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Rick Garland Intermission catalogue

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R I C K G A R L A N D<br />

I N T E R M I S S I O N


RICK GARLAND<br />

INTERMISSION<br />

6th November – 27th November 2021


In his new collection, <strong>Rick</strong><br />

<strong>Garland</strong> ‘curates’ his own<br />

memories, employing the<br />

motif of the museum display.<br />

Museums began in the homes<br />

of collectors who created their<br />

own groupings of objects,<br />

with the mundane often<br />

sitting alongside the bizarre.<br />

In <strong>Garland</strong>’s new paintings,<br />

glass bell jars encase the<br />

artist’s memories, whether<br />

uplifting or traumatic.<br />

Antique printers’ drawers and<br />

display units become<br />

<strong>Garland</strong>’s own ‘cabinets of<br />

curiosities’. The memories of<br />

an individual may seem<br />

random to anybody else, but<br />

they have a logic within one<br />

particular life.<br />

<strong>Garland</strong>’s antique containers<br />

preserve memories as though<br />

they are creatures treated by a<br />

taxidermist. However, they<br />

also neutralise those<br />

memories, enabling them to<br />

be observed and analysed<br />

from a safe distance. They<br />

have literally become<br />

‘museum pieces’, kept safe<br />

and, in some ways, made safe.<br />

But memory can distort the<br />

past over time. Just as a<br />

museum curator cannot create<br />

an exhibition without<br />

imposing their own ideas<br />

upon the past, so a collection<br />

of memories is inevitably<br />

coloured by the individual’s<br />

subsequent experiences.<br />

<strong>Garland</strong>’s paintings raise<br />

many questions. Why have<br />

certain events or objects been<br />

brought together? Can<br />

memories ever be isolated in<br />

this way, or are we always in<br />

a continuing dynamic<br />

relationship with them,<br />

constantly taking them out of<br />

their cases and reordering<br />

them?<br />

There are many memories<br />

layered within each painting,<br />

some very personal to the<br />

artist. <strong>Garland</strong> has handwritten<br />

a letter about each<br />

piece. These letters have been<br />

enclosed in envelopes with<br />

the artist’s own wax seal.<br />

It is up to the owner to choose<br />

whether to open the sealed<br />

envelope or create their own<br />

interpretation of the story<br />

with the basic information<br />

supplied.<br />

These are absorbing paintings,<br />

which invite us to consider<br />

the nature of our own<br />

memories. What would we<br />

put in our ‘cabinet of<br />

curiosities’?


Mannings:<br />

“One memorable party night in the country at the start of<br />

the 1990s. Consistent fuel leaks from the old Citroen<br />

‘Party Car’.<br />

The fleeting nature of youthful fun....”


Mannings<br />

76 x 92 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


Buddleja:<br />

“Memories of weekend fun and family television. Simpler<br />

times…”


Buddleja<br />

122 x 92 cm / Acrylic on panel<br />

£28,800<br />

Click image to view fullscreen


The Quince Tree:<br />

“The huge sprawling quince tree at my first childhood<br />

home. The backdrop to my growing up and the<br />

television and toys that accompanied it.”


The Quince Tree<br />

102 x 76 cm / Acrylic on panel<br />

£24,000<br />

Click image to view fullscreen


Pine Fresh:<br />

“A wet Devon camping trip with my Brother:<br />

A drinking and pool competition with some Marines…<br />

In a flooded field trying to get warm and dry in our old<br />

Nissan Micra… The smell of pine fresh from cleaning the<br />

camping gear in a car park after a drunken night… And<br />

being faced with an unhinged local dressed as a cowboy,<br />

who drew his guns on us at High Noon as we waited in<br />

the laundrette for the sleeping bags to wash...”


Pine Fresh<br />

83 x 83 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


Rematch:<br />

“An important milestone in adult life:<br />

Music, losing the drinking competition with my date<br />

and us being rudely awoken with a shower of glass and<br />

a golf ball, with shouts for breakfast coming from her<br />

father.”


Rematch<br />

92 x 76 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


O.G:<br />

“Seven days of my life:<br />

The crashing realisation of first true love lost, mix tapes,<br />

party highs and blindsided rejection. Sunday morning<br />

stream of calamitous events culminating in the good<br />

fortune of a bus replacement service at a Berkshire train<br />

station.”


O.G<br />

122 x 92 cm / Acrylic on panel<br />

£28,800<br />

Click image to view fullscreen


The Rocket:<br />

“The Rocket, a Citroen ‘School Party’ car, jointly bought<br />

for £5 each with a retro fitted 90's stack hi-fi.<br />

We wore clown disguises as we drove around town in<br />

our school uniforms so as not to be recognised.<br />

We felt a sense of honour, only taking and drinking the<br />

milk opened by blue Tits whilst the local police staked<br />

out the car.”


The Rocket<br />

76 x 92 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


Holbrook:<br />

“3 surreal days stuck in Australia:<br />

Deliriously tired, limping the broken down camper van<br />

into a deserted inland New South Wales town covered in a<br />

plague of dead hawk moths. There in front of me was a<br />

British world war 2 submarine on a roundabout… Then<br />

waiting 3 days in this other worldly place for our hired<br />

van to be mended.”


Holbrook<br />

92 x 76 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


14/48:<br />

“Futile efforts to Impress:<br />

48 hours from fine dining in a top hotel restaurant to a<br />

Chinese takeaway in bed!”


14/48<br />

76 x 92 cm / Acrylic on panel<br />

£22,200<br />

Click image to view fullscreen


Whiskey Flake:<br />

“Childhood pranks, indoor fireworks and family<br />

repercussions.”


Whiskey Flake<br />

61 x 71 cm / Acrylic on panel<br />

£12,000<br />

Click image to view fullscreen


<strong>Intermission</strong> Interview<br />

Please click the image below to view <strong>Rick</strong> <strong>Garland</strong><br />

discussing the <strong>Intermission</strong> collection:<br />

To view the limited edition <strong>catalogue</strong><br />

please click the link below<br />

<strong>Intermission</strong> – Limited Editions collection


COLLEY ISON GALLERY<br />

85 – 89 Colmore Row<br />

Birmingham<br />

B3 2BB<br />

0121 236 0920

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