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Launch! Advertising and Promotion in Real Time, 2009a

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LEARNING OBJECTIVES<br />

After study<strong>in</strong>g this section, students should be able to do the follow<strong>in</strong>g:<br />

1. Underst<strong>and</strong> how the background <strong>and</strong> history of U.S. advertis<strong>in</strong>g impacts modern advertis<strong>in</strong>g <strong>and</strong> its<br />

clients.<br />

2. Def<strong>in</strong>e the various types of advertis<strong>in</strong>g <strong>and</strong> promotion agencies employ <strong>in</strong> today’s marketplace.<br />

Hammers <strong>and</strong> screwdrivers did the trick for years, but today market<strong>in</strong>g communications<br />

professionals have a whole new box of power tools. The market<strong>in</strong>g to-do list is long <strong>and</strong> so is the list<br />

of <strong>in</strong>structions.<br />

Agencies <strong>and</strong> their clients sorted madly through the box for the past decade as they tried to f<strong>in</strong>d the<br />

most effective tools for the job. Now, an avalanche of new technology adds to an <strong>in</strong>creas<strong>in</strong>gly<br />

daunt<strong>in</strong>g pile. It’s hard for some experienced advertis<strong>in</strong>g professionals to let go of what they “know.”<br />

“There’s still a little fear out there about shift<strong>in</strong>g away from the traditional market<strong>in</strong>g tactics,” said<br />

Doug Scott, executive director for br<strong>and</strong>ed content <strong>and</strong> enterta<strong>in</strong>ment for the North American<br />

operations of Ogilvy & Mather Worldwide, part of the WPP Group, <strong>in</strong> 2006. [1]<br />

But some marketers get it. They underst<strong>and</strong> that advertis<strong>in</strong>g is a key driver of popular culture <strong>in</strong><br />

addition to just reflect<strong>in</strong>g what is go<strong>in</strong>g on <strong>in</strong> our world. Th<strong>in</strong>k about Burger K<strong>in</strong>g, for example: How<br />

does a company that sells dead meat s<strong>and</strong>wiches <strong>and</strong> strips of deep-fried potatoes dig its way deep<br />

<strong>in</strong>to popular consciousness <strong>and</strong> (dare we say it?) actually become cool? As CEO John Chidsey (who<br />

refers to himself as Chief Whopper Flipper) expla<strong>in</strong>s, “We want to stay on the cutt<strong>in</strong>g edge of pop<br />

culture.” How cool is it to sell more than three million Burger K<strong>in</strong>g–br<strong>and</strong>ed Xbox video games <strong>in</strong><br />

two months? Or to get its creepy icon The K<strong>in</strong>g <strong>in</strong>cluded <strong>in</strong> seventeen skits on Jay Leno <strong>in</strong> the same<br />

amount of time? How about hav<strong>in</strong>g a highly visited profile on MySpace, or post<strong>in</strong>g your menu as a<br />

video on YouTube (http://www.youtube.com/v/7-QFQOfkZ1k)? [2] There’s someth<strong>in</strong>g more than<br />

basic burger ads go<strong>in</strong>g on here.<br />

Fifteen years ago, we def<strong>in</strong>ed advertis<strong>in</strong>g agencies by the essential tools they used: television<br />

commercials, radio spots, billboards, pr<strong>in</strong>t ads. But today traditional advertis<strong>in</strong>g approaches, even <strong>in</strong><br />

the h<strong>and</strong>s of our most skilled <strong>and</strong> lauded practitioners, are no longer good enough.<br />

Before we see how th<strong>in</strong>gs are chang<strong>in</strong>g, let’s back up <strong>and</strong> start with a traditional<br />

def<strong>in</strong>ition: <strong>Advertis<strong>in</strong>g</strong> is nonpersonal communication from an identified sponsor that <strong>in</strong>tends to<br />

Saylor URL: http://www.saylor.org/books<br />

Saylor.org<br />

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