The Superposition

Contents
P.i-ii
What is Superposition?
P.3-4
Introduction:
Expanded Vocabularies
Dr. Sam Illingworth
P.5-6
The Superposition:
Network of members
P.7-8
The Superposition:
Timeline
P.23-26
How to Find Solutions When
You Don’t Know the Questions
Dominic Hopkinson
P.27-30
An Evolution of the Maker
Dave Lynch
P.31 - 32
Images, Words and Code:
A Visual Wssay on the
Nature of Collaboration
Adam Glatherine,
Dr. Christophe de Bezenac,
Dave Lynch
P.45-48
Inclusivity, Continuous Personal
Development and the New Economy
Dr. Joanna Leng
& Prof. Wes Sharrock
P.51-54
Weaving Proteins
Dr. Lorna Dougan
& Rhiannon Gregory
P.55-56
Personal Reflections on
ArchiBio (2015-2017)
DNA is Not a Blueprint of Life
Prof. Lars Jeuken
P.81-84
Humans, Puppets and Robots:
What’s the Difference?
Anzir Boodoo
P.85-88
Ghost Sculptures: Serendipity
and the Importance of Conversations
With No Aim!
Lawrence Molloy
P.89-92
Artistic-Led Concept Experiments Were
Key to the Art, Science and Making of
‘In Transition’
Cat Scott
P.9-11
A Curious Method for
a Sophisticated World
Dr. Joanna Leng
& Prof. Wes Sharrock
P.13-14
What is the Colour of an Atom?
Dr. D.A. Quiñones
P.17-20
In Phase
Dave Lynch
P.33-36
Commissioning Research.
Or How it Should be Done
Dominic Hopkinson
P.37-40
Vessel: Collaboration
Through Commission
Dr. Paul Beales & Jim Bond
P.41-42
Diffractive Practice
Ben Dalton
P.59-62
Herding Collaborative Cats
Behind the Scenes of
Collective Ways of Working
Dave Lynch
P.63-66
ASMbly Lab 2017
Why I Argued for the Development
of an Exhibition that Included
Non-Members and a Free Workshop
programme
Lawrence Molloy
P.93-98
Unit Cell:
Turning Experiments into Experiences
Dominic Hopkinson,
Lawrence Molloy,
Prof. Ben Whitaker
P.99-103
Glossary of terms
P.104
Acknowledgements
P.109-110
Image Credits
P.21-22
The Art of Science Engagement
Dr. Paul Beales