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The Superposition

Collection of essays on collaboration from artists, scientists and makers

Collection of essays on collaboration from artists, scientists and makers

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robotics and the complexity of replicating

in robots the degrees of freedom of

movement in the human hand.

The other two speakers were quite

excited about the provocation, and,

as good as the evening turned out

to be (at least from the feedback

we got afterwards), what didn’t end up

happening on the night was probably

at least as fascinating as what did.

Other possibilities we had discussed

before the evening included building

a demonstration robot to show the

similarities and differences between

movement making for humans and

robots, and demonstrating how Transcranial

Magnetic Stimulation could be

used to turn a human into a puppet by

firing electromagnetic pulses at their

motor cortex.

electric toothbrush. The question he

posed here was whether humans are, at

least consciously, as in control of their

movements as they think.

This organisational process opened up

new possibilities for The Superposition,

by creating new collaborations between

Artists, Scientists and Makers who

would not otherwise work together,

and allowing us to see the possibilities

of our work from different perspectives.

This also creates the potential for a

Superposition evening to be the start

of a collaborative process between the

Artist, Scientist and Maker, rather than

an end point of each talking about work

that has already been made.

Our approach resulted in three interconnected

talks. Raymond defined

robots as artificial objects which

perform physical actions based

on what they sense (not necessarily

using Artificial Intelligence) to adapt

their choices based on success

and failure, as most robots simply

follow an algorithm set by a human

programmer, which he described

as a form of time-delayed puppetry.

I then introduced puppets as

conveyors of movement and expression

to an audience, which could

function as a prosthetic by extending

the puppeteer’s abilities, and that

‘robots’ which function only by remote

control, such as those in Robot Wars,

can more accurately be described as

puppets. Samit then compared how the

brain controls the human body through

feedback loops with the control of

robotic movement, and demonstrated

how we can interrupt our perception

of muscle position by using only an

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