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TODAY Kroger center on tap - Canton Public Library

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MOVIES I<br />

Coens deliver thriller in Fargo'<br />

Plodding<br />

through kneedeep<br />

»now. aheriff<br />

Marge Gunderaoo<br />

P«UMM (or<br />

• sec<strong>on</strong>d while<br />

examining •<br />

•hooting victim<br />

in a bloody triple<br />

murder. She<br />

thinks she may<br />

vomit, not be-<br />

/OMR cause of the<br />

grisliness of the<br />

scene, bul because of morning<br />

sickness She's six m<strong>on</strong>ths preg<br />

nant.<br />

"Fargo" may be my least favor<br />

ite of the six films written, pro<br />

duced and directed by brothers<br />

Joel and Ethan Coen But it does<br />

deliver something special: a police<br />

investigator unlike any that has<br />

walked across the screen.<br />

Actress Frances McDormand,<br />

interviewed with the directors in<br />

New York recently, calls Marge<br />

"Midwestern nice." She works<br />

with the people she's interrogat<br />

ing, draws them out with a friendly<br />

"work with roe here," but then<br />

gets tough if they d<strong>on</strong>'t treat her<br />

with equal courtesy<br />

"She's never trying to build<br />

herself up as smarter or dumber<br />

than she actually is." McDormand<br />

says. "She's just doing ei<br />

actly what needs to be d<strong>on</strong>e nghl<br />

then It's a very Midwestern trait:<br />

you do not expend any energy un<br />

less absolutely necessary, and<br />

then, if it's necessary, you lake<br />

c<strong>on</strong>trol "<br />

Marge holds the film together<br />

When she s off screen you miss<br />

her. left with a fairly routine murder<br />

mystery laced with quirky<br />

Coen louche*. Marge trails a shady<br />

Brainerd. Minnesota, car deal<br />

er behind in his payment* (William<br />

H Macy) who plots lo have<br />

his wife kidnapped so he can split<br />

the ransom m<strong>on</strong>ey with thugs-forhire<br />

"Steve Buscemi and Peter<br />

Stormare).<br />

Though you'll never get them to<br />

admit it. this very Midweatern<br />

murder mystery reads like the<br />

-Coens' allerftc reacti<strong>on</strong> to just<br />

about everything popular in Hollywood.<br />

reas<strong>on</strong> enough to give it<br />

your support.<br />

The shakey camera of TV po<br />

PREVIEW<br />

lice dramas ia replaced here by<br />

classical compositi<strong>on</strong> and almost<br />

painfully slow pacing. The banter<br />

between gunmen that Quentin<br />

Tarantino has lad ua to expect is<br />

now <strong>on</strong>e guy talking to a human<br />

wall Much of the humor here is<br />

based <strong>on</strong> the characters' accents,<br />

so thickly Scandinavian that the<br />

Coens' former Minnesota neigh<br />

bora will probably be put off.<br />

"Even 'Raising Arix<strong>on</strong>a." about<br />

as innocuous a movie as you can<br />

imagine, offended some people in<br />

Arix<strong>on</strong>a for whatever reas<strong>on</strong>.<br />

Ethan says. "If you're at all spe<br />

cific in terms of regi<strong>on</strong> or anything.<br />

some people tend to be of<br />

fended and nothing will stop<br />

them."<br />

Even their use of Steve Bus<br />

cerai is underplayed Where the<br />

popeyed Mr. Pin I almoet ascend*<br />

to the level of folklore in the recent<br />

Things To Do in Denver<br />

When You're Dead." Fargo provides<br />

just another quirky part,<br />

which the actor probably appreci<br />

ates<br />

And in many ways "Fargo" is a<br />

reacti<strong>on</strong> to the big m<strong>on</strong>ey spent<br />

land lost I <strong>on</strong> The Hudaucker<br />

Proxy " Still my favorita of the<br />

Coens' movies, it proved a financial<br />

disaster that haa temporarily<br />

sunk their relati<strong>on</strong>s with the big<br />

Atudioa.<br />

Their budget oo "Fargo" was a<br />

measly S7 milli<strong>on</strong>, which probably<br />

could have been leas if the<br />

weather had cooperated They<br />

MR MAW TA» fc».rt<br />

:r<br />

DfRRlft:<br />

Brainerd,<br />

Minnesota<br />

Police Chief<br />

Marge<br />

Gunders<strong>on</strong><br />

(Frances<br />

McDormand)<br />

takes<br />

aim at a fleeinn<br />

suspect j<br />

4UJ<br />

in Ciycn film.<br />

"Fargo."<br />

had the bad luck to shoot th*<br />

large number of winter exteriors<br />

in a seas<strong>on</strong> where Upper Minnesota<br />

snowfall waa at a record low, —<br />

forcing cast and crew lo head far- • "<br />

ther north.<br />

Gra mercy Pictures, the com pa<br />

ny distributing "Farto." hM wiaa-"<br />

ly choaan to open it <strong>on</strong> <strong>on</strong>ly a -<br />

handful of scraens. Though show .<br />

ing exclusively at the Star John R -<br />

in Madis<strong>on</strong> Heights, the movie<br />

may go wide if ecstatic reviews<br />

iSiskel and Ebert am<strong>on</strong>g them)<br />

bring people out.<br />

Before the opening credita, the<br />

Coens make a big deal out of the<br />

story being based <strong>on</strong> real event*,<br />

but they're characteriatically<br />

cagey when interviewed about<br />

what is real and what ficti<strong>on</strong> You<br />

w<strong>on</strong>der after awhile if there really<br />

was a case like this at all.<br />

Did they set the movie in 1987<br />

to be more faithful to the real story'*<br />

No. they just wanted a particular<br />

topical reference to Johnny<br />

Cars<strong>on</strong><br />

And why did they call the mov<br />

ie "Fargo." when virtually all of<br />

the acti<strong>on</strong> lakes place in Minnesota*<br />

1 "You know, the marketing<br />

people w<strong>on</strong>dered about that too.^'„<br />

says Ethan, though he hardly<br />

seems c<strong>on</strong>cerned. "It sounded.<br />

better than Brainerd "<br />

To leave a meuage for Joh^l<br />

M<strong>on</strong>aghan, dial 963 2047.<br />

box number 1966. <strong>on</strong> a touch-t<strong>on</strong>e<br />

ph<strong>on</strong>e, fax him a note at 691 • 727<br />

or write him in care of Entertain<br />

ment. Observer ft Eccentric New<br />

papers. 36251 Schoolcraft, Lw<strong>on</strong>u<br />

46150<br />

/Y/fH 1« Yi\\,<br />

THE<br />

(Observer Q Eccentric<br />

NEWSPAPERS<br />

O S C A R C O N T E S T<br />

Sp<strong>on</strong>sored 6y nme.<br />

THEATRES<br />

«•"* tl Wm~r. «a .<br />

i m <br />

Q MUw4 WsiM.nl I"Ttm P*sm<br />

• TW litis rD—dUmmW*<br />

RAME<br />

ADORES*<br />

DAYTIME PWORE RU<br />

• Jmea ARra CNmm")<br />

• keHtWw f'ifmM. t3~,<br />

• Mars WviMtrWvfev <br />

3 "Haer Vw Eve* UM • Wm<br />

(t)mm Jmmm Mtsws)<br />

• -M sMi"<br />

3 "t«s'»» CM a frSeeJT < fay .tsery»<br />

f ssaa rWwte?. MareR SI<br />

we. tMbun.. I Eenmeh H<br />

mi 461 MS. r*si 1313) S9I.7S'79.<br />

A sRmpHng of whsi's playing at<br />

ait amative movte theaters across<br />

matro Detroit as reviewed by<br />

John M<strong>on</strong>aghan<br />

• DETROIT FILM THEATRE<br />

Detroit Inatitut* of Art*, 5200<br />

Woodward Ave.. Detroit. Call<br />

(313) 333-2323 for informati<strong>on</strong>.<br />

ilfi; $4 students)<br />

"Eyes Without a Face" (Franc*<br />

• 1959). 7.9:30 p.m March 3-9.<br />

Director Georges Franju c<strong>on</strong>cocted<br />

thia little-seen French horror<br />

film, what he likad to call a "poetic<br />

fantaay " Hare a demented surge<strong>on</strong><br />

tries to rebuild the face of<br />

his disfigured daughter — at any<br />

coat The film itaelf has underg<strong>on</strong>e<br />

a little rec<strong>on</strong>structive surgery.<br />

since moat American viewers<br />

know the film under its dubbed<br />

and re-edited versi<strong>on</strong>, 'The Horror<br />

Chamber of Dr. Faustua."<br />

"1 Am Cuba" (Cuba/USSR •<br />

1964). 4,7 p.m. March 10. The<br />

camera ia the real star in this dixxying<br />

tribute to Cuban Communism.<br />

Numerous requests<br />

prompted the DFT to give us another<br />

look at this eye-popping<br />

propaganda film, especially timely<br />

with our current tense relati<strong>on</strong>s<br />

with Castro.<br />

"Tales from the Brothers<br />

Quay." 7 p.m. March 11. Identical<br />

twins born in Philadelphia, the<br />

Quays have turned the animati<strong>on</strong><br />

world upside down with their visi<strong>on</strong>ary<br />

film*, often using found<br />

objects and surreal imagery.<br />

Am<strong>on</strong>g the titles: "Are We Still<br />

COMING ATTRACTION!<br />

SCHEDULED TO OPES FRl<br />

My, MartTft 8<br />

"SOTTVI 40CKIT"<br />

The stc*y ifvee wouW De<br />

tmeves who team the importance<br />

61 friendship, h<strong>on</strong>or and duty as<br />

•„ they «epUy pursue a lite ol cnme<br />

p<br />

VY METAL"<br />

The milest<strong>on</strong>e animated sewnde<br />

AMC A^LTRIC ANA WIST<br />

Married?," "Rehearsals for Extinct<br />

Anatomies," and "Street of<br />

Crocodiles."<br />

• EIMOTEK<br />

Windsor Film Theatre, 2136<br />

Wyandotte St. Weat, Windaor<br />

Call (619) 264-FILM for informa<br />

ti<strong>on</strong>. ($4-50 Canadian; $4 U.S.)<br />

Chris Marker - "La Jetee"<br />

(France - 1962) and "Sane Soleil"<br />

(France -1962). Starting at 8:30<br />

p.m. March 11-12. Hie short film,<br />

"La Jetee," served as inspirati<strong>on</strong><br />

for Terry Gilliam'a "Twelve M<strong>on</strong>key*."<br />

Now see the original, with<br />

its creative manipulati<strong>on</strong> of still<br />

images in an early explorati<strong>on</strong> of<br />

the subjectivity of time and the<br />

invelidity of memory. It precedes<br />

the feature-length "Sana Soleil."<br />

a cross-cultural travelogue spanning<br />

the globe.<br />

• ms air aa a THEATRE<br />

22918 Woodward, Femdaie. Call<br />

(810) 544-3030 for informati<strong>on</strong>.<br />

(15)<br />

Ape Feat — "Planet of the<br />

Apes" (USA -1968) 8:30 p.m. and<br />

"C<strong>on</strong>quest of the Planet of the<br />

Apes" (USA - 1972) 10:30 p.m<br />

March 8. Two of the beat-loved<br />

entries in the popular "Apes'"<br />

saga. The original stars Charlt<strong>on</strong><br />

Hest<strong>on</strong> as the astr<strong>on</strong>aut who discovers<br />

a world where men are now<br />

ruled by apes. "C<strong>on</strong>quest." the<br />

fourth in the series, charts how<br />

the apes got the upper hand in the<br />

first place. A rare chance to see<br />

these camp classics in wide<br />

screen.<br />

ftco<strong>on</strong> fantasy class*: returns with<br />

re mastered SOOS sound tracfc<br />

featuring Black SaDbath, Blue Oy<br />

ster. Curt. Cheap Tncfc and others<br />

If LUCY F4U."<br />

Lucy and Joe are looking for love<br />

and they've made a pact If they<br />

d<strong>on</strong> t find it &y the* 30th Iwthday<br />

they've vowed to jump ofr me<br />

BrooWyn Bridge together With the<br />

BUMBU<br />

•BRONX<br />

COUPONSAC*KPTIO I<br />

We have two<br />

specials for you!<br />

• Two H"*< "I tuppltmmh tw your hometown newspaper*<br />

are ttiming your way:<br />

• Spring Home Improvement <strong>on</strong> Thursday, April 4, and<br />

• Home, Garden and landscape <strong>on</strong> Thursday, April 18.<br />

K you've looked IdhRingly at the lawn furniture or maybe<br />

even the lawn mower, you're ready to enjoy our two special<br />

tributes lo the hi»me Spring Home Improvement will give<br />

you ideas ab«>ut clean-up and Home. Garden and Landscape<br />

will Ret you out in the sunshine with all the w<strong>on</strong>derul green,<br />

growing things<br />

April will be here before you know it and with it our<br />

double helping of great home informati<strong>on</strong><br />

Of course, our weekly AT HOMf secii<strong>on</strong> is always there<br />

•for you. too!<br />

Ji '<br />

TM<br />

(Observer Eccentric<br />

The Observer/THI KSUAY, MAKt'rf 7,1996 n*>o van '<br />

Redford and Pfeiffer turn up tlif heat'"<br />

it* tM \n^*m<br />

"Redford and Pfeiffer -<br />

the best levers <strong>on</strong> the screen'"<br />

. \«novu \|*\ qviwcm<br />

"Robert Redford and Michelle Pfeiffer<br />

are mapc toprther 1 "<br />

ia- Imm. WUl PU%*4\ ta UUi vf»v VM<br />

MICHELLE<br />

REDFORD PFEIFFER<br />

UP CLOSE & PERSONAL<br />

\\M Nil \IN in I \VM I M RLL PMTH \\« (>1 O I IR< II \RI><br />

»M SOt HMMIDCmj AMI SOt'TWIAMI 4 { AMI HOOPS h<br />

< ANION I: MIM IOWV I SHOVW AM ,V..',\' N ~<br />

MIUMI %SI SOMWS| VHCHW AM 1 vtwmt ASI ^V 1 ,*<br />

S i l l A M swMisvnj SIAW.atiw.i \i i.wm {siAM jtwisasi iiwii<br />

SL \H L is. I»l\ « MVi •... HIMI* .mis i \ J-.'.V.'S I SKI Sill I<br />

am<strong>on</strong>g them) but still <strong>on</strong>e of the<br />

most unique and uncompromising<br />

films of the year. Stave Buscemi<br />

co-stare.<br />

• STATE THEATRE<br />

2115 Woodward, Detroit. Call<br />

(313) 961-5450 for informati<strong>on</strong>.<br />

($1)<br />

"CaddyshacV (USA -1980).'9<br />

p.m. Mar. 11. It ranks aa the fa*<br />

vorite film of professi<strong>on</strong>al athlete*<br />

and does have ite hilarious<br />

momenta. Rodney Dangerfield j<br />

haa rarely been funnier, not to .<br />

menti<strong>on</strong> Bill Murray's Ahab-like<br />

bunt for an elusive gopher.<br />

M-<br />

C<strong>on</strong>duct Your Own<br />

Experiments<br />

W<br />

Ui<br />

at "What Makes Music?<br />

Strike up the band, tickle the ivories, compose a<br />

symph<strong>on</strong>y and dfecover the fascinating science behind<br />

the universal language of music<br />

Experience this musical adventure <strong>on</strong>(y at<br />

Cranbrook Institute of Science 1<br />

Now through May 12. 19%<br />

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.NS'-IU'f O" iCJfNCt<br />

12?' hkr-"-t'l • *«••«»- to»J .CM o-3 >3o3l<br />

AMU Si • 0»l*w 3 I' o*e i 65- $* • > »r- 2 '-*«<br />

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«K u n u i<br />

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FUNNIEST C0MED\ VOL LL SEE THIS YEAR!'<br />

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STARTS FRIDAV. MARCH 8TH<br />

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PKIUIO<br />

HOMEWARD<br />

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i K E H E i n i<br />

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I IN K)M UI IMNL

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