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One Former Camper's Memories Become a Legacy: - Reading ...

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Give Shear a Home and Help Send a Musician to Summer Music Camp!<br />

Jewelry Raffle<br />

$5/Ticket<br />

Purchase tickets through the<br />

RMF Office at (610) 376-3395<br />

or at Goggleworks Second Sunday on December 13<br />

DRAWING: JANUARY 15, 2010<br />

Proceeds to provide a summer camp fellowship for 2010<br />

“SHEAR” CLARINET KEY BROOCH - Sterling Silver,<br />

Nickel Silver, Brass, Vintage Clarinet Keys, Epoxy<br />

Resin, Patina. 1.5 x 3.25 x 0.5” Retail Value $400.<br />

Created by Lisa & Scott Cylinder<br />

No playable instruments were harmed to make Shear!<br />

THE STORY OF SHEAR<br />

We began our exploration of musical instruments in 2007. Our daughter, a student clarinetist, piqued our<br />

interest in the instrument. By purchasing old clarinets to refurbish she could “upgrade” her instrument. We<br />

would buy one, fix it up, and if she liked that one better than the one she was currently playing, she would keep<br />

it and we would sell the old instrument. And so the cycle and our self-education began.<br />

Before an orchestra trip abroad, we purchased a real “junker” for our daughter with the intent of her learning<br />

to do repairs on her own. She disassembled the horn, and there it sat for months. We would look at it<br />

occasionally, wondering when she was going to put it back together. It never happened. Instead, we began to<br />

take a serious look at the parts.<br />

The materials, nickel silver, brass, grenadilla wood, were all materials we were already familiar with in our<br />

previous work. The shapes and mechanics were new and fresh and intrigued us. We began to deconstruct and<br />

reconstruct the parts we had from this one instrument. <strong>One</strong> thing led to another and today we continue to<br />

experiment and explore using clarinets as well as saxophones, oboes, cellos, flutes, etc.<br />

ABOUT THE ARTISTS<br />

Lisa and Scott Cylinder began collaborating in 1988, shortly after graduating from prominent university<br />

jewelry programs. They have created limited production studio multiples under the auspices of Chickenscratch<br />

for the past 21 years. Ten years into their venture, they craved a greater technical and creative challenge and<br />

began making one-of-a-kind pieces under “L and S Cylinder” in addition to their studio multiples. This jewelry<br />

is more substantial and more serious, both in concept and execution. To view more pieces of their work, visit<br />

their website at www.lisandscottcylinder.com.<br />

MOUNTAIN FOLK, continued from page 2<br />

Foundation, is using his experience, talent and generosity to share folk music with a new generation. His family<br />

recently established the David L. Kline Family Mountain Folk Scholarship fund, which provides private music<br />

study and instrument upgrade scholarships to guitarists and banjoists of any age. In keeping with his longstanding<br />

tradition, students must be committed to American folk music.<br />

“The Mountain Folk Fund has taken a lot of the revenue from the show and channeled it into a fund that will<br />

then be given to students who study any form of acoustic guitar or banjo…the point is, maybe next year, I won’t<br />

be able to do a show anymore. Maybe my life circumstances will change, I don’t know. None of us knows. So if<br />

this is the swan song, then there is going to be something left behind so people can still come to the mountain<br />

in some sense,” said Dave, in a recent issue of Bluegrass magazine.<br />

The Mountain Folk Music Band recently released its seventh CD, Music from the Mountain Folk Homeplace,<br />

which features eight original songs and four lively cover songs.<br />

10 • NEWS OF NOTE • CAMPAIGN 2009

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