TODAY Kroger center on tap - Canton Public Library
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TODAY Kroger center on tap - Canton Public Library
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MOVIES I<br />
Coens deliver thriller in Fargo'<br />
Plodding<br />
through kneedeep<br />
»now. aheriff<br />
Marge Gunderaoo<br />
P«UMM (or<br />
• sec<strong>on</strong>d while<br />
examining •<br />
•hooting victim<br />
in a bloody triple<br />
murder. She<br />
thinks she may<br />
vomit, not be-<br />
/OMR cause of the<br />
grisliness of the<br />
scene, bul because of morning<br />
sickness She's six m<strong>on</strong>ths preg<br />
nant.<br />
"Fargo" may be my least favor<br />
ite of the six films written, pro<br />
duced and directed by brothers<br />
Joel and Ethan Coen But it does<br />
deliver something special: a police<br />
investigator unlike any that has<br />
walked across the screen.<br />
Actress Frances McDormand,<br />
interviewed with the directors in<br />
New York recently, calls Marge<br />
"Midwestern nice." She works<br />
with the people she's interrogat<br />
ing, draws them out with a friendly<br />
"work with roe here," but then<br />
gets tough if they d<strong>on</strong>'t treat her<br />
with equal courtesy<br />
"She's never trying to build<br />
herself up as smarter or dumber<br />
than she actually is." McDormand<br />
says. "She's just doing ei<br />
actly what needs to be d<strong>on</strong>e nghl<br />
then It's a very Midwestern trait:<br />
you do not expend any energy un<br />
less absolutely necessary, and<br />
then, if it's necessary, you lake<br />
c<strong>on</strong>trol "<br />
Marge holds the film together<br />
When she s off screen you miss<br />
her. left with a fairly routine murder<br />
mystery laced with quirky<br />
Coen louche*. Marge trails a shady<br />
Brainerd. Minnesota, car deal<br />
er behind in his payment* (William<br />
H Macy) who plots lo have<br />
his wife kidnapped so he can split<br />
the ransom m<strong>on</strong>ey with thugs-forhire<br />
"Steve Buscemi and Peter<br />
Stormare).<br />
Though you'll never get them to<br />
admit it. this very Midweatern<br />
murder mystery reads like the<br />
-Coens' allerftc reacti<strong>on</strong> to just<br />
about everything popular in Hollywood.<br />
reas<strong>on</strong> enough to give it<br />
your support.<br />
The shakey camera of TV po<br />
PREVIEW<br />
lice dramas ia replaced here by<br />
classical compositi<strong>on</strong> and almost<br />
painfully slow pacing. The banter<br />
between gunmen that Quentin<br />
Tarantino has lad ua to expect is<br />
now <strong>on</strong>e guy talking to a human<br />
wall Much of the humor here is<br />
based <strong>on</strong> the characters' accents,<br />
so thickly Scandinavian that the<br />
Coens' former Minnesota neigh<br />
bora will probably be put off.<br />
"Even 'Raising Arix<strong>on</strong>a." about<br />
as innocuous a movie as you can<br />
imagine, offended some people in<br />
Arix<strong>on</strong>a for whatever reas<strong>on</strong>.<br />
Ethan says. "If you're at all spe<br />
cific in terms of regi<strong>on</strong> or anything.<br />
some people tend to be of<br />
fended and nothing will stop<br />
them."<br />
Even their use of Steve Bus<br />
cerai is underplayed Where the<br />
popeyed Mr. Pin I almoet ascend*<br />
to the level of folklore in the recent<br />
Things To Do in Denver<br />
When You're Dead." Fargo provides<br />
just another quirky part,<br />
which the actor probably appreci<br />
ates<br />
And in many ways "Fargo" is a<br />
reacti<strong>on</strong> to the big m<strong>on</strong>ey spent<br />
land lost I <strong>on</strong> The Hudaucker<br />
Proxy " Still my favorita of the<br />
Coens' movies, it proved a financial<br />
disaster that haa temporarily<br />
sunk their relati<strong>on</strong>s with the big<br />
Atudioa.<br />
Their budget oo "Fargo" was a<br />
measly S7 milli<strong>on</strong>, which probably<br />
could have been leas if the<br />
weather had cooperated They<br />
MR MAW TA» fc».rt<br />
:r<br />
DfRRlft:<br />
Brainerd,<br />
Minnesota<br />
Police Chief<br />
Marge<br />
Gunders<strong>on</strong><br />
(Frances<br />
McDormand)<br />
takes<br />
aim at a fleeinn<br />
suspect j<br />
4UJ<br />
in Ciycn film.<br />
"Fargo."<br />
had the bad luck to shoot th*<br />
large number of winter exteriors<br />
in a seas<strong>on</strong> where Upper Minnesota<br />
snowfall waa at a record low, —<br />
forcing cast and crew lo head far- • "<br />
ther north.<br />
Gra mercy Pictures, the com pa<br />
ny distributing "Farto." hM wiaa-"<br />
ly choaan to open it <strong>on</strong> <strong>on</strong>ly a -<br />
handful of scraens. Though show .<br />
ing exclusively at the Star John R -<br />
in Madis<strong>on</strong> Heights, the movie<br />
may go wide if ecstatic reviews<br />
iSiskel and Ebert am<strong>on</strong>g them)<br />
bring people out.<br />
Before the opening credita, the<br />
Coens make a big deal out of the<br />
story being based <strong>on</strong> real event*,<br />
but they're characteriatically<br />
cagey when interviewed about<br />
what is real and what ficti<strong>on</strong> You<br />
w<strong>on</strong>der after awhile if there really<br />
was a case like this at all.<br />
Did they set the movie in 1987<br />
to be more faithful to the real story'*<br />
No. they just wanted a particular<br />
topical reference to Johnny<br />
Cars<strong>on</strong><br />
And why did they call the mov<br />
ie "Fargo." when virtually all of<br />
the acti<strong>on</strong> lakes place in Minnesota*<br />
1 "You know, the marketing<br />
people w<strong>on</strong>dered about that too.^'„<br />
says Ethan, though he hardly<br />
seems c<strong>on</strong>cerned. "It sounded.<br />
better than Brainerd "<br />
To leave a meuage for Joh^l<br />
M<strong>on</strong>aghan, dial 963 2047.<br />
box number 1966. <strong>on</strong> a touch-t<strong>on</strong>e<br />
ph<strong>on</strong>e, fax him a note at 691 • 727<br />
or write him in care of Entertain<br />
ment. Observer ft Eccentric New<br />
papers. 36251 Schoolcraft, Lw<strong>on</strong>u<br />
46150<br />
/Y/fH 1« Yi\\,<br />
THE<br />
(Observer Q Eccentric<br />
NEWSPAPERS<br />
O S C A R C O N T E S T<br />
Sp<strong>on</strong>sored 6y nme.<br />
THEATRES<br />
«•"* tl Wm~r. «a .<br />
i m <br />
Q MUw4 WsiM.nl I"Ttm P*sm<br />
• TW litis rD—dUmmW*<br />
RAME<br />
ADORES*<br />
DAYTIME PWORE RU<br />
• Jmea ARra CNmm")<br />
• keHtWw f'ifmM. t3~,<br />
• Mars WviMtrWvfev <br />
3 "Haer Vw Eve* UM • Wm<br />
(t)mm Jmmm Mtsws)<br />
• -M sMi"<br />
3 "t«s'»» CM a frSeeJT < fay .tsery»<br />
f ssaa rWwte?. MareR SI<br />
we. tMbun.. I Eenmeh H<br />
mi 461 MS. r*si 1313) S9I.7S'79.<br />
A sRmpHng of whsi's playing at<br />
ait amative movte theaters across<br />
matro Detroit as reviewed by<br />
John M<strong>on</strong>aghan<br />
• DETROIT FILM THEATRE<br />
Detroit Inatitut* of Art*, 5200<br />
Woodward Ave.. Detroit. Call<br />
(313) 333-2323 for informati<strong>on</strong>.<br />
ilfi; $4 students)<br />
"Eyes Without a Face" (Franc*<br />
• 1959). 7.9:30 p.m March 3-9.<br />
Director Georges Franju c<strong>on</strong>cocted<br />
thia little-seen French horror<br />
film, what he likad to call a "poetic<br />
fantaay " Hare a demented surge<strong>on</strong><br />
tries to rebuild the face of<br />
his disfigured daughter — at any<br />
coat The film itaelf has underg<strong>on</strong>e<br />
a little rec<strong>on</strong>structive surgery.<br />
since moat American viewers<br />
know the film under its dubbed<br />
and re-edited versi<strong>on</strong>, 'The Horror<br />
Chamber of Dr. Faustua."<br />
"1 Am Cuba" (Cuba/USSR •<br />
1964). 4,7 p.m. March 10. The<br />
camera ia the real star in this dixxying<br />
tribute to Cuban Communism.<br />
Numerous requests<br />
prompted the DFT to give us another<br />
look at this eye-popping<br />
propaganda film, especially timely<br />
with our current tense relati<strong>on</strong>s<br />
with Castro.<br />
"Tales from the Brothers<br />
Quay." 7 p.m. March 11. Identical<br />
twins born in Philadelphia, the<br />
Quays have turned the animati<strong>on</strong><br />
world upside down with their visi<strong>on</strong>ary<br />
film*, often using found<br />
objects and surreal imagery.<br />
Am<strong>on</strong>g the titles: "Are We Still<br />
COMING ATTRACTION!<br />
SCHEDULED TO OPES FRl<br />
My, MartTft 8<br />
"SOTTVI 40CKIT"<br />
The stc*y ifvee wouW De<br />
tmeves who team the importance<br />
61 friendship, h<strong>on</strong>or and duty as<br />
•„ they «epUy pursue a lite ol cnme<br />
p<br />
VY METAL"<br />
The milest<strong>on</strong>e animated sewnde<br />
AMC A^LTRIC ANA WIST<br />
Married?," "Rehearsals for Extinct<br />
Anatomies," and "Street of<br />
Crocodiles."<br />
• EIMOTEK<br />
Windsor Film Theatre, 2136<br />
Wyandotte St. Weat, Windaor<br />
Call (619) 264-FILM for informa<br />
ti<strong>on</strong>. ($4-50 Canadian; $4 U.S.)<br />
Chris Marker - "La Jetee"<br />
(France - 1962) and "Sane Soleil"<br />
(France -1962). Starting at 8:30<br />
p.m. March 11-12. Hie short film,<br />
"La Jetee," served as inspirati<strong>on</strong><br />
for Terry Gilliam'a "Twelve M<strong>on</strong>key*."<br />
Now see the original, with<br />
its creative manipulati<strong>on</strong> of still<br />
images in an early explorati<strong>on</strong> of<br />
the subjectivity of time and the<br />
invelidity of memory. It precedes<br />
the feature-length "Sana Soleil."<br />
a cross-cultural travelogue spanning<br />
the globe.<br />
• ms air aa a THEATRE<br />
22918 Woodward, Femdaie. Call<br />
(810) 544-3030 for informati<strong>on</strong>.<br />
(15)<br />
Ape Feat — "Planet of the<br />
Apes" (USA -1968) 8:30 p.m. and<br />
"C<strong>on</strong>quest of the Planet of the<br />
Apes" (USA - 1972) 10:30 p.m<br />
March 8. Two of the beat-loved<br />
entries in the popular "Apes'"<br />
saga. The original stars Charlt<strong>on</strong><br />
Hest<strong>on</strong> as the astr<strong>on</strong>aut who discovers<br />
a world where men are now<br />
ruled by apes. "C<strong>on</strong>quest." the<br />
fourth in the series, charts how<br />
the apes got the upper hand in the<br />
first place. A rare chance to see<br />
these camp classics in wide<br />
screen.<br />
ftco<strong>on</strong> fantasy class*: returns with<br />
re mastered SOOS sound tracfc<br />
featuring Black SaDbath, Blue Oy<br />
ster. Curt. Cheap Tncfc and others<br />
If LUCY F4U."<br />
Lucy and Joe are looking for love<br />
and they've made a pact If they<br />
d<strong>on</strong> t find it &y the* 30th Iwthday<br />
they've vowed to jump ofr me<br />
BrooWyn Bridge together With the<br />
BUMBU<br />
•BRONX<br />
COUPONSAC*KPTIO I<br />
We have two<br />
specials for you!<br />
• Two H"*< "I tuppltmmh tw your hometown newspaper*<br />
are ttiming your way:<br />
• Spring Home Improvement <strong>on</strong> Thursday, April 4, and<br />
• Home, Garden and landscape <strong>on</strong> Thursday, April 18.<br />
K you've looked IdhRingly at the lawn furniture or maybe<br />
even the lawn mower, you're ready to enjoy our two special<br />
tributes lo the hi»me Spring Home Improvement will give<br />
you ideas ab«>ut clean-up and Home. Garden and Landscape<br />
will Ret you out in the sunshine with all the w<strong>on</strong>derul green,<br />
growing things<br />
April will be here before you know it and with it our<br />
double helping of great home informati<strong>on</strong><br />
Of course, our weekly AT HOMf secii<strong>on</strong> is always there<br />
•for you. too!<br />
Ji '<br />
TM<br />
(Observer Eccentric<br />
The Observer/THI KSUAY, MAKt'rf 7,1996 n*>o van '<br />
Redford and Pfeiffer turn up tlif heat'"<br />
it* tM \n^*m<br />
"Redford and Pfeiffer -<br />
the best levers <strong>on</strong> the screen'"<br />
. \«novu \|*\ qviwcm<br />
"Robert Redford and Michelle Pfeiffer<br />
are mapc toprther 1 "<br />
ia- Imm. WUl PU%*4\ ta UUi vf»v VM<br />
MICHELLE<br />
REDFORD PFEIFFER<br />
UP CLOSE & PERSONAL<br />
\\M Nil \IN in I \VM I M RLL PMTH \\« (>1 O I IR< II \RI><br />
»M SOt HMMIDCmj AMI SOt'TWIAMI 4 { AMI HOOPS h<br />
< ANION I: MIM IOWV I SHOVW AM ,V..',\' N ~<br />
MIUMI %SI SOMWS| VHCHW AM 1 vtwmt ASI ^V 1 ,*<br />
S i l l A M swMisvnj SIAW.atiw.i \i i.wm {siAM jtwisasi iiwii<br />
SL \H L is. I»l\ « MVi •... HIMI* .mis i \ J-.'.V.'S I SKI Sill I<br />
am<strong>on</strong>g them) but still <strong>on</strong>e of the<br />
most unique and uncompromising<br />
films of the year. Stave Buscemi<br />
co-stare.<br />
• STATE THEATRE<br />
2115 Woodward, Detroit. Call<br />
(313) 961-5450 for informati<strong>on</strong>.<br />
($1)<br />
"CaddyshacV (USA -1980).'9<br />
p.m. Mar. 11. It ranks aa the fa*<br />
vorite film of professi<strong>on</strong>al athlete*<br />
and does have ite hilarious<br />
momenta. Rodney Dangerfield j<br />
haa rarely been funnier, not to .<br />
menti<strong>on</strong> Bill Murray's Ahab-like<br />
bunt for an elusive gopher.<br />
M-<br />
C<strong>on</strong>duct Your Own<br />
Experiments<br />
W<br />
Ui<br />
at "What Makes Music?<br />
Strike up the band, tickle the ivories, compose a<br />
symph<strong>on</strong>y and dfecover the fascinating science behind<br />
the universal language of music<br />
Experience this musical adventure <strong>on</strong>(y at<br />
Cranbrook Institute of Science 1<br />
Now through May 12. 19%<br />
-CRANBROOK<br />
.NS'-IU'f O" iCJfNCt<br />
12?' hkr-"-t'l • *«••«»- to»J .CM o-3 >3o3l<br />
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"y I0o» 4 S» v o" -s" • n. ' f • (SlOi S4S-320Q<br />
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o (Ofcsmm^i iErcrunt<br />
«K u n u i<br />
nun vvsi<br />
-THE BIRDCAGE IS THE E\LLING-D0\W<br />
FUNNIEST C0MED\ VOL LL SEE THIS YEAR!'<br />
1 Ml H«M\M«llH<br />
—r-T —— —;t;T-T<br />
^ 9<br />
" * * * *<br />
HYSTERICAL! SCREAMINGLY<br />
FINNY! I LAl GHLD TIL<br />
IT HI RT. 19% H\S ITS FIRST'<br />
GRE\T SMASH COMFDY."<br />
JCS ^rss *JJ5 • «K SOQi<br />
I0R> «LJG8€*WOA*N SAT-AS .< IWft<br />
•n uooce *OCEJC<br />
•3MtO+~V* 'MO — "V,teKt HC-OS<br />
* r a - a «<br />
STARTS FRIDAV. MARCH 8TH<br />
5 *?'<br />
PKIUIO<br />
HOMEWARD<br />
SK BOUND<br />
STARTS FRIDAY. MARCH 8TH<br />
i K E H E i n i<br />
eaa M<br />
wMtaaii<br />
.noaoavuiT<br />
"i<br />
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NT>PMU1CNe»a<br />
I IN K)M UI IMNL