Rick Garland Intermission catalogue
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R I C K G A R L A N D<br />
I N T E R M I S S I O N
RICK GARLAND<br />
INTERMISSION<br />
6th November – 27th November 2021
In his new collection, <strong>Rick</strong><br />
<strong>Garland</strong> ‘curates’ his own<br />
memories, employing the<br />
motif of the museum display.<br />
Museums began in the homes<br />
of collectors who created their<br />
own groupings of objects,<br />
with the mundane often<br />
sitting alongside the bizarre.<br />
In <strong>Garland</strong>’s new paintings,<br />
glass bell jars encase the<br />
artist’s memories, whether<br />
uplifting or traumatic.<br />
Antique printers’ drawers and<br />
display units become<br />
<strong>Garland</strong>’s own ‘cabinets of<br />
curiosities’. The memories of<br />
an individual may seem<br />
random to anybody else, but<br />
they have a logic within one<br />
particular life.<br />
<strong>Garland</strong>’s antique containers<br />
preserve memories as though<br />
they are creatures treated by a<br />
taxidermist. However, they<br />
also neutralise those<br />
memories, enabling them to<br />
be observed and analysed<br />
from a safe distance. They<br />
have literally become<br />
‘museum pieces’, kept safe<br />
and, in some ways, made safe.<br />
But memory can distort the<br />
past over time. Just as a<br />
museum curator cannot create<br />
an exhibition without<br />
imposing their own ideas<br />
upon the past, so a collection<br />
of memories is inevitably<br />
coloured by the individual’s<br />
subsequent experiences.<br />
<strong>Garland</strong>’s paintings raise<br />
many questions. Why have<br />
certain events or objects been<br />
brought together? Can<br />
memories ever be isolated in<br />
this way, or are we always in<br />
a continuing dynamic<br />
relationship with them,<br />
constantly taking them out of<br />
their cases and reordering<br />
them?<br />
There are many memories<br />
layered within each painting,<br />
some very personal to the<br />
artist. <strong>Garland</strong> has handwritten<br />
a letter about each<br />
piece. These letters have been<br />
enclosed in envelopes with<br />
the artist’s own wax seal.<br />
It is up to the owner to choose<br />
whether to open the sealed<br />
envelope or create their own<br />
interpretation of the story<br />
with the basic information<br />
supplied.<br />
These are absorbing paintings,<br />
which invite us to consider<br />
the nature of our own<br />
memories. What would we<br />
put in our ‘cabinet of<br />
curiosities’?
Mannings:<br />
“One memorable party night in the country at the start of<br />
the 1990s. Consistent fuel leaks from the old Citroen<br />
‘Party Car’.<br />
The fleeting nature of youthful fun....”
Mannings<br />
76 x 92 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
Buddleja:<br />
“Memories of weekend fun and family television. Simpler<br />
times…”
Buddleja<br />
122 x 92 cm / Acrylic on panel<br />
£28,800<br />
Click image to view fullscreen
The Quince Tree:<br />
“The huge sprawling quince tree at my first childhood<br />
home. The backdrop to my growing up and the<br />
television and toys that accompanied it.”
The Quince Tree<br />
102 x 76 cm / Acrylic on panel<br />
£24,000<br />
Click image to view fullscreen
Pine Fresh:<br />
“A wet Devon camping trip with my Brother:<br />
A drinking and pool competition with some Marines…<br />
In a flooded field trying to get warm and dry in our old<br />
Nissan Micra… The smell of pine fresh from cleaning the<br />
camping gear in a car park after a drunken night… And<br />
being faced with an unhinged local dressed as a cowboy,<br />
who drew his guns on us at High Noon as we waited in<br />
the laundrette for the sleeping bags to wash...”
Pine Fresh<br />
83 x 83 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
Rematch:<br />
“An important milestone in adult life:<br />
Music, losing the drinking competition with my date<br />
and us being rudely awoken with a shower of glass and<br />
a golf ball, with shouts for breakfast coming from her<br />
father.”
Rematch<br />
92 x 76 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
O.G:<br />
“Seven days of my life:<br />
The crashing realisation of first true love lost, mix tapes,<br />
party highs and blindsided rejection. Sunday morning<br />
stream of calamitous events culminating in the good<br />
fortune of a bus replacement service at a Berkshire train<br />
station.”
O.G<br />
122 x 92 cm / Acrylic on panel<br />
£28,800<br />
Click image to view fullscreen
The Rocket:<br />
“The Rocket, a Citroen ‘School Party’ car, jointly bought<br />
for £5 each with a retro fitted 90's stack hi-fi.<br />
We wore clown disguises as we drove around town in<br />
our school uniforms so as not to be recognised.<br />
We felt a sense of honour, only taking and drinking the<br />
milk opened by blue Tits whilst the local police staked<br />
out the car.”
The Rocket<br />
76 x 92 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
Holbrook:<br />
“3 surreal days stuck in Australia:<br />
Deliriously tired, limping the broken down camper van<br />
into a deserted inland New South Wales town covered in a<br />
plague of dead hawk moths. There in front of me was a<br />
British world war 2 submarine on a roundabout… Then<br />
waiting 3 days in this other worldly place for our hired<br />
van to be mended.”
Holbrook<br />
92 x 76 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
14/48:<br />
“Futile efforts to Impress:<br />
48 hours from fine dining in a top hotel restaurant to a<br />
Chinese takeaway in bed!”
14/48<br />
76 x 92 cm / Acrylic on panel<br />
£22,200<br />
Click image to view fullscreen
Whiskey Flake:<br />
“Childhood pranks, indoor fireworks and family<br />
repercussions.”
Whiskey Flake<br />
61 x 71 cm / Acrylic on panel<br />
£12,000<br />
Click image to view fullscreen
<strong>Intermission</strong> Interview<br />
Please click the image below to view <strong>Rick</strong> <strong>Garland</strong><br />
discussing the <strong>Intermission</strong> collection:<br />
To view the limited edition <strong>catalogue</strong><br />
please click the link below<br />
<strong>Intermission</strong> – Limited Editions collection
COLLEY ISON GALLERY<br />
85 – 89 Colmore Row<br />
Birmingham<br />
B3 2BB<br />
0121 236 0920