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The whole time I was<br />
directing at <strong>the</strong> high<br />
school, I was also auditioning<br />
in New York, but not getting<br />
anything. I was wasting a lot of<br />
time emulating <strong>the</strong> performers<br />
that I admired, because I hadn’t<br />
figured out who I was. And I<br />
very distinctly remember <strong>the</strong><br />
moment I went in <strong>to</strong> an audition<br />
for a musical that had just won<br />
<strong>the</strong> Tony Award—Avenue Q. I<br />
went <strong>to</strong> an open call, and t<strong>here</strong><br />
were 500 people t<strong>here</strong>, and I<br />
was getting ready <strong>to</strong> sing my<br />
purpose-ish pop-song, which<br />
is what I thought <strong>the</strong>y wanted.<br />
(I was trying <strong>to</strong> sound like John<br />
Tartaglia.) I was setting up, and<br />
had my book ready, when Cindy T, <strong>the</strong> casting direc<strong>to</strong>r, opens <strong>the</strong><br />
door and says, “I don’t know if <strong>the</strong> rest of you have seen Avenue<br />
Q, but it’s a comedy,” and she slams <strong>the</strong> door.<br />
Everyone that day had been singing <strong>the</strong> pop-iest, riff-iest<br />
thing <strong>the</strong>y could find <strong>to</strong> try and sound like Johnny. Well now<br />
I panicked, and thought what do I have that’s funny. I started<br />
flipping through my music and found “It’s Delovely,” <strong>the</strong> old<br />
Cole Porter tune from Anything Goes, <strong>the</strong> first show I ever did<br />
in high school. In that moment, I listened <strong>to</strong> <strong>the</strong> voice of that<br />
six-year-old on <strong>the</strong> porch pretending <strong>to</strong> be Rick Moranis, and<br />
thought, “I’m gonna do ‘Delovely’ as a duet between Ernie and<br />
Cookie Monster.” When <strong>the</strong>y called my name, I walked in <strong>the</strong><br />
room, and I went, “[Ernie] ”The night is young, <strong>the</strong> skies are<br />
clear, and if you want <strong>to</strong> go walking dear,” [Cookie Monster]<br />
“It’s delightful, it’s delicious….” They all looked at me like I was<br />
insane. Or so I thought at <strong>the</strong> time, because that audition got me<br />
a part in a huge Tony award-winning smash hit that I’d go on <strong>to</strong><br />
do for three years.<br />
By this time, I’d learned t<strong>here</strong>’s something about embracing<br />
your sense of play, because my six-year-old me didn’t have a filter<br />
clogged with expectation. But as you get older, <strong>the</strong> filter in your<br />
brain is clogged with untruths about what, and how, and who<br />
you are supposed <strong>to</strong> be. At that moment, I not only cleaned out<br />
<strong>the</strong> filter, I <strong>to</strong>ok it out and burned it.<br />
I had learned that you get <strong>to</strong> decide what makes you happy.<br />
W<strong>here</strong> and when and how. Your life is yours. It’s about chasing<br />
joy.<br />
I <strong>the</strong>n had ano<strong>the</strong>r little dry spell after Avenue Q, and <strong>the</strong>n I<br />
got a call that <strong>the</strong> La Jolla Playhouse was doing a show about <strong>the</strong><br />
life of Charlie Chaplin, and <strong>the</strong>y thought my headshot kind of<br />
looked like Chaplin. I didn’t know much about Charlie Chaplin;<br />
when I was growing up, my aunt Marion said I looked like him,<br />
and that was about it. I knew <strong>the</strong> silhouette.<br />
continued on next page <br />
<strong>September</strong>/Oc<strong>to</strong>ber 2021<br />
AACT <strong>Spotlight</strong><br />
17