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INDEX<br />

Ailie Cohen Puppet Maker 32<br />

Animata – Stephen Mottram 17<br />

Barking Dog – Nenagh Watson 35<br />

Beady Eye Theatre – Kristin Fredricksson 32<br />

Dan Bishop 22<br />

Blind Summit Theatre 7<br />

Bootworks Theatre 30<br />

Branar Téatar do Pháistí 32<br />

Rod Burnett 22<br />

Clive Chandler 22<br />

Richard Coombs 22<br />

Cube Theatre 32<br />

Ding Foundation 8<br />

DNA Puppetry & Visual Theatre Company 9<br />

Geoff Felix 22<br />

Flabbergast Theatre 32<br />

Folded Feather 9<br />

Frolicked 32<br />

Garlic Theatre 10<br />

Gravy Boat 33<br />

Green Ginger 11<br />

Hand to Mouth Theatre 12<br />

Horse + Bamboo Theatre Company 12<br />

Indefinite Articles 13<br />

Indigo Moon Theatre 14<br />

Lempen Puppet Theatre Company 14<br />

Les Enfants Terribles Theatre Company 33<br />

Little Angel Theatre 18<br />

Lyngo Theatre 16<br />

Magic Book Theatre 33<br />

Nautilus Theatre – Alexander Winfield 33<br />

Jose Navarro 33<br />

Neighbourhood Watch Stilts International 30<br />

Noisy Oyster 30<br />

Nutmeg Puppet Company 34<br />

On The Other Hand Puppet Theatre<br />

Company – Ken Haines 34<br />

Pangolin’s Teatime 20<br />

Pickled Image 15<br />

Potato Room 20<br />

Punch and Judy 22<br />

Puppet Pool 34<br />

Puppet (R)Evolution – Raven Kaliana 22<br />

Puppet State Theatre Company 23<br />

Shona Reppe Puppets 24<br />

Matthew Robins 24<br />

Robert Poulter’s New Model Theatre 34<br />

Rouge28 Theatre 25<br />

Rough Magic 34<br />

Sketty 35<br />

Robert Styles 22<br />

The Fetch 35<br />

Theatre-Rites 26<br />

Thingumajig Theatre 28<br />

Tortoise in a Nutshell 35<br />

Unpacked 28<br />

Vagabondi 35<br />

Vision Mechanics 31<br />

Wattle & Daub Figure Theatre 29<br />

Puppets Abroad is published by <strong>British</strong> <strong>UNIMA</strong> and<br />

the Puppet Centre Trust, September 2011.<br />

Inclusion in this brochure does not constitute an<br />

endorsement by either organisation.<br />

Project administration Emma Leishman, PCT.<br />

Cover designed by Dan Barber.


Puppets Abroad<br />

Puppetry in Britain and Ireland today<br />

ranges from <strong>puppets</strong> in opera, epic street<br />

theatre and immersive installations to<br />

Punch and Judy booths on the beach and<br />

shadow shows in art galleries. Puppeteers<br />

are collaborating with dancers, opera<br />

singers, beat-boxers, jazz musicians,<br />

museum curators, scientists and visual<br />

artists. The collaborations have proved<br />

very fruitful, producing rich performances<br />

that explore emotional, political and<br />

metaphysical worlds – for both adults<br />

and children. This collection of puppet<br />

companies reflects that wide range of<br />

work.<br />

While the companies included in this<br />

brochure are based in England, Ireland,<br />

Scotland and Wales, they demonstrate<br />

the international nature of the artistic<br />

scene: you’ll find puppeteers, designers<br />

and directors from France, Germany,<br />

Indonesia, Italy, Japan, New Zealand, Peru,<br />

Spain and the United States who have all<br />

made their homes in these islands. They<br />

have experience of international touring<br />

and an inte<strong>res</strong>t in showing their work<br />

more widely.<br />

These exchanges have been nourished<br />

by a recent f<strong>low</strong>ering of puppet festivals.<br />

Alongside long-established festivals such<br />

as the Edinburgh International Festival,<br />

Edinburgh Fringe Festival and the London<br />

International Mime Festival, we now<br />

have festivals dedicated to puppetry<br />

from around the world: Suspense<br />

(London) and Manipulate (Edinburgh)<br />

specialise in puppetry for adults, while the<br />

International Puppet Festival Ireland and<br />

the Bristol, Beverley and Skipton festivals<br />

p<strong>res</strong>ent shows for all ages.<br />

We hope that you will enjoy this<br />

introduction to some of Britain and<br />

Ireland’s puppet companies and look<br />

forward to meeting you at one of the<br />

festivals soon.<br />

Linda Lewis, Puppet Centre Trust<br />

Eleanor Margolies, <strong>British</strong> <strong>UNIMA</strong>


Les marionnettes a l’étranger<br />

De nos jours le théâtre de marionnette<br />

au Royaume-Uni et en Irlande a investi<br />

aussi bien l’opéra, le théâtre de rue que<br />

des installations d’artistes contemporains.<br />

On trouve aussi bien des spectacles de<br />

Punch and Judy dans les stations balnéai<strong>res</strong><br />

que du théâtre d’omb<strong>res</strong> dans les galeries<br />

d’art. Les marionnettistes s’associent avec<br />

des danseurs, des chanteurs d’opéra, des<br />

beat-boxers, des musiciens de jazz, des<br />

conservateurs de musée, des scientifiques<br />

et des plasticiens. Ces collaborations se<br />

sont révélées fructueuses et ont produit<br />

des créations complexes, lieux d’exploration<br />

d’univers émotionnel, politique ou<br />

métaphysique- aussi bien pour un public<br />

d’adultes que d’enfants. La sélection de<br />

compagnies britanniques de marionnettes<br />

que nous présentons reflète ce large éventail<br />

de créations.<br />

Bien que basées en Angleterre, en Irlande,<br />

en Ecosse ainsi qu’au Pays de Galles, les<br />

compagnies présentées dans cette brochure<br />

affichent la nature internationale de la scène<br />

contemporaine britannique: on y trouve<br />

des marionnettistes, des scénographes et<br />

des metteurs en scène venant de France,<br />

d’Allemagne, d’Indonésie, d’Italie, du Japon, de la<br />

Nouvelle Zélande, du Pérou, d’Espagne et des<br />

Etats-Unis d’Amérique. Elles ont l’expérience<br />

des tournées internationales et la volonté de<br />

présenter leurs spectacles dans davantage de<br />

pays de par le monde.<br />

L’essor de nouveaux festivals de<br />

marionnettes depuis ces derniè<strong>res</strong> années a<br />

contribué au développement de ces échanges.<br />

A coté de festivals établis de longue date<br />

tels que le Festival International d’Edimbourg,<br />

le Festival off d’Edimbourg et le Festival<br />

International de Mime de Lond<strong>res</strong>, il existe<br />

maintenant des festivals consacrés aux<br />

différents théât<strong>res</strong> de marionnette: Suspense<br />

à Lond<strong>res</strong> et Manipulate à Edimbourg sont<br />

tous deux spécialisés dans la marionnette pour<br />

adulte, tandis que le Festival International de<br />

Marionnette d’Irlande et les festivals de Bristol,<br />

Beverley et Skipton présentent des spectacles<br />

pour tous les ages.<br />

Nous espérons que vous apprécierez cette<br />

introduction à quelques-unes des compagnies<br />

de marionnettes britanniques et irlandaises et<br />

espérons vous rencontrer bientôt à l’occasion<br />

d’un de ces festivals.<br />

Puppen schwärmen aus!<br />

Translated by Claire Doucet<br />

Das heutige Puppenspiel in Großbritannien<br />

und Irland reicht von Figurenspiel in Opern,<br />

epischem Straßentheater und Installationen<br />

zum Eintauchen bis hin zu Punch and Judy-<br />

Buden am Strand und Schattenspiel in<br />

Kunstgalerien. Puppenspieler kollaborieren mit<br />

Tänzern, Opernsängern, Beat-Boxern, Jazz-<br />

Musikern, Museumskuratoren, Wissenschaftlern<br />

und bildenden Künstlern. Diese<br />

Zusammenarbeit hat sich als sehr fruchtbar<br />

erwiesen und vielschichtige Inszenierungen,<br />

die emotionale, politische und metaphysische<br />

Welten ausloten, hervorgebracht – für Kinder<br />

und Erwachsene. Die hier präsentierte Auswahl<br />

britischer Puppentheater spiegelt dieses weite<br />

Spektrum wider.<br />

Obwohl diese Theater alle in England,<br />

Irland, Schottland und Wales ansässig sind,<br />

zeigen sie anschaulich die internationale Natur<br />

dieser künstlerischen Szene: man findet hier<br />

Puppenspieler, Bildner und Regisseure aus<br />

Deutschland, Frankreich, Indonesien, Italien, Japan,


Neuseeland, Peru, Spanien und den Vereinigten<br />

Staaten, die auf diesen Inseln ihre Heimat<br />

gefunden haben. Alle haben internationale<br />

Gastspielerfahrung und ein großes Inte<strong>res</strong>se,<br />

ihre Arbeiten einem noch breiteren Publikum<br />

vorzustellen.<br />

Der Austausch wurde durch das erst<br />

kürzliche Erblühen von Puppentheaterfestivals<br />

genährt. Neben den lang etablierten Festivals<br />

wie das Edinburgh International Festival,<br />

Edinburgh Fringe Festival und London<br />

International Mime Festival, gibt es nun Festivals,<br />

die sich dem Figurenspiel aus aller Welt<br />

widmen: Suspense (London) und Manipulate<br />

(Edinburgh) zielen auf ein erwachsenes<br />

Publikum, während die Programme des<br />

International Puppet Festival Ireland und<br />

der Festivals in Bristol, Beverley und Skipton<br />

Publikum jeden Alters ansprechen.<br />

Wir hoffen, dass diese Vorstellung einiger<br />

Puppen- und Figurentheater Großbritanniens<br />

und Irlands euch gefällt und hoffen euch bald<br />

auf einem der Festivals zu treffen.<br />

Títe<strong>res</strong> en el extranjero<br />

Translated by Christiane Klatt<br />

En la actualidad, los títe<strong>res</strong> de Gran Bretaña<br />

e Irlanda abarcan desde títe<strong>res</strong> en la ópera,<br />

rep<strong>res</strong>entaciones de teatro épico en la calle,<br />

instalaciones inmersivas, a las marionetas en la<br />

playa de Punch y Judy, así como espectáculos<br />

de sombras en galerías de arte. Asimismo, los<br />

titiriteros colaboran con bailarines, cantantes<br />

de ópera, percusionistas vocales, músicos<br />

de jazz, comisarios de museos, científicos<br />

y artistas visuales. Colaboraciones que han<br />

demostrado ser muy fructíferas, dando lugar a<br />

brillantes actuaciones que exploran el universo<br />

emocional, político y metafísico de los adultos<br />

y niños. Esta muestra de compañías de títe<strong>res</strong><br />

refleja esta amplia gama de trabajo.<br />

Aunque las compañías de títe<strong>res</strong> incluidas<br />

en este catálogo tienen sede en Inglaterra,<br />

Irlanda, Escocia y Gales, también son un<br />

ejemplo de la naturaleza internacional de<br />

la escena artística, puesto que trabajan<br />

con titiriteros, diseñado<strong>res</strong> y directo<strong>res</strong> de<br />

Alemania, España, Francia, Indonesia, Italia, Japón,<br />

Nueva Zelanda, Perú y los Estados Unidos que<br />

han convertido estas islas en su hogar. Ellos nos<br />

traen la experiencia de haber realizado giras<br />

internacionales, así como un gran interés en<br />

mostrarnos extensamente su trabajo.<br />

Estos intercambios se han visto<br />

enriquecidos con el reciente florecimiento de<br />

los festivales de títe<strong>res</strong>. Junto a los festivales<br />

ya establecidos hace mucho tiempo, como el<br />

Festival Internacional de Edimburgo, el Festival<br />

Alternativo de Edimburgo y el Festival de<br />

Mimo Internacional de Lond<strong>res</strong>, contamos<br />

ahora con la p<strong>res</strong>encia de festivales dedicados<br />

a los títe<strong>res</strong> de todo el mundo: El Festival<br />

Suspense (Lond<strong>res</strong>) y el Festival Manipulate<br />

(Edimburgo) especializados en títe<strong>res</strong> para<br />

adultos, mientras que el Festival Internacional<br />

de Títe<strong>res</strong> de Irlanda, y los festivales de Bristol,<br />

Beverley y Skipton p<strong>res</strong>entan espectáculos para<br />

todas las edades.<br />

Esperamos que disfrute con esta<br />

p<strong>res</strong>entación de algunas de las compañías de<br />

títe<strong>res</strong> de Gran Bretaña e Irlanda y asimismo<br />

esperamos verle pronto en alguno de los<br />

festivales.<br />

Translated by Gema Rodriguez<br />

Linda Lewis, Puppet Centre Trust<br />

Eleanor Margolies, <strong>British</strong> <strong>UNIMA</strong>


Puppets Abroad<br />

6


Blind Summit Theatre<br />

www.blindsummit.com<br />

Blind Summit Theatre are purveyors of<br />

‘extreme puppetry’. The company was founded<br />

in 1997 by Mark Down and Nick Barnes to<br />

p<strong>res</strong>ent Japanese Bunraku-style puppetry in<br />

new places, in new ways. Their shows include<br />

Mr China's Son, Martin's Wedding, The Spaceman<br />

and Pirate Puppetry. Their Bukowski-inspired<br />

Low Life debuted in Edinburgh Fringe in 2005<br />

and toured the world for five years with the<br />

<strong>British</strong> Council. They collaborated with Anthony<br />

Minghella on his award-winning Madam<br />

Butterfly in London and New York. Other<br />

collaborators include Complicite, Tectonic<br />

Theatre, Akram Khan and Royal Opera House.<br />

Their new show The Table will open the<br />

London International Mime Festival 2012.<br />

'If puppetry is ever to be the next rock'n'roll,<br />

these animators may well be its frontmen.'<br />

Time Out<br />

'Brilliantly compulsive pissed up puppetry for<br />

grown ups.' <strong>British</strong> Theatre Guide<br />

'Exquisite.' The Times<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Shows available for touring<br />

Low Life (60 mins): a gin-soaked cabaret of<br />

people and <strong>puppets</strong>. 6 on the road – cast 4,<br />

crew 2.<br />

1984 (140 mins): a witty sweaty <strong>low</strong>-tech<br />

adaptation of George Orwell's brilliant political<br />

satire. 10 on road – cast 7, crew 2.<br />

The Table (70 mins): a Beckett-inspired story of<br />

a puppet stuck on a table.<br />

Contact details<br />

Blind Summit Theatre<br />

Unit 10, Grenville Workshops, 2a Grenville<br />

Road, London, N19 4EH<br />

maeve@blindsummit.com<br />

+44 (0) 20 7272 9020<br />

7


Puppets Abroad<br />

The Ding Foundation<br />

www.thedingfoundation.com<br />

The Ding Foundation makes visual theatre using <strong>puppets</strong>, objects, sound, physical performance<br />

and music. They have made three productions (Being a Bird, Unexploded Bomb and Hanging by a<br />

Thread) that sit between visual art and theatre, employing a strong sense of physicality exp<strong>res</strong>sed<br />

through the creation of moving images and sound worlds. They have performed at the Traverse,<br />

Edinburgh, Little Angel Theatre, The Unity, Liverpool, Bath Puppet Festival, Visions Festival, Brighton<br />

and <strong>abroad</strong> at the Torun Puppet Festival, Dordrecht Micro Festival and the Warsaw School of<br />

Puppetry. The work is devised and performed by Amelia Pimlott and Hannah Marshall.<br />

‘…where the rich world of puppetry is headed next…intensely moving’<br />

Joyce Macmillan, The Scotsman on Hanging by a Thread<br />

Amelia Pimlott<br />

62 Holcombe Road, London N17 9AR<br />

+44 (0) 208 8084926<br />

+ 44 (0) 7939 522519<br />

thedingfoundation@yahoo.co.uk<br />

8


DNA Puppetry & Visual Theatre<br />

www.dynamicnewanimation.co.uk<br />

Established in 1994, DNA devises and<br />

develops its performance through the physical<br />

capabilities of the <strong>puppets</strong>, objects and<br />

set design, to create an action-based stage<br />

dynamic. DNA creates experiential learning<br />

performances for early years, draws upon<br />

traditional tales in its work for children, and<br />

historical <strong>res</strong>earch in its work for youth and<br />

adults.<br />

‘DNA’s wonderful blend of classic tales is one<br />

of the best children’s shows touring the UK’<br />

The West End Centre<br />

Chicken Licken is DNA’s most popular<br />

production, touring nationally & internationally<br />

for over ten years. The production is a oneman<br />

show performed in English, French or<br />

Spanish.<br />

dna@dynamicnewanimation.co.uk<br />

+44 (0)161 408 1720<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Folded Feather<br />

www.richardsonprm.com<br />

Based in London, Folded Feather is at the<br />

forefront of the UK puppetry scene, with a<br />

growing reputation for the creation of unique<br />

and exciting productions. The company has<br />

been invited to Edinburgh Festival Fringe,<br />

Fusion Festival Germany, Festival Rodara<br />

Mexico, Puppetbuskersfestival Belgium, Festival<br />

of Contemporary European Theatre Germany,<br />

Suspense London Puppetry Festival, and the<br />

Festival Mondial des Théât<strong>res</strong> de Marionnettes.<br />

A combination of the talents of puppeteer<br />

Oliver Smart and musician/puppeteer Matt<br />

Short, Folded Feather was formed in 2007.<br />

‘Absolutely exquisite.’ Total Theatre<br />

‘Outstanding.’ Time Out London<br />

Suitcase Circus (60 mins, 2 performers)<br />

Life Still (60 mins, 2 performers + technician)<br />

Helena Richardson, 57A Leahurst Road, Hither<br />

Green, London SE13 5HX<br />

+44 (0) 20 8318 9365 or +44 (0) 7931 801091<br />

skype: helena.richardson<br />

9


Puppets Abroad<br />

Garlic Theatre<br />

www.garlictheatre.org.uk<br />

Founded in 1997, Garlic Theatre uses image,<br />

puppet animation, movement and music. The<br />

company specializes in thought-provoking<br />

puppet theatre for young people which is also<br />

stimulating and exciting for adults. Shows have<br />

toured extensively throughout the UK and in<br />

international puppet festivals in 16 countries,<br />

including Singapore, Brazil, Italy and Denmark.<br />

Mark Pitman and Iklooshar Malara work with<br />

guest director Steve Tiplady (Indefinite Articles)<br />

and designer Michaela Bartonova (Tineola<br />

Theatre) in a collaborative artistic process.<br />

10<br />

‘Mark Pitman and Iklooshar Malara run one of<br />

England’s best companies in the field’. Penny<br />

Francis<br />

‘The whole show burst at the seams with<br />

creativity and innovation.’ Jim Hutchon on<br />

Fiddlesticks<br />

Shows available for touring<br />

Fiddlesticks (50 mins)<br />

Puppets made from old instruments spring to<br />

life: birds fly out from music sco<strong>res</strong>, a horse<br />

emerges from the bow of a violin.<br />

One performer<br />

Age 4+<br />

George and the Dragon (45 mins)<br />

Two performers<br />

Age 5+<br />

The Magnificent Flying Machine (50 mins)<br />

One performer<br />

Age 4+<br />

Contact details<br />

Mark Pitman and Iklooshar Malara<br />

15 Church Lane, Wicklewood,<br />

Wymondham, Norfolk, NR18 9QH<br />

+44 (0)1953 609141<br />

garlictheatre@virginmedia.com


Green Ginger<br />

www.greenginger.net<br />

Green Ginger is based in Bristol, UK and<br />

Wiseppe, France, creating award-winning<br />

theatre and films since its formation in 1978.<br />

The company prides itself on accessibility<br />

and flexiblity, and has performed in places<br />

as diverse as the Arctic regions, Soweto and<br />

Palestinian refugee camps.<br />

‘There is always something wonderfully<br />

anarchic about Green Ginger’s work, an<br />

inspired mix of art and lunacy. So different from<br />

almost anything else you’re ever likely to see in<br />

the theatre... a rare and wonderful thing. ‘ The<br />

Guardian<br />

‘Psychologically astute and caustically comic.’<br />

New York Times<br />

Shows available for touring<br />

Regenerator (24 hours+ non-stop) A touring<br />

installation featuring advanced robotic<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

engineering alongside lo-fi puppetry.<br />

Mac et le Géant (35 mins) Terry Lee’s one-man<br />

show, in French with dark English humour.<br />

Gaston (25 mins) Gaston creates instant<br />

caricatu<strong>res</strong> which he gives away. He has<br />

performed in 12 languages across four<br />

continents.<br />

Contact details<br />

Green Ginger (UK), Tobacco Factory Theatre,<br />

Raleigh Rd, Bristol, BS3 1TF<br />

+44 (0)117 9225599 or +44 (0)7977 465 850<br />

mail@greenginger.net<br />

Les Green Ginger (France), 8, Rue du<br />

Montorgeuil, Wiseppe, 55700 France<br />

+33 615 67 97 25<br />

lesgreenginger@gmail.com<br />

11


Puppets Abroad<br />

Hand to Mouth Theatre<br />

www.handtomouth.co.uk<br />

Established in 1982, we create original high<br />

quality theatre with <strong>puppets</strong> for local, national<br />

and international audiences. Our policy is to<br />

produce ‘intelligent popular theatre’. We have<br />

performed at festivals and theat<strong>res</strong> in Russia,<br />

Middle East, South Korea, USA (three tours)<br />

and all over Europe. Our work is mostly nonverbal,<br />

but we can use some French, German<br />

and Spanish. All music is performed live.<br />

‘The best hand puppet show I’ve ever seen.’<br />

Eric Bass, director of Sandglass Theatre<br />

‘A fantastic, magical, mythical and multilayered<br />

show.’ Sid Langley, Birmingham Post<br />

Piggery Jokery (30 mins) 2 performers<br />

This versatile show can be performed in any<br />

space, indoors or outdoors.<br />

Martin Bridle and Su Eaton,<br />

51 Arnold Road, Southampton, SO17 1TF<br />

+44 (0) 2380 555392<br />

htmtheatre@btopenworld.com<br />

12<br />

Horse + Bamboo<br />

www.horseandbamboo.org<br />

Horse + Bamboo Theatre Company have been<br />

making and touring high quality visual theatre<br />

for over 30 years. Horse + Bamboo’s audiences<br />

leave with a mind full of lasting images that can<br />

rarely be compared to anything seen before or<br />

after. Our work is mostly non-verbal.<br />

Joint Artistic Directors Alison Duddle and<br />

Bob Frith use images and Loz Kaye and Chris<br />

Davies provide music to tell great stories. We<br />

have toured extensively in Spain, Hungary,<br />

Belgium, the Netherlands and Romania.


Storm in a Teacup (45mins) 2 performers<br />

for age 4+<br />

Red Riding Hood (45mins) 2 performers<br />

for age 4+<br />

Angus (1hour 40 with interval) 4 performers<br />

for older children and adults<br />

Horse + Bamboo Theatre<br />

679 Bacup Rd, Waterfoot, Rossendale,<br />

Lancashire, BB4 7HB<br />

+44 (0)1706 220241<br />

info@horseandbamboo.org<br />

Indefinite Articles<br />

www.indefinitearticles.co.uk<br />

Indefinite Articles Theatre Company was<br />

started in 1995 by sculptor Sally Todd and<br />

puppeteer Steve Tiplady. We devise theatre for<br />

all ages using objects, materials and shadows.<br />

At the heart of our work is the transformation<br />

of ordinary and everyday things into the<br />

extraordinary. The company has performed<br />

nationally and internationally: Henson Puppet<br />

Festival, New York, Lutke Ljubljana, Porto,<br />

Hundesdag Festival. Halle, National Theatre<br />

Mexico, Theatralia Festival Madrid, Royal<br />

National Theatre, Beirut Arab Puppet Theatre.<br />

‘Wonderful work that celebrates the<br />

possibilities of theatre.’ Guardian<br />

‘Amazing…the elements of dust and light<br />

have joined with storytelling to extend the<br />

boundaries of theatre.’ The Times<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Claytime (1 hour 20 mins) 3-7 years.<br />

Improvised stories animated with clay. 2/3<br />

performers.<br />

Pinocchio (1 hour) 4-11 years.<br />

Told with real tools from a carpenter’s<br />

workshop. 2 performers.<br />

The Magic Lamp (50 mins) Age 4+.<br />

Aladdin – a shadow show in the round, using<br />

paper and oil. 2 performers.<br />

The Chalk Giants (50 mins) Age 6+. An English<br />

folk tale in chalk and shadows, 3 performers.<br />

Penumbra (1 hour 10 mins) for age 16+. An<br />

exploration of desire and decay using the<br />

human body and shadow. 2 performers.<br />

Sally Todd and Steve Tiplady, 8 High Street,<br />

Grantchester, CB3 9NF<br />

+44 (0)1223 840792<br />

sally.connie.todd@gmail.com/tipladysg@aol.com<br />

13


Puppets Abroad<br />

Indigo Moon Theatre<br />

www.indigomoontheatre.com<br />

Inspired by European and Asian traditions,<br />

puppeteer Anna Ingleby combines lifelike<br />

movement with music by composer Haviel<br />

Perdana to create contemporary interactive<br />

family shows with global influences. Touring<br />

for over ten years includes Northern Ireland,<br />

Scotland, the Little Angel Puppet Theatre,<br />

Norwich Puppet Theatre, Barcelona, Singapore<br />

and Indonesia. Shows use minimal language<br />

and can be adapted for different languages,<br />

particularly French, German or Indonesian.<br />

‘A small children’s theatre company that makes<br />

a big impact.’ William Wilson, Director of Lyth<br />

Arts Centre, Scotland.<br />

Aladdin (50 mins) age 4+<br />

2 performers. Large scale shadow theatre.<br />

14<br />

Alice & the White Rabbit (50 mins) age 4+<br />

2 performers. Large scale shadow theatre.<br />

The Lost Fo<strong>res</strong>t (50 mins) age 5+<br />

2 performers. Wayang Golek rod puppetry,<br />

digital projection and shadows.<br />

The Worm that Squirmed (50 mins) age 5+<br />

2 performers. Wayang Golek, rod puppetry and<br />

shadows.<br />

Saraswati (15 mins)<br />

2 performers. Dancing marionette from<br />

Rajasthan, accompanied by live sitar or tabla<br />

Anna Ingleby, 35 Waltham Court, Beverley,<br />

East Yorkshire, HU17 9JF<br />

+44 (0) 1482 867646<br />

+44 (0) 7855 328552<br />

info@indigomoontheatre.com<br />

Lempen Puppet Theatre<br />

www.lempen.co.uk<br />

Lempen Puppet Theatre Company, founded<br />

in 1987, is one of Britain’s great touring<br />

theatre companies. They tour all over the<br />

UK, and have appeared in Ireland, Austria,<br />

Germany, Switzerland,, Greece, Finland, France,<br />

Italy, Denmark and the Czech Republic. They<br />

specialise in modern myths that connect the<br />

imagination to real and contemporary issues,<br />

underlined with original music, producing<br />

entertaining, quality theatre for children and<br />

family audiences. Main shows can be performed<br />

in English or German and street shows in English,<br />

French, German, Italian, Finnish and Danish.


‘A simple idea … created with such loving<br />

care and attention to detail that you just have<br />

to smile. Sometimes three minutes is all that’s<br />

needed!’ Dorothy Max Prior, Animations Online<br />

Journey Of Turtle (50 mins) 1 performer<br />

With shadows, table-top <strong>puppets</strong> and<br />

storytelling. Family/ age 5+<br />

The Amazing Thing (50 mins) 1 performer<br />

A journey through well-known tales, told with<br />

<strong>puppets</strong>, acting and live music. Family/ age 5+<br />

Ugly Beauty (50 mins) 1 performer<br />

Melo sits alone by the sea. A beautiful princess<br />

pushes him in the mud! Puppetry, shadows and<br />

original music. Family/ age 5+<br />

Theatre For One (3min shows) 1 or 2<br />

performers. Street theatre with a difference<br />

– for one at a time. Family/ age 4+<br />

28 Belgrave Street, Skipton, North Yorkshire,<br />

BD23 1QB<br />

+44 (0) 1756 797 149<br />

lempen@lempen.co.uk<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Pickled Image<br />

www.pickledimage.co.uk<br />

Pickled Image has toured the world with sellout<br />

productions for the past ten years. Houdini’s<br />

Suitcase won the People’s Jury Prize in Brazil<br />

in 2007. We created and directed Hunger<br />

with Tinkerting and Nordland Visual Theatre,<br />

nominated for a Golden Award (Norway).<br />

Little Edie (2 performers; 1 technician)<br />

Made in collaboration with Nordland Visual<br />

Theatre, Little Edie is a show about love, loss<br />

and a mother-daughter relationship, aimed at an<br />

adult audience with Pickled Image’s trademark<br />

style of gloriously dark humour, wonderful<br />

<strong>puppets</strong> and set.<br />

+44 (0)117 930 0201<br />

+44 (0)7974 147 521<br />

mail@pickledimage.co.uk<br />

15


Puppets Abroad<br />

Lyngo Theatre<br />

www.lyngo.co.uk<br />

Patrick Lynch is the artistic director and<br />

principal actor while Marcello Chiarenza is<br />

the director and designer, with Cialdo Capelli<br />

composing all the music. Creatively rooted<br />

in Italy and touring since 2003, Lyngo make<br />

interactive shows inspired by ‘arte povera’ and<br />

‘object theatre’. Lyngo have toured to major<br />

venues such as the Unicorn in London, the<br />

Citizen’s in Glasgow, Theatre Royal Bath, the<br />

Lowry in Manchester and the New Victory<br />

in New York and to festivals in Edinburgh,<br />

Baborò, Dublin International and the EuroFest<br />

in Washington.<br />

‘Lyngo know the score when it comes to<br />

producing shows for the very young…<br />

delightful.’ The Stage<br />

‘Captivating.’ <strong>British</strong> Theatre Guide<br />

‘A celebration of theatre itself.’ Glasgow Herald<br />

16<br />

Shows available for touring<br />

Tom Thumb and The Dust Man<br />

Both for age 5+ (50 mins) 1 actor<br />

Watch the Birdy and The Fish’s Wishes<br />

Both for age 3+ (45 mins) 1 actor<br />

Room in the Sky and Snow Play<br />

Both for age 5+ (50 mins) 2 actors<br />

Hansel and Gretel<br />

Ages 5+, 1 hour, 2 actors<br />

Egg and Spoon<br />

Ages 1-5, 40 minutes, 1 actor<br />

Circus Minimus and What a Wonderful World<br />

Both for age 2-5 (40 mins) 1 actor<br />

Contact details<br />

6 Hilltop Avenue, Cults, Aberdeen, AB15 9RJ<br />

+44 (0) 7957 134943<br />

patrick@lyngo.co.uk


Stephen Mottram’s Animata<br />

The company, formed in 1988, tours a number<br />

of performances using predominantly string<br />

<strong>puppets</strong> and contemporary music for adult<br />

audiences. There is no text, so no language<br />

barrier. Best known of these, after tours in<br />

18 countries, is The Seed Carriers which has<br />

marionettes and automata combined with<br />

electroacoustic music by Glyn Perrin.<br />

‘His artistry is formidable, like his imagination.<br />

I have never before seen the eeriness of<br />

marionettes combined so insistently with<br />

dread’. The Times<br />

‘Mottram’s work draws its inspiration from<br />

sculpture, mime and dance and its powerful<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

atmospheric quality is totally captivating.’ Plays<br />

and Players<br />

‘A richly suggestive encounter, Organillo<br />

promises to hypnotise audiences through<br />

the nooks and crannies of their unconscious.’<br />

Time Out<br />

Shows available for touring<br />

The Seas Of Organillo: a sensual and poetic<br />

glimpse at the science of fertility with<br />

electroacoustic music by Sebastian Castagna.<br />

In Suspension: six short marionette pieces for<br />

adult audiences, performed on an open stage<br />

by Stephen Mottram. The music is by Glyn<br />

Perrin, Simon Waters and Pete McPhail.<br />

Eggbird: a children’s version of In Suspension.<br />

Contact details<br />

Stephen Mottram, 31 New High Street,<br />

Headington, Oxford, OX3 7AJ<br />

+44 (0)1865 742587<br />

stephen.mottram@virgin.net<br />

17


Puppets Abroad<br />

Little Angel Theatre<br />

The Little Angel Theatre has established an<br />

unparalleled reputation in the UK for quality<br />

productions of puppetry in the 50 years since<br />

it was founded by John and Lyndie Wright.<br />

The company has a reputation for producing<br />

outstanding work for both children and adults<br />

including Venus And Adonis and The Tempest,<br />

18<br />

both collaborations with the RSC, and recent<br />

adaptations of Alice in Wonderland and Petrushka.<br />

Peter Glanville has been Artistic Director since<br />

2006. International transfers include Fantastic Mr<br />

Fox (Manitoba, Canada) and The Mouse Queen<br />

(New Victory, New York).


Puppet theatre from England, Ireland, Scotland and Wales<br />

Shows available for touring<br />

Alice In Wonderland<br />

Age 5+<br />

4 puppeteers<br />

1 hour 15 mins<br />

The Tempest<br />

Age 7+<br />

Co-produced with the<br />

Royal Shakespeare Company<br />

7 performers<br />

1 hour 20 mins<br />

A Very Old Man With Enormous Wings<br />

by Gabriel Garcia Marquez<br />

For adults and children 5+<br />

in association with Kneehigh Theatre<br />

4 puppeteers<br />

1 hr 15 mins<br />

The Magician’s Daughter<br />

Age 3-6<br />

2 puppeteers<br />

40 mins<br />

Contact details<br />

Miranda Pitcher miranda@littleangeltheatre.com<br />

Peter Glanville peter@littleangeltheatre.com<br />

14 Dagmar Passage, off Cross Street,<br />

London, N1 2DN<br />

+44 (0) 207 359 8581<br />

www.youtube.com/user/TheLittleATheatre<br />

www.littleangeltheatre.com<br />

19


Puppets Abroad<br />

Pangolin’s Teatime<br />

www.pangolinsteatime.com<br />

Pangolin’s Teatime, established in Edinburgh<br />

in 2006, p<strong>res</strong>ents new writing through<br />

experimental and traditional puppetry. We<br />

primarily create work for adults, using direct<br />

manipulation, table-top, shadow, rod and glove<br />

<strong>puppets</strong>. Pangolin’s has toured throughout the<br />

UK and at festivals including the Edinburgh<br />

Festival, Suspense, and Manipulate.<br />

‘Ingenious and innovative.’ The Scotsman<br />

‘Clearly one to watch.’ The Stage<br />

The Great Puppet Horn (60 mins) Cutting<br />

comedy from the UK’s leading satirical shadow<br />

puppet show. Age 15+. 2 performers<br />

Haozkla (60 mins) Age 8+. 8 performers<br />

Jeremy Bidgood, 62B Kentish Town Road,<br />

London, NW1 9PU<br />

+44 (0) 7718209837<br />

info@pangolinsteatime.com<br />

20<br />

Potato Room<br />

www.potatoroom.co.uk<br />

Potato Room productions was created in<br />

2010 by Gavin Glover, formerly a co-director<br />

of FaultyOptic Theatre of Animation. Still<br />

dark and humorous, cruel and experimental,<br />

Gavin Glover’s work includes actors and nontraditional<br />

puppetry, prerecorded video and<br />

roving camera techniques. 2011 tours include:<br />

London International Mime Festival, BIAM<br />

Paris, Stamsund International Theatre Festival,<br />

Norway, Charleville Méziè<strong>res</strong>, France.<br />

‘This is an important work of art, not a<br />

requiem to Faulty Optic but a glimpse of<br />

adult puppetry’s future.’ Matthew Isaac Cohen<br />

Animations Online<br />

‘Freakish <strong>puppets</strong> and fizzing ideas.’ The Stage<br />

‘Alive and piercing.’ Total Theatre<br />

Flogging a dead horse (1hour 20mins)<br />

In English or French. 2 performers.


Puppet theatre from England, Ireland, Scotland and Wales<br />

Gavin Glover<br />

mrgavinglover@gmail.com<br />

Skype: gavinglover<br />

+44 (0)161 4083 808 (UK)<br />

+32 (0)484 653 682 (Belgium)<br />

21


Puppets Abroad<br />

Punch and Judy Professors<br />

Celebrating his 350th birthday in 2012, Mr.<br />

Punch is the UK’s oldest and most famous<br />

puppet character. Popular with both children and<br />

adults, the traditional story of Punch and his wife<br />

Judy, a crocodile and a string of sausages is told<br />

using hand <strong>puppets</strong> and slapstick comedy.<br />

Robert Styles<br />

Performing since 1980, Styles is a secondgeneration<br />

Punch & Judy man who has<br />

travelled throughout the UK and to festivals<br />

in Marseille, Provence, Mistelbach, Segovia,<br />

Salamanca, Frankfurt, Halle, Vienna, Wels and<br />

Lubeck, as well as throughout Japan.<br />

46a Naylor Road, London SE15 1QQ<br />

+44 (0) 207 358 1708<br />

+44 (0) 7950 784511<br />

robpunch@hotmail.com<br />

www.robertstyles.com<br />

Rod Burnett<br />

www.storyboxtheatre.co.uk<br />

Dan Bishop<br />

+44 (0)1822 613957<br />

danandemmabishop@tiscali.co.uk<br />

22<br />

Clive Chandler<br />

+44 (0) 121 441 5694<br />

www.tiptop<strong>puppets</strong>.co.uk<br />

Richard Coombs<br />

+44 (0)1283 792959<br />

www.richardcoombs.co.uk<br />

Geoff Felix<br />

+44 (0) 8903 3869<br />

www.geofffelix.com<br />

Puppet (R)Evolution<br />

http://puppetrevolution.co.uk<br />

Writer/director/puppet maker Raven Kaliana<br />

established Puppet (R)Evolution in 2008, with<br />

Luke Wallens joining as Assistant Director<br />

in 2010. The critically acclaimed Hooray for<br />

Hollywood, an expose of the child pornography<br />

industry will feature at the Charleville Festival<br />

in 2011. Fragile/Sacred tours to the Czech<br />

Republic and Denmark in 2011, and premie<strong>res</strong><br />

in London at the Suspense Festival.


‘Full marks for audacity’ Time Out<br />

Fragile/Sacred (50 mins) Age 13+<br />

4 puppeteer/actors, 1 musician<br />

Hooray for Hollywood Age 18+<br />

(40 mins + 30 mins post-show discussion)<br />

5 puppeteer/actors, 1 musician<br />

Raven Kaliana, 167 Hermitage Road, Omega<br />

Works Unit 3K, London, N4 1LZ<br />

puppetrev@hotmail.co.uk<br />

+44 (0) 7504346565<br />

Puppet State Theatre Company<br />

www.<strong>puppets</strong>tate.com<br />

Puppet State Theatre Company, based in<br />

Edinburgh, was founded by Richard Medrington.<br />

After performing his one-man puppet shows<br />

for 20 years he joined forces with Rick Conte<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

and Ailie Cohen in 2006. The Man Who Planted<br />

Trees has toured across the UK and Ireland as<br />

well as in Malaysia, Bermuda, the Netherlands,<br />

USA, Canada and Australia, and in a French<br />

version at the 2011 Charleville-Méziè<strong>res</strong> World<br />

Puppetry Festival.<br />

‘Laughs, heartbreak, war, regeneration, scented<br />

breezes, sparkling wit, the best dog puppet ever.<br />

Perfect for children and grown-ups. Terrific.’<br />

The Guardian<br />

The Man Who Planted Trees (65 mins) Age 7+<br />

In English with some French.<br />

40/1 Woodhall Road, Edinburgh, EH13 0DU<br />

http://<strong>puppets</strong>tateblog.wordp<strong>res</strong>s.com<br />

elspeth@<strong>puppets</strong>tate.com<br />

+44 (0) 131 441 9693<br />

+44 (0) 7595 930624<br />

23


Puppets Abroad<br />

Shona Reppe Puppets<br />

www. shonareppe<strong>puppets</strong>.co.uk<br />

Since 1997, Shona Reppe Puppets has been<br />

dedicated to creating highly visual small-scale<br />

solo puppet productions for children and their<br />

families. Cinderella has toured all over the world<br />

including the Sydney Opera House, the New<br />

Victory Theatre, New York, Japan, Belgium,<br />

France, Israel and the UK. Awards include a<br />

Total Theatre Award 2002.<br />

‘Cinderella is a magical and mischievous delight;<br />

combining simple storytelling with lush and<br />

inventive images’. nytheatre.com 2009<br />

‘I defy anyone of any age not to be<br />

entertained…witty, clever and superbly<br />

performed.’ Edinburgh Guide<br />

24<br />

Cinderella (47 mins) Age 5+<br />

Olga Volt The Electric Fairy (45 mins) Age 7+<br />

Potato Needs a Bath (45 mins) Age 2 – 5years<br />

Shona Reppe Puppets<br />

c/o Paul Fitzpatrick, Catherine Wheels Theatre<br />

Company, The Brunton Theatre, Ladywell Way,<br />

Musselburgh, EH21 6AA<br />

shonareppe<strong>puppets</strong>@googlemail.com<br />

Matthew Robins<br />

www.sadlucy.com<br />

Matthew has had works commissioned by<br />

the Barbican and the National Theatre in<br />

London, and the Waterfront in Belfast, and has<br />

performed his shows across Europe, including<br />

at Tate Britain and the closing night of the<br />

Aosta Valley choral festival.


‘Silhouettes that have something of the deft wit<br />

of Picasso sketches.’ The Guardian<br />

‘Incomparably eldritch shadow <strong>puppets</strong>:<br />

snipped with gothic delicacy from black paper,<br />

their crooked fingers reach directly into your<br />

imagination.’ Time Out<br />

Flyboy, Sad Lucy and other Stories<br />

Artist and musician Matthew Robins tells the<br />

story of Flyboy, half-boy/half-fly, in a series<br />

of romantic science-fiction shadow-puppet<br />

operas. Singing and performing live on stage<br />

with his band, Matthew projects his intricate<br />

paper cut-outs and home-made cardboard<br />

animations onto the big-screen. Running time:<br />

100 minutes including interval, but can be<br />

tailored to fit specific requirements. Performed<br />

in English, but highly visual.<br />

Matthew Robins, 21a Prairie Street, London,<br />

UK, SW8 3PL<br />

+44 (0) 207 4984617<br />

+44 (0)7929 673231<br />

someone@sadlucy.com<br />

Rouge28 Theatre<br />

www.rouge28theatre.co.uk<br />

Founded in 2005, Rouge28 is a company of<br />

international theatre artists based in London.<br />

We fuse life-sized <strong>puppets</strong>, paper theatre,<br />

and new technologies to produce original<br />

and intriguing visual theatre. Urashima Taro<br />

has toured England since 2010 and has been<br />

selected for the World Festival of Puppet<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Theat<strong>res</strong> (Charleville-Méziè<strong>res</strong>), Skipton<br />

International Puppet Festival, and Decibel<br />

Performing Arts Showcase (Manchester).<br />

‘Rouge28’s true magic is in the simple<br />

moments.’ Matt Jackson, Animations Online<br />

‘Both magical and sad.’ Louise Costelloe-Ward<br />

and Hanna Leaper, Nerves<br />

Urashima Taro (55 mins) tells the story of a<br />

poor fisherman seduced by a mysterious and<br />

cruel turtle-woman. This solo performance<br />

explo<strong>res</strong> power, seduction and death, with<br />

an underlying sense of humour. Inspired by<br />

Japanese mythology, it fuses stunning visuals<br />

with human-size <strong>puppets</strong> and paper theatre.<br />

In Japanese and English. Recorded narration<br />

available in several languages. Age: 14+.<br />

Paul Piris, 164 Lordship Lane, London SE22 8HB<br />

+44 (0) 208 693 0070<br />

+44 (0) 795 172 8330<br />

paul@rouge28theatre.co.uk<br />

25<br />

Photo: Monika Kita


Puppets Abroad<br />

Theatre-Rites<br />

www.theatre-rites.co.uk<br />

Theatre-Rites is one of Britain’s leading theatre<br />

companies, creating touring performances<br />

and site-specific events with puppetry at their<br />

heart. Led by renowned visual theatre maker<br />

Sue Buckmaster, they produce work that has<br />

been stirring the imagination of children and<br />

adults alike since 1995. The company combines<br />

puppetry and object manipulation with<br />

different artforms including dance, live music<br />

and visual arts in order to p<strong>res</strong>ent children<br />

with unusual and exceptional contemporary<br />

imagery. The work has little or no script and<br />

is suitable for international touring. As well<br />

as creating middle-scale tours the company<br />

is experienced at delivering commissions<br />

that <strong>res</strong>pond directly to specific locations or<br />

festival themes. Previous critically acclaimed<br />

productions include the site-specific Paradise,<br />

commissioned by the Ruhrtriennale Festival,<br />

and the award-winning Mischief (pictured<br />

opposite) which has toured three times<br />

including performances at Mercat de les Flors<br />

in Barcelona and the New Victory in New York.<br />

‘Its new touring show is one of the best times<br />

I’ve had in a theatre all year.’<br />

The Times on Mischief<br />

26<br />

Show available for touring<br />

MOJO<br />

A Theatre-Rites, Barbican and Salzburg Festival<br />

co-production. Premiering at the Barbican<br />

Christmas 2011. Available for touring from<br />

August 2012.<br />

An enchanting new p<strong>res</strong>entation for the whole<br />

family, a riot of dance, puppetry and music<br />

takes us on a spectacular journey through the<br />

magic and mayhem of growing up. Bursting<br />

with energy and evocative movement, objects<br />

come to life and characters discover their<br />

mojo, igniting stunning visual transformations<br />

devised by the award-winning team of Arthur<br />

Pita and Sue Buckmaster. A dynamic ensemble<br />

including world jazz percussionist Adriano<br />

Adewale, blues/folk, jazz singer, trumpeter and<br />

guitarist Leo Altarelli, dancers and puppeteers<br />

enliven this extraordinary world.<br />

80 minutes, no interval.<br />

Suitable for ages 5+<br />

Contact details<br />

Theatre-Rites, Unit 612 Erlang House, 128<br />

Blackfriars Road, London, SE1 8EQ<br />

+44(0)20 7928 4875<br />

info@theatre-rites.co.uk


Photo: Patrick Baldwin<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

27


Puppets Abroad<br />

Thingumajig Theatre<br />

www.thingumajig.info<br />

Thingumajig Theatre creates innovative puppet<br />

plays, interactive giant <strong>puppets</strong> and spectacular<br />

community events. Based in West Yorkshire,<br />

England, their plays and giant <strong>puppets</strong> have<br />

performed throughout the UK and USA and<br />

at festivals in Ireland, Italy, Denmark, Canada,<br />

Korea and Taiwan.<br />

‘Spectacular integration of movement, music<br />

and set design. Both artists were unmatched<br />

in their performing skills.’ On The Vertigo of<br />

Sheep, awarded the <strong>UNIMA</strong>-USA Citation of<br />

Excellence.<br />

Hippochondriac (45 mins)<br />

A walkabout giant hippopotamus with puppet<br />

shows built into the body of the puppet.<br />

For all ages. Two performers; live music.<br />

Hullaba Lulu (50 mins)<br />

An eccentric couple travels the world in a<br />

28<br />

quirky land-boat, until their lives are turned<br />

upside down by the adorable and colourful<br />

Lulu. For ages 5+. Two performers; live music;<br />

no spoken language.<br />

The Vertigo of Sheep (65 mins)<br />

A well-meaning but unreliable c<strong>low</strong>n attempts<br />

to explain the Book of Genesis through<br />

household objects, <strong>puppets</strong>, physical theatre<br />

and live music, For adult audiences. Two<br />

performers; live music.<br />

Thingumajig Theatre<br />

9 Ashenhurst Road, Todmorden, West<br />

Yorkshire, OL14 8EB<br />

+44 (0) 1706 812645<br />

info@thingumajig.info<br />

Unpacked<br />

www.unpacked.org<br />

Unpacked is a touring theatre company<br />

exploring theatrical storytelling through<br />

performance, live music, interaction with the<br />

audience, a distinctive puppetry aesthetic and<br />

robust physicality. Formed in 2004, the five<br />

core members met and trained at the Central<br />

School of Speech and Drama. Unpacked create<br />

work for both children and adult audiences.<br />

‘Unpacked make the mundane magical.’ The<br />

Argus (on Robin and The Big Freeze)<br />

‘Absolute theatrical brilliance.’ Total Theatre (on<br />

Funeral Games)


Robin and The Big Freeze (60 mins)<br />

5 performers.<br />

Jumping Mouse (65 mins)<br />

4 performers. In English.<br />

From June 2012: The Serpent (60 mins)<br />

5 performers.<br />

Gilbert Taylor, 3 Cissbury Road, Hove, East<br />

Sussex, UK, BN3 6EN<br />

+44 (0) 7903018310<br />

contact@unpacked.org<br />

Wattle & Daub Figure Theatre<br />

www.wattleanddaub.co.uk<br />

Wattle & Daub Figure Theatre is a Bristolbased<br />

puppetry and visual theatre company<br />

that plays with strange structu<strong>res</strong>, striking<br />

imagery and the interconnections of puppet<br />

and puppeteer. Their debut show, Triptych,<br />

fuses innovative storytelling and original music,<br />

featuring a 4-piece jazz combo with directmanipulation<br />

and life-size puppetry, shadow<br />

play and masks, in their signature rough-hewn<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

style. Wattle & Daub Figure Theatre was<br />

formed in 2009 by Tobi Poster and Laura<br />

Purcell Gates.<br />

‘This bright new company is one to watch.’<br />

Kate Yedigaroff, Co-Artistic Director, Mayfest<br />

Triptych (1 hour) 2 performers<br />

Tobi Poster, Wattle & Daub Figure Theatre, c/o<br />

Puppet Place, Unit 18, Albion Dockside Estate,<br />

Hanover Place, Bristol, BS1 6UT<br />

+44 (0) 7855 804526<br />

tobi@wattleanddaub.co.uk<br />

29


Puppets Abroad<br />

STREET THEATRE<br />

Bootworks Theatre<br />

Bootworks Theatre is a group of multidisciplinary<br />

artists committed to creating<br />

innovative theatre and performance for unusual<br />

locations. The ‘Black Box’ is an innovative<br />

theatre installation for an audience of two<br />

people at a time. The audience members sit<br />

inside the box, while the company performs<br />

around the outside. The show is seen through a<br />

series of opening and closing shutters, and can<br />

be viewed from inside or outside.<br />

The Incredible Book Eating Boy by Oliver Jeffers<br />

(5 mins, for one young person and parent or<br />

guardian). 5 performers.<br />

Becki Haines, Bootworks Theatre c/o Battersea<br />

Arts Centre, Lavender Hill, Battersea, London<br />

SW11 5TN<br />

+44 (0)7732 818401<br />

becki@bootworkstheatre.co.uk<br />

www.bootworkstheatre.co.uk<br />

Neighbourhood Watch Stilts International &<br />

Soznak<br />

Neighbourhood Watch Stilts International<br />

specialise in large and small scale street<br />

theatre. NWSI have been working with giant<br />

puppetry for 15 years and have performed in<br />

40 countries worldwide. NWSI predominantly<br />

perform with concealed puppeteers, but<br />

also utilise suspension <strong>puppets</strong> and other<br />

<strong>puppets</strong>, usually performed from within by<br />

10 or 11 puppeteers. We have launched and<br />

provided fi nales for major festivals worldwide.<br />

www.nwsi.co.uk/archive documents our history.<br />

30<br />

No words used. Soznak, the band, performs<br />

songs in Ncongo, Lingala, Zulu-natal, French,<br />

Portuguese, and English.<br />

Les Oiseaux de lux: interactive street<br />

intervention. 3-22 performers. 25mins; up to 3<br />

shows per day. An invasion of giant birds.<br />

The Butterfl y Collection: interactive street<br />

intervention. 3-7 performers. 30 mins; up to 3<br />

shows per day. An invasion of giant butterfl ies.<br />

Dali and Gala: giant infl atable puppet dancers. 4<br />

performers.10 mins; up to 3 shows per day.<br />

The Caterpillar: giant infl atable puppet. 10<br />

performers.15 mins; up to 2 shows per day.<br />

Sid the spider: giant infl atable puppet. 11<br />

performers. 15 mins.<br />

Chromarama: arena spectacle.14 performers. 25<br />

mins; up to 2 shows per day.<br />

Grand Magix. 25 performers. 35 mins. Stilts,<br />

infl atables, helium-suspended aerial puppetry<br />

and performance pyrotechnics.<br />

Taranta. 53 performers. 50 mins. Stilts,<br />

infl atables, helium-suspended aerial puppetry<br />

and pyrotechnics. An urban invasion/<br />

hallucination of spiders and insect life set to<br />

fl amenco and the ‘compas’ of the Buleria.<br />

Paul Miskin, 10 Ravensworth Terrace,<br />

Newcastle upon Tyne, NE4 6AU<br />

+44(0)191 2618987<br />

+44 (0)7711 656759<br />

nwsi@nwsi.demon.co.uk<br />

www.nwsi.co.uk<br />

Noisy Oyster<br />

Noisy Oyster, established in 2008, is Nik Palmer<br />

– puppeteer, puppet maker and musician, and<br />

Sarah Rowland-Barker – puppeteer, dancer and


Photo: Murdo Macleod<br />

circus performer.<br />

Plain Bob (20 mins) No words. One visible<br />

performer and one in the audience.<br />

Dangerous Dave (45 mins) Comic puppet<br />

stunt performance performed in English and<br />

a favourite at UK puppet festivals (this year<br />

going to Bornholme). One puppeteer and one<br />

frontman. Can be performed inside or out.<br />

Noisy Oyster, 5 Albion Place, Frome, Somerset,<br />

BA11 4JZ<br />

+44 (0)1373 466933<br />

info@noisyoyster.co.uk<br />

www.noisyoyster.co.uk<br />

Vision Mechanics<br />

The foundations of Vision Mechanics <strong>res</strong>t<br />

in the creative minds of Symon Macintyre<br />

(Artistic Director) and Kim Bergsagel (Creative<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Director). Our projects combine puppetry,<br />

performance, technology and environment.<br />

We aim to engage and encourage a sense<br />

of community and create mythic events that<br />

amaze and inspire.<br />

Big Man Walking is a giant who travelled across<br />

Scotland, thrilling audiences in their thousands.<br />

Mobile promenade performance centred<br />

around an 8-metre-high puppet. Performance is<br />

suited for both day and night. Running time: 1<br />

to 4 hours. Team of 12 (puppeteers, crew and<br />

management) plus 10 local stewards.<br />

Anne Fleming, 81 Great Junction Street,<br />

Edinburgh EH6 5HZ<br />

+44 (0) 131 554 8923<br />

anne@visionmechanics.org<br />

31


Puppets Abroad<br />

BRIEF COMPANY LISTINGS<br />

Beady Eye Theatre<br />

www.kristinfredricksson.mfbiz.co.uk<br />

Founded in 2009 by Kristin Fredricksson,<br />

Beady Eye’s first show, Everything Must Go, was<br />

described by the Times as ‘funny, moving and<br />

unique’. It won a Total Theatre Award and the<br />

Arches Brick Award, touring the UK in 2009/<br />

10, including a two-week run at the Barbican,<br />

London. International touring includes the<br />

Ruhrfestspiele, Germany 2010 and Het Veem<br />

Theater, Holland in Autumn 2011. Beady Eye<br />

use various puppetry techniques and scales;<br />

currently tiny and larger-than-life figu<strong>res</strong> and<br />

stop-motion animation mixed with live action.<br />

Everything Must Go (or The Voluntary Attempt to<br />

Overcome Unnecessary Obstacles). 1 hour; in<br />

English or French. Le Metre: 40 mins; in French.<br />

Kristin Fredricksson, 12 Puckle Lane,<br />

Canterbury CT1 3JX, UK<br />

+44 (0)1277 862282<br />

+44 (0) 7900 340 663<br />

beadyeye@live.co.uk<br />

Ailie Cohen Puppet Maker<br />

www.ailiecohen.com<br />

Ailie is an associate artist of Puppetstate<br />

Theatre Company, and co-directed and<br />

designed The Man Who Planted Trees. Other<br />

work includes Rumpelstiltskin at the Fairytale<br />

Laundry and Jazz Mouse, both of which<br />

have toured throughout the UK, Ireland and<br />

Australia. Cloud Man by Ailie Cohen and Lewis<br />

Hetherington will appear in 2012 at the Made<br />

in Scotland Showcase (Edinburgh Fringe) and<br />

at Imaginate International Children’s festival. 45<br />

minute solo puppet piece for 4-7 year olds.<br />

32<br />

Ailie Cohen, 8b Traquair Road, Innerleithen,<br />

Peeblesshire, EH446PD, Scotland<br />

+44 (0)7946274804<br />

ailiecohen@me.com<br />

Branar Téatar do Pháistí<br />

www.branar.ie<br />

We strive for a simple, elegant form of<br />

theatre for children that achieves intricacy<br />

through the use of puppetry. In our ten-year<br />

history we have toured throughout Ireland<br />

and have appeared regularly at all the major<br />

international children’s festivals in Ireland.<br />

Central to our practice are our collaborations<br />

with international directors from Denmark and<br />

Norway.<br />

Cube Theatre<br />

www.cube-theatre.co.uk<br />

A Cornish company specialising in ‘essential’<br />

theatre: high quality, stylish theatre that is<br />

rooted in the written word and balanced with<br />

powerful physical action.<br />

Nix Wood, Cube theatre, Burrell Theatre, 1<br />

Trennick Lane, Truro TR1 1TH<br />

0044 (0) 7785 263499<br />

admin@cube-theatre.co.uk<br />

Flabbergast Theatre<br />

www.flabbergasttheatre.co.uk<br />

Flabbergast Theatre makes uncompromising<br />

and exciting physical theatre drawing on the<br />

Bunraku style of puppetry. English language and<br />

mime.<br />

Henry Maynard, 95 Woodstock Road, London,<br />

N4 3EU<br />

+44 (0) 771 495 9892<br />

henrymaynard@hotmail.co.uk


Frolicked<br />

www.frolicked.co.uk<br />

Frolicked is an outdoor puppet theatre<br />

company based in Yorkshire.<br />

Beka Haigh, Unit D First Floor, Asquith Bottom<br />

Mill, Sowerby Bridge, West Yorkshire, HX6 3BS<br />

+44 (0) 7947578181<br />

admin@frolicked.co.uk<br />

Gravy Boat Puppets<br />

www.gravyboat<strong>puppets</strong>.co.uk<br />

Gravy Boat Puppets explore the crossover<br />

between sculpture/visual arts and puppetry.<br />

Isobel Smith, Gravy Boat Puppets, 2<br />

Newhouse Farm Cottages, Firle, East Sussex,<br />

UK, BN8 6ND<br />

+44 (0) 1273 858 336<br />

info@gravyboat<strong>puppets</strong>.co.uk<br />

Les Enfants Terribles Theatre Company<br />

www.lesenfantsterribles.co.uk<br />

We are dedicated to creating original,<br />

innovative and exciting theatre that challenges,<br />

inspi<strong>res</strong> and entertains. Founded by Oliver<br />

Lansley, the company has performed all over<br />

the world including Poland, the Czech Republic,<br />

Dubai, Norway and Singapore, and has toured<br />

extensively in the UK. The Terrible Infants (75<br />

mins, 5 performers); The Vaudevillains (75<br />

mins,10 performers; 5 in band).<br />

James Seager, 29 St Mary’s Road, Reigate,<br />

Surrey, RH2 7JH<br />

+44 (0) 7815040999<br />

james@lesenfantsterribles.co.uk<br />

Magic Book Theatre<br />

www.magicbooktheatre.co.uk<br />

The company’s aim is to produce quality<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

children’s theatre that encourages inclusive play.<br />

Michele Petit-Jean, 38 Holden House, Deptford<br />

Church Street, London SE8 4SQ<br />

+44 (0) 7739 570 403<br />

info@michelepetitjean.com<br />

Nautilus Theatre<br />

www.nautilustheatre.blogspot.com<br />

Nautilus Theatre, directed by Alexander<br />

Winfield, is a three-year-old company that<br />

produces new and original solo puppet works<br />

that simultaneously challenge and entertain<br />

their audiences. Nautilus mixes bunraku, glove<br />

and rod puppet techniques to create puppet<br />

characters of remarkable depth and originality.<br />

‘Dark…Daring!’ Toronto Eye Weekly. ‘A hugely<br />

talented performer!’ Oxford Daily Info<br />

26 Dennington Park Rd, NW6 1BA, London<br />

nautilustheatre@gmail.com<br />

+44 (0) 7504359656<br />

Jose Navarro<br />

www.jose-navarro.com<br />

Jose is a solo puppeteer who works with<br />

various puppet techniques such as string, glove,<br />

shadow, body and rods. International festivals<br />

include the Edinburgh Fringe Festival. Buxton<br />

Puppet Festival, LUT Puppet Festival (Bosnia),<br />

‘Valise’ (Poland), Festival Neapolis (Tunisia), and<br />

in Brazil, Armenia, Venezuela, Iran, Serbia and<br />

Ukraine. Animalia (55 mins); A La Carte (50<br />

mins); Amazonian Visions (5 mins); Ritual Scissors<br />

Dance (55 mins); Children of the Sun (40 mins);<br />

The Pongo’s Dream (20 mins).<br />

Jose Navarro, 45 Bannerman House, Lawn<br />

Lane, London. SW8 1UA<br />

+44 (0) 7714 508280<br />

pishtaco1@yahoo.co.uk<br />

33


Puppets Abroad<br />

Nutmeg Puppet Company<br />

www.nutmegpuppet.co.uk<br />

Founded in 1979, Nutmeg has mainly<br />

specialised in producing original shows and<br />

workshops about the environment, for children<br />

of all ages, family audiences, and older people.<br />

meg@nutmegpuppet.co.uk<br />

+44 (0) 1502 478999<br />

On The Other Hand Puppet Theatre<br />

www.ontheotherhand.em8z.com<br />

Founded in 1985. Ken Haines has worked in<br />

film, TV and theatre and has rep<strong>res</strong>ented the<br />

UK at festivals in Europe in countries including<br />

Greece, Portugal, Germany, Belgium and at the<br />

Dublin International Puppet Festival. He is coauthor<br />

of The Usborne Book of Puppets.<br />

The Henry VIII Show, (75 mins) The Marvellous<br />

Magical Coat (55 mins), Tales From the Washing<br />

Line (55 mins), Moving Tales (35 mins). 2<br />

performers.<br />

Ken Haines,1 Grange House, 229 Stoke<br />

Newington Church Street, London N16 9HL<br />

+ 44 (0) 207254 5870<br />

keninlondon@aol.com<br />

Puppet Pool<br />

www.facebook.com/pinkflamingopuppetcabaret<br />

Puppet Pool is a collective of Liverpool artists<br />

who have created the Pink Flamingo Puppet<br />

Cabaret: an evening of titillation, comedy<br />

and virtuoso puppet entertainment for adult<br />

audiences.<br />

Beccy Hillam, 24 Green Lane, Mossley Hill,<br />

Liverpool, L18 6HB<br />

+44 (0) 779 156 4759<br />

puppetpool@googlemail.com<br />

34<br />

Robert Poulter’s New Model Theatre<br />

www.newmodeltheatre. co.uk<br />

One person operation, taking the<br />

medium of traditional toy theatre and<br />

creating new, original shows emphasising<br />

movement, lighting, recorded sound and scenic<br />

transformations. Established 30 years ago with<br />

88 productions to date, including appearances<br />

at festivals in Germany, France, the Netherlands<br />

and Spain, and five Puppeteers of America<br />

festivals. All shows (except one) solo performer.<br />

Most in English with programme and synopsis<br />

in appropriate language. Mr Turner Gets<br />

Steamed Up (38 mins); The Loyal 47 (29 mins);<br />

The Great Belzoni (49 mins); Black Eye’d Susan<br />

by Douglas Jerrold (60 mins); The Buccaneer’s<br />

Bride (45 mins); Oh! Smith (55 mins.) Live show<br />

with actor Peter Baldwin; Scriabin’s Prometheus<br />

(23 mins).<br />

Robert Poulter’s New Model Theatre, 7 St<br />

Augustine’s Road, Ramsgate, Kent, CT11 9PQ<br />

+ 44 (0)1843850002<br />

RobertNMT@googlemail.com<br />

Rough Magic Theatre<br />

www.roughmagictheatre.co.uk<br />

Rough Magic Theatre was formed in Bolton in<br />

2000. They use shadows, rods, Bunraku style,<br />

body <strong>puppets</strong>, mouth <strong>puppets</strong>, giant <strong>puppets</strong>,<br />

paper theatre etc. The work includes acting and<br />

music and is suitable for adults and children.<br />

The work is primarily in English, but accessible<br />

through visuals and music.<br />

36 Bargh’s Meadow, High Bentham, Lancaster,<br />

North Yorkshire, LA2 7NH<br />

+44 (0) 15242 63314<br />

+44 (0) 7901791358<br />

roughmagic@hotmail.com


Sketty Productions<br />

Founded in 2005, critically acclaimed Sketty<br />

Productions is a London-based company<br />

specializing in dynamic performance and<br />

puppetry. Working collaboratively with a<br />

team of actors, puppeteers and musicians the<br />

company devises highly visual work suitable<br />

for a wide range of audiences. Shows available:<br />

Imogen, Feral and Tom’s. A maximum of five<br />

performers; all shows last 1 hour.<br />

Toby Clarke, 72 Sudbourne Road, Brixton,<br />

London SW2 5AH<br />

+44 (0) 7779391165<br />

toby@skettyproductions.co.uk<br />

alex@skettyproductions.co.uk<br />

The Fetch Theatre Company:<br />

www.thefetch.co.uk<br />

The Fetch is a touring theatre company<br />

producing a highly visual style of theatre<br />

specialising in puppetry and mask work.<br />

The Fetch produces work that engages with<br />

audiences of all ages. Available for touring<br />

overseas: The Grateful Crane. Based on a<br />

traditional Japanese story, this beautiful,<br />

mesmerizing show demonstrates the skill and<br />

style of Bunraku puppetry. A visual tale told<br />

without words and suitable for all ages.<br />

info@thefetch.co.uk<br />

+44(0) 1544 231 579<br />

Tortoise in a Nutshell<br />

www.tortoiseinanutshell.com<br />

Tortoise in a Nutshell was established in 2008<br />

with the aim of creating engaging visual theatre<br />

performances, primarily using the medium of<br />

puppetry. The Last Miner opened the 2011<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Manipulate festival and completed a UKwide<br />

tour in Spring 2011. It utilises hand and<br />

rod puppetry with shadow play and object<br />

manipulation. 45 mins; 2 performers.<br />

Tortoise in a Nutshell, c/o Impact Arts, Arts<br />

Complex, East Wing, St Margarets House,<br />

London Road, Edinburgh, EH7 6AE<br />

+44 (0) 7580969385<br />

+44 (0)131 5551703<br />

inanutshell@live.co.uk<br />

Vagabondi Theatrical Arts<br />

www.vagabondi<strong>puppets</strong>.com<br />

We perform mostly to family audiences<br />

and schools and are particularly concerned<br />

with environmental issues. Our latest show<br />

Hydroscape dives into the depths of the<br />

wonder that is H 2 0. Our belief in puppetry and<br />

poetry harmonises with our love for live music<br />

and soundscapes. A Pirate’s Life for Me (2010)<br />

has a specially commissioned soundtrack from<br />

Barcelonian puppeteer Mina Ledergerder. We<br />

mix storytelling, puppetry and technology.<br />

Jo Munton, Vagabondi Theatrical Arts, Studio 3,<br />

Y Dolydd, Llanfyllin, Powys, SY22 5LD<br />

jo@vagabondi<strong>puppets</strong>.com<br />

+44 (0)7779893412<br />

+44 (0)1952 40050<br />

Nenagh Watson – Barking Dog<br />

Nenagh Watson’s background is in sculpture<br />

and theatre. She was co artistic director of<br />

doo-cot (with painter Rachael Field) 1990-<br />

2007. Barking Dog was established in 2008 to<br />

promote her collaborative projects.<br />

Nenagh.Watson@cssd.ac.uk<br />

nenagh.watson@yahoo.com<br />

35


Puppets Abroad<br />

FESTIVALS<br />

Beverley Puppet Festival<br />

Biennial (next festival July 2012)<br />

beverleyartstrust@hotmail.co.uk<br />

Bristol Festival of Puppetry<br />

www.puppetplace.org/festival<br />

26 August – 3 September 2011<br />

Buxton Puppet Festival<br />

Annual (25 – 30 July 2011)<br />

+44 (0) 1298 72050<br />

International Puppet Festival, Ireland<br />

www.puppetfest.ie<br />

Annual (21 – 31 October 2011)<br />

Manipulate festival, Edinburgh<br />

http://manipulatefestival.org<br />

Annual (31 January – 5 February 2011)<br />

Puppet Animation Festival, Scotland<br />

www.puppetanimationfestival.org<br />

Annual (2 – 26 April 2011)<br />

Skipton Puppet Festival<br />

www.skiptonpuppetfestival.co.uk<br />

Biennial (23 – 25 September 2011)<br />

Suspense: London Puppetry Festival<br />

www.suspensefestival.com<br />

Biennial (28 October – 6 November 2011)<br />

May Fayre, London<br />

www.alternativearts.co.uk<br />

Annual (12 –13 May 2012)<br />

In 2012, we celebrate Mr. Punch’s 350th<br />

36<br />

birthday with contributions from his cousins all<br />

over the world.<br />

THEATRES<br />

Biggar Puppet Theatre, Scotland<br />

www.purves<strong>puppets</strong>.com<br />

Puppet Tree House, Broughton Road, Biggar,<br />

Lanarkshire, ML12 6HA<br />

+44 (0) 1899 220631<br />

The home of Purves Puppets. Their puppet<br />

shows, an important part of Scottish theatre<br />

for over 35 years, tour all over the world.<br />

The Harlequin Marionette Theatre, Wales<br />

www.<strong>puppets</strong>.uk.com<br />

Rhos-on-Sea, Colwyn Bay, North Wales<br />

+44 (0) 1492 548166<br />

Lambert Puppet Theatre<br />

www.lambertpuppettheatre.ie<br />

Clifton Lane, Monkstown, County Dublin<br />

+44 (0) 1280 0974<br />

Ireland’s only purpose-built puppet theatre,<br />

established in 1972, containing a theatre<br />

auditorium with capacity of 250, a small studio<br />

space and Ireland’s only museum of <strong>puppets</strong>.<br />

The Little Angel Theatre, London<br />

www.littleangeltheatre.com<br />

14 Dagmar Passage, London, N1 2DN<br />

+44 (0) 20 7226 1787<br />

The Little Angel Theatre is ‘the home of <strong>British</strong><br />

puppetry’ and one of only three building-based<br />

puppet theat<strong>res</strong> in England, established in<br />

1961. The 100-seat theatre stands side-byside<br />

with the workshop, where all our new<br />

productions and <strong>puppets</strong> are developed,


carved and constructed. We are dedicated to<br />

the celebration and development of puppetry<br />

and live animation in all its diverse forms.<br />

Norwich Puppet Theatre, Norwich<br />

www.puppettheatre.co.uk<br />

St James, Whitefriars, Norwich, Norfolk, NR3<br />

1TN<br />

+44 (0) 1603 629921<br />

Norwich Puppet Theatre was founded in<br />

1979 by Ray and Joan DaSilva and was fi rst<br />

opened as a public venue in 1980, fol<strong>low</strong>ing<br />

the conversion of the medieval church of St.<br />

James in the heart of Norwich. It is dedicated<br />

to puppetry, and currently houses a 185-seat<br />

raked auditorium, 50-seat studio, workshops, an<br />

exhibition gallery, shop and licensed bar.<br />

Puppet Theatre Barge, London<br />

www.puppetbarge.com<br />

Theatre: Little Venice, Blomfi eld Road, London,<br />

W9 2PF<br />

Offi ce: 78 Middleton Road, London, E8 4BP<br />

+44 (0) 20 7249 6876<br />

The company p<strong>res</strong>ents innovative, quality<br />

theatre with a view to raising the status and<br />

profi le of the marionette. It commissions new<br />

scripts and musical sco<strong>res</strong> from contemporary<br />

writers and composers. The company has<br />

an active educational policy and runs a<br />

programme of work in schools, reaching large<br />

numbers of children every year.<br />

Scottish Mask and Puppet Centre, Glasgow<br />

http://scottishmaskandpuppetcentre.co.uk<br />

8-10 Balcar<strong>res</strong> Avenue, Kelvindale, Glasgow,<br />

G12 0QF<br />

+44 (0) 141 339 6185<br />

Puppet theatre from England, Ireland, Scotland and Wales<br />

Over 25 years the Scottish Mask and Puppet<br />

Centre has acted as a catalyst, a <strong>res</strong>ource<br />

centre and a lead agency for all those with<br />

an inte<strong>res</strong>t in mask and puppet theatre. The<br />

building includes a 100-seat studio theatre,<br />

exhibition, cafe, library and production and<br />

design workshops.<br />

ORGANISATIONS<br />

<strong>British</strong> Puppet and Model Theatre Guild<br />

www.puppetguild.org.uk<br />

Founded in 1925, the Guild is the longest<br />

established UK puppetry organisation. Our<br />

aims and objectives are to protect and<br />

promote the skills of puppetry and the model<br />

theatre; to improve the standards of puppetry<br />

in all its forms; to establish communication<br />

between members in both Great Britain and<br />

all parts of the world. Our membership is<br />

drawn from both professional and amateur<br />

puppeteers. Regular meetings, festivals,<br />

publications and our website keep members<br />

informed and involved.<br />

<strong>British</strong> <strong>UNIMA</strong><br />

www.unima.org.uk<br />

<strong>British</strong> <strong>UNIMA</strong> is part of the Union<br />

Internationale de la Marionnette (<strong>UNIMA</strong>)<br />

founded in 1929 and affi liated to UNESCO.<br />

<strong>UNIMA</strong> brings together people inte<strong>res</strong>ted in<br />

the art of puppetry and in using this art to<br />

promote peace and mutual understanding.<br />

<strong>British</strong> <strong>UNIMA</strong> offers opportunities to attend<br />

international festivals and workshops, organises<br />

an annual lecture and other events, publishes<br />

Puppet Notebook magazine and a newsletter,<br />

and reports on news, events and opportunities.<br />

37


Puppets Abroad<br />

London School of Puppetry<br />

www.londonschoolofpuppetry.com<br />

+44 (0)1756 753495<br />

+44 (0) 207 3597357<br />

info@londonschoolofpuppetry.com<br />

The London School of Puppetry was the fi rst<br />

organisation to establish formal training in<br />

puppetry in the UK in 1987. We run long and<br />

short courses and the Professional Puppeteers<br />

Diploma. Courses.<br />

Punch and Judy College of Professors<br />

www.punchandjudy.org<br />

Punch and Judy College members are among<br />

the leading practitioners of Punch & Judy in the<br />

UK today and have organised, and performed<br />

at, numerous festivals locally, nationally and<br />

internationally. The College promotes the<br />

highest standards in the performance and<br />

p<strong>res</strong>entation of the traditional show.<br />

Puppet Animation Scotland<br />

http://puppetanimation.org/<br />

Puppet Animation Scotland provides a<br />

wide range of practical support to help the<br />

development of Scottish puppeteers and<br />

animators at all stages of their careers.<br />

Puppet Centre Trust<br />

www.puppetcentre.org.uk<br />

The Puppet Centre Trust, founded in 1974, is<br />

a development agency for puppetry working<br />

at a national level. The overall mission for<br />

the Puppet Centre Trust is ‘to develop and<br />

promote the art form of puppetry within<br />

the context of contemporary performance<br />

practice.The Puppet Centre runs workshops<br />

and master classes in puppetry arts and<br />

38<br />

business skills for puppeteers and emerging<br />

artists as well as <strong>res</strong>idency and mentoring<br />

schemes. Our e-magazine, Animations Online<br />

is published four times a year and contains<br />

inte<strong>res</strong>ting articles on puppetry, reviews and<br />

views on the current trends.<br />

Puppet Place<br />

www.puppetplace.org<br />

Puppet Place, Unit 18, Albion Dockside Estate,<br />

Hanover Place, Bristol, BS1 6UT<br />

+44 (0)117 929 3593<br />

info@puppetplace.org<br />

We provide practical and strategic support<br />

to artists including rehearsal, workshop and<br />

shared offi ce space at our base in Bristol,<br />

professional workshops and networking<br />

opportunities and advocacy for the artform.<br />

Puppeteers UK<br />

www.puppeteersuk.com<br />

info@puppeteersuk.com<br />

PuppeteersUK is the networking organisation<br />

for puppetry in the United Kingdom. It was<br />

formed in 1999 with the objective of delivering<br />

a united voice and an effective lobby for the<br />

improved recognition of puppetry.<br />

The Punch and Judy Fel<strong>low</strong>ship<br />

www.thepjf.com<br />

Established in 1980, the Punch & Judy<br />

Fel<strong>low</strong>ship is the largest and oldest<br />

organisation of its kind, devoted to keeping<br />

alive the tradition of Punch & Judy shows.<br />

We aim are to develop, p<strong>res</strong>erve and<br />

promote Punch & Judy and increase public<br />

understanding of its development, history and<br />

traditions.


Puppet theatre from England, Ireland, Scotland and Wales<br />

39

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