jam create an eBridge to <strong>the</strong>ir fan base<br />
14 Green Manufacturing<br />
Engineering a greener future<br />
Editorial & Layout/Graphics:<br />
Arkin Kol – Director Sales & Marketing Communication<br />
Marcel Penning – Marketing Communication<br />
Christina Schobesberger – Public Relations<br />
Britta Meissner – Graphic Artist<br />
Owner & Publisher:<br />
<strong>Sony</strong> <strong>DADC</strong> · <strong>Sony</strong>strasse 20 · 5081 Anif/Salzburg · Austria<br />
Phone: +43 6246 880 237 · marketing@sonydadc.com<br />
© <strong>Sony</strong> <strong>DADC</strong> Austria AG 2009<br />
<strong>Sony</strong> <strong>DADC</strong> disclaims all responsibility for errors in quotes & facts.<br />
We thank all of those who have contributed to this edition of “<strong>the</strong> <strong>insider</strong>”.<br />
<strong>the</strong> <strong>insider</strong><br />
3
a view<br />
inside<br />
4<br />
Blu-ray Disc in Europe<br />
#1 Nordics<br />
Tore Skarelid Ulrik Rasch<br />
How is Blu-ray doing in <strong>the</strong> Nordics?<br />
Ulrik: BD has got a tough start as most new formats<br />
are getting. But overall, BD is doing fine, it is steadily<br />
increasing. People from <strong>the</strong> Nordics are quite equipped<br />
to new technologies, so <strong>the</strong>re is naturally a very good<br />
acceptance for new things.<br />
Tore: Blu-ray is growing fairly quickly, but this varies<br />
between <strong>the</strong> Nordic countries. In Sweden, <strong>the</strong> value<br />
growth for distributors is year to date 53%, while it is<br />
200-300% in Denmark, Norway or Finland. There is still<br />
quite a lack of consumer information, awareness of <strong>the</strong><br />
advantages of BD and awareness that players are backwards<br />
compatible with DVD. The home video industry<br />
has to work closer with retail to secure space and information<br />
campaigns.<br />
Ulrik: Yes, retail has to be attracted as well. A way to<br />
bring that forward is to generate attractive packages<br />
for retail. And reach attractive price points of course.<br />
It’s important to get <strong>the</strong> key shop personnel understand<br />
<strong>the</strong> difference between BD and DVD – with a few key<br />
messages, explained in a very sustainable way, so that<br />
<strong>the</strong> shop personal can bring <strong>the</strong> right messages across,<br />
both in general retail and electronics shops.<br />
What is your company's Blu-ray strategy?<br />
Tore: We try to release all relevant titles, of which we<br />
know that <strong>the</strong>y work well on Blu-ray. These are usually<br />
new releases, bigger titles.<br />
Ulrik: We support BD and will continue to do so. We<br />
are an opportunity-driven company with a huge backcatalogue,<br />
which provides some very interesting oppor-<br />
Blu-ray Sales Contact Nordics<br />
jesper.schertiger@sonydadc.com | Phone: +45 7070 27 25<br />
<strong>the</strong> <strong>insider</strong><br />
"<strong>the</strong> <strong>insider</strong>" talks to Ulrik Rasch, General Manager of Nordisk Film A/S – Operations and<br />
Tore Skarelid, Senior VP Home Entertainment at Svensk Filmindustri.<br />
tunities. Not just for us, but also for end-users. <strong>Sony</strong><br />
<strong>DADC</strong> has designed a backcatalogue model for us, helping<br />
us to accelerate BD growth and fully exploit our<br />
backcatalogue’s BD potential.<br />
At <strong>the</strong> beginning, our typical BD customer was <strong>the</strong><br />
17-40 year old male who was interested in action and<br />
adventure genres. Now also o<strong>the</strong>r genres are getting<br />
momentum, as releases like Twilight and High School<br />
Musical show. In Norway, <strong>the</strong> average distributor value<br />
of Blu-ray is already close to 10%. We definitely want to<br />
get into <strong>the</strong> mass market as well, by focussing more on<br />
general retail, not just electronic stores – and our backcatalogue<br />
of course.<br />
As a fully integrated entertainment company, who also<br />
does music, games, tv/film productions and runs cinemas,<br />
we are especially focused on our local content.<br />
Among <strong>the</strong> recent release top ten for Norway, 4 out of<br />
<strong>the</strong>se 10 are local productions from Nordisk Film. For<br />
<strong>the</strong> recently released Stieg Larsson movie “Man who<br />
hates Women” we already sold 2.7M cinema tickets.<br />
The home video versions have just been released and<br />
we anticipate a BD share of 10% in terms of value.<br />
How do retail and consumers respond to your BD<br />
titles?<br />
Tore: There is interest in <strong>the</strong> format. Even in Sweden, Triple-A<br />
titles are currently around 10% of <strong>the</strong> volume. Documentaries<br />
like Planet Earth are doing really well, so we<br />
will continue releasing such high end documentary titles.<br />
How could retail help to make BD more successful?<br />
Tore: By educating <strong>the</strong> consumers. The best way is probably<br />
to enable <strong>the</strong> Blu-ray experience in-store, provide<br />
brochures and pamphlets.<br />
Where do you see Blu-ray in <strong>the</strong> Nordics in 3 years?<br />
Ulrik: I am pretty convinced that BD will be successful.<br />
There will be a natural shift from DVD to BD, but that<br />
won’t happen from one day to <strong>the</strong> o<strong>the</strong>r.<br />
Tore: Hopefully at 30% plus, in terms of distributor revenue,<br />
maybe even more.<br />
What services are required by <strong>the</strong> replication and<br />
distribution industry?<br />
Tore: From an independent point of view <strong>the</strong>re has to<br />
be an attractive cost structure for all steps of <strong>the</strong> value<br />
chain, so we can compete with <strong>the</strong> price offerings of<br />
<strong>the</strong> majors. Supply chain service providers need a holistic<br />
view on <strong>the</strong> market. The retail displays <strong>Sony</strong> <strong>DADC</strong><br />
offer us are instrumental in putting Blu-ray into <strong>the</strong> mass<br />
market.<br />
We all hope and trust in <strong>the</strong> BD format, it is extremely<br />
important for our industry in long terms. We are optimistic,<br />
but <strong>the</strong>re are still some challenges. Long term it<br />
will be fantastic.<br />
Ulrik: One of <strong>the</strong> core things is side dialogue concerning<br />
opportunities and business models. That’s exactly what<br />
you do now, especially since you have established your<br />
local service offices in <strong>the</strong> Nordics. It’s no use if replicators<br />
and distributors develop different services which<br />
are not very much in line with in what we as a entertainment<br />
company are looking for. Continuous dialogue<br />
with <strong>the</strong> key accounts is extremely important. By <strong>the</strong><br />
end of <strong>the</strong> day, we are all living by consumer demand<br />
and we have to team up to bring attractive content to<br />
end-users in an attractive way. Our aim is to always completely<br />
deliver what our customers want. <strong>Sony</strong> <strong>DADC</strong> is<br />
a good partner as you are pretty much ahead at looking<br />
at digital solutions.<br />
How are PlayStation 3 sales doing in <strong>the</strong> Nordics?<br />
Ulrik: So far, PS3 hardware penetration is more than<br />
half a million. The recent announcement of a very<br />
attractive, new PS3, which is slimmer and offers a 120GB<br />
hard drive, makes us extremely optimistic as we are<br />
entering peak season. In terms of PS3, peak season will<br />
start earlier this year due to <strong>the</strong> new console. PlayStation<br />
fans will get more for less. Also, <strong>the</strong>re is a fantastic lineup<br />
for <strong>the</strong> coming months, both from <strong>the</strong> movie side<br />
and from <strong>Sony</strong> Computer Entertainment.
BD authoring at <strong>Sony</strong> <strong>DADC</strong><br />
capacity. creativity. capability.<br />
<strong>Sony</strong> <strong>DADC</strong> is a pioneer of Blu-ray and has been instrumental in <strong>the</strong> format’s evolution over a number of<br />
years. The company has followed a pan-European strategic investment programme, which today sees it<br />
offering a one-stop-shop solution for content publishers and distributors looking to exploit this rapidly<br />
developing market.<br />
"Valkyrie, this great project,<br />
enabled TF1 Vidéo and <strong>Sony</strong> <strong>DADC</strong><br />
to develop an exciting partnership<br />
and to achieve very high standards<br />
in BD authoring technology."<br />
Sébastien Aussal,<br />
Marketing Product Manager at TF1 Vidéo<br />
This one-stop-shop solution starts at a project’s planning<br />
stages, continues through <strong>the</strong> authoring & mastering<br />
studio, through replication to final supply chain management<br />
right <strong>the</strong> way up to <strong>the</strong> retail shelves.<br />
Blu-ray authoring requires technical knowledge blended<br />
with creativity – in <strong>the</strong>se two areas <strong>Sony</strong> <strong>DADC</strong>’s European<br />
authoring network stands apart from any o<strong>the</strong>r<br />
facility.<br />
<strong>Sony</strong> <strong>DADC</strong> has established three Blu-ray authoring centres<br />
of excellence – in Salzburg, London and Paris – from<br />
where it can now support up to 60 titles each month.<br />
<strong>Sony</strong> <strong>DADC</strong> Authoring<br />
alexander.desch@sonydadc.com | Phone: +49 607 44 98 168<br />
BD-Live focus<br />
BD-Live is a key feature of <strong>the</strong> Blu-ray format: it transforms<br />
a passive viewing experience into immersive interactivity.<br />
There is a wealth of creative potential in BD-Live, so long<br />
as <strong>the</strong> author has <strong>the</strong> technical and creative power to<br />
harness it. This is exactly where <strong>Sony</strong> <strong>DADC</strong> offers clear<br />
market leadership.<br />
Working with <strong>Sony</strong> Pictures Home Entertainment (SPHE),<br />
<strong>the</strong> company has developed a new facility called movieIQ,<br />
which utilises <strong>the</strong> Blu-ray player’s internet connectivity<br />
and BD-Live to provide unparalleled information about<br />
<strong>the</strong> movie being played.<br />
By connecting with a movie database, <strong>the</strong> viewer can<br />
instantly access information about <strong>the</strong> movie, cast, setting<br />
and even <strong>the</strong> soundtrack of <strong>the</strong> movie scene at <strong>the</strong><br />
push of a button.<br />
movieIQ has been created jointly by SPHE and <strong>Sony</strong> <strong>DADC</strong><br />
and will become broadly available for <strong>Sony</strong> <strong>DADC</strong> customers<br />
in 2010. In September 2009, movieIQ will feature<br />
on major <strong>Sony</strong> Pictures releases, including Angels and<br />
Demons and Terminator Salvation.<br />
Ano<strong>the</strong>r showcase title that is a product of <strong>Sony</strong> <strong>DADC</strong>’s<br />
BD authoring network is <strong>the</strong> French regional version of<br />
Valkyrie. “Working with TF1 Vidéo, we have created<br />
an interactive menu based on BD-Java that just oozes<br />
creativity and passion,” remarked Simon Holpert, <strong>Sony</strong><br />
<strong>DADC</strong> Authoring France. “The menu can be accessed<br />
at any time without interrupting <strong>the</strong> movie. It provides<br />
loads of bonus features, such as interactive maps, playlists<br />
of actors, biographies of <strong>the</strong> main characters and<br />
much more.”<br />
<strong>Sony</strong> <strong>DADC</strong> Authoring France<br />
simon.holpert@sonydadc.com | Phone: +33 1 64 13 82 43<br />
"We will not jeopardise<br />
<strong>the</strong> quality of our work"<br />
Interview with Sigi Obermayr, Vice<br />
President Sales at <strong>Sony</strong> <strong>DADC</strong> UK on<br />
BD authoring situation in <strong>the</strong> UK.<br />
A number of authoring houses in<br />
<strong>the</strong> UK are struggling or have pulled<br />
out of Blu-ray authoring. There are<br />
concerns that <strong>the</strong> drop in capacity<br />
may mean that content owners<br />
find it hard to get titles made in Q4,<br />
which could impact title sales over<br />
<strong>the</strong> holiday season. What are your<br />
thoughts on that situation?<br />
Well in <strong>the</strong> U.S., video publishers are investing significant<br />
amounts in publishing <strong>the</strong>ir content in both DVD<br />
and Blu-ray formats. Their investments are long-term<br />
– making sure <strong>the</strong>ir authoring and replication partners<br />
have <strong>the</strong> right procedures in place to ensure quality and<br />
present <strong>the</strong>ir content in <strong>the</strong> best ways possible.<br />
In Europe, we experience pressure from publishers to<br />
minimise authoring costs. Inevitably, this has a knock<br />
on effect in terms of <strong>the</strong> amount of time, and <strong>the</strong>refore<br />
creativity, that can be invested in <strong>the</strong> critical authoring<br />
process. Also, less time and resource means fewer<br />
quality checks and a greater chance of faults slipping<br />
through <strong>the</strong> net.<br />
How do you respond to this cost pressure?<br />
At <strong>Sony</strong> <strong>DADC</strong> we refuse to take on projects below a<br />
certain price level since we will not jeopardise <strong>the</strong> quality<br />
of our work. Sadly, <strong>the</strong> hourly rate of a tradesman<br />
in London is approximately double <strong>the</strong> current rate for<br />
C&A services, so I'm not surprised that some studios are<br />
struggling as <strong>the</strong>y have invested massively in equipment<br />
and training.<br />
Will this lead to a capacity problem?<br />
Currently, in <strong>the</strong> UK market, authoring prices have fallen<br />
below a sustainable level, so I can see a situation<br />
where o<strong>the</strong>r studios might experience real difficulties<br />
and some may even go out of business. However, I do<br />
not foresee a C&A capacity problem as <strong>the</strong>re are still enough<br />
studios in London – I just wish that UK publishers<br />
would invest a bit more in creativity and quality, which<br />
will help <strong>the</strong>ir C&A partners remain solvent.<br />
At <strong>Sony</strong> <strong>DADC</strong>, we remain focused on this key market. If<br />
anyone has problems authoring titles for Q4 release, or<br />
anyone would like an update on <strong>the</strong> latest evolutionary<br />
developments in BD-Live or BD-Java – please contact us.<br />
<strong>Sony</strong> <strong>DADC</strong> Authoring UK<br />
jo.houghton@sonydadc.com | Phone: +44 20 7307 9789<br />
<strong>the</strong> <strong>insider</strong> 5<br />
a view<br />
inside
Blu-ray market report: 242% sales increase in 2009 *<br />
Over one in five homes across Europe is now Blu-ray Disc enabled! *<br />
*Futuresource Consulting Ltd., 2009<br />
At this year’s Consumer Electronics Show (CES) in Las Vegas, <strong>the</strong> Blu-ray Disc Association announced that Blu-ray had become <strong>the</strong> fastest establishing format<br />
ever – faster than DVD, CD and even colour television itself.<br />
Now, mid way through 2009, this outstanding performance<br />
continues. The latest Futuresource forecasts predict<br />
that by 2013, Blu-ray will account for over 60% of<br />
home video revenues in Europe and U.S.<br />
In Europe, Blu-ray video sales are set to increase by<br />
242% (288% in volume over <strong>the</strong> last 52 weeks compared<br />
to last period) in 2009 when compared with <strong>the</strong><br />
same period last year. In addition, based on <strong>the</strong> strong<br />
release slate in fall this year, it is predicted that volume<br />
growth will exceed 300% by <strong>the</strong> end of <strong>the</strong> year. This<br />
International Asset Sharing:<br />
<strong>Sony</strong> <strong>DADC</strong> rationalises Blu-ray distribution for both movie studios and regional distributors<br />
Traditionally, <strong>the</strong> distribution of regional versions of movie titles can a be complex task. For distributors looking to market a title within a regional market, Blu-ray<br />
creation can be an expensive process. Each time a regional variant is created <strong>the</strong>re are a number of essential components that are required – from HD video & audio<br />
masters to bonus tapes and subtitle sources. Also, menus must be created and audio/video elements encoded in order to create a CMF Blu-ray master. Not to mention<br />
<strong>the</strong> added complexity of creating sleeve artwork and any booklets that are required.<br />
“Since each regional variant starts with <strong>the</strong> same basic<br />
elements and results in a very similar Blu-ray product,<br />
<strong>the</strong>re are great opportunities for synergies if <strong>the</strong>ir creation<br />
is co-ordinated centrally” explained Fritz Deininger,<br />
Vice President International Sales at <strong>Sony</strong> <strong>DADC</strong>.<br />
“Now, <strong>Sony</strong> <strong>DADC</strong> has introduced a range of central<br />
Blu-ray and DVD authoring services to all international<br />
distributors for independent movie studios. Called <strong>the</strong><br />
‘Blu-ray Asset Sharing System,’ this centrally co-ordinated<br />
business model brings advantages to both <strong>the</strong> content<br />
owner and <strong>the</strong> regional distributor” he continued.<br />
For <strong>the</strong> content owner as <strong>the</strong>y have a single point of<br />
storage for <strong>the</strong>ir assets, sure in <strong>the</strong> knowledge that it is<br />
being safeguarded by <strong>the</strong> industry leader in asset management.<br />
Having a central location at <strong>Sony</strong> <strong>DADC</strong>,<br />
going forward, digital distribution services can be easily<br />
provided. <strong>Sony</strong> <strong>DADC</strong> is also providing any world wide<br />
digital distribution needs. Fur<strong>the</strong>rmore, a single point of<br />
contact reduces <strong>the</strong>ir administrative burden and makes<br />
life simpler and more rewarding.<br />
6<br />
Blu-ray Sales Contact<br />
marcel.hasenrader@sonydadc.com | Phone: +43 6246 880 554<br />
<strong>the</strong> <strong>insider</strong><br />
growth will be fuelled by a rapid increase in player sales,<br />
stimulated by falling price tickets, which currently start<br />
at Euro 110 and could fall below <strong>the</strong> magical Euro 100<br />
mark this autumn.<br />
As a result <strong>the</strong> European installed player population is<br />
set to increase by over 80% this year, topping 10.3M<br />
by year’s end.<br />
“In <strong>the</strong> UK, six movie titles have exceeded 10% sales<br />
share,” commented Chris Reiser, Executive Vice President<br />
at <strong>Sony</strong> <strong>DADC</strong>. “Average sell-through-share in<br />
The content owner retains complete control of <strong>the</strong>ir assets<br />
and can make certain that <strong>the</strong>ir title has <strong>the</strong> same<br />
look and feel, irrespective of which territory it is being<br />
distributed in.<br />
Distributors identify real cost savings<br />
There are significant advantages for <strong>the</strong> distributor: for<br />
instance, major cost savings provided by this new asset<br />
sharing model – both in terms of input costs, such as<br />
film and authoring, as central authoring creates a template<br />
that can be easily localised.<br />
Additionally, <strong>the</strong>re is simplicity in this model: <strong>Sony</strong> <strong>DADC</strong><br />
provides a true one-stop-shop for Blu-ray and DVD regionalisation,<br />
making <strong>the</strong> whole process easier to oversee.<br />
Fur<strong>the</strong>rmore, with as Europe’s premier Blu-ray production<br />
network and easier access to content, <strong>Sony</strong> <strong>DADC</strong><br />
offers valuable time saving, meaning that distributors<br />
can have <strong>the</strong>ir titles on <strong>the</strong> street earning revenue in <strong>the</strong><br />
shortest possible time.<br />
International Sales<br />
friedrich.deininger@sonydadc.com | Phone: +43 6246 880 504<br />
terms of units is 6% but in terms of value it is almost<br />
9% indicating that this is a premium product that consumers<br />
are prepared to pay for.”<br />
“Blu-ray represents <strong>the</strong> future for packaged home entertainment.<br />
At <strong>Sony</strong> <strong>DADC</strong>, we have invested strategically<br />
in this exciting technology in order to help our<br />
customers fast track <strong>the</strong>ir Blu-ray businesses, <strong>the</strong>reby<br />
maximising current and future revenues,” he continued.<br />
Last, but by no means least, distributors will be freed of<br />
<strong>the</strong> need to arrange AACS and BDA agreements since<br />
within this business model, this<br />
requirement is fulfilled by <strong>the</strong><br />
content owner.<br />
Newline is one independent movie<br />
studio that has been swift to<br />
recognise <strong>the</strong> potential this system<br />
offers and so have its key<br />
territorial distributors, such as<br />
Eagle Pictures, one of its distributors<br />
in Italy.<br />
“Through <strong>the</strong> Asset Sharing System,<br />
it has become easy and<br />
cost effective to order our local<br />
versions of major independent<br />
Blu-ray releases,” commented Luisa Bonalumi, Marketing<br />
Manager, Eagle Pictures. “<strong>Sony</strong> <strong>DADC</strong> looks after<br />
<strong>the</strong> authoring, approvals and replication. We just send<br />
our language track – everything else is taken care of.”
Digital Copy:<br />
New report identifies 42M *<br />
Euro market in UK<br />
Digital Copy – an intelligent digital rights mechanism that enables users to legally copy<br />
a digital file of movie content from a disc to a range of portable players – is tailor-made for today’s mobile lifestyle.<br />
With Digital Copy, you can choose exactly how, where<br />
and when you will watch your favourite movies.<br />
It has been available in <strong>the</strong> U.S. since last year and it has<br />
taken that market by storm. So much, that today <strong>the</strong><br />
main Hollywood studios incorporate it as a mainstream<br />
feature on many new releases in both Blu-ray and DVD.<br />
But will this technology have <strong>the</strong> same appeal in Europe?<br />
The finding of a market research report commissioned<br />
by <strong>Sony</strong> <strong>DADC</strong> in <strong>the</strong> UK and carried out by TNS<br />
World Panel is a resounding ‘yes’.<br />
After polling more than 3,000 UK consumers this<br />
spring, TNS discovered a potential market of over 1.6M<br />
consumers willing to buy into this technology over <strong>the</strong><br />
coming 12 months. This, TNS predicts, could create new<br />
revenue streams in excess of 42M Euro in <strong>the</strong> UK alone,<br />
indicating that on a pan-European scale this could be a<br />
very significant new market for <strong>the</strong> home video industry.<br />
Initially, <strong>the</strong> report identifies two prime markets in technically<br />
savvy families and <strong>the</strong> traditional technology early<br />
adopter market segment. These consumers tend to be<br />
online shoppers and TV is a big growth opportunity for<br />
this market. Despite <strong>the</strong>ir relatively high ownership of video<br />
iPods, video enabled phones and PSPs, PCs and notebooks<br />
remain <strong>the</strong> number one destination for downloads.<br />
<strong>Sony</strong> <strong>DADC</strong> creates eBridge to green energy<br />
Developed by <strong>Sony</strong> <strong>DADC</strong>, eBridge is a unique discbased<br />
concept that fuses traditional direct mail<br />
and digital media to close <strong>the</strong> gap between offline<br />
and online marketing communications.<br />
In Germany, this revolutionary system has been used by<br />
green power supplier, ENTEGA, to promote <strong>the</strong> many<br />
advantages of green electricity.<br />
Product Manager Video<br />
sonja.hauck@sonydadc.com | Phone: +43 6246 880 81622<br />
Download<br />
report<br />
The importance of one-click-ability<br />
However, <strong>the</strong> report has revealed one weak point in <strong>the</strong><br />
traditional form of Digital Copy: it requires <strong>the</strong> user to<br />
key-in a 25 digital alphanumeric code to access <strong>the</strong> digital<br />
file on <strong>the</strong> disc. This, so TNS World Panel reports, can<br />
be a major stumbling block to <strong>the</strong> system’s mainstream<br />
acceptance.<br />
Now, <strong>Sony</strong> <strong>DADC</strong> has developed a refined version of Digital<br />
Copy which integrates it alongside <strong>the</strong> company’s<br />
PID system.<br />
The beauty of <strong>Sony</strong> <strong>DADC</strong>’s Digital Copy with PID lies<br />
in its simplicity. PID is Postscribed ID technology, which<br />
is applied to each disc during <strong>the</strong> manufacture process.<br />
The PID is automatically read by <strong>the</strong> player and does<br />
away with <strong>the</strong> need for cumbersome serial codes. Digital<br />
Copy with PID is applicable to a range of disc formats,<br />
including DVD and Blu-ray Disc.<br />
The instructions stored within <strong>the</strong> PID are defined by <strong>the</strong><br />
publisher: <strong>the</strong> end-user is free to make as many copies of<br />
<strong>the</strong> content as <strong>the</strong> publisher prescribes. So, at <strong>the</strong> click<br />
of a mouse, <strong>the</strong> consumer can copy <strong>the</strong> movie over to a<br />
laptop hard drive or many o<strong>the</strong>r media storage devices.<br />
The beauty of eBridge is that each component is completely<br />
personalised. Each CD-ROM is equipped with a<br />
unique identifier that includes <strong>the</strong> recipient’s name and<br />
residence. So, after an engaging film intro that looks<br />
at climate protection, recipients are seamlessly directed<br />
online. Thanks to eBridge, <strong>the</strong> web server recognizes<br />
who is online and provides <strong>the</strong>m with a tailored rate<br />
comparison that enables <strong>the</strong>m to calculate what kind<br />
of savings <strong>the</strong>y could expect by signing up to ENTEGA’s<br />
Contact for Digital Marketing Solutions<br />
christian.dankl@sonydadc.com | Phone: +44 20 7307 9773<br />
Intelligent feedback of media<br />
consumption patterns to <strong>the</strong> publisher<br />
Digital Copy with PID comes with eBridge Analytics, a<br />
<strong>Sony</strong> <strong>DADC</strong> online platform that shows detailed statistics<br />
about <strong>the</strong> usage of Digital Copy. This means that once<br />
<strong>the</strong> consumer has opted into this system, each disc can<br />
be identified and <strong>the</strong> user’s media usage can be tracked<br />
and interpreted accurately via an internet connection.<br />
“Digital Copy with PID combined with eBridge Analytics,<br />
fulfils two major needs of today’s home entertainment<br />
marketers: to get valuable feedback about <strong>the</strong>ir consumers’<br />
preferences as well an opportunity to differentiate<br />
<strong>the</strong>ir product in a retail environment,” commented<br />
Sonja Hauck, Product Manager Video at <strong>Sony</strong> <strong>DADC</strong>.<br />
“Digital Copy with PID provides a ‘best in class’ Digital<br />
Copy experience for both consumers and publishers.”<br />
Download<br />
report<br />
www.sonydadc.com/digitalcopy<br />
*This forecast is explained by three factors. Firstly, Digital Copy adds value to packaged<br />
media and will prevent price erosion, instead stabilising disc prices. Ano<strong>the</strong>r<br />
result of this perceived added value is a significantly increased number of impulse<br />
purchases. Thirdly, Digital Copy with PID provides a direct link to consumers with<br />
registration data - such as email addresses - available, which can be used in e-mail<br />
marketing to increase sales.<br />
special Climate Protection Promotion Rate. This means<br />
higher engagement and thus higher response rates.<br />
Conceptualised by Frankfurt-based agency OgilvyOne,<br />
<strong>the</strong> 770,000 unit campaign used targeted direct mail, as<br />
well as being inserted in daily newspapers and as a point<br />
of sale promotion.<br />
Besides ENTEGA, eBridge is increasingly used by energy<br />
providers to promote <strong>the</strong>ir green initiatives, like EDF in<br />
France or German industry energy provider Watt.<br />
<strong>the</strong> <strong>insider</strong><br />
7
Distribution services:<br />
European news<br />
8<br />
Enfield, UK<br />
Integrated customer service<br />
Based at its Enfield distribution centre, <strong>Sony</strong> <strong>DADC</strong> has launched a pilot<br />
project that provides a personal perspective to <strong>the</strong> supply chain service<br />
challenge. 2 entertain and Network are two customers that enjoy a designated<br />
point of contact for both production and distribution services<br />
within <strong>the</strong> <strong>Sony</strong> <strong>DADC</strong> team.<br />
This approach assures enhanced service provision and better integration<br />
between <strong>the</strong> steps of <strong>the</strong> supply chain. At <strong>the</strong> same time, it reduces <strong>the</strong><br />
workload on publishers since all co-ordination activities are handled by <strong>the</strong><br />
<strong>Sony</strong> <strong>DADC</strong> contact.<br />
Contact for Distribution Services<br />
thomas.irnberger@sonydadc.com | Phone: +43 6246 880 250<br />
<strong>the</strong> <strong>insider</strong><br />
Moissy, France<br />
New French joint venture selects <strong>Sony</strong> <strong>DADC</strong><br />
Established as a green field site in 2007, <strong>Sony</strong> <strong>DADC</strong>’s Moissy distribution centre has<br />
undergone fur<strong>the</strong>r investment and expansion of headcount to meet <strong>the</strong> strong demand<br />
for its integrated supply chain service.<br />
Its latest customer win sees a new joint venture that accounts for around 20% of <strong>the</strong><br />
French home video market formed from <strong>Sony</strong> Pictures Home Entertainment France<br />
and TF1 Vidéo select <strong>Sony</strong> <strong>DADC</strong>.<br />
<strong>Sony</strong> <strong>DADC</strong> will provide a full supply chain service, including a comprehensive retail<br />
administration facility. This will enable major efficiencies and synergies, providing integrated<br />
services that were previously carried out within each joint venture member,<br />
and creating a state-of-<strong>the</strong>-art distribution network for this ambitious new company.<br />
“Our aim is to be an interface between retail marketing and <strong>the</strong> joint venture’s operations,”<br />
commented Camille Magro, Managing Director <strong>Sony</strong> <strong>DADC</strong> Distribution<br />
France. “As a next step we intend to provide intranet solutions for our customers<br />
similar to those we offer in Scandinavia.”<br />
Enfield<br />
Moissy<br />
Milan<br />
Borås
Borås, Sweden<br />
Home deliveries for premier<br />
Nordic online retailer<br />
Based in Malmö, Sweden, CDON is <strong>the</strong> Nordic region’s leading online retailer and<br />
a leading player in <strong>the</strong> region’s dynamic home entertainment market. The company<br />
has signed a partnership agreement with <strong>Sony</strong> <strong>DADC</strong>’s Entertainment Network<br />
Scandinavia (ENS). From next March, ENS will ship around 8M titles each year directly<br />
to households in <strong>the</strong> Nordic region.<br />
“We were looking for a strong partner that can support future growth within our<br />
business,” explained Mikael Olander, CDON’s MD. “The retail landscape in <strong>the</strong> Nordics<br />
is significantly changing. Special music stores in smaller towns are becoming less common,<br />
leading to an increasing focus on online retail. ENS has huge warehouse capacities<br />
and <strong>the</strong>ir IT distribution system enables fast access to our products. Online orders<br />
for CDs and Music DVDs are picked, packed and shipped to consumers <strong>the</strong> same day.”<br />
“ENS was already an intermediary supplier for CDON. With this distribution agreement,<br />
<strong>Sony</strong> <strong>DADC</strong> for <strong>the</strong> first time distributes direct to consumers and CDON benefits<br />
from a faster access to <strong>the</strong> labels’ music order books.” stated Stig Ingelström, Managing<br />
Director of ENS.<br />
Milan, Italy<br />
<strong>Sony</strong> <strong>DADC</strong> well equipped to offer<br />
full supply chain service<br />
<strong>Sony</strong> <strong>DADC</strong> Italia has announced a co-operative partnership with Silvano<br />
Chiapparoli Logistica SPA.<br />
This agreement combines Chiapparoli’s market leading distribution and logistics<br />
network with <strong>Sony</strong> <strong>DADC</strong>’s order desk, order-to-cash and replication<br />
services to create a customer focused solution for Italian customers.<br />
“When we first visited one of Chiapparoli’s distribution centres in Lodi, we<br />
were impressed by <strong>the</strong> facility and its efficiency” explained Massimo Boldetti,<br />
Sales Representative for <strong>Sony</strong> <strong>DADC</strong> in Italy. “We believe that Chiapparoli<br />
perfectly complements our services. The strength of our joint offering to<br />
customers lies in <strong>the</strong> combination of <strong>the</strong> front office services and IT solutions<br />
of <strong>Sony</strong> <strong>DADC</strong> and Chiapparoli’s first class distribution and logistics.”<br />
New retail services in <strong>the</strong> UK<br />
In <strong>the</strong> UK, <strong>Sony</strong> <strong>DADC</strong> has created a team, headed<br />
by Andy Palmer that is aiming to get closer to <strong>the</strong><br />
retailers’ needs. Already, <strong>the</strong> team has instigated a<br />
number of new initiatives aimed at driving down<br />
supply chain costs for both content publishers and<br />
retailers.<br />
Shelf ready packaging applied at <strong>the</strong> distribution site<br />
can produce up to a 10% increase in product exposure.<br />
It means <strong>the</strong> product literally goes directly into <strong>the</strong> shelf.<br />
The retailer saves on staff time since <strong>the</strong>y no longer have<br />
to sticker, tag or put <strong>the</strong> products into safer cases. This<br />
frees <strong>the</strong>m for o<strong>the</strong>r tasks, such as filling empty shelf<br />
space and serving <strong>the</strong>ir customers with <strong>the</strong> resulting<br />
uplift in sales.<br />
Ano<strong>the</strong>r initiative is consolidated returns management.<br />
Whilst content publishers normally provide retailers<br />
with a privilege returns allowance in <strong>the</strong> region<br />
of 10% of invoice value <strong>the</strong> process of sending back<br />
returns to each publisher and reconciling credit notes<br />
can be time consuming. Now, retailers place all <strong>the</strong> returns<br />
in a single container which is returned to <strong>the</strong> <strong>Sony</strong><br />
<strong>DADC</strong> distribution centre. The stock is sorted in bulk to<br />
be returned to <strong>the</strong> original supplier, re-worked or sent<br />
for destruction. <strong>Sony</strong> <strong>DADC</strong> staff finalise <strong>the</strong> process by<br />
raising <strong>the</strong> credit notes to <strong>the</strong> retailer.<br />
A number of <strong>Sony</strong> <strong>DADC</strong> services have been developed<br />
with environmental sustainability in mind. Automated<br />
packaging and reusable plastic totes help to lower<br />
<strong>the</strong> carbon footprint. Also, a recent study by AlixPartners<br />
indicated that <strong>Sony</strong> <strong>DADC</strong>’s network is strategically<br />
positioned close to <strong>the</strong> major urban areas and hence<br />
close to <strong>the</strong> main retail centres, requiring <strong>the</strong> shortest<br />
transport and <strong>the</strong>reby minimising CO 2 emissions.<br />
Often simplest is also most efficient: most stores order<br />
on a daily basis – sometimes as few as 10 units. Now,<br />
under <strong>the</strong> banner of supply chain simplification,<br />
<strong>Sony</strong> <strong>DADC</strong> bundle <strong>the</strong>se orders into 2 or 3 weekly<br />
deliveries, so retailers save transport costs and staff time,<br />
while content owners reduce <strong>the</strong>ir distribution costs.<br />
<strong>the</strong> <strong>insider</strong><br />
9
Special Packaging Sourcing from China<br />
Products manufactured in China are being exported worldwide – from toys to garments, Chinese manufacturing<br />
skills are diverse and high quality. Also, abundant supplies of skilled labour means that <strong>the</strong>y can offer<br />
some of <strong>the</strong> shortest turnaround times for new product development.<br />
An area where Chinese suppliers have excellent knowledge<br />
and experience is specialised packaging products.<br />
These range from extruded plastic to metal, wood and<br />
rigid board materials.<br />
With <strong>the</strong> strategy of tapping into <strong>the</strong>se special packaging<br />
resources, <strong>Sony</strong> <strong>DADC</strong> has established dedicated purchasing<br />
teams in Shanghai, Hong Kong and Shenzen.<br />
Through <strong>the</strong>se teams, <strong>the</strong> company can source at local<br />
Chinese suppliers and build close relationships with <strong>the</strong><br />
main special packaging facilities.<br />
“Our purchasing teams have <strong>the</strong> advantages of local<br />
language skills, a full understanding of Chinese business<br />
culture, protocols and etiquette,” explained Gün<strong>the</strong>r<br />
Contact for Packaging Solutions<br />
thomas.friedrich@sonydadc.com | Phone: +43 6246 880 196<br />
10<br />
<strong>the</strong> <strong>insider</strong><br />
Leitner, Manager Printwork and Components at <strong>Sony</strong><br />
<strong>DADC</strong>. “They carry out comprehensive quality checks for<br />
hazardous materials and make sure that <strong>the</strong> highest European<br />
& Green quality standards are attained. Moreover,<br />
our dedicated teams can provide for <strong>the</strong> fastest possible<br />
shipment conditions.”<br />
Already, <strong>Sony</strong> <strong>DADC</strong> has completed a number of titles<br />
with special packaging sourced from China. The results<br />
have exceeded expectations – on top of <strong>the</strong> high quality<br />
and environmental considerations, <strong>the</strong> Euro-Chinese<br />
partnership has yielded cost savings of up to 50% for<br />
<strong>Sony</strong> <strong>DADC</strong>’s customers.
ARccOS - 360° content security for your video assets<br />
A large and growing audience is consuming content of video titles for free – by illicitly copying, ripping and<br />
downloading it. This is a great cause of concern to many publishers: however when viewed in a different<br />
way, <strong>the</strong> issue presents a new and large potential market for publishers. These viewers are expressing<br />
interest in content and if guided and persuaded in <strong>the</strong> right ways, <strong>the</strong>y can become valuable paying consumers<br />
of a publisher’s product.<br />
Developed by <strong>Sony</strong> <strong>DADC</strong>, ARccOS is one of <strong>the</strong> best established<br />
and developed DRM solutions on <strong>the</strong> market.<br />
It forms <strong>the</strong> focal point of <strong>the</strong> company’s strategy to turn<br />
would-be pirates into paying customers.<br />
Now, in a strategic move designed to take <strong>the</strong> system’s<br />
capabilities to a new level, <strong>Sony</strong> <strong>DADC</strong> has teamed up<br />
with Peer Media Technologies. Whilst <strong>Sony</strong> <strong>DADC</strong> is <strong>the</strong><br />
world leader in disc-based DRM solutions, Peer Media<br />
Technologies brings a wealth of knowledge and experience<br />
in <strong>the</strong> online sector. Toge<strong>the</strong>r, <strong>the</strong> two companies<br />
can provide a 360° content security solution for video<br />
assets.<br />
Carefully designed and externally audited processes in<br />
all steps of <strong>the</strong> supply chain and for all interfaces ensure<br />
that <strong>the</strong> risk of high quality content leakage is minimal.<br />
Online video security<br />
When combined, ARccOS and Peer Media Technologies’<br />
services offer a co-ordinated and comprehensive challenge<br />
to <strong>the</strong> piracy threats that are found on <strong>the</strong> internet.<br />
Also, <strong>the</strong>y can provide valuable statistical reporting<br />
to clients regarding <strong>the</strong> extent of <strong>the</strong> piracy threat.<br />
“By combining disc-based and online services, we support<br />
our customers in addressing all <strong>the</strong> aspects of piracy<br />
on many different levels,” remarked Dominik Engel,<br />
Product Manager Video DRM at <strong>Sony</strong> <strong>DADC</strong>. “<strong>Sony</strong><br />
<strong>DADC</strong> is confirming its commitment to help customers<br />
worldwide to grapple with <strong>the</strong> complexities of protecting<br />
<strong>the</strong>ir works in both physical and digital forms by<br />
completing our security offering.<br />
“Through partnering Peer Media Technologies, we can<br />
offer a single 360° solution for content security that inhibits<br />
piracy on all levels. This comprehensive solution<br />
is <strong>the</strong> most effective way to persuade casual pirates –<br />
home copiers as well as downloaders – to become paying<br />
customers,” he continued.<br />
Product Manager Video DRM<br />
dominik.engel@sonydadc.com | Phone: +43 6246 880 8572<br />
ARccOS for Blu-ray<br />
In o<strong>the</strong>r news from this business team, <strong>Sony</strong> <strong>DADC</strong> has<br />
responded to demand for a dynamic DRM solution for<br />
Blu-ray, similar to ARccOS for DVD, with frequent updates.<br />
This development comes against a background where<br />
industry <strong>insider</strong>s are claiming that existing DRM mechanisms<br />
for Blu-ray have been circumvented and even<br />
<strong>the</strong> system updates fail to provide <strong>the</strong> necessary level of<br />
protection.<br />
New from <strong>Sony</strong> <strong>DADC</strong>, ARccOS for Blu-ray Disc protects<br />
against 1:1 copying onto BD-R and ripping from Blu-ray<br />
Disc to an HD movie file or a standard definition format.<br />
Through full compliance with Blu-ray specifications, it<br />
assures compatibility and playability on all players, while<br />
long-term security from hackers is made possible<br />
through frequent system upgrades.<br />
Whilst protection is comprehensive, <strong>Sony</strong> <strong>DADC</strong> has<br />
kept in mind <strong>the</strong> needs of <strong>the</strong> publisher in developing<br />
this new system. It provides an easy and seamless protection<br />
workflow, meeting industry needs for fastest<br />
possible turnaround times.<br />
Fur<strong>the</strong>rmore, <strong>the</strong> publisher can determine <strong>the</strong> playback<br />
characteristics of a copy from no playback to garbled<br />
playback, disclaimers, trailers and even a link to <strong>the</strong><br />
official store site, which could generate new revenue<br />
streams.<br />
“Blu-ray has <strong>the</strong> potential to revolutionise <strong>the</strong> global<br />
home video market, but to realise this potential it needs<br />
a robust and effective DRM system, which is exactly<br />
what ARccOS for Blu-ray Disc represents,” explained<br />
Dominik Engel.<br />
<strong>Sony</strong> <strong>DADC</strong>'s 360° content security solution<br />
addresses all aspects of piracy<br />
Disc-based DRM:<br />
ARccOS forms a focal point of <strong>the</strong> <strong>Sony</strong> <strong>DADC</strong> strategy<br />
against piracy of video content, inhibiting <strong>the</strong> unauthorized<br />
1:1 duplication of discs.<br />
Internet intelligence and reporting<br />
P2P notices and counter measures:<br />
ARccOS and Peer Media Technologies' services are coordinated<br />
to comprehensively challenge <strong>the</strong> prevalent threats<br />
but also provide useful statistical reporting to our customers.<br />
Accredited secure facilities:<br />
Carefully designed and externally audited processes in all<br />
steps of <strong>the</strong> supply chain and for all interfaces ensure that<br />
<strong>the</strong> risk of high quality content leakage is minimal.<br />
Awareness building/legal action:<br />
To address consumer awareness of piracy, <strong>Sony</strong> <strong>DADC</strong> actively<br />
supports anti-piracy organisations worldwide and collaborates<br />
in awareness building programmes. There is of<br />
course also a legal aspect to piracy. Where necessary and<br />
appropriate <strong>Sony</strong> <strong>DADC</strong> will take up or support legal action<br />
against facilitators of piracy, such as riptool creators, first<br />
seeders and pirate sites.<br />
<strong>the</strong> <strong>insider</strong> 11
Boost software and games sales with SecuROM<br />
Today <strong>the</strong> games and software industry has become a multi-billion Euro international business. The nature and structure of software products lend <strong>the</strong>mselves to<br />
digital distribution, but at <strong>the</strong> same time present unique challenges. Digital distribution provides new sales models, which are extremely effective in generating<br />
revenue streams that cost little to create and expand – models such as Try & Buy. But, <strong>the</strong> challenge facing software publishers in many markets is to enable <strong>the</strong>se<br />
business models within an environment based on Digital Rights Management (DRM). A range of software companies use <strong>Sony</strong> <strong>DADC</strong>’s SecuROM DRM system to<br />
protect and market <strong>the</strong>ir most valuable assets.<br />
Phase-6<br />
Phase-6 is a publisher of vocabulary training software.<br />
The company has successfully integrated SecuROM<br />
within its leading software products.<br />
“We from phase-6 are very satisfied with SecuROM because<br />
<strong>the</strong> use of this Digital Rights Management solution<br />
has increased sales considerably,” said Daniel Gorin,<br />
CEO of phase-6. “On <strong>the</strong> one hand we use it to prevent<br />
unauthorized mass duplication. On <strong>the</strong> o<strong>the</strong>r hand we<br />
used SecuROM to offer a trial period to potential users<br />
in order to reduce buying barriers.”<br />
Product Manager Software DRM<br />
david.berka@sonydadc.com | Phone: +43 6246 880 8938<br />
12<br />
<strong>the</strong> <strong>insider</strong><br />
Square Enix Europe<br />
Having recently acquired UK-based PC games publisher,<br />
Eidos, Square Enix Europe is a leading player in this lucrative<br />
international market.<br />
Square Enix Europe has chosen <strong>Sony</strong> <strong>DADC</strong> as its technology<br />
partner and has applied SecuROM as its DRM<br />
system to safeguard its physical and digital distribution<br />
channels for all of its PC games titles.<br />
Ano<strong>the</strong>r key advantage for <strong>the</strong> customer in using Secu-<br />
ROM Product Activation is <strong>the</strong> availability of an online<br />
analytics platform, which yields valuable information<br />
about media consumption patterns within <strong>the</strong>ir target<br />
markets.<br />
Maximum privacy and user security: TÜV<br />
certifies SecuROM as “trusted procedure”<br />
Fur<strong>the</strong>r SecuROM related news tells us that SecuROM<br />
has been certified as a ‘trusted procedure’ by influential<br />
German testing institute – TÜV. German data protection<br />
legislation is amongst <strong>the</strong> most stringent in Europe,<br />
so SecuROM’s TÜV approval is significant well beyond<br />
Germany.<br />
“The digital distribution channel is becoming increasingly<br />
important to a broad range of companies that<br />
are attempting to establish <strong>the</strong>ir products,” commented<br />
David Berka, Product Manager SecuROM at <strong>Sony</strong> <strong>DADC</strong>.<br />
“Previously <strong>the</strong>re was a trade-off between security and<br />
accessibility, but no longer, with SecuROM we offer <strong>the</strong><br />
best of both worlds. Fur<strong>the</strong>rmore it’s appropriate to a<br />
broad range of business enterprises from software to PC<br />
games and home entertainment products.”<br />
Oxford English Testing replaces serialised<br />
printwork with electronic DISC KEY<br />
Software security – or ra<strong>the</strong>r <strong>the</strong> lack of appropriate<br />
security - can be a major source of lost revenue to some<br />
organisations. If <strong>the</strong> software is not protected it can be<br />
more easily copied and shared<br />
within a peer group.<br />
One solution has been to<br />
supply <strong>the</strong> users with <strong>the</strong>ir<br />
own unique serial key which,<br />
once typed in, unlocks <strong>the</strong><br />
game’s security system and<br />
allow users to enter. However,<br />
this solution is not perfect:<br />
most calls to technical<br />
support lines are caused by<br />
human error mistyping serial<br />
keys into <strong>the</strong>ir PC.<br />
Now, <strong>Sony</strong> <strong>DADC</strong> has introduced a new and radically<br />
different approach that immediately removes this issue.<br />
The new electronic DISC KEY is an invisible code which<br />
is loaded onto <strong>the</strong> data side of <strong>the</strong> disc during manufacture.<br />
The code can be read automatically by <strong>the</strong> PC, which<br />
<strong>the</strong>n automatically communicates with a <strong>Sony</strong> <strong>DADC</strong><br />
server to verify it before unlocking <strong>the</strong> game for <strong>the</strong> user.<br />
International publisher Oxford English Testing (OET) use<br />
CD-ROM’s and audio CDs as an addition to its education<br />
packages and add CDs to <strong>the</strong> workbooks. With an<br />
original disc, <strong>the</strong> student is provided with access to <strong>the</strong><br />
company’s examination website where <strong>the</strong>y can complete<br />
tests online as a part of <strong>the</strong>ir studies.<br />
The developers have incorporated <strong>Sony</strong> <strong>DADC</strong>’s Electronic<br />
DISC KEY onto <strong>the</strong>ir discs which provides one-click<br />
access to <strong>the</strong> website once <strong>the</strong> disc is loaded in a PC.<br />
Once loaded, <strong>the</strong> disc provides <strong>the</strong> option of ei<strong>the</strong>r playing<br />
<strong>the</strong> loaded material or linking directly to <strong>the</strong> OET<br />
website, where <strong>the</strong> tests are located.<br />
Clicking on <strong>the</strong> OET website button provides an open<br />
weblink that starts <strong>the</strong> website and automatically inserts<br />
an electronic code into <strong>the</strong> required field, removing any<br />
risk of mistyping or incorrectly filling <strong>the</strong> fields.
Digital deliveries to<br />
<strong>Sony</strong> Ericsson’s PlayNow Arena:<br />
millions of tracks<br />
As reported in <strong>the</strong> last issue of "<strong>the</strong> <strong>insider</strong>", <strong>Sony</strong><br />
<strong>DADC</strong>’s Digital Content Services team is working<br />
closely with sister company <strong>Sony</strong> Ericsson.<br />
One of Europe’s leading mobile telecoms companies,<br />
<strong>Sony</strong> Ericsson has meanwhile created access for customers<br />
to its online music portal – PlayNow Arena in 18<br />
territories in Europe. Fur<strong>the</strong>r rollouts with a global scope<br />
are prepared for Latin America and Asia Pacific territories.<br />
The platform, which is supported by <strong>the</strong> Digital Content<br />
Services team at <strong>Sony</strong> <strong>DADC</strong>, provides a wide variety of<br />
downloadable music and ringtones.<br />
The music is provided by all major and some indie record<br />
labels having a mixture of tracks on a global and local<br />
scope. <strong>Sony</strong> <strong>DADC</strong>’s Anif-based team encodes all <strong>the</strong><br />
data and delivers <strong>the</strong> music files in all formats required<br />
to <strong>the</strong> online portal www.playnow-arena.com.<br />
Contact for Digital Content Services<br />
karl.heisler@sonydadc.com | Phone: +43 6246 880 347<br />
Pearl Jam<br />
create an eBridge to <strong>the</strong>ir fan base<br />
Universal Music’s CD release of <strong>the</strong> band’s new album Backspacer sees Pearl Jam pushing back <strong>the</strong> frontiers<br />
of CD technology. Backspacer is not just a CD – it’s an eBridge CD using <strong>Sony</strong> <strong>DADC</strong>’s unique voucher number<br />
technology.<br />
This advanced music platform gives <strong>the</strong> band’s loyal fans<br />
access to a wide range of bonus content after <strong>the</strong>y have<br />
registered on a special web portal.<br />
After loading <strong>the</strong> disc into an internet connected PC,<br />
<strong>the</strong> user is just one click away from a whole new world<br />
of bonus material, which is provided free of charge by<br />
<strong>the</strong> band.<br />
Fans have a choice of two free downloads from a menu<br />
of 11 Pearl Jam gigs that are hosted on <strong>the</strong> website.<br />
The album will ship globally with eBridge technology<br />
and initial worldwide volumes are very substantial.<br />
“Pearl Jam’s fans are amongst <strong>the</strong> most loyal in <strong>the</strong><br />
industry and <strong>the</strong>y have reacted very positively to this<br />
new concept,” said Gerry Kelly, Business Development<br />
eBridge at <strong>Sony</strong> <strong>DADC</strong>. “It’s a win-win scenario – <strong>the</strong><br />
fans receive some great performance recordings and<br />
<strong>the</strong> band and record label are able to develop a deeper<br />
relationship with <strong>the</strong>ir fans than would o<strong>the</strong>rwise<br />
be possible.”<br />
This sophisticated online conditional access system integrates<br />
<strong>Sony</strong> <strong>DADC</strong>’s eBridge analytics application, which<br />
enables a wealth of information to be automatically<br />
reported back to <strong>the</strong> client.<br />
“In today’s multimedia world, music lovers expect more<br />
than just great audio. This system exactly fits our needs<br />
and has been very well received by <strong>the</strong> band and <strong>the</strong>ir<br />
fans,” commented Jon Turner, General Manager, Island<br />
Records.<br />
Business Development eBridge UK<br />
gerry.kelly@sonydadc.com | Phone: +44 7775 81 61 63<br />
<strong>the</strong> <strong>insider</strong> 13
Dieter Daum receives Global Environmental Award from<br />
Ryoji Chubachi (President and Electronics CEO, <strong>Sony</strong> Corporation)<br />
Within <strong>the</strong> <strong>Sony</strong> Group of companies, <strong>Sony</strong> <strong>DADC</strong> is in<br />
<strong>the</strong> first tier of environmentally aware business operations.<br />
This was recognised last year when <strong>the</strong> company<br />
received an Award of Excellence in energy conservation<br />
and <strong>the</strong> prevention of global warming from Ryoji Chubachi,<br />
President and Electronics CEO, <strong>Sony</strong> Corporation.<br />
Effective manufacturing remains a key focus within<br />
<strong>Sony</strong> <strong>DADC</strong> as well as energy conservation. Compared<br />
with 2000 levels, <strong>the</strong> company has reduced energy consumption<br />
per disc produced by 5%; CO 2 emissions have<br />
fallen by 94% and water consumption per disc produced<br />
has fallen by 10%.<br />
New initiatives include <strong>the</strong> modification of production<br />
equipment for optimised energy use, waste heat recovery<br />
and re-use in heating systems and water saving<br />
technologies in mastering & replication.<br />
Ano<strong>the</strong>r major initiative is ground water cooling at <strong>the</strong><br />
Anif site near Salzburg. The area is rich in water resources<br />
and <strong>Sony</strong> <strong>DADC</strong> conducts a lot of measurements<br />
to ensure of <strong>the</strong> safe sourcing <strong>the</strong> ground water and<br />
uses it for cooling during <strong>the</strong> manufacturing processes.<br />
Since 2001, this system has created CO 2 savings of over<br />
6 tonnes and saved 33M kWh of energy in Anif. After<br />
<strong>the</strong> success of this project, <strong>Sony</strong> <strong>DADC</strong> is extending<br />
<strong>the</strong> energy saving measure to additional manufacturing<br />
Contact for Green Manufacturing<br />
maria.bauer@sonydadc.com | Phone: +43 6246 880 8018<br />
14<br />
<strong>the</strong> <strong>insider</strong><br />
Engineering a greener future<br />
The <strong>Sony</strong> Corporation commits strongly to environmentally sustainable manufacturing and business operations. For decades <strong>the</strong><br />
company has lead <strong>the</strong> development of practices designed to reduce manufacturing’s carbon footprint. Last year saw <strong>Sony</strong> join <strong>the</strong><br />
WWF’s Climate Savers Initiative with a commitment to fur<strong>the</strong>r reduce its carbon dioxide emissions by 7% before 2010.<br />
sites. Currently, <strong>the</strong> company is introducing ground water<br />
cooling in Thalgau as well.<br />
On top of this, almost all of <strong>the</strong> waste produced by <strong>Sony</strong><br />
<strong>DADC</strong> is recycled, in addition to a major reductions in<br />
<strong>the</strong> generation of waste throughout <strong>the</strong> company’s operations.<br />
State of art facilities powered<br />
with hydroelectric energy<br />
Perhaps <strong>the</strong> most impressive CO 2 reduction has occurred<br />
through <strong>Sony</strong> <strong>DADC</strong>’s decision to implement 100% renewable<br />
energy sources, which once again harness <strong>the</strong><br />
abundant water resources around <strong>the</strong> production site.<br />
“Our drive for environmentally sustainable business<br />
practices is not confined to <strong>the</strong> production plant,” commented<br />
Maria Bauer, Environmental & Sustainability<br />
Officer at <strong>Sony</strong> <strong>DADC</strong>. “Every employee needs to be<br />
aware of <strong>the</strong> need to save natural resources. Earlier this<br />
year we set ano<strong>the</strong>r target to achieve a fur<strong>the</strong>r 10%<br />
energy reduction within <strong>the</strong> office and administration<br />
areas. We believe this will save a fur<strong>the</strong>r 170,000 kWh<br />
of energy each year, as well as around 650,000 sheets<br />
of paper.”<br />
Finally, <strong>Sony</strong> <strong>DADC</strong> has developed a number of environmentally<br />
friendly packaging systems for its products.<br />
Bend-it Green and eco-boxes (lightweight and thus material<br />
saving) are two systems which have proved very<br />
effective in reducing carbon footprint without compromising<br />
<strong>the</strong> quality of <strong>the</strong> final packaged media product.
Carbon Footprint Savings of more than 50% *<br />
Bend-it Green – <strong>the</strong> Eco-Packaging Line by <strong>Sony</strong> <strong>DADC</strong><br />
n 100% recycled or 50% recycled or FSC/PEFC certified material<br />
n easy to use (bend out disc holder)<br />
n no use of plastic<br />
n cost efficient<br />
n short leadtime<br />
Award<br />
Winner<br />
<strong>Sony</strong> <strong>DADC</strong> | <strong>Sony</strong>strasse 20 | 5081 Anif/Salzburg | Austria | Phone: +43 6246 880 555 | sales@sonydadc.com | www.sonydadc.com<br />
Bend-it Green | Patent Pending *vs. tray-based packaging solutions **a non-profit company established to find ways to reduce <strong>the</strong> UK music industry’s greenhouse gas emissions<br />
available for<br />
CD and DVD,<br />
one disc and<br />
multi disc<br />
versions<br />
Music Industry Green Mark<br />
by Julie's Bicycle **
<strong>Sony</strong> <strong>DADC</strong> Sales Network Europe<br />
United Kingdom • Ireland<br />
<strong>Sony</strong> <strong>DADC</strong> United Kingdom<br />
Kent House<br />
14/17 Market Place, 5th floor<br />
London W1W 8AJ<br />
United Kingdom<br />
Siegfried Obermayr<br />
Phone: +44 20 7307 9771<br />
siegfried.obermayr@sonydadc.com<br />
Robert King<br />
Phone: +44 7919 330 734<br />
robert.king@sonydadc.com<br />
Paul Bishop<br />
Phone: +44 2920 69 27 66<br />
paul.bishop@sonydadc.com<br />
Gerry Kelly<br />
Phone: +44 7775 81 61 63<br />
gerry.kelly@sonydadc.com<br />
John Morrissey<br />
Phone: +44 1420 47 00 45<br />
john.morrissey@sonydadc.com<br />
Roger Twynham<br />
Phone: +44 7768 00 48 55<br />
roger.twynham@sonydadc.com<br />
France<br />
<strong>Sony</strong> <strong>DADC</strong> France<br />
140 rue Gallieni<br />
92100 Boulogne Billancourt<br />
France<br />
Phone: +33 164 13 82 60<br />
ulrike.lombard@sonydadc.com<br />
Bertrand Levavasseur<br />
Phone: +33 164 13 82 41<br />
bertrand.levavasseur@sonydadc.com<br />
John Ma<strong>the</strong>ws<br />
Phone: +33 231 37 50 50<br />
john.ma<strong>the</strong>ws@sonydadc.com<br />
Simon Holpert<br />
Phone: +33 164 13 82 43<br />
simon.holpert@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> · <strong>Sony</strong>strasse 20 · 5081 Anif/Salzburg · Austria · marketing@sonydadc.com · www.sonydadc.com<br />
Austria • Czech R.<br />
Slovakia • Slovenia<br />
Croatia<br />
Alexander Schwab<br />
Phone: +43 6246 880 570<br />
alexander.schwab@sonydadc.com<br />
Benelux<br />
Toon Bressers<br />
Phone: +31 40 251 25 06<br />
toon.bressers@sonydadc.com<br />
Germany • Switzerland<br />
Urs Staubli<br />
Phone: +41 71 860 06 20<br />
urs.staubli@sonydadc.com<br />
Christian Adam<br />
Phone: +43 6246 880 660<br />
christian.adam@sonydadc.com<br />
Christoph Diekmann<br />
Phone: +49 221 510 70 90<br />
christoph.diekmann@sonydadc.com<br />
Greece • Cyprus • Macedonia<br />
Bulgaria • Turkey<br />
Yannis Saoulis<br />
Phone: +30 6977 227 837<br />
yannis.saoulis@sonydadc.com<br />
Hungary • Romania<br />
Istvan Zakarias<br />
Phone: +36 30 950 50 29<br />
istvan.zakarias@sonydadc.com<br />
Italy<br />
Massimo Boldetti<br />
Phone: +39 02 3658 6005<br />
massimo.boldetti@sonydadc.com<br />
Spain • Portugal<br />
Susanne von Bahr<br />
Phone: +34 91 409 64 86<br />
susanne.von.bahr@sonydadc.com<br />
Stig von Bahr<br />
Phone: +34 91 575 74 03<br />
stig.von.bahr@sonydadc.com<br />
Poland • Latvia • Lithuania<br />
Lukasz Zwolinski<br />
Phone: +48 661 02 0000<br />
lukasz.zwolinski@sonydadc.com<br />
Nordic Territory<br />
<strong>Sony</strong> <strong>DADC</strong> Copenhagen Office<br />
Sluseholmen 2-4<br />
2450 Copenhagen<br />
Denmark<br />
Jesper Schertiger<br />
Phone: +45 7070 27 25<br />
jesper.schertiger@sonydadc.com<br />
Michael Persson<br />
Phone: +45 3694 46 31<br />
michael.persson@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Stockholm Office<br />
Gåsgränd 3<br />
111 27 Stockholm<br />
Sweden<br />
Matilda von Bahr<br />
Phone: +46 8 442 92 06<br />
matilda.von.bahr@sonydadc.com<br />
Kristoffer Ellsäter<br />
Phone: +46 763 250 187<br />
kristoffer.ellsater@sonydadc.com<br />
Leif Ellsäter<br />
Phone: +46 763 060 012<br />
leif.ellsater@sonydadc.com<br />
Russian Federation<br />
<strong>Sony</strong> <strong>DADC</strong> Russia<br />
Prospekt 60-letiya Oktyabrya, 9,<br />
bldg 2, office 506<br />
117312, Moscow<br />
Russia<br />
Alexey Ugrinovich<br />
Phone: +7 985 760 69 46<br />
alexey.ugrinovich@sonydadc.com<br />
O<strong>the</strong>r European countries<br />
sales@sonydadc.com<br />
Phone: +43 6246 880 555<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution<br />
Network Europe<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution UK<br />
6 Solar Way<br />
Innova Park off Mollison Ave<br />
Enfield<br />
Middlesex EN3 7XY<br />
United Kingdom<br />
Phone: +44 1992 65 7688<br />
darren.houghton@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution France<br />
Bâtiment n° 4<br />
Le Parc Prologis Chanteloup<br />
77550 Moissy-Cramayel<br />
France<br />
Phone: +33 1 64 13 82 11<br />
camille.magro@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution Germany<br />
Waldstraße 37<br />
63128 Dietzenbach<br />
Germany<br />
Phone: +49 6074 498 100<br />
michael.hechler@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution Italy<br />
Silvano Chiapparoli Logistica Spa<br />
Livraga "Deposito Livraga 2"<br />
Via Cascina Nuova<br />
26814 Livraga (LO)<br />
Italy<br />
Phone: +39 0377 986 450<br />
dina.neto@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution Spain<br />
Avda. Olímpico Fernandez Ochoa s.n.<br />
Poligono Urtinsa<br />
28925 Madrid<br />
Spain<br />
Phone: +34 91 59 68 487<br />
jesus.valenciano@sonydadc.com<br />
<strong>Sony</strong> <strong>DADC</strong> Distribution Nordics<br />
Entertainment Network<br />
Scandinavia AB<br />
Viaredsvägen 24<br />
504 94 Borås<br />
Sweden<br />
Phone: +46 33 20 61 01<br />
stig.ingelstrom@sonydadc.com<br />
Insider0209